Performing Life, Inc is an NGO incorporated in the state of New Mexico, US. Performing Life, Inc was founded in 2005 to help improve the lives of children who work or live on the street in Cochabamba, Bolivia. The project initially used juggling – as a form of performance art – to provide positive pathways for the participants but now also provides a music project and support to the families of working youth through micro-enterprise and weaving ventures which remain important to pre-Columbian cultures such as the Quechua.
History
In Brief
Performing Life is a youth-led-and-managed NGO incorporated in the state of New Mexico, US, to work with street youth in Cochabamba, Bolivia. John Connell founded the organization in 2005 when he was 18 years old.[1]
The precarious side of street life became reality to Connell when a gang of cleferos [2] (glue sniffers), who often prey on the working youth, attacked him. After the attack he contracted foot rot and could not work for several weeks. Many other experiences and stories affected Connell and subsequently led him to return to the US in 2004 and create what was to become Performing Life.[3]
Since its inception Performing Life has received guidance and major financial support from Tony Bellizzi, founder of Hope for the Children (a non-profit organization committed to increasing justice for street children).[4] In the past Bellizzi has been described as "a terse man who lives with complex contradictions" due to his optimistic yet tough outlook on life.[5]
The Performing Life Projects
The Performing Arts Project
Performance Arts classes were created to help youth learn juggling techniques and gain experiencing performing. Subsequently, the students have also learnt play acting skills and performed in Cochabamba's Plaza Principal as well as the mARTadero musical festival.[6]
The Weaving Woman Project
The Weaving Women Project began in 2009 with the aim of helping women who are working in the streets of Cochabamba and have saleable craft skills. The woman are given microloans to create woven goods which can then be sold in western countries such as the United States.
The Music Project
The music project has been active since 2009. The project focuses on the creative aspects of making music, especially within the genre of hip hop, with the goal of working and training the youth to produce a series of albums.[7]
The albums released since 2009 include Hip Hop Kayma Vol. 1, Hip Hop Kayma Vol. 2, and MIXTAPE VOZ DE LA CALLE. The project reported on its Myspace page that the release if Hip Hop Kayma Vol. 3 is scheduled to in late 2010.
In 2010 MTV Iggy online interviewed the Performing Life music director, Oscar Ribadeneira, about the effect the project has had on the participants. In that interview Ribadeneira stated that "the kids develop and gain higher self-esteem just by writing down their own life experience, hearing the heartfelt messages of their songs and how happy they are when they hear their own songs and watch their videos[…]these are the moments that drive us to keep pushing forward and continue to offer them the opportunity to create".[8]
Discography
Albums
Album | Year |
---|---|
Hip Hop Kayma Vol. 1 | 2009 |
Hip Hop Kayma Vol. 2 | 2010 |
MIXTAPE VOZ DE LA CALLE | 2010 |
References
- ↑ "Shine-A-Light". Archived from the original on 2011-03-06. Retrieved 2010-09-07.
- ↑ "Hijos de "cleferos" viven una pesadilla en las calles". Archived from the original on 2011-07-06. Retrieved 2010-09-07.
- ↑ http://mojtv.hr/video/v/WhXC9bKajDQ/mama.aspx
- ↑ "News Post".
- ↑ "Queens Chronicle - Helping the poorest on Earth". Archived from the original on 2010-12-06. Retrieved 2010-09-07.
- ↑ ":::: FIESTA DE LA MÚSICA :::: | mARTadero | Arte y Cultura | Cochabamba Bolivia". Archived from the original on 2011-07-27. Retrieved 2010-09-07.
- ↑ http://bavubukacommunity.blogspot.com/2010/08/performing-life-in-bolivia-empowering.html
- ↑ "Reality TV Shows, Celebrity News, Pop Culture & Music Videos".
Further reading
- Daniel M. Goldstein, The Spectacular City: Violence and Performance in Urban Bolivia (Duke University Press, August 2004). ISBN 0-8223-3370-8