Music (Lewis King)

Using the name "Lewis King," Weiss became drummer for the Anglo-American neo-Rockabilly band the Rockats in March 1981.^[7] In May 1981 the Rockats recorded and released Live at the Ritz ^[8] for Island Records, produced by Kenny Vance, formerly of Jay and the Americans. The album spent seven weeks on the Record World Album Charts, hitting a high of 177 on August 22, 1981.^[9] In March 1982, the band recorded two studio tracks with producer Mike Thorne, “Make that Move”, and “One More Heartache”, which would later be released on 1983’s Make that Move EP^[10] for RCA Records.

In August 1982 King began working with former Rockat Tim Scott McConnell and recorded the Sire Records EP Swear,^[11] produced by Richard Gottehrer. The backing band included former Boyfriends, and Holly and the Italians’s bass player Mark Sidgwick. The title track was later covered by Sheena Easton.^[12]

During this period King also worked as a studio technician, assisting on a number of Richard Gottehrer recordings including the Bongos Numbers With Wings EP for RCA Records and Joe King Carrasco and the Crowns Party Weekend^[13] for MCA Records.

King joined Beat Rodeo in 1985, recording 1986’s Scott Litt-produced Home in the Heart of the Beat^[14] for IRS Records.

In 1987, King began working with singer songwriter Elliott Murphy, whose band included former Modern Lovers bass player Ernie Brooks. They recorded the album Change Will Come^[5] for the New Rose record label.

In 1988 King joined his former Beat Rodeo partner George Usher in his band House of Usher.^[4] The group recorded the 1990 release “Neptune" for the Lonesome Whippoorwill label.^[4]

Weiss reconnected with his former Rockats band-mates for sporadic reunion shows in 2008,^[10] 2012,^[15] and 2013,^[16] and recorded several tracks with them which appeared on the 2013 Lanark Records release Rockin’ Together.^[17]

Television

Returning to his given name, Weiss began working for KCTS Television, Seattle’s PBS affiliate in 1992.^[18] Through 2003, Weiss helped manage national and international productions, including documentaries which were broadcast as part of the American Experience^[19] and American Masters^[20] series.

In 2004 he began working for Seattle Channel, the city of Seattle’s government-access television station. Between 2007 and 2017, Weiss helped lead a team which won the Excellence in Government Programming award (often referred to as “the best municipal TV station in the nation”) from the National Association of Telecommunications Officers and Advisors (NATOA), eight times.^[21]

Author

Weiss’s first book, Stranded in the Jungle: Jerry Nolan’s Wild Ride - A Tale of Drugs, Fashion, the New York Dolls, and Punk Rock, was released in September 2017. On September 14, 2017 it became the number one new release in Amazon.com’s “Punk Musician Biographies” category. On October 1, 2017, it hit number one. The foreword was written by Chris Stein of Blondie.^[22] Reviews were mainly positive; Rob Ross wrote in popdose.com, “…Mr. Weiss is a damned fine writer. There’s none of the deifications that writers tend to do when writing about a “hero” of theirs; it’s objective, fact-filled – painstakingly researched and simply fascinating…”^[1] Jimi LaLumia wrote in PunkGlobe that, “‘Stranded In The Jungle’ is a must read…”;^[23] Joe Whyte wrote in LouderthanWar.com, “I can safely say that Curt Weiss’s “Stranded In the Jungle”…is up there with “Please Kill Me”, “England’s Dreaming”, Andy Blade’s “Teenage Punk Rocker” and our own Brother John Robb’s “Punk; An Oral History” as one of the best accounts of the era of punk rock and the preceding years and aftermath.”^[6] Michele Kirsch wrote in Glass Magazine, “…forensically detailed and brilliantly written… It’s one of those books that is so good, you get a mild panic attack as you approach the end of it…”^[24]

Negative critiques from Simon Wright in Only Rock and Roll, point out, “…the lamentably tabloid title…,” and notes that though, “…Weiss is himself a drummer…occasionally he discusses Nolan’s technique in some detail: I wish there was more of this.”^[25]