Physioplastic art was a concept first described by Max Verworn in 1914.[1] Physioplastic art, as described in Verworn's Ideoplastiche Kunst, consisted of "a direct reproduction of the natural object or of its immediate memory image", and along with his definition of ideoplastic art, that of abstract knowledge, was deemed an important art educational theory.[2]

Usage:

  • physioplastic landscape
  • physioplastic naturalism

References

  1. ↑ About Face - Part Two, Patricia Dinkelaker and John Fudjack, February, 2000 Retrieved January 14, 2009
  2. ↑ MacDonald, Stuart. The History and Philosophy of Art Education. James Clarke & Co., 2004. 373. ISBN 0-7188-9153-8


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