.jpg.webp)
Title page of the 1805 edition of the Kyrie–Gloria Mass for double choir, BWV Anh. 167 – at that moment attributed to Johann Sebastian Bach.[1]
| Lists of |
| Compositions by Johann Sebastian Bach |
|---|
BWV Anh., abbreviation of Bach-Werke-Verzeichnis Anhang (German for Bach works catalogue annex), is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.
History
First edition of the Bach-Werke-Verzeichnis (1950)
In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach-Gesellschaft (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata):[2]
- Kantaten (Cantatas), BWV 1–224
- Motetten (Motets), BWV 225–231
- Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
- Passionen, Oratorien (Passions, Oratorios), BWV 244–249
- Vierstimmige Choräle (Four-part chorales), BWV 250–438
- Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
- Werke für Orgel (Works for organ), BWV 525–771
- Werke für Klavier (Keyboard compositions), BWV 772–994
- Werke für Laute (Lute compositions), BWV 995–1000
- Kammermusik (Chamber music), BWV 1001–1040
- Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
- Kanons (Canons), BWV 1072–1078
- Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080
The Anhang of the BWV listed works that were not suitable for the main catalogue, in three sections:
- I – lost works, or works of which only a tiny fraction had survived (BWV Anh. 1–23)
- II – works of dubious authenticity (BWV Anh. 24–155)
- III – works that were once attributed to Bach, but for which it had been established they were not composed by him (BWV Anh. 156–189)
Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.
Second edition of the Bach-Werke-Verzeichnis (1990 and 1998)
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. Authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "BWV Anh. 114 / Anh. III 183→" indicating it was now considered a spurious work.[3]
In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[4]
New additions (Nachträge) to BWV2/BWV2a included:
A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[5]
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, BWV Anh. 198 was renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)
Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).
Bachs Notenbibliothek (1992)
Kirsten Beißwenger published Bachs Notenbibliothek (BNB) in 1992. As a compendium of works in Bach's musical library, it listed as well Bach's own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWV Anh. (mostly Anh. III). For example, the Kyrie–Gloria Mass for double choir, BWV Anh. 167, is listed as BNB I/An/3 in Beißwenger's catalogue.[6][7]
21st century
As of mid-2018 the Bach Digital website started to implement the new numbers of the next edition of the Bach-Werke-Verzeichnis. The editors of this third edition of the Bach-Werke-Verzeichnis (projected to be published in 2020) recognise that the BWV Anh. has become largely unworkable, calling for a new approach.[8]
List
Legend
| column | content | |
|---|---|---|
| 1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: |
| 2 | 2a | Section in which the composition appears in BWV2a:
|
| 3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 4 | Name | Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 5 | Key | Key of the composition |
| 6 | Scoring | See scoring table below for the abbreviations used in this column |
| 7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[9] |
| 8 | NBE | New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[10]
|
| 9 | Additional info | may include:
Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
| Voices (see also SATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo, flauto basso) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello, violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone, violone grosso | |
| Colour | Meaning |
|---|---|
| green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) |
| orange-brown | extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member |
Table
| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| Anh. I | Fragments – lost works | Up ↑ | |||||||
| I 1 | I | 1725-07-15? | Cantata Gesegnet ist die Zuversicht (Trinity VII) | SATB 2Fl Str Bc | by Telemann (TWV 1:617)?; text by Neumeister? | 01308 | |||
| I 2 | I |
|
|
|
|
|
|
see BWV 1137 | 01309 |
| I 3 | I |
|
|
|
|
|
|
see BWV 1140 | 01310 |
| I 4 | I |
|
|
|
|
|
|
see BWV 1139.1 | 01311 |
| I 4a | I |
|
|
|
|
|
|
see BWV 1139.2 | 01312 |
| I 5 | I |
|
|
|
|
|
|
see BWV 1147 | 01313 |
| I 6 | I |
|
|
|
|
|
|
see BWV 1151 | 01314 |
| I 7 | I |
|
|
|
|
|
|
see BWV 1153 | 01315 |
| I 8 | I |
|
|
|
|
|
|
see BWV 1152 | 01316 |
| I 9 | I |
|
|
|
|
|
|
see BWV 1156 | 01317 |
| I 10 | I |
|
|
|
|
|
|
see BWV 1160 | 01318 |
| I 11 | I |
|
|
|
|
|
|
see BWV 1157 | 01319 |
| I 12 | I |
|
|
|
|
|
|
see BWV 1158 | 01320 |
| I 13 | I |
|
|
|
|
|
|
see BWV 1161 | 01321 |
| I 14 | I |
|
|
|
|
|
|
see BWV 1144 | 01322 |
| I 15 | I |
|
|
|
|
|
|
see BWV 1148 | 01323 |
| I 16 | I | 1735-11-09 | Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg) | by Roemhildt;[11] text by Hoffmann, B.[12] | 01324 | ||||
| I 17 | I | Cantata Mein Gott, nimm die gerechte Seele (funeral) | SATB 2Oba Str Bas Bc | I/33 | 01325 | ||||
| I 18 | I |
|
|
|
|
|
|
see BWV 1162 | 01326 |
| I 19 | I | 1734-11-21 | Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school) | I/39 | text by Landvoigt? | 01327 | |||
| I 20 | I |
|
|
|
|
|
|
see BWV 1155 | 01328 |
| N 190 | I | 1729-04-18 | Cantata Ich bin ein Pilgrim auf der Welt (Easter 2) | b Bc ... | I/33 | by Bach, C. P. E.?; text by Picander | 01501 | ||
| N 191 | I | 1715-05-19 | Cantata Leb ich oder leb ich nicht (Cantate) | text by Franck, S. | 01502 | ||||
| N 192 | I |
|
|
|
|
|
|
see BWV 1138.1 | 01503 |
| N 193 | I |
|
|
|
|
|
|
see BWV 1141 | 01504 |
| N 194 | I |
|
|
|
|
|
|
see BWV 1154 | 01505 |
| N 195 | I | 1723-06-09 | Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus) | text in Acta Lipsiensium 1723, Vol. 5, pp. 515–619 | 01506 | ||||
| N 196 | I |
|
|
|
|
|
|
see BWV 1163 | 01507 |
| N 197 | I |
|
|
|
|
|
|
see BWV 1150 | 01508 |
| N 198 | I |
|
|
|
|
|
|
see BWV 149/1a | 01509 |
| N 199 | I |
|
|
|
|
|
|
see BWV 1135 | 01510 |
| N 200 | I | c.1740 | chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein) | Organ | IV/1: 46 | after Z 1915;[13] in SBB P 283 | 01511 | ||
| N 209 | I |
|
|
|
|
|
|
see BWV 1136 | 01520 |
| N 210 | I | 1734-10-04 | Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner) | text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[14][15] | 01521 | ||||
| N 211 | I |
|
|
|
|
|
|
see BWV 1145 | 01522 |
| N 212 | I |
|
|
|
|
|
|
see BWV 1146 | 01523 |
| N 213 | I | Concerto | F maj. | Org | by Telemann; arr. by Bach | 01524 | |||
| 223 | I | 1717–1718? | Cantata Meine Seele soll Gott loben | B♭ maj. | I/34 | by Handel?[16] | 00280 | ||
| 224 | I | 1732 | Aria "Reißt euch los, bekränkte Sinnen" (fragment) | S | I/41 | by Bach, C. P. E.?; in SBB P 491[17] | 00281 | ||
| Anh. II | Works of doubtful authenticity | Up ↑ | |||||||
| 53 | II | Aria "Schlage doch, gewünschte Stunde" (Funeral) | E maj. | a Bel Str Bc | 122: 53 | I/41 | by Hoffmann, M.? | 00068 | |
| 142 | II | Cantata Uns ist ein Kind geboren (Christmas) | A min. | atbSATB 2Fl 2Ob Str Bc | 30: 19 | I/41 | text by Neumeister (reworked) | 00174 | |
| 189 | II | Cantata Meine Seele rühmt und preist (German Magnificat, Visitation) | B♭ maj. | t Fl Ob Vl Bc | 37: 213 | I/41 | by Hoffmann, M. | 00229 | |
| 217 | II | Cantata Gedenke, Herr, wie es uns gehet (Epiphany I) | satbSATB Fl Str Bc | 41: 207 | I/41 | by Altnickol? | 00274 | ||
| 220 | II | Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist) | atbSATB Fl 2Ob Str Bc | 41: 259 | I/41 | 00277 | |||
| 221 | II | Cantata Wer sucht die Pracht, wer wünscht den Glanz | tb 2Vl Bas Vc Org | I/41 | in SBB P 191: 83–113 | 00278 | |||
| III 159 | II |
|
|
|
|
|
|
see BWV 1164 | 01470 |
| II 25 | II | 1740–1742 (JSB) |
Kyrie–Gloria Mass | C maj. | SATB 2Tr 2Vl Org | 111: XVI | II/9 | by Bach, J. L.? | 01333 |
| 239 | II | 1738–1741 (JSB) |
Sanctus | D min. | SATB Str Bc | 111: 89 | II/9 | after Caldara, Missa Providentiae/4[18][19] | 00298 |
| II 28 | II | Sanctus | B♭ maj. | SATB 2Ob 2Cor Str Bc | 111: XVII | II/9 | 01336 | ||
| II 29 | II | c.1714–17 | Kyrie–Gloria Mass (only cello part extant) | C min. | II/9 | in BKraków St 547 | 01337 | ||
| III 167 | II | 1738–1739 (JSB) | Kyrie–Gloria Mass for two choirs | G maj. | 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org | II/9 | by Bernhard, Krieger or Pohle?; in SBB P 659[1][20][21] | 01478 | |
| II 30 | II | 1690s (Tor.) c.1742 (JSB) |
Magnificat for double choir | C maj. | 2SATB 3Tr Tmp 2Vl 2Vla Bc | 111: XV | II/9 | after Torri, Magnificat; Tr3, Tmp by Bach[22][23][24] | 01338 |
| 246 | II | 1732-04-11 (JSB) | Passion St Luke Passion | ssatbSATB 2Fl 2Ob Tai Bas Str Bc | 452 | II/9: 65 | → BWV 246/40a; in SBB P 1017[25] | 00311 | |
| II 31 | II | chorale setting "Herr Gott, dich loben alle wir" | SATB 2Tr 3Ob Str Bc | in SBB P 101 | 01339 | ||||
| N 201 | II | chorale setting "Du Friedefürst, Herr Jesu Christ" | SATB | by Vetter, D.[26] | 01512 | ||||
| N 202 | II | chorale setting "Gott hat das Evangelium" | SATB | by Vetter, D.[27] | 01513 | ||||
| N 203 | II | chorale setting "Ich hebe meine Augen auf" | SATB | by Vetter, D.[28] | 01514 | ||||
| N 204 | II | chorale setting "O Traurigkeit, o Herzeleid" | SATB | by Vetter, D.[29] | 01515 | ||||
| II 32 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01340 | |||
| II 33 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 2 "Mein Jesus, spare nicht" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01341 | |||
| II 34 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 3 "Kann ich mit einem Tone" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01342 | |||
| II 35 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 4 "Meine Seele lass die Flügel" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01343 | |||
| II 36 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 5 "Ich stimm' itzund ein Straff-Lied an" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01344 | |||
| II 37 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 6 "Der schwarze Flügel trüber Nacht" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01345 | |||
| II 38 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 7 "Das Finsterniß tritt ein" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01346 | |||
| II 39 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 8 "Ach was wollt ihr trüben Sinnen" | Voice Bc | in Deutsche Übersetzungen und Gedichte[30] | 01347 | |||
| II 40 | II | 1736 | Song "Ich bin nun wie ich bin" | Voice Kb | in Singende Muse an der Pleiße[31][32][33] | 01348 | |||
| II 41 | II | 1736 | Song "Dir zu Liebe, wertes Herze" | Voice Kb | in Singende Muse an der Pleiße[31][34][35] | 01349 | |||
| 571 | II | c. 1704 | Fantasia, a.k.a. Concerto | G maj. | Organ | 38: 67 | IV/11: 35 | [36][37] | 00651 |
| 580 | II | Fugue | D maj. | Organ | 38: 215 | [38] | 00662 | ||
| II 42 | II | Fugue | F maj. | Organ | in SBB P 817: 1–3 | 01350 | |||
| 576 | II | Fugue | G maj. | Organ | 38: 106 | IV/11 | [39] | 00658 | |
| 577 | II | Fugue | G maj. | Organ | 38: 111 | IV/11: 44 | [40] | 00659 | |
| 581 | II | Fugue | G maj. | Organ | IV/11 | by Homilius?[41] | 00663 | ||
| 131a | II | Fugue | G min. | Organ | 38: 217 | IV/11: 3 | after BWV 131/5[42] | 00161 | |
| 534 | II | Prelude and Fugue | F min. | Organ | 15: 104 | IV/5: 130 | by Bach, W. F.? | 00608 | |
| 536a | II | c.1760–1789? | Prelude and Fugue | A maj. | Organ | IV/6: 114 | after BWV 536, 152/1; arr. by Scholz?[43] | 00612 | |
| 545b | II | 1708–1717 | Prelude, Trio and Fugue | B♭ maj. | Organ | IV/11: 6 | after BWV 545a; ↔ 545, 1029/3[44][45] | 00624 | |
| 553 | II | Eight Short Preludes and Fugues No. 1 | C maj. | Organ | 38: 23 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00633 | |
| 554 | II | Eight Short Preludes and Fugues No. 2 | D min. | Organ | 38: 27 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00634 | |
| 555 | II | Eight Short Preludes and Fugues No. 3 | E min. | Organ | 38: 30 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00635 | |
| 556 | II | Eight Short Preludes and Fugues No. 4 | F maj. | Organ | 38: 33 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00636 | |
| 557 | II | Eight Short Preludes and Fugues No. 5 | G maj. | Organ | 38: 36 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00637 | |
| 558 | II | Eight Short Preludes and Fugues No. 6 | G min. | Organ | 38: 39 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00638 | |
| 559 | II | Eight Short Preludes and Fugues No. 7 | A min. | Organ | 38: 42 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00639 | |
| 560 | II | Eight Short Preludes and Fugues No. 8 | B♭ maj. | Organ | 38: 45 | IV/11 | by Krebs, J. T. or J. L.?[46][47] | 00640 | |
| 561 | II | Fantasia and Fugue | A min. | Organ | 38: 48 | 00641 | |||
| 568 | II | Prelude | G maj. | Organ | 38: 85 | IV/6: 51 | 00648 | ||
| 584 | II | Trio | G min. | Organ | I/12: 23 IV/11 |
after BWV 166/2[48] | 00666 | ||
| 1027 /1a /2a /4a | II | Trio | G maj. | Organ | IV/11 | after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.?[49] | 01209 | ||
| 591 | II | Kleines harmonisches Labyrinth | Organ | 38: 225 | IV/11: 50 | by Heinichen?[50][51] | 00673 | ||
| 597 | II | Concerto for solo organ | E♭ maj. | Organ | IV/11 | after lost model? | 00680 | ||
| 598 | II | Pedal-Exercitium (fragment) | Organ | 38: 210 | by Bach, C. P. E.? | 00681 | |||
| 676a | II | 1739–1789 | chorale setting "Allein Gott in der Höh sei Ehr" (later variant) | Organ | 40: 208 | IV/4: KB 48 | after BWV 676 | 00792 | |
| 683a | II | 1739–1789 | chorale setting "Vater unser im Himmelreich" (later variant) | Organ | IV/4: KB 51 | after BWV 683 | 00800 | ||
| N 205 | II |
|
|
|
|
|
|
see BWV 1121 | 01516 |
| II 48 | II | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | by Walther (& Scholz?) | 01356 | ||||
| II 49 | II | chorale setting "Ein feste Burg ist unser Gott" | Organ | by Walther? | 01357 | ||||
| II 50 | II | chorale setting "Erhalt uns, Herr, hei deinem Wort" | Organ | 01358 | |||||
| II 51 | II | chorale setting "Erstanden ist der heilge Christ" | Organ | 01359 | |||||
| II 52 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01360 | |||||
| II 53 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01361 | |||||
| II 54 | II | chorale setting "Helft mir Gotts Güte preisen" | Organ | 01362 | |||||
| chorale setting "Von Gott will ich nicht lassen" | |||||||||
| II 55 | II | 1714-1717 or earlier |
chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01363 | ||||
| II 58 | II | chorale setting "Jesu, meine Freude" | Organ | 01366 | |||||
| II 59 | II | chorale setting "Jesu, meine Freude" | Organ | 01367 | |||||
| II 60 | II | chorale setting "Nun lob, mein Seel, den Herren" | Organ | by Walther? | 01368 | ||||
| II 62a | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01370 | |||||
| II 62b | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01371 | |||||
| II 63 | II | chorale setting "Vom Himmel hoch" | Organ | 01372 | |||||
| II 64 | II | chorale setting "Vom Himmel hoch" | Organ | 01373 | |||||
| II 65 | II | chorale setting "Vom Himmel hoch" | Organ | 01374 | |||||
| II 66 | II | chorale setting "Wachet auf, ruft uns" | Organ Tr | by Krebs, J. L.? | 01375 | ||||
| II 67 | II | chorale setting "Was Gott tut, das ist wohlgetan" | Organ | 01376 | |||||
| II 68 | II | chorale setting "Wer nur den lieben Gott läßt walten" | Organ | 01377 | |||||
| II 69 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01378 | |||||
| II 70 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01379 | |||||
| II 71 | II |
|
|
|
|
|
|
see BWV 1128 | 01725 |
| II 72 | II | chorale setting "Christus der uns selig macht" (Canon) | Organ | 01381 | |||||
| II 74 | II | chorale setting "Schmücke dich, o liebe Seele" | Organ | 01383 | |||||
| II 75 | II | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01384 | |||||
| II 76 | II | chorale setting "Jesu, meine Freude" | Organ | 01385 | |||||
| II 77 | II | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01386 | |||||
| II 78 | II | chorale setting "Wenn wir in höchsten Nöten sein" | Organ | 01387 | |||||
| II 79 | II | chorale setting "Befiehl du deine Wege" | Organ | 01388 | |||||
| 691a | II | 1720–1789 | chorale setting "Wer nur den lieben Gott läßt walten" (variant) | Organ | 40: 151 | after BWV 691 | 00809 | ||
| 705 | II | chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) | Organ | 40: 23 | IV/10: 47 | after Z 7549 | 00825 | ||
| 708 | II | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) | Organ | 40: 30 | IV/10: 86 | after Z 1679 | 00828 | |
| 708a | II | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" | Organ | 40: 152 | IV/10: 86 | after Z 1679 | 00829 | |
| 716 | II | chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) | Organ | 40: 45 | IV/10: 14 | after Z 4457 | 00838 | ||
| 726 | II | bef. c.1727 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | 40: 72 | IV/3: 45 | after Z 624 | 00849 | |
| 743 | II | bef. c.1740 | chorale setting "Ach, was ist doch unser Leben" | Organ | IV/10: 11 | after Z 1208b; by Buttstett, J. H.? | 00871 | ||
| 745 | II | 1700–1788 | chorale setting "Aus der Tiefe rufe ich" | Organ | 40: 171 | IV/10: 22 | after Z 1217; by Bach, C. P. E.? | 00873 | |
| 749 | II | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | IV/10: 80 | after Z 624; by Bach, J. Christoph or Telemann? | 00878 | ||
| 750 | II | c.1700–1703 | chorale setting "Herr Jesu Christ, meins Lebens Licht" | Organ | IV/10: 81 | 00879 | |||
| 752 | II | c.1700–1717 | chorale setting "Jesu, der du meine Seele" | Organ | after Z 6779a | 00881 | |||
| 754 | II | bef. c.1740 | chorale setting "Liebster Jesu, wir sind hier" | Organ | after Z 3498b | 00883 | |||
| 755 | II | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | after Z 4429a | 00884 | ||||
| 756 | II | chorale setting "Nun ruhen alle Wälder" | Organ | after Z 2293b | 00885 | ||||
| 757 | II | chorale setting "O Herre Gott, dein göttlichs Wort" | Organ | after Z 5690 | 00886 | ||||
| 758 | II | chorale setting "O Vater, allmächtiger Gott" | Organ | 40: 179 | IV/11: 69 | after Z 8603b | 00887 | ||
| 762 | II | bef. c.1717 | chorale setting "Vater unser im Himmelreich" | Organ | IV/10: 142 | after Z 2561 | 00891 | ||
| 763 | II | chorale setting "Wie schön leucht uns der Morgenstern" | Organ | after Z 8359 | 00892 | ||||
| 765 | II | bef. c.1717 | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 187 | after Z 7971 | 00894 | ||
| N 206 | II | chorale setting "Ach bleib mit deiner Gnade" | Organ | by Pachelbel (P 376)[52][53] | 01517 | ||||
| chorale setting "Christus, der ist mein Leben" | |||||||||
| II 80 | II | 1707–1708 or earlier |
Suite | F maj. | Keyboard | V/12 | 01389 | ||
| 821 | II | Suite | B♭ maj. | Keyboard | 42: 213 | V/12: 3 | [54] | 00959 | |
| 834 | II | Allemande | C min. | Keyboard | 42: 259 | V/12 | [55] | 00973 | |
| 839 | II | 1735-03-07 or earlier |
Sarabande | G min. | Keyboard | V/12 | in Notenbuch der Zeumerin[56][57] | 00978 | |
| 844 | II | Toccatina No. 4 Scherzo | D min. | Keyboard | 42: 220 | V/12: 16 | by Bach, W. F.? ↔ BWV 844a[58] | 00983 | |
| 844a | II | Scherzo | E min. | Keyboard | 42: 281 | V/12: 22 | by Bach, W. F.? (BR A55); ↔ BWV 844[58] | 00984 | |
| 845 | II | Gigue | F min. | Keyboard | 42: 263 | V/12 | [55] | 00985 | |
| II 81 | II | Gigue (incomplete) | D min. | Keyboard | V/12 | by Kellner, J. P.? | 01390 | ||
| II 82 | II | Ciacona | B♭ maj. | Keyboard | V/12 | by Bach, J. B.? | 01391 | ||
| II 83 | II | Ciacona | A maj. | Keyboard | V/12 | by Bach, J. B. or H.? | 01392 | ||
| II 84 | II | Ciacona | G maj. | Keyboard | V/12 | by Bach, J. B.? | 01393 | ||
| II 85 | II | Toccata and Fugue | F min. | Keyboard | 42: XXXV | V/12: 114, 122 | by Dobenecker?[59][60] | 01394 | |
| 898 | II | Prelude and Fugue on B-A-C-H | B♭ maj. | Keyboard | 42: XXXIV | V/12 | 01067 | ||
| II 86 | II | Fantasia | C min. | Keyboard | 42: 243 | V/12 | by Gronau? | 01395 | |
| II 87 | II | Fantasia | C maj. | Keyboard | V/12 | by Benda? | 01396 | ||
| 905 | II | Fantasia and Fugue | D min. | Keyboard | 42: 179 | V/12: 24 | [61] | 01076 | |
| 907 | II | Fantasia and Fughetta | B♭ maj. | Keyboard | 42: 268 | V/12: 28 | by Kirchhoff?[62] | 01078 | |
| 908 | II | Fantasia and Fughetta | D maj. | Keyboard | 42: 272 | V/12: 34 | by Kirchhoff?[62] | 01079 | |
| 909 | II | Concerto e Fuga | C min. | Keyboard | 42: 190 | V/12: 38 | 01080 | ||
| 919 | II | Fantasia | C min. | Keyboard | 36: 152 | V/12: 48 | by Bach, J. B. or J. B. the Younger?[63] | 01092 | |
| 920 | II | Fantasia | G min. | Keyboard | 42: 183 | V/12 | [61] | 01093 | |
| 923a | II | Toccatina No. 3 Prelude | A min. | Keyboard | 42: 279 | V/12: 14 | after BWV 923[64] | 01097 | |
| II 89 | II | Fugue | C maj. | Keyboard | 42: XXXIV | V/12 | 01398 | ||
| II 90 | II | Fugue | C maj. | Kb (with ped?) | 38: 213 | IV/11: 58, 61 | by Bach, C. P. E. (H 388) or Pachelbel? | 01399 | |
| II 91 | II | Fugue | G maj. | Keyboard | 42: XXXIV | V/12 | 01401 | ||
| II 92 | II | Fugue | G maj. | Keyboard | V/12 | 01402 | |||
| II 93 | II | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | 01403 | ||
| II 95 | II | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | 01405 | ||
| II 96 | II | Fugue | D maj. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01406 | ||
| II 98 | II | Fugue | D min. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01408 | ||
| II 99 | II | Fugue | D min. | Keyboard | V/12 | 01409 | |||
| II 100 | II | Fugue | D min. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01410 | ||
| II 101 | II | Fugue | G min. | Keyboard | 42: XXXV | V/12: 130 | by Dobenecker?[60] | 01411 | |
| II 102 | II | Fugue | E♭ min. | Keyboard | V/12 | 01412 | |||
| 897/2 | II | Fugue | A min. | Keyboard | 42: 175 | V/12 | by Dretzel or Bach, W. F.? | 01066 | |
| 945 | II | Fugue | E min. | Keyboard | 36: 155 | V/12 | by Graupner?[65] | 01120 | |
| 956 | II | Fugue | E min. | Keyboard | 42: 200 | V/12: 70 | 01133 | ||
| 958 | II | Fugue | A min. | Keyboard | 42: 205 | V/12: 74 | 01135 | ||
| 960 | II | Fugue (incomplete) | E min. | Keyboard | 42: 276 | V/12 | [66] | 01137 | |
| N 207 | II | Fugue | E min. | Keyboard | IV/11 | by Seger?[67] | 01518 | ||
| II 109 | II | Fugue on B-A-C-H | G min. | Keyboard | V/12 | 01419 | |||
| 964 | II | Sonata | D min. | Keyboard | 42: 3 | V/12: 78 | after BWV 1003[68] | 01141 | |
| II 111 | II | Largo and Allegro | G maj. | Keyboard | 42: XXXV | V/12 | 01421 | ||
| 968 | II | Adagio | G maj. | Keyboard | 42: 27 | V/12: 94 | after BWV 1005/1[68] | 01145 | |
| 969 | II | Toccatina No. 5 Andante | G min. | Keyboard | 42: 218 | V/12: 18 | [58] | 01146 | |
| II 113 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 3 Minuet | F maj. | Keyboard | 432: 25 | V/4: 82 | 01423 | |
| II 116 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 7 Minuet | G maj. | Keyboard | 432: 28 | V/4: 87 | 01426 | |
| II 117 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises | F maj. | Keyboard | 432: 28 | V/4: 88 | 01427 01428 | |
| II 118 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 9 Minuet | B♭ maj. | Keyboard | 432: 29 | V/4: 89 | 01429 | |
| II 119 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 10 Polonaise | G min. | Keyboard | 432: 30 | V/4: 90 | 01430 | |
| II 120 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 14 Minuet | A min. | Keyboard | 432: 31 | V/4: 92 | 01431 | |
| II 121 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 15 Minuet | C min. | Keyboard | 432: 32 | V/4: 92 | 01432 | |
| II 126 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 22 Musette | D maj. | Keyboard | 432: 35 | V/4: 99 | 01437 | |
| II 127 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 23 March | E♭ maj. | Keyboard | 432: 35 | V/4: 100 | by Bach, C. P. E. | 01438 |
| II 128 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 24 (Polonaise) | D min. | Keyboard | 432: 36 | V/4: 101 | 01439 | |
| II 132 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 36 Minuet | D min. | Keyboard | 432: 48 | V/4: 125 | 01443 | |
| II 151 | II | Concerto | C maj. | Keyboard | 42: XXXIV | V/12 | 01462 | ||
| II 152 | II | Concerto | G maj. | Vl Hc | 42: XXXIV | VI/5 | 01463 | ||
| 990 | II | Sarabanda con Partitis | C maj. | Keyboard | 42: 221 | V/12: 97 | [69] | 01168 | |
| II 153 | II | Sonata | A maj. | Vl Bc | VI/5 | 01464 | |||
| II 154 | II | Sonata | E♭ maj. | Vl Hc | VI/5 | [70] | 01465 | ||
| 1020 | II | Sonata | G min. | Vl Hc | 9: 274 | VI/5 | by Bach, C. P. E.? (H 542.5)[71][72] | 01201 | |
| 1022 | II | Sonata | F maj. | Vl Hc | VI/5: 27 | by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038[72][73] | 01203 | ||
| 1024 | II | Sonata | C min. | Vl Bc | VI/5 | [74][75] | 01205 | ||
| 1031 | II | Sonata | E♭ maj. | Fl Hc | 9: 22 | VI/5: 13 | by Bach, C. P. E.? (H 545)[72][76] | 01213 | |
| 1033 | II | Sonata | C maj. | Fl Bc | 431: 3 | VI/5: 3 | by Bach, C. P. E.? (H 564.5)[72][77] | 01215 | |
| 1038 | II | 1732–1735 | Sonata | G maj. | Fl Vl Bc | 9: 219 | VI/5: 45 | by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022[73] | 01220 |
| 525a | II | Concerto (Trio sonata) | C maj. | Vl Vc Bc | VI/5 | after BWV 525/1, 1032/2, 525/3[78][79] | 01718 | ||
| II 155 | II | Concerto | A maj. | Kb Str Bc | VI/5 | 01466 | |||
| I 22 | II | Concerto | B♭ maj. | Ob Vl Str Bc | VI/5 | by Förster (C.?)?[80] | 01330 | ||
| 1070 | II | Orchestral Suite (No. 5) | G min. | Str Bc | 451: 190 | VI/5 | by Bach, W. F.?[81][82] | 01256 | |
| Anh. III | Works of other composers, spuriously attributed to Bach | Up ↑ | |||||||
| III 156 | III | Cantata Herr Christ, der einge Gottes Sohn (Annunciation) | SATB Str Bc | by Telemann (TWV 1:732)[83] | 01467 | ||||
| III 157 | III | Cantata Ich habe Lust zu scheiden (Purification) | s 2Fl Str Bc | by Telemann (TWV 1:836)[84] | 01468 | ||||
| 15 | III | 1726-04-21 (JSB) |
Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter) | satbSATB 3Tr Tmp Str Bc | 2: 135 | I/41 | by Bach, J. L. (JLB 21); text in Meiningen 1704[85] | 00017 | |
| 141 | III | Cantata Das ist je gewißlich wahr (3rd Sunday of Advent) | atbSATB 2Ob Str Bc | 30: 3 | I/41 | by Telemann (TWV 1:183)[86] | 00173 | ||
| 145/b | III | Cantata movement So du mit deinem Munde bekennest Jesum (Easter) | D maj. | SATB Tr Str Bc | 30: 96 | I/10: 142 | by Telemann (TWV 1:1350/1)[87] | 00178 | |
| 160 | III | 1725–1732? | Cantata Ich weiß, daß mein Erlöser lebt (Easter) | C maj. | t Vl Bas Bc | 32: 171 | I/41 | by Telemann (TWV 1:877)[88] | 00194 |
| 218 | III | Cantata Gott der Hoffnung erfülle euch (Pentecost) | satbSATB 2Hn Str Bc | 41: 223 | by Telemann (TWV 1:634)[89] | 00275 | |||
| 219 | III | Cantata Siehe, es hat überwunden der Löwe (Michaelmas) | sabSATB Str Bc | 41: 239 | by Telemann (TWV 1:1328)[90] | 00276 | |||
| 222 | III | Cantata Mein Odem ist schwach (Purification) | sabSATB Str Bc | by Bach, J. Ernst; → BWV Anh. 165 | 00279 | ||||
| III 158 | III | Aria "Andrò dall'colle al Prato" | s 2Fl (2Hn) Str Bc | by Bach, J. C. | 03022 | ||||
| III 160 | III | 1750–1755? (Harrer?) | Motet Jauchzet dem Herrn alle Welt, TWV 8:10 | C maj. | 2SATB | III/3: 15 | after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100[91] | 01471 | |
| III 161 | III | Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas) | D maj. | SATB Str? Bc | III/3 | by Graun (C. H.?), precedes laudes A and B of BWV 243a | 01472 | ||
| III 162 | III | Motet Lob und Ehre und Weisheit und Dank | 2SATB | III/3 | by Wagner, G. G. | 01473 | |||
| III 163 | III | Motet Merk auf, mein Herz, und sieh dorthin | 2SATB | III/3 | by Bach, J. B. or J. Ernst | 01474 | |||
| III 164 | III | Motet Nun danket alle Gott | SSATB | III/3: 52 | by Altnickol | 01475 | |||
| III 165 | III | Motet Unser Wandel ist im Himmel | SATB | III/3 | by Bach, J. Ernst; after BWV 222/3 /4 /6 | 01476 | |||
| III 166 | III | 1716 (JLB) 1729 (JSB) |
Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr" | E min. | SSATB 2Vl 2Vla Vc Bc | 111: XV 41: 276 |
II/9 | by Bach, J. L. (JLB 38), start of Gloria arr. by Bach | 01477 |
| II 24 | III | 1715–1717, 1724 (JSB) | Kyrie–Gloria Mass | A min. | SATB Str Bc | 111: XV | II/9 | after Missa Sancti Lamberti by Pez, J. C. | 01332 |
| II 26 | III | 1727–1732 (JSB) | Kyrie–Gloria Mass | C min. | satbSATB 3Tbn 2Vl Bc | 41: 193 111: XVI |
II/2: 295 | by Durante (alternative Christe: BWV 242) | 01334 |
| II 27 | III | c. 1745? (JLK) | Sanctus | F maj. | SATB 2Hn 2Ob Str Bc | 111: XVII | II/9 | by Krebs, J. L. (Krebs‑WV 104)[92] | 01335 |
| III 168 | III | c. 1747? (WFB) | Kyrie and German Gloria | G min. | sSATB Str Bc | 111: XVII | II/9 | by Bach, W. F. (BR E1 F 100) | 01479 |
| I 21 | III | c. 1707 (MH) | Magnificat Meine Seel erhebt den Herren | A min. | s Fl 2Vl Bc | 111: XVIII | II/9 | by Hoffmann, M.[93] | 01329 |
| III 169 | III | 1724–1725 | Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum | text by Picander partly used in BWV 244 but no other known setting[94] | 01480 | ||||
| 8/6 | III | 1713 (Vet.) 1724-09-24 (JSB) |
chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5) | E maj. | SATB | 1: 241 | I/23: 161 | by Vetter, D. (Z 6634); text by Neumann[95][96][97] | 00009 |
| III/2.1: 63 III/2.2: 25 |
11228 | ||||||||
| D maj. | I/23: 219 | 00010 | |||||||
| 27/6 | III | 1652 (Ros.) 1726-10-06 (JSB) |
chorale setting "Welt, ade, ich bin dein müde" (s. 1) | B♭ maj. | SSATB | 51: 244 | I/23: 251 | by Rosenmüller (Z 6531); text by Albinus[96] | 01481 |
| III 170 | III/2.2: 86 | 11345 | |||||||
| 43/11 | III | 1652 (Pet.) 1726-05-30 (JSB) |
chorale setting "Du lebensfürst, Herr Jesu Christ" (ss. 1, 13) | G maj. | SATB | 10: 126 | I/12: 164 | by Peter after Z 5741b; text by Rist[98] | 11241 |
| chorale setting "Ermuntre dich, mein schwacher Geist" | III/2.1: 74 III/2.2: 57 | ||||||||
| 567 | III | Prelude | C maj. | Organ | 38: 84 | IV/11 | by Krebs, J. L. (Krebs‑WV 401)[99] | 00647 | |
| III 178 | III | last third of 17th century | Toccata quasi Fantasia con Fuge | A maj. | Organ | 42: 250 | V/12 | by Reincken?[100] | 01489 |
| II 43 | III | c. 1788 | Fugue | B min. | Organ | IV/11 | by Pölitz; after H 776/18 | 01351 | |
| II 44 | III | Fugue | G maj. | Organ | IV/11 | by Kellner, J. P. or J. C.[101] | 01352 | ||
| II 45 | III | c. 1799 | Fugue on B-A-C-H | B♭ maj. | Organ | IV/11 | by Knecht | 01353 | |
| II 88 | III | 1765 | Fugue | C maj. | Keyboard | V/12 | by Kellner, J. C. | 01397 | |
| II 97 | III | Fugue | F♯ maj. | Keyboard | 42: XXXV | IV/11: 63 | by Krebs, J. L. (Krebs‑WV 409/2) | 01407 | |
| II 103 | III | c. 1711–1718 (GFH) | Fugue | A min. | Keyboard | V/12 | by Handel (HWV 609) | 01413 | |
| II 104 | III | c. 1711–1718 (GFH) | Fugue | C min. | Keyboard | V/12 | by Handel (HWV 610) | 01414 | |
| II 105 | III | c. 1711–1718 (GFH) | Fugue | B♭ maj. | Keyboard | V/12 | by Handel (HWV 607) | 01415 | |
| II 106 | III | c. 1711–1718 (GFH) | Fugue | G min. | Keyboard | V/12 | by Handel (HWV 605) | 01416 | |
| N 208 | III | 1747 (JEE) | Fugue | E♭ min. | Keyboard | IV/11 | After Toccata nona by Eberlin | 01519 | |
| II 46 | III | Trio | C min. | Organ | IV/11 | by Krebs, J. T.[102] | 01354 | ||
| 692 | III | chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3) | C maj. | Organ | 40: 4 | IV/11 | by Walther; after BWV 692a | 00810 | |
| 692a | III | chorale setting "Ach Gott und Herr" (early version) | C maj. | Organ | 40: 152 | IV/11 | by Walther; → BWV 692 | 00811 | |
| 693 | III | chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4) | C maj. | Organ | 40: 5 | IV/11 | by Walther | 00812 | |
| 723 | III | chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) | Organ | 40: 63 | after Z 1947; by Bach, J. Michael | 00846 | |||
| 740 | III | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 103 | after Z 4000; by Krebs, J. L. (Krebs‑WV 554c) | 00868 | |||
| 744 | III | chorale setting "Auf meinen lieben Gott" | Organ | 40: 170 | IV/10: 20 | after Z 2164; by Krebs, J. L. (Krebs‑WV 517) | 00872 | ||
| 746 | III | 1715 or earlier (JCFF) | chorale setting "Christ ist erstanden" | D min. | Organ | 40: 173 | IV/10 | by Fischer (Ariadne Musica No. 24) | 00874 |
| 748 | III | 1700–1739 | chorale setting "Gott der Vater wohn uns bei" | D maj. | Organ | 40: 177 | IV/10 | by Walther; → BWV 748a | 00876 |
| 748a | III | 1700–1789 | chorale setting "Gott der Vater wohn uns bei" (variant) | D maj. | Organ | IV/10 | by Scholz (arr.)?; after BWV 748 | 00877 | |
| 751 | III | chorale setting "In dulci jubilo" (also in Neumeister Collection) | Organ | IV/10 | by Bach, J. Michael | 00880 | |||
| 759 | III | chorale setting "Schmücke dich, o liebe Seele" | F maj. | Organ | 40: 181 | IV/10 | by Homilius (HoWV VIII.17)[67] | 00888 | |
| 760 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 183 | IV/10 | by Böhm | 00889 | ||
| 761 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 184 | IV/10 | by Böhm | 00890 | ||
| 1096 | III | chorale setting "Christe, der du bist Tag und Licht" (3 versions; Neumeister Chorales No. 8) | A min. | Organ | IV/9: 16, 76 | by Pachelbel?[103][104] | 01282 | ||
| chorale setting "Wir danken dir, Herr Jesu Christ" (3 versions; Neumeister Chorales No. 8) | |||||||||
| 771 | III | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | Organ | 40: 195 | IV/11 | by Vetter, A. N.[105] | 00901 | |
| II 47 | III | chorale setting "Herzlich tut mich verlangen" | A min. | Organ | IV/10 | by Kellner, J. P.[101] | 01355 | ||
| chorale setting "Ach Herr, mich armen Sünder" | |||||||||
| II 56 | III | 1735 (Telem.) | chorale setting "Herr Jesu Christ dich zu uns wend" | Organ | IV/10 | by Telemann (TWV 31:8) | 01364 | ||
| II 57 | III | chorale setting "Jesu Leiden, Pein und Tod" | Organ | IV/10 | by Vogler | 01365 | |||
| II 61 | III | chorale setting "O Mensch, bewein dein Sünde groß" | F maj. | Organ | IV/10 | by Pachelbel (P 396)[106] | 01369 | ||
| II 73 | III | 1720–1788 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | F min. | Organ | IV/10 | by Bach, C. P. E.; after BWV 639 | 01382 | |
| III 171 | III | chorale setting "Christ lag in Todesbanden" | Organ | 40: 174 | IV/10 | by Pachelbel (P 58)[107] | 01482 | ||
| III 172 | III | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | Organ | IV/10 | by Krebs, J. L. (Krebs‑WV 524) | 01483 | ||
| 824 | III | 1720 (WFB) | Klavierbüchlein WFB No. 47: Suite | A maj. | Keyboard | 36: 231 | V/5: 78 | by Telemann (TWV 32:14)[108] | 00962 |
| 835 | III | 1761 (Kirnb.) | Allemande | A min. | Keyboard | 42: 267 | V/12 | by Kirnberger (EngK 74)[109] | 00974 |
| 838 | III | Allemande and Courante | A maj. | Keyboard | 42: 265 | V/12 | by Graupner (GWV 849/2 /3)[109] | 00977 | |
| 840 | III | Courante | G maj. | Keyboard | V/12 | by Telemann (TWV 32:13/2) | 00979 | ||
| 897/1 | III | c. 1736–1743 (CHD) | Prelude | A min. | Keyboard | 42: 173 | V/12 | by Dretzel ("Adagiosissimo")[110] | 01065 |
| 962 | III | c. 1783 (JGA) | Fugue | E min. | Keyboard | 42: 198 | V/12 | by Albrechtsberger (Op. 1/8)[111] | 01139 |
| 970 | III | Toccatina No. 6 Presto | D min. | Keyboard | 42: XXXIV | V/12 | by Bach, W. F. (BR A49 F 25/2) | 11148 | |
| II 94 | III | 1774 (Kirnb.) | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | by Kirnberger (EngK 35)[112] | 01404 |
| II 107 | III | Fugue on B-A-C-H | C maj. | Keyboard | 42: XXXIV | V/12 | by Sorge? | 01417 | |
| II 108 | III | Fugue on B-A-C-H | C maj. | Keyboard | 42: XXXIV | V/12 | by Bach, C. P. E. (H 373) or Sorge? | 01418 | |
| II 110 | III | Fugue on B-A-C-H | C min. | Keyboard | 42: XXXIV | V/12 | by Sorge? | 01420 | |
| II 112 | III | 1780 (Kirnb.) | Grave | E min. | Keyboard | V/12 | by Kirnberger (EngK 16)[113] | 01422 | |
| II 114 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 4 Minuet | G maj. | Keyboard | 432: 26 | V/4: 83 | by Petzold[114] | 01424 |
| II 115 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 5 Minuet | G min. | Keyboard | 432: 26 | V/4: 84 | by Petzold[114] | 01425 |
| II 122 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 16 March | D maj. | Keyboard | 432: 32 | V/4: 94 | by Bach, C. P. E. (H 1/1) | 01433 |
| II 123 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 17 Polonaise | G min. | Keyboard | 432: 32 | V/4: 95 | by Bach, C. P. E. (H 1/2) | 01434 |
| II 124 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 18 March | G maj. | Keyboard | 432: 33 | V/4: 96 | by Bach, C. P. E. (H 1/3) | 01435 |
| II 125 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 19 Polonaise | G min. | Keyboard | 432: 33 | V/4: 97 | by Bach, C. P. E. (H 1/4) | 01436 |
| II 129 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 27 Solo per il cembalo | E♭ maj. | Keyboard | 432: 38 | V/4: 104 | by Bach, C. P. E. (H 16) | 01440 |
| II 130 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 28 Polonaise | G maj. | Keyboard | 432: 39 | V/4: 106 | by Hasse[115] | 01441 |
| II 131 | III | c.1745? | Notebook A. M. Bach (1725) No. 32 | F maj. | Keyboard | 432: 46 | V/4: 121 | by Bach, J. C. (W A22)[116] | 01442 |
| II 133 | III | 1763 or later | Musical clock No. 1 Fantasia | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A63 F 207) | 01444 | |
| II 134 | III | 1763 or later | Musical clock No. 2 Scherzo | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A64 F 207) | 01445 | |
| II 135 | III | 1763 or later | Musical clock No. 3 Bourlesca | A min. | Musical clock | V/12 | by Bach, W. F. (BR A65 F 207) | 01446 | |
| II 136 | III | 1763 or later | Musical clock No. 4 Trio | A min. | Musical clock | V/12 | by Bach, W. F. (BR A66 F 207) | 01447 | |
| II 137 | III | 1763 or later | Musical clock No. 5 L'Intrada della Caccia | E♭ maj. | Musical clock | V/12 | by Bach, W. F. (BR A67 F 207) | 01448 | |
| II 138 | III | 1763 or later | Musical clock No. 6 Continuazione della Caccia | E♭ maj. | Musical clock | V/12 | by Bach, W. F. (BR A68 F 207) | 01449 | |
| II 139 | III | 1763 or later | Musical clock No. 7 Il Fine delle Caccia I | D maj. | Musical clock | V/12 | by Bach, W. F. (BR A69 F 207) | 01450 | |
| II 140 | III | 1763 or later | Musical clock No. 8 Il Fine delle Caccia II | D min. | Musical clock | V/12 | by Bach, W. F. (BR A70 F 207) | 01451 | |
| II 141 | III | 1763 or later | Musical clock No. 9 Song "O Gott die Christenheit" | F maj. | Musical clock | V/12 | by Bach, W. F. (BR A71 F 207) | 01452 | |
| II 142 | III | 1763 or later | Musical clock No. 10 Psalm 110 | A min. | Musical clock | V/12 | by Bach, W. F. (BR A72 F 207) | 01453 | |
| II 143 | III | 1763 or later | Musical clock No. 11 Polonaise | E min. | Musical clock | V/12 | by Bach, W. F. (BR A73 F 207) | 01454 | |
| II 144 | III | 1763 or later | Musical clock No. 12 Polonaise Trio | A min. | Musical clock | V/12 | by Bach, W. F. (BR A74 F 207) | 01455 | |
| II 145 | III | 1763 or later | Musical clock No. 13 March | C maj. | Musical clock | V/12 | by Bach, W. F. (BR A75 F 207) | 01456 | |
| II 146 | III | 1763 or later | Musical clock No. 14 March | F maj. | Musical clock | V/12 | by Bach, W. F. (BR A76 F 207) | 01457 | |
| II 147 | III | 1763 or later | Musical clock No. 15 La Combattuta | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A77 F 207) | 01458 | |
| II 148 | III | 1763 or later | Musical clock No. 16 Scherzo | G min. | Musical clock | V/12 | by Bach, W. F. (BR A78 F 207) | 01459 | |
| II 149 | III | 1763 or later | Musical clock No. 17 Minuet | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A79 F 207) | 01460 | |
| II 150 | III | 1763 or later | Musical clock No. 18 Trio | G min. | Musical clock | V/12 | by Bach, W. F. (BR A80 F 207) | 01461 | |
| III 177 | III | Prelude and Fugue | E♭ maj. | Keyboard | 36: 88 | V/12: 134 | by Bach, J. Christoph?[117] | 01488 | |
| III 179 | III | 1728 (JDH) | Fantasia durch alle Tonarten gehend | A min. | Keyboard | V/12 | by Heinichen[118] | 01490 | |
| III 180 | III | Fugue | D min. | Keyboard | 36: 188 | V/12 | by Kellner, J. P.[67] | 01491 | |
| III 181 | III | Fugue | A min. | Keyboard | V/12 | by Krebs, J. L. (Krebs‑WV 825/2) | 01492 | ||
| III 182 | III | Passacaglia | D min. | Keyboard | 42: 234 | V/12 | by Witt | 01493 | |
| III 183 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 6 Rondeau | B♭ maj. | Keyboard | 432: 27 | V/4: 85 | by Couperin (6ième Ordre: Les Bergeries) | 01494 |
| 1036 | III | 1731 (CPE) | Trio | D min. | Vl Hc (2Vl Bc) | VI/5 | by Bach, C. P. E. (H 569; Wq 145) | 01218 | |
| 1037 | III | c. 1740s (JGG) | Sonata | C maj. | 2Vl Bc | 9: 229 | VI/5 | by Goldberg[119] | 01219 |
| III 173 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | B min. | Vl Kb | 451: 172 | VI/5 | by Bonporti (Op. 10 No. 2)[120] | 01484 |
| III 174 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | B♭ maj. | Vl Kb | 451: 176 | VI/5 | by Bonporti (Op. 10 No. 5)[121] | 01485 |
| III 175 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | C min. | Vl Kb | 451: 181 | VI/5 | by Bonporti (Op. 10 No. 6)[122] | 01486 |
| III 176 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | D maj. | Vl Kb | 451: 185 | VI/5 | by Bonporti (Op. 10 No. 7)[123] | 01487 |
| III 184 | III | c. 1747 (Zuc.) | Sonata | A min. | Vl Bc | VI/5 | by Zuccari (Op. 1 No. 10)[124] | 01495 | |
| III 185 | III | Sonata | D maj. | 2Vl Bc | VI/5 | by Bach, C. P. E. (H 585; ≈H 507; Wq 74) | 01496 | ||
| III 186 | III | Sonata | F maj. | 2Vl Bc | VI/5 | by Bach, C. P. E. (H 576; Wq 154) | 01497 | ||
| III 187 | III | Sonata (Trio) | F maj. | Bas Fl Vne | VI/5 | by Bach, C. P. E. (H 589) | 02454 | ||
| III 188 | III | c. 1740 (WFB) | Sonata (Concerto) | F maj. | 2Hc | 431: 47 | V/12 | by Bach, W. F. (BR A12 F 10) | 01499 |
| I 23 | III | 1710 (Alb.) c.1710 (JSB) |
Concerto | E min. | 2Vl Va Vc Vne | VI/5 | by Albinoni (Op. 2 No. 4 = 2nd Concerto) | 01331 | |
| III 189 | III | 1745–1747 (JSB) | Concerto | A min. | Hc Str Bc | VI/5 | by Bach, C. P. E. (H 403; Wq 1) | 01500 | |
| Anh. N | New additions to the Anhang | Up ↑ | |||||||
References
- 1 2 Schicht 1805.
- ↑ Schmieder 1950.
- ↑ Schmieder 1990.
- ↑ Dürr & Kobayashi 1998.
- ↑ Bach Digital Work 01516
- ↑ Beißwenger 1992.
- ↑ Bach Digital Work 01478
- ↑ Blanken 2019.
- ↑ Bach-Gesellschaft Ausgabe, .../Prefaces, .../Thematic Catalogue: documentation and facsimiles at the International Music Score Library Project
- ↑ Neue Bach-Ausgabe: documentation at the International Music Score Library Project
- ↑ Pfau 2008, p. 99.
- ↑ Hoffmann 1738.
- ↑ Zahn 1889–1893, I, p. 513.
- ↑ Hofmann 1987.
- ↑ Dürr & Jones 2006, p. 871.
- ↑ Spitta 1899, I, pp. 343–344.
- ↑ Dadelsen 1957, p. 39.
- ↑ Beißwenger 1991, pp. 150–151.
- ↑ David 1961.
- ↑ Spitta 1899, Vol. III, p. 28.
- ↑ Wollny 2015, p. 132.
- ↑ RISM 467019500
- ↑ Thielemann 2012.
- ↑ Torri 2013, p. 4.
- ↑ Schneider 1912.
- ↑ Vetter 1713, No. 35.
- ↑ Vetter 1713, No. 29.
- ↑ Vetter 1713, No. 20.
- ↑ Vetter 1713, No. 5.
- 1 2 3 4 5 6 7 8 Landmann 1907.
- 1 2 Spitta 1894.
- ↑ Scholze 1736, pp. 33–34.
- ↑ Buhle 1909, pp. XVIII–XXI, 52.
- ↑ Scholze 1736, p. 48.
- ↑ Buhle 1909, pp. XVIII–XXI, 34–35.
- ↑ Dömling & Kohlhase 1971.
- ↑ Dirksen 2016, pp. 20, 146–147.
- ↑ Keller 1937, pp. 63–64.
- ↑ Keller 1937, pp. 70–71.
- ↑ Williams 2003, pp. 176–178.
- ↑ Williams 2003, p. 182.
- ↑ Spitta 1899, I, pp. 455–456.
- ↑ Williams 2003, pp. 56, 59.
- ↑ Williams 2003, pp. 101–102, 105–106.
- ↑ Schulenberg 2013, p. 13; online appendix 2.
- 1 2 3 4 5 6 7 8 Tittel 1966, pp. 114–123.
- 1 2 3 4 5 6 7 8 Dürr 1987.
- ↑ Dirksen 2010, p. 28; online appendix 6.
- ↑ Dirksen 2010, p. 21; online appendix 3–5.
- ↑ Spitta 1899, II, p. 43; III, p. 206.
- ↑ Wright 2000.
- ↑ Feder 1958, p. 78.
- ↑ Perreault 2004, pp. 187–188.
- ↑ Eichberg 1976, pp. 47–49.
- 1 2 Eichberg 1976, pp. 8–11.
- ↑ Kretzschmar 1910, p. 71.
- ↑ Eichberg 1976, pp. 18–19.
- 1 2 3 Eichberg 1976, pp. 20–29.
- ↑ Morana 1993, p. 26.
- 1 2 Koska 2011.
- 1 2 Eichberg 1976, p. 45.
- 1 2 Kobayashi 1978, p. 51.
- ↑ Schulze 1984, pp. 80–81.
- ↑ Eichberg 1976, pp. 8–25.
- ↑ Eichberg 1976, pp. 7–17.
- ↑ Eichberg 1976, pp. 17–19.
- 1 2 3 Feder 1958, p. 77.
- 1 2 Eichberg 1976, pp. 29–42.
- ↑ Eichberg 1976, pp. 42–47.
- ↑ Eppstein 1966, p. 187.
- ↑ Kobayashi 1978, pp. 52–53.
- 1 2 3 4 Leisinger & Wollny 1993, pp. 192–196.
- 1 2 Eppstein 1966, p. 181.
- ↑ van Leyden 1956.
- ↑ Siegele 1957.
- ↑ Eppstein 1982, p. 77.
- ↑ Eppstein 1982, p. 84.
- ↑ Hellmann 1965.
- ↑ Hofmann 1999, pp. 72–75.
- ↑ Spitta 1899, III, p. 143.
- ↑ Kenyon 2011, p. 352.
- ↑ Schulenberg 2010, p. 54.
- ↑ Dürr 1952, p. 42.
- ↑ Dürr 1952, pp. 40f.
- ↑ Scheide 1960, pp. 66ff.
- ↑ Dürr 1952, pp. 31–36.
- ↑ Dürr 1952, pp. 37f.
- ↑ Dürr 1952, pp. 35ff.
- ↑ Dürr 1952, pp. 38f.
- ↑ Dürr 1952, pp. 39f.
- ↑ Hofmann 1983, p. 126.
- ↑ Kobayashi 1978, pp. 46–50.
- ↑ Glöckner 1983.
- ↑ Henrici 1725.
- ↑ Vetter 1713, No. 91.
- 1 2 Platen 1976, p. 51.
- ↑ So how many Bach four–part chorales are there? at Luke Dahn's www
.bach-chorales (2018).com - ↑ Platen 1976.
- ↑ Kobayashi 1978, p. 46.
- ↑ Dirksen 1998.
- 1 2 Feder 1958, p. 76.
- ↑ Tittel 1966, p. 106.
- ↑ Williams 2003, p. 549.
- ↑ Perreault 2004, p. 56.
- ↑ Williams 2003, pp. 526–527.
- ↑ Perreault 2004, pp. 197–198.
- ↑ Perreault 2004, p. 53.
- ↑ US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach) at Bach Digital.
- 1 2 Eichberg 1976, p. 12.
- ↑ Ahlgrimm 1969, p. 67.
- ↑ Kobayashi 1978, p. 44.
- ↑ Kirnberger 1774.
- ↑ Kirnberger 1780.
- 1 2 Schulze 1980, pp. 54–58, 64.
- ↑ Schulze 1980, p. 50.
- ↑ Schulze 1980, pp. 45ff.
- ↑ Schneider 1907, p. 159.
- ↑ Heinichen 1728, pp. 885–895.
- ↑ Dürr 1954.
- ↑ Bonporti 1712, No. 2.
- ↑ Bonporti 1712, No. 5.
- ↑ Bonporti 1712, No. 6.
- ↑ Bonporti 1712, No. 7.
- ↑ Zuccari c. 1747.
Sources
- Acta Lipsiensium Academica, Oder, Leipziger Universitäts-Geschichte (in German). Leipzig: Johann Christoph Cörner. 1723. OCLC 875373050.
- Ahlgrimm, Isolde (1969). "Cornelius Heinrich Dretzel, der Autor des J. S. Bach zugeschriebenen Klavierwerkes BWV 897" [Cornelius Heinrich Dretzel, the composer of the keyboard piece BWV 897, ascribed to J. S. Bach]. In Dürr, Alfred; Neumann, Werner (eds.). Bach-Jahrbuch 1969 [Bach Yearbook 1969]. Bach-Jahrbuch (in German). Vol. 55. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 67–77. doi:10.13141/bjb.v1969.
- Beißwenger, Kirsten (1991). "Bachs Eingriffe in Werke fremder Komponisten: Beobachtungen an den Notenhandschriften aus seiner Bibliothek unter besonderer Berücksichtigung der lateinischen Kirchenmusik" [Bach's editing of works by other composers: observations regarding the musical manuscripts from his library, with a particular focus on Latin church music]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1991 [Bach Yearbook 1991]. Bach-Jahrbuch (in German). Vol. 77. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 127–158. doi:10.13141/bjb.v1991. ISBN 3-374-01104-7. ISSN 0084-7682.
- Beißwenger, Kirsten (1992). Johann Sebastian Bachs Notenbibliothek [Johann Sebastian Bach's musical library]. Catalogus musicus (in German). Vol. XIII. Bärenreiter. ISBN 9783761810361. OCLC 680040660.
- Blanken, Christine (2019). "Das neue Bach-Werke-Verzeichnis: Das revidierte BWV enthält Neuerkenntnisse aus 15 Jahren Bachforschung" [The new Bach-Works-Catalogue: the revised BWV contains new data from fifteen years of Bach research]. www.bach-leipzig.de (in German). Leipzig: Bach Archive. Retrieved 18 December 2019.
Der inzwischen durch zahlreiche Verschiebungen unübersichtlich gewordene Anhang wird ebenfalls komplett überarbeitet (transl.: The Anhang, which in the meanwhile has become confusing because of many changes, will also be completely reworked)
- Bonporti, Francesco Antonio (1712). Invenzioni [Inventions] (in Italian). Vol. Op. 10. Bologna: Giuseppe Antonio Silvani.
- Buhle, Edward, ed. (1909). Sperontes Singende Muse an der Pleisse [Sperontes's Singing muse at the Pleisse]. Denkmäler Deutscher Tonkunst: Erste Folge (in German). Vol. XXXV–XXXVI. Leipzig: Breitkopf & Härtel.
- Dadelsen, Georg von (1957). Bemerkungen zur Handschrift Johann Sebastian Bachs, seiner Familie und seines Kreises [Remarks regarding the handwriting of Johann Sebastian Bach, his family and his circle]. Tübinger Bach-Studien (in German). Vol. I. Trossingen: Hohner. OCLC 642403437.
- David, Hans T. (1961). American Musicological Society. "A Lesser Secret of J. S. Bach Uncovered". Journal of the American Musicological Society. University of California Press. 14 (2): 199–223. doi:10.2307/829757. JSTOR 829757.
- Dirksen, Pieter [in Dutch] (1998). "Zur Frage des Autors der A-Dur-Toccata BWV Anh. 178" [On the question of the composer of the Toccata in A major BWV Anh. 178]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1998 [Bach Yearbook 1998]. Bach-Jahrbuch (in German). Vol. 84. Neue Bachgesellschaft, Bach Archive. Leipzig: Evangelische Verlagsanstalt. pp. 121–136. doi:10.13141/bjb.v1998. ISBN 3-374-01695-2. ISSN 0084-7682.
- Dirksen, Pieter [in Dutch], ed. (2010). Johann Sebastian Bach: Complete Organ Works – Urtext (in German and English). Vol. 5: Sonatas / Trios / Concertos. Breitkopf & Härtel. EB 8805.
- Dirksen, Pieter [in Dutch], ed. (2016). Johann Sebastian Bach: Complete Organ Works – Urtext (in German and English). Vol. 3: Fantasias / Fugues. Breitkopf & Härtel. EB 8803.
- Dömling, Wolfgang [in German]; Kohlhase, Thomas [in German] (1971). Federhofer, Hellmut (ed.). "Kein Bach-Autograph: Die Handschrift Brüssel, Bibliothèque Royale, II. 4093 (Fétis 2960)". Acta Musicologica (in German). Basel: Bärenreiter. 43 (1/2): 108–109. doi:10.2307/932505. JSTOR 932505. Not a Bach-autograph: The manuscript Brussels, Royal Library, II 4093 (Fétis 2960)
- Dürr, Alfred (1952). "Zur Echtheit einiger Bach zugeschriebener Kantaten" [On the authenticity of some cantatas ascribed to Bach]. In Schneider, Max (ed.). Bach-Jahrbuch 1951–1952 [Bach Yearbook 1951–1952]. Bach-Jahrbuch (in German). Vol. 39. Neue Bachgesellschaft. Leipzig: VEB Deutsche Musikaliendruckerei. pp. 30–46. doi:10.13141/bjb.v1952.
- Dürr, Alfred (1954). "Johann Gottlieb Goldberg und die Triosonate BWV 1037" [Johann Gottlieb Goldberg and the trio sonata BWV 1037]. In Dürr, Alfred; Neumann, Werner (eds.). Bach-Jahrbuch 1953 [Bach Yearbook 1953]. Bach-Jahrbuch (in German). Vol. 40. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 51–80. doi:10.13141/bjb.v1953.
- Dürr, Alfred, ed. (1987). Eight Short Preludes and Fugues BWV 553–560: formerly ascribed to Johann Sebastian Bach (in German and English). Kassel: Bärenreiter. ISMN 9790006480098. BA 6497.
- Dürr, Alfred; Kobayashi, Yoshitake, eds. (1998). Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe [Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition] (in German). Kirsten Beißwenger (collaborator). (BWV2a ed.). Wiesbaden: Breitkopf & Härtel. ISBN 9783765102493. Preface in English and German.
- Dürr, Alfred; Jones, Richard D. P. (2006). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford University Press. ISBN 978-0-19-929776-4.
- Eichberg, Hartwig (1976). "Unechtes unter Johann Sebastian Bachs Klavierwerken" [Inauthentic among the keyboard works of Johann Sebastian Bach]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1975 [Bach Yearbook 1975]. Bach-Jahrbuch (in German). Vol. 61. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 7–49. doi:10.13141/bjb.v1975.
- Eppstein, Hans [in German] (1966). Studien über J. S. Bachs Sonaten für ein Melodieinstrument und obligates Cembalo [Studies on J. S. Bach's Sonatas for a melody instrument and harpsichord obligato]. Studia musicologica Upsaliensia (in German). Vol. 2. Uppsala: Almqvist & Wiksell.
- Eppstein, Hans [in German] (1982). "Zur Problematik von Johann Sebastian Bachs Flötensonaten" [On the problems of Johann Sebastian Bach's flute sonatas]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1981 [Bach Yearbook 1981]. Bach-Jahrbuch (in German). Vol. 67. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 77–90. doi:10.13141/bjb.v1981. ISSN 0084-7682.
- Feder, Georg (1958). Albrecht, Hans [in German] (ed.). Gesellschaft für Musikforschung. "Bemerkungen über einige J. S. Bach zugeschriebene Werke". Die Musikforschung (in German). Bärenreiter. 11 (1): 76–79. JSTOR 41115075.
- Glöckner, Andreas (1983). "Die Leipziger Neukirchenmusik und das "Kleine Magnificat" BWV Anh. 21" [The music for the New Church in Leipzig and the "Little Magnificat" BWV Anh. 21]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1982 [Bach Yearbook 1982]. Bach-Jahrbuch (in German). Vol. 68. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 97–102. doi:10.13141/bjb.v1982. ISSN 0084-7682.
- Heinichen, Johann David (1728). Der General-Bass in der Composition (in German). Vol. II. Dresden.
- Hellmann, Diethard, ed. (1965). Johann Sebastian Bach: Concerto (Triosonate) für Violine, Violoncello und Basso continuo C-dur (BWV 525a) [Johann Sebastian Bach: Concerto (Trio sonata) for violin, cello and basso continuo in C major (BWV 525a)] (in German). Breitkopf & Härtel. ISMN 979-0-004-16727-4. EB 6466.
- Henrici, Christian Friedrich (a.k.a. Picander) (1725). "Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum". Sammlung erbaulicher Gedancken über und auf die gewöhnlichen Sonn- und Festtage (in German). Leipzig: Boetius. pp. 293ff.
- Hoffmann, Balthasar (1738). "IX. Bey der Lob- und Trauerrede auf die verwitwete Herzoginn von Merseb. Hedwig, im Jahre 1735". In Gottsched, Johann Christoph (ed.). Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern (in German). Vol. I. Leipzig: Bernhard Christoph Breitkopf. pp. 143–146.
- Hofmann, Klaus (1983). "Zur Echtheit der Motette "Jauchzet dem Herrn, alle Welt" BWV Anh. 160". In Rehm, Wolfgang (ed.). Bachiana et alia musicologica: Festschrift Alfred Dürr zum 65. Geburtstag am 3. Marz 1983 (in German). Bärenreiter. pp. 126–140. ISBN 3761806833.
- Hofmann, Klaus (1987). "'Wo sind meine Wunderwerke' – eine verschollene Thomasschulkantate Johann Sebastian Bachs?" [Wo sind meine Wunderwerke – a lost St Thomasschool cantata by Johann Sebastian Bach?]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1988 [Bach Yearbook 1988]. Bach-Jahrbuch (in German). Vol. 74. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 211–218. doi:10.13141/bjb.v1988. ISBN 3-374-00176-9. ISSN 0084-7682.
- Hofmann, Klaus (1999). "Ein verschollenes Kammermusikwerk Johann Sebastian Bachs: Zur Fassungsgeschichte der Orgelsonate Es-Dur (BWV 525) und der Sonate A-Dur für Flöte und Cembalo (BWV 1032)" [A lost chamber music work by Johann Sebastian Bach: On the genesis of the organ sonata in E-flat major (BWV 525) and the sonata in A major for flute and harpsichord (BWV 1032)]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1999 [Bach Yearbook 1999]. Bach-Jahrbuch (in German). Vol. 85. Neue Bachgesellschaft, Bach Archive. Leipzig: Evangelische Verlagsanstalt. pp. 67–79. doi:10.13141/bjb.v1999. ISBN 3-374-01763-0. ISSN 0084-7682.
- Keller, Hermann [in French] (1937). "Unechte Orgelwerke Bachs" [Inauthentic Bach compositions for organ]. In Schering, Arnold (ed.). Bach-Jahrbuch 1937 [Bach Yearbook 1937]. Bach-Jahrbuch (in German). Vol. 34. Neue Bachgesellschaft. Leipzig: Breitkopf & Härtel. pp. 59–82. doi:10.13141/bjb.v1937.
- Kenyon, Nicholas (2011). The Faber Pocket Guide to Bach. Faber & Faber. ISBN 9780571272006.
- Kirnberger, Johann Philipp (1774). "(Anhang)". Die Kunst des reinen Satzes in der Musik (in German). Vol. I. pp. I–VI.
- Kirnberger, Johann Philipp (1780). "Præludium". Diverses Pièces pour le Clavecin (in French). J. J. Hummel. p. 16.
- Kobayashi, Yoshitake (1978). "Neuerkenntnisse zu einigen Bach-Quellen an Hand schriftkundlicher Untersuchungen" [New acknowledgements regarding some Bach-sources based on handwriting research]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1978 [Bach Yearbook 1978]. Bach-Jahrbuch (in German). Vol. 64. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 43–60. doi:10.13141/bjb.v1978.
- Koska, Bernd (2011). "Bach oder Dobenecker? Zur Frage der Autorschaft von BWV Anh. 85 und 101" [Bach or Dobenecker? On the authorship question of BWV Anh. 85 and 101]. In Wollny, Peter (ed.). Bach-Jahrbuch 2011 [Bach Yearbook 2011]. Bach-Jahrbuch (in German). Vol. 97. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 259–263. doi:10.13141/bjb.v2011. ISBN 978-3-374-02986-0. ISSN 0084-7682.
- Kretzschmar, Hermann (1910). "Das Notenbuch der Zeumerin" [The notebook of the Zeumerin]. [Yearbook of the musiclibrary Peters for 1909]. Jahrbuch der Musikbibliothek Peters (in German). Vol. 16. Musikbibliothek Peters. Leipzig: C. F. Peters. pp. 57–72.
- Landmann, Arno (1907). "Angeblich von J. S. Bach komponierte Oden von Chr. H. von Hoffmannswaldau" [Likely by J. S. Bach composed odes of Chr. H. von Hoffmannswaldau]. In Schering, Arnold (ed.). Bach-Jahrbuch 1907 [Bach Yearbook 1907]. Bach-Jahrbuch (in German). Vol. 4. Neue Bachgesellschaft. Breitkopf & Härtel. pp. 79–88. doi:10.13141/bjb.v1907.
- Leisinger, Ulrich [in German]; Wollny, Peter (1993). "'Altes Zeug von mir': Carl Philipp Emanuel Bachs kompositorisches Schaffen vor 1740" ['Old stuff for me': Carl Philipp Emanuel Bach's compositorial activities before 1740]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1993 [Bach Yearbook 1993]. Bach-Jahrbuch (in German). Vol. 79. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 127–204. doi:10.13141/bjb.v1993. ISBN 3-374-01516-6. ISSN 0084-7682.
- Meiningen 1704: Sonn- und Fest-Andachten Uber die ordentlichen Evangelia Aus gewissen Biblischen Texten Alten und Neuen Testaments Und In der Hoch-Fürstl. Sachs. Meining. Hof-Capell Der Heil. Dreyfaltigkeit Deroselben zu Ehren abgesungen (in German). Meiningen. 1704.
- Morana, Frank (1993). "The 'Dobenecker' Toccata, BWV-Anh. II 85: An Early Bach Work?". Bach. Berea, Ohio: Riemenschneider Bach Institute. 24 (2): 26–37. ISSN 0005-3600. JSTOR 41640382.
- Perreault, Jean M. (2004). Fitch, Donna K. (ed.). The Thematic Catalogue of the Musical Works of Johann Pachelbel. Lanham, Maryland: Scarecrow Press. ISBN 0-8108-4970-4.
- Pfau, Marc-Roderich (2008). "Ein unbekanntes Leipziger Kantatentextheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel" [An unknown Leipzig cantata text publication from the year 1735: News regarding Bach and Stölzel]. In Wollny, Peter (ed.). Bach-Jahrbuch 2008 [Bach Yearbook 2008]. Bach-Jahrbuch (in German). Vol. 94. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 99–122. doi:10.13141/bjb.v2008. ISBN 978-3-374-02668-5. ISSN 0084-7682.
- Platen, Emil [in German] (1976). "Zur Echtheit einiger Choralsätze Johann Sebastian Bachs" [On the authenticity of some of Johann Sebastian Bach's chorale settings]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1975 [Bach Yearbook 1975]. Bach-Jahrbuch (in German). Vol. 61. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 50–62. doi:10.13141/bjb.v1975.
- Scheide, William H. [in German] (1960). "Johann Sebastian Bachs Sammlung von Kantaten seines Vetters Johann Ludwig Bach" [Johann Sebastian Bach's collection of cantatas by his cousin Johann Ludwig Bach]. In Dürr, Alfred; Neumann, Werner (eds.). Bach-Jahrbuch 1959 [Bach Yearbook 1959]. Bach-Jahrbuch (in German). Vol. 46. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 52–94. doi:10.13141/bjb.v1959.
- Schicht, Johann Gottfried, ed. (1805). Messa a 8 voci reali e 4 ripiene coll'accompagnamento di due Orchestre, composta da Giov. Sebast. Bach: Partitura, copiata dalla partitura autografa dell' Autore [Mass in eight real voices and four additional voices, accompanied by two Orchestras, composed by Joh. Sebast. Bach: Score, copied from the autograph score of the Author] (in Italian and Latin). Leipzig: Breitkopf & Härtel. Harvard Digital Collections.
- Schmieder, Wolfgang, ed. (1950). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis [Thematic-Systematic Catalogue of the Musical Works of Johann Sebastian Bach: Bach-Works-Catalogue] (in German) (BWV1 ed.). Leipzig: Breitkopf & Härtel. OCLC 963027464. Unaltered up unto its eighth printing in 1986.
- Schmieder, Wolfgang, ed. (1990). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis – 2. überarbeitete und erweiterte Ausgabe [Thematic-Systematic Catalogue of the Musical Works of Johann Sebastian Bach: Bach-Works-Catalogue – 2nd reworked and enlarged edition] (in German) (BWV2 ed.). Wiesbaden: Breitkopf & Härtel. ISBN 9783765102554.
- Schneider, Max (1907). "Thematisches Verzeichnis der musikalischen Werke der Familie Bach (I. Teil)" [Thematic catalogue of compositions by the Bach family (Part I)]. In Schering, Arnold (ed.). Bach-Jahrbuch 1907 [Bach Yearbook 1907]. Bach-Jahrbuch (in German). Vol. 4. Neue Bachgesellschaft. Breitkopf & Härtel. pp. 103–177. doi:10.13141/bjb.v1907.
- Schneider, Max (1912). "Zur Lukaspassion" [On the St Luke Passion]. In Schering, Arnold (ed.). Bach-Jahrbuch 1911 [Bach Yearbook 1911]. Bach-Jahrbuch (in German). Vol. 8. Neue Bachgesellschaft. Breitkopf & Härtel. pp. 105–108. doi:10.13141/bjb.v1911.
- Scholze, Johann Sigismund (a.k.a. Sperontes) (1736). Singende Muse an der Pleiße [Singing muse at the Pleiße] (in German). Vol. I. Leipzig.
- Schulenberg, David [in French] (2010). "An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach". Bach. Berea, Ohio: Riemenschneider Bach Institute. 41 (2): 24–60. ISSN 0005-3600. JSTOR 41640603.
- Schulenberg, David [in French], ed. (2013). Johann Sebastian Bach: Complete Organ Works – Urtext (in German and English). Vol. 1: Preludes and Fugues I. Breitkopf & Härtel. EB 8801.
- Schulze, Hans-Joachim (1980). "Ein 'Dresdner Menuett' im zweiten Klavierbüchlein der Anna Magdalena Bach: Nebst Hinweisen zur Überlieferung einiger Kammermusikwerke Bachs" [A Minuet from Dresden in the second keyboard booklet of Anna Magdalena Bach: Further, indications regarding the transmission of some of Bach's chamber music compositions]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 1979 [Bach Yearbook 1979]. Bach-Jahrbuch (in German). Vol. 65. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 45–64. doi:10.13141/bjb.v1979.
- Schulze, Hans-Joachim (1984). Studien zur Bach-Überlieferung im 18. Jahrhundert [Studies of the Bach-transmission in the 18th century] (in German). Peters. ISBN 3-87626-095-7. EP 9346.
- Siegele, Ulrich (1957). "Noch einmal: Die Violinsonate BWV 1024" [Yet again: The violin sonata BWV 1024]. In Dürr, Alfred; Neumann, Werner (eds.). Bach-Jahrbuch 1956 [Bach Yearbook 1956]. Bach-Jahrbuch (in German). Vol. 43. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 124–139. doi:10.13141/bjb.v1956.
- Spitta, Philipp (1899). Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750. Translated by Bell, Clara; Fuller Maitland, John Alexander. Novello & Co.
- Spitta, Philipp (1894). "Sperontes' Singende Muse an der Pleisse: Zur Geschichte des deutschen Hausgesanges im achtzehnten Jahrhundert" [Sperontes's Singende Muse an der Pleisse: On the history of German singing-at-home in the 18th century]. Musikgeschichtliche Aufsätze [Essays on music history] (in German). Berlin: Paetel. pp. 175ff.
- Thielemann, Arne (2012). "Zur Identifizierung des Magnificats BWV Anh. 30 aus Johann Sebastian Bachs Notenbibliothek" [On the identification of the Magnificat BWV Anh. 30 from Johann Sebastian Bach's music library]. In Wollny, Peter (ed.). Bach-Jahrbuch 2012 [Bach Yearbook 2012]. Bach-Jahrbuch (in German). Vol. 98. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 217–224. doi:10.13141/bjb.v2012. ISBN 978-3-374-02668-5. ISSN 0084-7682.
- Tittel, Karl (1966). "Welche unter J. S. Bachs Namen geführten Orgelwerke sind Johann Tobias bzw. Johann Ludwig Krebs zuzuschreiben? Ein Versuch zur Lösung von Autorschaftsproblemen" [Which of the organ works for which J. S. Bach has been named as author can be ascribed to Johann Tobias or Johann Ludwig Krebs? An attempt to resolve authorship issues]. In Dürr, Alfred; Neumann, Werner (eds.). Bach-Jahrbuch 1966 [Bach Yearbook 1966]. Bach-Jahrbuch (in German). Vol. 52. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 102–137. doi:10.13141/bjb.v1966.
- Torri, Pietro (2013). Thielemann, Arne (ed.). Magnificat in C: BWV Anh. 30. Stuttgarter Bach-Ausgaben. Vol. Full score. Bach, Johann Sebastian (arranger); Horn, Paul (basso continuo realization). Stuttgart: Carus. 35.012.
- "US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach)". Bach Digital. Leipzig: Bach Archive; et al. 2020-03-03.
- van Leyden, Rolf (1956). "Die Violinsonate BWV 1024" [The violin sonata BWV 1024]. In Dürr, Alfred; Neumann, Werner (eds.). Bach-Jahrbuch 1955 [Bach Yearbook 1955]. Bach-Jahrbuch (in German). Vol. 42. Neue Bachgesellschaft. Berlin: Evangelische Verlagsanstalt. pp. 73–102. doi:10.13141/bjb.v1955.
- Vetter, Daniel (1713). Musicalische Kirch- und Hauß-Ergötzlichkeit (in German). Vol. 2. Leipzig. OCLC 857536916.
- Williams, Peter (2003). The Organ Music of J. S. Bach. Cambridge University Press. ISBN 978-0-521-89115-8.
- Wollny, Peter (2015). "Vom "apparat der auserleßensten kirchen Stücke" zum "Vorrath an Musicalien, von J. S. Bach und andern berühmten Musicis": Quellenkundliche Ermittlungen zur frühen Thüringer Bach-Überlieferung und zu einigen Weimarer Schülern und Kollegen Bachs". Bach-Jahrbuch 2015 [Bach Yearbook 2015]. Bach-Jahrbuch (in German). Vol. 101. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. ISBN 978-3-374-04320-0. ISSN 0084-7682.
- Wright, Craig (2000). "Bachs Kleines harmonisches Labyrinth (BWV 591): Echtheitsfragen und theologischer Hintergrund" [Bach's Little Harmonical Labyrinth (BWV 591): Authenticity issues and theological background]. In Schulze, Hans-Joachim; Wolff, Christoph (eds.). Bach-Jahrbuch 2000 [Bach Yearbook 2000]. Bach-Jahrbuch (in German). Vol. 86. Translated by Steinwachs, Barbara. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 51–65. doi:10.13141/bjb.v2000. ISBN 3-374-01828-9. ISSN 0084-7682.
- Zahn, Johannes (1889–1893). Die Melodien der deutschen evangelischen Kirchenlieder (in German). Vol. I–VI. Gütersloh: Bertelsmann.
- Zuccari, Carlo (c. 1747). "Sonata X" [Sonata No. 10]. Sonate a Violino, e Basso ò Cembalo: Opera Prima [Sonatas for violin, and bass or harpsichord, Op. 1] (in Italian). Vol. I. Milan. pp. 16–20.
External links
- Authority file (Wikidata): Q79203188
- BWV Anh. I, II and III at www
.klassika (in German).info
| Compositions |
| ||||
|---|---|---|---|---|---|
| People |
| ||||
| Organizations | |||||
| Places | |||||
| Other topics | |||||
| |||||
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.