Lacquer painting is a form of painting with lacquer which was practised in East Asia for decoration on lacquerware, and found its way to Europe and the Western World both via Persia and the Middle East and by direct contact with Continental Asia. The artistic form was revived and developed as a distinct genre of fine art painting by Vietnamese artists in the 1930s; the genre is known in Vietnamese as "sơn mài."[1]

Badger Studying a Sutra by Shibata Zeshin (Japan)

Technique

Making a lacquer painting may take several months depending on the technique used and the number of layers of lacquer. In Vietnam's sơn mài lacquer painting, a black board is prepared first. Then colour chalks are used on the prepared board for base sketch. Needles can also be used for carving the base sketch as an alternative. In lacquer painting, eggshells are used as white colour due to the lack of pure white colour in lacquer. Layers of clear varnish can be applied optionally depending on the purpose of the painting. Polishing is done in the end to reveal the different layers of colours applied before. The first layer of coloured lacquer is applied, usually followed by silver leaf and another layer of clear lacquer. Then several more layers of different coloured lacquers are painted by a brush, with clear lacquer layers between them. In Vietnam, an artist may apply up to ten layers or more of coloured and clear lacquer. In Ming China artwork, up to a hundred layers are included. Each layer requires drying and polishing. When all layers are applied, the artist polishes different parts of the painting until the preferred colours are shown. Fine sandpapers, a mix of charcoal powder and human hair are used to carefully reach the correct layer of each specific colour.[2] Consequently, "lacquer painting" is in part a misnomer, since the bringing out of the colours is not done in the preparatory painting but in the burnishing of the lacquer layers to reveal the desired image beneath.[3] Therefore, lacquer painting is considered a "subtracting method" of drawing technique.

National styles

East Asia

China

A lacquer painting over wood, dated to the Northern Wei dynasty.
Pingyao lacquer screen

Lacquer had been used since the Shang dynasty (1384-1111 BCE) for decoration and preservation of wooden objects. By the Han dynasty decoration had become more intricate.[4] Lacquer painting is sometimes used for decoration of wooden objects such as the traditional "Chinese candy box".

Japan

In Japan lacquer painting is secondary to techniques such as silver inlay, Maki-e on Japanese lacquerware, and carving on Kamakura-bori, and Ryukyuan lacquerware. Painting featured on the "Japanning" works of industrial Britain.

Korea

The Korean art of najeon also involved lacquer painting, with najeonchilgi a particular kind of Korean handicraft.

Europe

Russia

Russian lacquer-painted box

Russia's tradition of lacquer painting (Russian: лаковая живопись, lakovaya zhivopis) before the revolution was connected with folk art and production of icons. The Fedoskino miniature (Russian: федоскинская миниатюра) of Fedoskino village is a genre of lacquer miniature painting on papier-mâché, originating from the late 18th century. From the 1930s this genre also began to be used in proletarian art.[5] Russian lacquer painting is built up through several layers of varnish, creating a three-dimensional effect.[6]

Southeast Asia

Vietnam

A lacquer painting of the Revival Lê dynasty
A modern lacquer painting (1962)

Lacquer painting, known as sơn mài, from the resin of the sơn tree, Rhus succedanea, was developed in Vietnam as a freestanding form, separate from decoration of wooden objects. A revival and a combination with French techniques occurred in the 1930s which was closely associated with the French teachers and Vietnamese students of the École Supérieure des Beaux-Arts de l’Indochine in Hanoi from 1925 to 1945 such as Joseph Inguimberty and Nguyễn Gia Trí.[7][8] Among the prominent newer generation of Vietnamese lacquer painters is Cong Quoc Ha, who received numerous awards and his works are regularly exhibited worldwide.

References

  1. ↑ Flora Blanchon La question de l'art en Asie orientale; 2008. P. 2032: "Prior to this, lacquer painting was used by the Chinese and the Japanese, then, later, by the Vietnamese but, at that time, only for decorative purposes. After the 1930s, Vietnamese artists tried to go further and to develop the potential of this "
  2. ↑ The process of Making Lacquer Paintings in Vietnam
  3. ↑ Arts of Asia Volume 32 2002 "The term lacquer painting is also misleading. Although the artist applies the lacquer paint with a brush, the essence of a lacquer painting depends upon the artist's skill in rubbing or burnishing the lacquer to reveal the image beneath."
  4. ↑ Kathleen Kuiper The Culture of China Page 232 2010 "Among the most celebrated examples of Han lacquer painting is a basket found at Lelang (National Museum, Seoul), decorated with 94 small figures of paragons of filial piety, virtuous and wicked rulers, and ancient worthies."
  5. ↑ Soviet literature: Issues 1-4 1974 "... papier-mache art of Mstyora, as well as the work of such villages as Fedoskino, Palekh, Kholui, and Zhostovo, belongs to the group of traditional crafts known collectively as "Russian lacquer work. ... From the 18th century onwards it was famous for its icon-painting and restoration work. ... In 1930 the artists who formed an independent artel "Proletarian Art" began to master the technique of lacquer painting."
  6. ↑ Marianne Webb Lacquer: technology and conservation : a comprehensive guide 2000 Page 138 "12.4.2 Russian painting Russian lacquer painting is singled out for its unique approach to the art. which still continues today. The decorative painting is not carried out in a single layer. as found on many other European pieces. but built up through the layers. Each layer of varnish depicts part of the image. This method creates a three-dimensionality that is not found elsewhere. The picture actually floats in the varnish."
  7. ↑ Joyce Fan, Post đổi mới: Vietnamese art after 1990 : 12 May 2008 to 28 Sept 2008 Singapore Art Museum 2008 "The technique used in Vietnamese lacquer painting is complex and as the pumice stone is used in the polishing, it has ... The resin used is from the rhus succedanea or son tree and hence lacquer painting is known as son mai It is a highly ..."
  8. ↑ Thavibu Gallery for Modern Asian Contemporary Arts Paintings "The first lacquer paintings were quite traditional in expressing scenes of natural beauty. Later, lacquer paintings promoted socialist and communist values. However, since Vietnam became more outward-looking in the 1980s and 1990s, young .."
Wikimedia Commons has media related to Lacquer on paper.

Further reading

  • East Asian lacquer : the Florence and Herbert Irving collection. New York: The Metropolitan Museum of Art. 1991.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.