Venetian Bird
Directed byRalph Thomas
Written byVictor Canning
Based onVenetian Bird
by Victor Canning
Produced byBetty Box
Earl St. John
StarringRichard Todd
Eva Bartok
John Gregson
CinematographyErnest Steward
Edited byGerald Thomas
Music byNino Rota
Production
company
British Film-Makers
Distributed byGeneral Film Distributors
Release date
3 November 1952
Running time
95 minutes
CountryUnited Kingdom
LanguageEnglish
Box office£80,000[1]

Venetian Bird is a 1952 British thriller film starring Richard Todd, Eva Bartok and John Gregson, and directed by Ralph Thomas.[2] The screenplay was adapted by Victor Canning from his own 1950 novel of the same title. It was shot at Pinewood Studios and on location in Venice. The film's sets were designed by the art director George Provis. It was released in America by United Artists where it was titled The Assassin.

Box and Thomas decided not to use colour shooting the film as they felt that it would not suit the genre.[3]

Plot

British private detective Edward Mercer (Richard Todd) is employed to travel to Venice and locate an Italian who is to be rewarded for his assistance to an Allied airman during the Second World War. Once he arrives in Italy, however, he becomes mixed up in an assassination plot enveloped in a great deal of mystery. Central to it is whether Renzo Uccello (John Gregson) actually died a few years earlier in World War II or not.

Cast

Production

Michael Balcon initially rejected the idea of a film based on Canning's novel because it was set in Italy and dealt with Italians, not Britons. Betty Box appealed to Earl St John, who overruled Balcon. Italian censors required that the script clarify the political struggles in post-war Venice that were portrayed in the novel.[4]

References

  1. ↑ BFI Collections: Michael Balcon Papers H3 reprinted in British Cinema of the 1950s: The Decline of Deference by Sue Harper, Vincent Porter p 41
  2. ↑ IMDb Plot Summary: The Assassin
  3. ↑ HOWARD THOMPSON (14 September 1952). "BY WAY OF REPORT: Box -- Thomas Activities -- Cinema 16 Plans --". New York Times. p. X5.
  4. ↑ British Cinema of the 1950s: The Decline of Deference by Sue Harper, Vincent Porter Oxford University Press, 2003 p 38


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