Nancy Gaymala Yunupingu
Bornc.1935
Died2005 (2006)
NationalityAustralian
OccupationArtist
Parents

Nancy Gaymala Yunupingu (c.1935–2005;[1] also rendered Yunupiŋu) was a senior Yolngu artist and matriarch, who lived in Arnhem Land in the Northern Territory, Australia. She worked at the Buku-Larrnggay Mulka Centre in Yirrkala, where her work is still held, and is known for her graphic art style, bark paintings and printmaking.

Life and family

Yunupingu was born around 1935, the daughter of Mungurrawuy Yunupingu. Two of her brothers were musician Galarrwuy and land rights campaigner Mandawuy Yunupingu. Her mother, Bakili, was an artist and elder of the Galpu clan. Her sisters included artists Gulumbu Yunupingu, Barrupu Yunupingu, Nyapanyapa Yunupingu, and Eunice Djerrkngu Yunupingu[2](c.1945–2022),[3][4][5] among others.

Gaymala's moiety was Yirritja and her clans Gumatj and Rrakpala. Her homeland was Biranybirany.[6]

She died in 2005.[6]

Artistic practice

Yunupingu's strength was in graphic arts, but she also did bark paintings with ochre, wove, created wooden carvings, and employed the printmaking techniques of etching and screenprinting.[6]

The Wan'kurra, or golden bandicoot,[7] which features prominently in song-cycles in Gumatj ceremonies, was a common motif in her work, often running through scrubland.[6]

Works, exhibitions and recognition

  • 1999: commissioned to paint large murals for the Aboriginal Hostel at Nhulunbuy, the Gove Industrial Supplies building, and for the children's ward at Nhulunbuy Hospital[6]
  • 2003: Groundswell: An exhibition of Aboriginal art, a multi-artist exhibition at the Helen Maxwell Gallery[9]

Collections

The National Gallery of Victoria holds Bäru story (1990), painted with earth pigments on the bark of stringybark.[16]

Her work is also held in major collections around Australia, including:[6]

References

  1. "Artists NGV Nancy Gaymala Yunupingu". www.ngv.vic.gov.au. Retrieved 14 May 2023.
  2. "Bark Ladies centres female Yolŋu artists". Art Guide Australia. 13 December 2021. Retrieved 3 April 2023.
  3. Eccles, Jeremy (1 July 2022). "Mrs D Yunupingu 1945/2022". Aboriginal Art Directory. Retrieved 3 April 2023.
  4. "Ms. D. (Djerrkngu) Eunice Yunupingu (c.1945 - 2022)". Alcaston Gallery. Retrieved 3 April 2023.
  5. "Archibald Prize Archibald 2021 work: Me and my sisters by Eunice Djerrkŋu Yunupiŋu". Art Gallery of NSW. Retrieved 3 April 2023.
  6. 1 2 3 4 5 6 7 8 9 10 11 Angel, Anita (3 February 2011). "(Nancy) Gaymala Yunupingu". Charles Darwin University. Archived from the original on 5 July 2022. Retrieved 5 July 2022. From Looking at art : Charles Darwin University Art Collection (Trove catalogue entry for printed work)
  7. French, Jackie; Dank, Debra. "Wan'kurra The Golden Bandicoot". Diane Lucas. Book reviews of Wan’kurra The Golden Bandicoot. Retrieved 5 July 2022.
  8. "Vital Fluids". Australian Prints + Printmaking. 2 April 2001. Retrieved 5 July 2022.
  9. "Groundswell: An exhibition of Aboriginal art". Australian Prints + Printmaking. 23 November 2003. Retrieved 5 July 2022.
  10. Jessica, Anastasia (19 December 2021). "Bark Ladies: Eleven Artists from Yirrkala". Arts Tribune. Retrieved 5 July 2022.
  11. "Bark Ladies: the painters reimagining ancestral beings, mermaids and the Yolŋu universe – in pictures". The Guardian. 17 December 2021. Retrieved 5 July 2022.
  12. Perin, Victoria (13 December 2021). "Bark Ladies centres female Yolŋu artists". Art Guide Australia. Retrieved 7 July 2022.
  13. Kubler, Alison (19 February 2022). "Bark Ladies at NGV review: This exhibition will knock your socks off". Escape. Retrieved 7 July 2022.
  14. "NGV International presents Bark Ladies: Eleven Artists from Yirrkala". Australian Design Review. 6 December 2021. Retrieved 7 July 2022.
  15. "Bark Ladies to open at NGV International". green magazine. 18 August 2021. Retrieved 7 July 2022.
  16. "Works - View Work". NGV. 12 July 1973. Retrieved 5 July 2022.

Further reading

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