Robert Mangot made gold rosary beads for Mary, Queen of Scots, in 1551.[1]

Robert Mangot (died 1566) was a French goldsmith who supplied the royal court and Mary, Queen of Scots. He was a son of the goldsmith Pierre Mangot who worked for Francis I of France.[2]

Pierre Mangot

The heart reliquary of Anne of Brittany, made in 1514, has been attributed to Pierre Mangot and his colleagues.[3]
Le baguier de Pierre Mangot.[4]
Casket or coffret made by Pierre Mangot for Francis I, incoporating a mother of pearl box made in Gujarat,[5] possibly as a gift for Anne Boleyn.[6] Louvre, OA 11936. Formerly owned by William Randolph Hearst.[7]
Pierre Mangot made silver mounts for bookcovers, as depicted in the portrait of Thomas Cromwell by Hans Holbein, Frick Collection

Pierre Mangot was a goldsmith who worked for Francis I of France.[8][9] Works attributed to Pierre Mangot include the "Royal Clock Salt" now owned by the London Goldsmith's Company which once belonged to Henry VIII of England,[10][11] and may have been a gift from Francis II when Henry married Anne Boleyn,[12] and a gold casket decorated with Limoges enamel plaques held by the British Museum known as the "Sibyls Casket".[13][14]

Mangot's hallmark appears on the silver-gilt mount of a book belonging to Trinity College, Cambridge, which seems to be depicted in the portrait of Thomas Cromwell by Hans Holbein the younger,[15][16][17] and on a jewelled cup known as "Le baguier de Pierre Mangot".[18] Mangot's use of a hallmark depicting a crowned "M" was identified by a Louvre curator, Michèle Bimbenet-Privat.[19]

Pierre Mangot and Louis Deuzan or Denzen mounted jewels and made an imperial-style arched crown for the funeral regalia of Louis XII, in 1515.[20] Mangot made a crown for the effigy of Anne of Brittany at her funeral, and was possibly, with Geoffroy Jacquet and the artist Jean Perréal, the maker of her crowned heart reliquary (which survives at the Musée Dobrée).[21]

Pierre Mangot supplied Francis I with some items before the King went to Italy, and was paid for these pieces and a covered cup and a covered jug in January 1527.[22] In 1526, Mangot provided a gold collar of the Order of Saint Michael given to John Stewart, Duke of Albany, in compensation for his losses in the Italian campaign.[23] Mangot replaced two collars of the Order that the King had lost at Pavia.[24] Mangot made more collars of the Order in 1527, one intended to compensate Francis de Bourbon, Count of St. Pol for his service in Italy.[25]

In January 1529/30, Pierre Mangot's servant or assistant, Pierre Le Mussier, received payment for a chain made as a diplomatic gift for the English ambassador, George Boleyn, Viscount Rochford.[26] Mangot made a coronet for the wedding of Catherine de' Medici and the Duke of Orleans in 1533.[27]

Some older sources include another goldsmith called Pierre Mangot, or perhaps the same man. He married the widow of Louis Deuzan or Denzan, Jehanne Boulyer, who owned property in Blois. He died around 1563, and is known as Pierre Mangot II. Their daughter, Magdalene Mangot married another goldsmith, Gilles de Suramond or Suraulmone, who worked for Henry II of France.[28] Pierre Mangot II made gold chains for diplomatic gifts to ambassadors,[29] and Gilles de Suramond worked in enamels and made collars of the Order of Saint Michael.[30][31]

Robert Mangot

Robert Mangot, Pierre's son and successor, was based in Paris. One of Pierre Mangot's apprentices, a compagnon or facteur, François Dujardin, is also regarded as a successor to Pierre as a goldsmith to the French court and served Charles IX of France.[32] Dujardin was Pierre Mangot's facteur in October 1538, and received payment for another collar of the Order given to Francis de Bourbon, Count of St. Pol, by now the Duke of Estouteville.[33]

In 1551 Robert Mangot supplied a gem of green jasper spotted with red, known as a heliotrope, engraved with the figure of an Indian.[34] He attended the funeral of Henry II of France as a royal goldsmith, as did his kinsman Gilles de Suramond and Jean II Cousin (died 1568), a goldsmith and medal engraver.[35]

The young Mary, Queen of Scots, had jewels repaired and refashioned by Parisian goldsmiths including Robert Mangot, Jean Doublet and Mathurin Lussault. An account for the household of the royal children in 1551 held by the Bibliothèque nationale de France includes some of Mangot's bills, and is digitized and available online.[36] Mangot made gold paternoster beads and "gerbes" for her rosaries. An entry for these reads:

Pour xlviii grosses gerbes d'or poisant ensemble onc quatre gros pour garnir paternostres ... Pour facon desdict gerbes

For 48 large "gerbes" of gold weighing one and a quarter ounces to garnish paternosters ...For the fashion (making) of the said "gerbes"

Mangot provided a girdle or belt and a descending chain, made in Spanish fashion, and supplied 1,500 gold buttons to decorate bands of silver embroidery that edged a black velvet gown, with several other items and pieces for the other royal children. At the same time, Jean Doublet made several accessories for Mary, and silver mounts for a coffer or coffret for Elisabeth of Valois.[37][38] Jean Doublet became the goldsmith to Francis II of France as Dauphin.[39]

References

  1. ↑ Alphonse de Ruble, La première jeunesse de Marie Stuart (Paris, 1891), pp. 37-40, 297-300
  2. ↑ Michèle Bimbenet-Privat, Les orfèvres parisiens de la Renaissance (Paris, 1992), p. 545.
  3. ↑ Jacques Santrot, Les doubles funérailles d'Anne de Bretagne: le corps et le coeur (Geneva: Droz, 2017), pp. 216–9, 568
  4. ↑ More pictures of the baguier from BnF Gallica
  5. ↑ Anna Jackson & Amin Jaffer, Encounters: The Meeting of Asia and Europe 1500–1800 (Harry Abrams, 2004), p. 36: Coffret, OA 11936, Louvre
  6. ↑ Celine Cachaud, Tudor Renaissance (Autumn, 2014), p. 58
  7. ↑ Mary l. Levkoff, Hearst, the collector (New York, 2008), p. 177.
  8. ↑ Thierry Crépin-Leblond, Marie Stuart: le destin français d'une reine d'Écosse, (Paris, 2008), p. 56: Germain Bapst, Histoire des joyaux de la couronne de France, 1 (Paris, 1889), p. 56.
  9. ↑ Timothy Schroder, A Marvel to Behold: Gold and Silver at the Court of Henry VIII (Woodbridge: Boydell, 2020), pp. 172, 195, 200, 307, 318.
  10. ↑ Elizabeth Cleland, The Tudors: Art and Majesty in Renaissance England (New York, 2023), p. 104 fig. 36: Ilaria Toesca, 'Silver in the Time of François I: A New Identification', Apollo, 90 (October, 1969), pp. 292–297: J. F. Hayward, 'The restoration of the Tudor clock salt', The Goldsmiths Review (1972/3), pp. 27–31.
  11. ↑ A Royal treasure and its role in the Renaissance court: the Royal Clock Salt
  12. ↑ Susan Foister, Holbein in England (London: Tate, 2006), p. 78: Yvonne Hackenbroch, Enseignes: Renaissance Hat Jewels (Florence, 1996), p. 382.
  13. ↑ British Museum, casket, WB.23
  14. ↑ Michèle Bimbenet-Privat, 'Pierre Mangot and Goldsmiths at the Court of Francis I of France', Timothy Schroder & Dora Thornton, A Royal Renaissance Treasure and its Afterlives: The Royal Clock Salt (London: British Museum, 2021), pp. 40-60.
  15. ↑ Owen Emmerson: Thomas Cromwell Discovery
  16. ↑ Trinity College prayer book, University of Cambridge
  17. ↑ 'A Bejeweled Prayer Book in a Cambridge Library', Artnet Art News, 12 June 2023
  18. ↑ Le baguier de Pierre Mangot, BnF Gallica
  19. ↑ Pierre Mangot, casket: MJV Soudant
  20. ↑ Léon marquis de Laborde, Glossaire Français du Moyen Âge (Paris, 1872), p. 207, this detail is not in a printed source for the funeral, which describes a crown of pewter made for the king's effigy, 'Comptes des dépenses faites aux obsèques de Louis XII', Archives curieuses de l'Histoire de France, 1:2 (Paris, 1835), p. 80.
  21. ↑ Jacques Santrot, Les doubles funérailles d'Anne de Bretagne: le corps et le coeur (Geneva: Droz, 2017), pp. 216–9, 568
  22. ↑ Collection des ordonnances des rois de France: Catalogue des actes de François 1er, 6 (Paris, 1894), p. 13 no. 18973
  23. ↑ Alfred Darcel, 'Orfèvres Parisiennes et Blésois', Revue de la art Français: Nouvelles archives de l'art français (Avril 1884), p. 52
  24. ↑ Collection des ordonnances des rois de France: Supplément, 1527–1547, 5 (Paris, 1892), p. 769 no. 18673.
  25. ↑ Collection des ordonnances des rois de France: Supplément, 1527–1547, 6 (Paris, 1894), p. 49 no. 19154.
  26. ↑ Collection des ordonnances des rois de France: 1515–1530: Actes de François Ier, 1 (Paris, 1887), p. 687 no. 3594.
  27. ↑ Germain Bapst, Histoire des joyaux de la couronne de France (Paris, 1889), p. 24
  28. ↑ 'Documents sur les arts en Blesois', Réunion des sociétés des beaux-arts, 33 (Paris, 1909), p. 67
  29. ↑ Germain Bapst, Histoire des joyaux de la couronne de France (Paris, 1889), p. 10 fn
  30. ↑ Jean François Louis d' Hozier, Les chevaliers bretons de Saint Michel depuis la fondation de l'ordre (Nantes, 1884), p. xxix.
  31. ↑ Alfred Darcel, 'Orfèvres Parisiennes et Blésois', Revue de la art Français: Nouvelles archives de l'art français (Avril 1884), pp. 50–2
  32. ↑ Germain Bapst, Histoire des joyaux de la couronne de France (Paris, 1889), p. 56
  33. ↑ Collection des ordonnances des rois de France: Catalogue des actes de François 1er, 8 (Paris, 1905), p. 270 no. 31814
  34. ↑ Léon, marquis de Laborde, Notice des émaux exposés dans les galeries du Musée du Louvre, 2 (Paris, 1853), p. 349.
  35. ↑ Louis-Charles-Marie de Bodin comte de Galembert, Funérailles du roy Henry II (Paris, 1869), p. 62.
  36. ↑ Ève de Castro, Enfant roi (Plon, 2013), see external links.
  37. ↑ Thierry Crépin-Leblond, Marie Stuart: le destin français d'une reine d'Écosse, (Paris, 2008), pp. 56, 70: Alphonse de Ruble, La première jeunesse de Marie Stuart (Paris, 1891), 37-40, 297-300: See external links for the passages transcribed by Ruble.
  38. ↑ BnF, Côme Clausse, Comptes des Enfants de France pour l'année 1551, Fr. 11207 ff. 317r–321r
  39. ↑ Hector de la Ferrière, Lettres de Catherine de Médicis: 1533–1563, 1 (Paris, 1880), p. xlii.
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