The Writing's on the Wall
Standard edition cover[lower-alpha 1]
Studio album by
Destiny's Child
ReleasedJuly 14, 1999 (1999-07-14)
RecordedOctober 1998 – April 1999
Studio
Genre
Length64:52
Label
Producer
Destiny's Child chronology
Destiny's Child
(1998)		 The Writing's on the Wall
(1999)		 Survivor
(2001)
Singles from The Writing's on the Wall
  1. "Bills, Bills, Bills"
    Released: May 31, 1999
  2. "Bug a Boo"
    Released: July 7, 1999
  3. "Say My Name"
    Released: October 14, 1999
  4. "Jumpin', Jumpin'"
    Released: July 4, 2000

The Writing's on the Wall is the second studio album by American girl group Destiny's Child. It was released on July 14, 1999, by Columbia Records. Seeking transition from the neo soul sound of their eponymous studio album (1998), Destiny's Child enlisted an almost entirely different array, including Kevin "She'kspere" Briggs, Kandi Burruss, Missy Elliott, Rodney Jerkins, and LaShawn Daniels, among others. Lyrically, the album is constructed as a concept album, with each track representing a Ten Commandments-inspired "Commandment of Relationships". Its themes include infatuation, dependency, infidelity, and separation, while a loose religious theme is maintained throughout the album.

Musically, The Writing's on the Wall is an R&B, pop, hip hop, and soul record incorporating unconventional sonic elements, complex arrangements and layered staccato rap-singing vocals. The production and innovative approach earned critical acclaim, which would further solidify in retrospective reviews. A commercial success, the album debuted at number six on the US Billboard 200, with first-week sales of 133,000 units. Due to vigorous promotional activities and success of its singles, its sales continuously burgeoned. Consequently, The Writing's on the Wall peaked at number five and went on to be certified octuple platinum by the Recording Industry Association of America (RIAA). With worldwide sales of 13 million copies, the album is one of the best-selling girl group albums and best-selling R&B albums of all time.

The Writing's on the Wall produced four singles. "Bills, Bills, Bills" became Destiny's Child's first US Billboard Hot 100 number-one single and attained the top ten in several other countries; it was also nominated for two Grammy Awards. "Bug a Boo" failed to replicate the success of its predecessor, peaking only at number 33 on the Billboard Hot 100 and faring moderately overseas. "Say My Name" became the group's second Billboard Hot 100 number-one single and a widespread international success. Critically acclaimed, it won them their first two Grammy Awards, with its accompanying music video winning their first MTV Video Music Award. "Jumpin', Jumpin'" became Destiny Child's first US Mainstream Top 40 number-one single, while peaking at number three on the Billboard Hot 100.

Considered Destiny's Child's breakthrough album by music critics, The Writing's on the Wall was immensely overshadowed by the controversy surrounding its promotional cycle as a result of the group's internal conflicts. The music video for "Say My Name" saw original members LeToya Luckett and LaTavia Roberson–who had attempted to split with their manager Mathew Knowles–unexpectedly replaced with Farrah Franklin and Michelle Williams. Luckett and Roberson filed a lawsuit against Knowles and former bandmates, and Franklin departed from Destiny's Child a mere five months after joining, leaving it as a trio. Regardless of the turmoil, various publications have listed the album among the best records of its time and genre, noting the immense influence on numerous artists decades after its release.

Background and development

In 1995, Destiny was signed to Elektra Records by Sylvia Rhone. However, they were dismissed from the label eight months into their contract, without having even released an album, for being "too young and undeveloped".[3] Changing their name to Destiny's Child, the group was signed to Columbia Records by Teresa LaBarbera Whites in 1996, after negotiations from Beyoncé's father Mathew Knowles, who became the group's manager.[4] Destiny's Child made their recording debut with the inclusion of the track "Killing Time" on the Men in Black soundtrack in July 1997.[5] Three months later, their debut single "No, No, No" was released, eventually going on to peak at number three on the US Billboard Hot 100 and atop the Hot R&B/Hip-Hop Songs.[6][7] The neo soul and R&B-infused eponymous debut studio album followed in February 1998, to a mixed critical reception.[8]

Commercially, Destiny's Child was a slow seller, peaking only at number 67 on the US Billboard 200,[9] but managed to earn a platinum certification from the Recording Industry Association of America (RIAA) two years after its release.[10] It produced one more single, "With Me", which failed to replicate the success of its predecessor. Beyoncé would retrospectively label their debut album "successful but not hugely successful" as it was "a neo-soul record and we were 15 years old. It was way too mature for us."[11] In September, the group's contribution to the Why Do Fools Fall in Love soundtrack, "Get on the Bus"–a collaboration with Timbaland–was released to moderate commercial success. Around this time, Destiny's Child–partly dissatisfied with their debut–began conceiving ideas for its follow-up. As they were preparing to write and record new material, they sat together and listed what they liked and disliked about the debut in order to improve.[12]

Recording and production

"With The Writing's on the Wall, we did the whole album in about three weeks. Sometimes we did two songs a day. Some songs might take two days but we're very, very quick in the studio."

–Beyoncé Knowles reflecting on the fast-paced recording process for The Writing's on the Wall.[13]

The production for The Writing's on the Wall commenced in October 1998.[13] Beyoncé later claimed the group wasn't nervous about a sophomore slump and had many ideas for the album, as they weren't entirely satisfied with their debut.[14] Compared to its predecessor, the album saw group members take more creative control; Beyoncé co-wrote 11 out of 16 tracks, Kelly Rowland co-wrote ten, LeToya Luckett nine and LaTavia Roberson eight.[15][16] They would rewrite lyrics they received to adjust them into songs suitable for them.[17] Beyoncé sought inspiration for her songwriting from the customers at her mother Tina Knowles' hair salon, namely their grievances and complaints over men, relationships and financial hardships.[13] She additionally produced four tracks from the album, while participating in vocal production and arrangement on several tracks as well.[16]

The group's artists and repertoire (A&R) executive Teresa LaBarbera Whites suggested the group to consult producer Kevin "She'kspere" Briggs.[13] Upon arriving to Houston, where majority of The Writing's on the Wall was recorded, Briggs and his then-girlfriend, singer-songwriter Kandi Burruss, were told there was space for only one more track on the album. However, after the pair presented "Bug a Boo", the group decided to structure the entire record around it. Briggs ended up producing four additional songs–"So Good", "Bills, Bills, Bills", "Hey Ladies" and "She Can't Love You"–co-writing them with Burruss.[17] Burruss would reveal in 2011 that at the time of the album's production, one of the group members was dating her former boyfriend on whom "Bills, Bills, Bills" was based.[18] Being promoted to executive producer alongside the group's manager Mathew Knowles, Briggs introduced skittering quadruple-time beats while encouraging stuttering vocal phrasing, both of which defined the album's sound.[13]

Rodney Jerkins produced "Say My Name", which was recorded at the Pacifique Recording Studios in North Hollywood, Los Angeles. He co-wrote it with his brother Fred Jerkins III, LaShawn Daniels and the group members.[16] Daniels, who helmed its vocal production, based the song on a relationship he had experienced. He said it was "actually the premise of what I would go through, and we had the conversation of 'how embarrassing is that?' Beyoncé was in a relationship at that time, and she could relate well to the situation."[19] However, the group rejected the song's original mix, and the track was almost left unused. Beyoncé later described the original mix as having "too much stuff going on in it. It just sounded like this ... jungle."[11] Jerkins then introduced a new mix of the song to Mathew Knowles, and the track was subsequently included on the album.[11] According to Daniels, Destiny's Child equally contributed to the track, stating: "As time went forward, their creative input was undeniable. If you came up with a melody or something, and it just didn't sit well with them, or if they didn't think it was dope, their creativity would absolutely speak back. We always had a respect of each other's creativity. There were no egos to stop any idea from making it out of any of our mouths."[19]

Missy Elliott wrote and produced "Confessions", on which she made a guest appearance; the track was recorded at The Hit Factory in New York City and The Enterprise in Los Angeles.[16] D'wayne Wiggins produced and co-wrote "Temptations" and "Sweet Sixteen", which were recorded at the Digital Sound in Houston and the House of Music in Oakland, California.[16] "Stay" was solely written and produced by Daryl Simmons, being recorded at the Silent Sound Studios in Atlanta.[16] Next were featured on "If You Leave", which was written by their member R.L. Huggar; it was co-written and produced by Chad Elliot, who also co-wrote and produced "Jumpin, Jumpin". The former was recorded at the Electric Lady Studios in New York City and the Dallas Sound Lab, while the latter was recorded at the 353 Studio in New York City and the 24/7 Studio in Atlanta.[16] Meanwhile, Ken Fambro and Donnie Boynton co-wrote and produced "Now That She's Gone". By April 1999, The Writing's on the Wall had been completed.[13]

Music and lyrics

Missy Elliott (pictured) is featured on the 1970s-influenced mid-tempo "Confessions", which she wrote and produced.

The Writing's on the Wall is predominantly an R&B, pop, hip hop and soul record.[15][20][21] Its instrumentations notably incorporate sounds such as record scratches, bubbles and breaking glass, as well as guitar riffs "chiseled to a point like stiletto heels", complex percussion arrangements, and orchestral brass "draped in the background like plush curtains", while the vocals are "wound in and around like scrollwork".[15] Constructed as a concept album, each of its tracks represents a Ten Commandments-inspired "Commandment of Relationships", which is stated at the end of each track in reference to the following one.[22] Lyrically, the album has been described as having a "cynical, jaded, sometimes transactional view of love".[17] It opens with its title-track intro inspired by The Godfather scene in the 1996 film Set It Off, which sees Rowland, Luckett and Roberson gathering to meet their "godfather" Beyoncé and to discuss their "Commandments of Relationships". As the members mention betrayal from different men, the tone for the album is immediately set as "a tale of empowerment and vengeance".[23] The first commandment "Thou shalt not hate" announces "So Good", which sees the protagonist flaunting her success to a hateful and jealous former lover.[13] Its instrumentation consists of sped-up acoustic guitar loops.[13] The "sassy", "playful" and "jittery" R&B track "Bills, Bills, Bills" features "slinky" instrumentation led by harpsichord-synthesizers.[24][25] Lyrically, the song confronts a boyfriend for his lack of accountability over credit card and phone bill charges while following the "Thou shalt pay bills" commandment. Numerous critics drew parallels between the track and TLC's "No Scrubs", also written by Kevin "She'kspere" Briggs and Kandi Burruss around the same time.[26][13] Burruss claimed it was written based on her own personal experience with a former boyfriend.[13] On the 1970s-influenced soul track "Confessions", featuring a spoken-word performance by Missy Elliott, Beyoncé admits to infidelity as "Thou shalt confess".[23][13] "Bug a Boo" speaks against an overly-attached boyfriend and follows the "Thou shalt not bug" commandment.[23] The "coy, pillowy" sixth track "Temptation" discusses abstinence from having sex with a virtual stranger while already being involved in a relationship, as "Thou shalt not give in to temptation".[15][23]

"Now That She's Gone" showcases a female protagonist's refusal to rekindle the relationship with a former boyfriend who has returned after being abandoned by another woman, due to the "Thou shalt not think you got it like that" commandment.[23] "Thou shalt not leave me wondering" is the theme of "Where'd You Go", which sees a protagonist pleading her partner to stay after noticing his loss of interest towards her.[23] The upbeat "Hey Ladies" encourages women to take a stand against their deceitful boyfriends as "Thou shalt know when he's got to go".[23][13] The "late night, slow-jam" tenth track "If You Leave" is a collaboration with Next, who are referenced in its commandment "Thou shalt move on to the next". Lyrically, the song centers around a couple debating over whether they should leave their respective partners and begin a relationship together.[13] The uptempo dance-pop track "Jumpin, Jumpin" encourages women to "leave [their] men at home" in favor of going to a nightclub filled with rich men, under the commandment "Thou shalt get your party on".[27] The commandment "Thou shalt say my name" precedes "Say My Name", singled out by multiple publications as the album's highlight.[23][13] The track reprises the "thick, paranoid mix" of Rodney Jerkins' prior production "The Boy Is Mine", the 1998 duet between Brandy and Monica.[15] It "hopscotches" through different sonic elements, shifting from a "slow, sexy" bass to syncopated, synth-infused strings and record scratches.[19] Lyrically, the song features a female protagonist suspecting her boyfriend of cheating.[13] Acoustic guitar-driven Latin and bolero ballad "She Can't Love You" is lyrically characterized by the commandment "Thou shalt know she can't love you", as Beyoncé sings "She can't love you like I can / All of her love just can't compare to what I have".[23][28] The ballad "Stay" is preceded by "If thou can wait, then thou shalt stay", and discusses a relationship which is deteriorating due to the female protagonist not wanting to consummate it, much to her boyfriend's dissatisfaction.[23] "Thou shalt cherish life" is the message of "Sweet Sixteen", which follows a girl named Jackie who is eager to grow up.[23] The Writing's on the Wall closes with an a cappella cover of "Amazing Grace", which acts as the outro and is dedicated to the late Andretta Tilman, the group's original manager.[23]

Title and packaging

Speaking of the title for The Writing's on the Wall in a May 2000 interview for Jet, Kelly Rowland revealed: "When we were looking for a title, we had that name and another. We asked Wyclef which was tighter. He said, 'The Writing's On The Wall sounds really cool'. Then he went into a story about Moses finding the Ten Commandments on the wall. He said 'add that to Destiny's Child's commandments of relationships, which will mean something big is about to happen."[14] Similarly, biographer Daryl Easlea noted the title was taken from the Book of Daniel from the Bible's Old Testament; in the book, supernatural writing foretold the demise of Babylonia.[13]

Related to the title, all 14 "Commandments of Relationships" heard on The Writing's on the Wall are listed on the front of its CD.[16] The cover artwork for the album was photographed by Hide Olda and depicts the members wearing white halter tops and facing directly into the camera. The light grey wall behind them features the group's name and the album's title written in a blurry manner, signifying "the writings on the wall".[16] Jaelani Turner-Williams from Stereogum described the cover as "futuristic".[29]

Release and promotion

In the United States, The Writing's on the Wall was released on July 27, 1999, by Columbia Records.[30] Initially, it wasn't heavily promoted; the first televised performance in support of the album was that of "Bills, Bills, Bills" at the Soul Train Lady of Soul Awards on September 3.[31] The group subsequently embarked on TLC's FanMail Tour as an opening act during its October–December North American leg.[32] Promotion intensified following the release of "Say My Name" as the album's third single, with the group performing the song on The Tonight Show with Jay Leno on March 3, 2000,[33] at the 2000 Soul Train Music Awards on March 4,[34] with "Bug a Boo" during MTV Spring Break on March 16,[35][36] on the April 7 episode of Top of the Pops in the United Kingdom,[37] at the TMF Awards in the Netherlands on April 15,[38] and as an opening act for Britney Spears' free (You Drive Me) Crazy Tour concert in Honolulu, Hawaii on April 24.[39] They continued promoting the album by performing its fourth and final single "Jumpin', Jumpin'" on The Tonight Show with Jay Leno on June 8,[40] and on the July 28 episode of Top of the Pops.[41]

Destiny's Child performing "Say My Name" during their Destiny Fulfilled... and Lovin' It tour in 2005

On July 9, Destiny's Child performed "So Good", "Say My Name" and "Bills, Bills, Bills" during Party in the Park in London.[42] That month, they joined Christina Aguilera as opening acts on her tour Christina Aguilera in Concert, touring North America until October.[43] While on tour, the group performed a 45-minute set at The Big E on September 17,[44] as well as performing "Say My Name" at the MuchMusic Video Awards on September 21.[45] In Europe, The Writing's on the Wall was re-released to include a bonus disc with then-new single "Independent Women Part I" in November.[46] At the Billboard Music Awards on December 5, the group performed a medley composed of "Independent Women Part I", "Say My Name" and "Jumpin', Jumpin'".[47] They performed nominated songs "Independent Women Part I" and "Say My Name" at the 43rd Annual Grammy Awards on February 21, 2001, when they won their first two Grammy Awards, both for "Say My Name".[48] In honor of the album's 20th anniversary in July 2019, Sony Music launched "Destiny's Child 2019 Dating Commandments". Similar to Tinder, the interactive dating app modernized the 14 "Commandments of Relationships" from the album.[49] In addition, the album was made available on a limited-edition clear vinyl with black splatter exclusively at Urban Outfitters on November 1.[50]

Singles

"Bills, Bills, Bills" was released as the lead single from The Writing's on the Wall on May 31, 1999.[51] A commercial success, it became Destiny's Child's first US Billboard Hot 100 number-one single,[6] also topping the US Hot R&B/Hip-Hop Songs for nine consecutive weeks.[7] The digital single was certified platinum by the Recording Industry Association of America (RIAA) on July 2, 2020.[10] Internationally, the song reached the top ten in Belgium, Canada, Iceland, the Netherlands and the United Kingdom.[52][53][54][55] Critically acclaimed, it was nominated for Best R&B Performance by a Duo or Group with Vocals and Best R&B Song at the 42nd Annual Grammy Awards (2000).[56] Its accompanying music video was directed by Darren Grant and was a tribute to Tina Knowles, Beyoncé's mother and the group's then-stylist, as it depicts group members as hair salon employees frustrated with men.[57]

"Bug a Boo" was released as the second single from The Writing's on the Wall on July 7, 1999.[58] It failed to replicate the commercial success of its predecessor, as it peaked only at number 33 on the US Billboard Hot 100 and number 15 on the US Hot R&B/Hip-Hop Songs.[6][7] The song fared better internationally, peaking within the top ten in the Netherlands and the UK.[59][55] Its Grant-directed accompanying music video shows the group members fleeing from aggravating boyfriends, and features cameo appearances from Kobe Bryant and Wyclef Jean.[57]

"Say My Name" was released as the third single from The Writing's on the Wall on October 14, 1999. It became Destiny's Child's second US Billboard Hot 100 and third US Hot R&B/Hip-Hop Songs number-one single.[6][7] The digital single was certified triple platinum by the RIAA on July 2, 2020.[10] Internationally, the song reached the summit in Australia and the top ten in Belgium, Canada, France, Iceland, the Netherlands, New Zealand, Norway, Poland and the UK.[60][53][61][62][55] Critically acclaimed, it won the group's first two Grammy Awards–for Best R&B Performance by a Duo or Group with Vocals and Best R&B Song–while also being nominated for Record of the Year and Song of the Year, at the 43rd annual ceremony (2001).[63] Its Joseph Kahn-directed accompanying music video was a subject of controversy, as it saw LeToya Luckett and LaTavia Roberson be replaced–without their knowledge or consent–with Farrah Franklin and Michelle Williams.[27] The video won the group their first MTV Video Music Award, for Best R&B Video in 2000.[64]

"Jumpin', Jumpin'" was released as the fourth and final single from The Writing's on the Wall on July 4, 2000, to critical acclaim.[10] A commercial success, it peaked at number three on the US Billboard Hot 100 and became the group's first US Mainstream Top 40 number-one single.[6][65] The digital single was certified platinum by the RIAA on July 2, 2020.[10] Internationally, the song attained the top ten in Australia, Canada, Iceland, the Netherlands, New Zealand and the UK.[66][53][67][55] Its accompanying music video was the group's second consecutive to be directed by Kahn, and shows the members going out to a nightclub.[57]

"So Good" was serviced to rhythmic contemporary radio in the United States on January 16, 2001.[68] However, its single treatment was halted due to the success of "Independent Women Part I" and Destiny's Child heading forward into the promotional cycle for their subsequent studio album Survivor.[69]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[70]
The Encyclopedia of Popular Music[71]
Entertainment WeeklyB[72]
The Guardian[73]
NME6/10[22]
Pitchfork9.0/10[15]
Q[74]
Rolling Stone[26]
The Rolling Stone Album Guide[75]
The Village VoiceB+[76]

Upon its release, The Writing's on the Wall received generally favorable reviews from music critics. Stephen Thomas Erlewine from AllMusic wrote that with the album "Destiny's Child still suffers from slightly uneven songwriting, but it's nevertheless an assured step forward for the girl group", adding that "even when the album fails to deliver memorable songs, it always sounds alluring, thanks to the perfect combination of vocalists and producers".[70] Rob Brunner from Entertainment Weekly praised the group for being able to "prove themselves to be more capable of confident, inventive R&B than many of their contemporaries" with the album but dismissed the "banal balladry" of "Stay" and "Sweet Sixteen".[72] Writing for The Village Voice, Robert Christgau commended the group for sounding mature but criticized the album's lyrical content.[76] Rob Sheffield from Rolling Stone was, however, more negative towards the album, writing: "Despite OK moments like the "Waterfalls" sequel "Sweet Sixteen," the Destiny children never find that one money tune that turns a no-no-no scrub into a yeah-yeah-yeah paying customer.[26] In a review for NME, Dele Fadele praised the contemporary sound of the album, citing "Confessions" and "If You Leave" as its highlights.[22]

Retrospectively, The Writing's on the Wall has continued receiving critical acclaim. In The New Rolling Stone Album Guide (2004), Nathan Brackett and Christian Hoard referenced Sheffield's 1999 review for Rolling Stone by saying the album's singles "Say My Name" and "Jumpin', Jumpin'" were, indeed, "catchy enough to turn any no-no-no scrub into yeah-yeah-yeah paying customer".[75] In The Encyclopedia of Popular Music (2007), Colin Larkin gave the album a four-star review.[71] Katherine St. Asaph from Pitchfork praised the album for its impact and influence on R&B artists, writing: "Beyond its tabloid drama, the innovation of Destiny's Child's second album codified the sound of R&B at the turn of the millennium."[15] Wren Graves from Consequence praised the album for having "remarkably good" non-single tracks, but dismissed "Temptation" and "If You Leave" as its "dull spots".[77] Taryn Finley of HuffPost praised the album for helping "usher in a new wave of R&B", labeling it "the quintessential 1999 album".[78]

Accolades

Awards and nominations

Awards and nominations for The Writing's on the Wall
Year Award CategoryNominee(s) ResultRef.
2000 Soul Train Music Award Best R&B/Soul Album – Group, Band or Duo The Writing's on the Wall Nominated
[79]
2000 Soul Train Lady of Soul Award Best R&B/Soul Album Won
[80]
2001 American Music Award Favorite Soul/R&B Album Nominated
[81]

Listings

Listings for The Writing's on the Wall
Year Publication List Position Ref.
1999 The Face Recordings of the Year
9
2002 Q 100 Women Who Rock the World
77
2007 Rock and Roll Hall of Fame Definitive 200
160
Vibe The 150 Albums That Define the Vibe Era
–
2008 Entertainment Weekly The New Classics: Music
92
2013 NME The 500 Greatest Albums of All Time
454
2017 Complex The 50 Best R&B Albums of the '90s
31
NPR The 150 Greatest Albums Made By Women
61
2019 Okayplayer The 19 Most Influential R&B Albums of '90s
–
2020 PopMatters The Most Memorable Albums of 1999
–
Rolling Stone The 500 Greatest Albums of All Time
291
2022 Pitchfork The 150 Best Albums of the 1990s
45

Commercial performance

In the United States, The Writing's on the Wall debuted at number six on the Billboard 200 chart dated August 14, 1999, with first-week sales of 133,000 copies.[93] On the Top R&B/Hip-Hop Albums, it debuted and peaked at number two the same week.[94] The album was the 42nd best-selling album of 1999, selling 1.6 million copies by the end of the year.[95] The heavy rotation of its third single "Say My Name" and increased promotional activities reinvigorated the album's sales. Seven weeks after "Say My Name" reached the summit of the Billboard Hot 100, the album registered a new single-week sales high with 157,000 units.[93] It subsequently went on to ascend towards a new peak on the Billboard 200 at number five on May 6, 2000.[96] During the Christmas week of 2000, the album achieved its highest single-week sales with 163,000 units, while remaining stable within the top 40 in its 74th week of charting.[97][98] On the year-end Billboard 200 for 2000, it placed at number 13, and was the tenth best-selling album of the year with sales of 3.8 million copies.[99][100] In total, it spent 99 consecutive weeks on the Billboard 200, exiting from the chart in July 2001.[49] On November 6, the album was certified octuple platinum by the Recording Industry Association of America (RIAA).[101] As of 2015, the album has sold over seven million units in the country, being the second best-selling girl group album ever in the US.[lower-alpha 15]

Internationally, The Writing's on the Wall was a sleeper hit. In Canada, it debuted at number 13 on the Canadian Albums Chart dated August 14, 1999,[102] peaking at number five after a year of charting on August 26, 2000.[103] It was certified quintuple platinum by the Canadian Recording Industry Association (CRIA) on February 28, 2001.[104] In Australia, it debuted at number nine on the ARIA Top 100 Albums and peaked at number two in its third week.[105] The album was certified triple platinum by the Australian Recording Industry Association (ARIA) in February 2001.[106] In New Zealand, the album debuted at number 30 before departing from the chart in its second week. It re-entered the chart in its third week and went on to peak at number six in its tenth week.[107] Recording Industry Association of New Zealand certified it triple platinum in November 2000.[108] In the United Kingdom, the album debuted at number 12 on the UK Albums Chart and atop the UK R&B Albums Chart.[109][110] It was certified platinum by the British Phonographic Industry (BPI) in August 2000 and,[111] after 70 weeks of fluctuations, peaked at number ten on the UK Albums Chart on January 6, 2001.[112] In Europe, the album peaked at number 23 on the European Top 100 Albums after being reissued,[113] and was certified double platinum by the International Federation of the Phonographic Industry (IFPI).[114] In addition, it eventually ascended to the top ten in Belgium, Ireland, the Netherlands, Norway and Portugal after debuting at lower positions.[105][115] With worldwide sales of 13 million copies, The Writing's on the Wall is the fourth best-selling girl group album of all time, also being one of the best-selling R&B albums of all time.[116][15][117]

Controversy

Michelle Williams (pictured) and Farrah Franklin joined Destiny's Child as replacements for LeToya Luckett and LaTavia Roberson, amid The Writing's on the Wall's promotional cycle.

The promotional era of The Writing's on the Wall was infused with controversy and conflicts within Destiny's Child's members and management. In December 1999, LeToya Luckett and LaTavia Roberson attempted to split with their manager Mathew Knowles, claiming that he kept a disproportionate share of the group's profits and unfairly favored his daughter Beyoncé Knowles and Kelly Rowland.[118] While they never intended to leave the group, they found out that two new members were joining Beyoncé and Rowland once the accompanying music video for "Say My Name" premiered on February 15, 2000.[118] Prior to its premiere, Beyoncé announced on Total Request Live that Luckett and Roberson had left the group.[4] They were replaced by Michelle Williams, a former backup singer to Monica, and Farrah Franklin, an aspiring singer-actress.[119] Shortly after her stint with Monica, Williams was introduced to Destiny's Child by choreographer Braden "Peanut Orlando" Larson, and was flown to Houston, where she stayed with the Knowles family.[119]

On March 15, Roberson and Luckett filed a lawsuit against Mathew Knowles and their former bandmates for breach of partnership and fiduciary duties.[13] Following the lawsuit, both sides were disparaging towards each other in the media.[118] Five months after joining, Franklin left Destiny's Child. The remaining members claimed that this was due to missed promotional appearances and concerts. According to Williams, Franklin could not handle stress.[119] Franklin, however, disclosed that she left because of the negativity surrounding the strife and her inability to assert any control in the decision-making.[118] Her departure was seen as less controversial. Williams, on the other hand, disclosed that her inclusion in the group resulted in her "battling insecurity" by saying: "I was comparing myself to the other members, and the pressure was on me."[119] Towards the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Beyoncé and Rowland in exchange for a settlement, though they continued the action against Mathew Knowles. As part of the agreement, both sides were prohibited from speaking about each other publicly.[118] Roberson and Luckett formed another girl group named Anjel but also left it due to issues with their record company 581 Entertainment.[120]

Impact and legacy

The Writing's on the Wall has been declared Destiny's Child's breakthrough album by numerous music critics, as it spurred their career and introduced them to a wider audience.[119][11] Chris Malone from Billboard stated the album "almost instantly cemented Destiny's Child as one of the most iconic girl groups of all time".[23] Despite initial skepticism towards the album, various critics would acknowledge its immense impact on R&B and pop music in retrospective commentary, crediting it for having defined the sound of mainstream music at the turn of the millennium.[78][15] Music industry writer Naima Cochrane called it one of the most important recordings of the transitional phase between the 1990s and 2000s, adding that it "set the tone for what mainstream R&B was gonna sound like for the next several years and the R&B sound that was neo-soul started moving into the adult urban lane. The Writing's on the Wall is like that fork in the road between what started as mainstream R&B and what ended up becoming adult contemporary R&B."[78] Its feminist lyrical undertones have also received recognition.[121] Meena Alexander from Stylist remarked: "Despite being only 17 when the album was released, Destiny's Child had already cultivated a feminist message that stood out amid the saccharine girl-pop and heartbroken ballads of their contemporaries."[117]

The Writing's on the Wall has been credited for allowing Beyoncé (pictured) to launch her solo career. Several critics have also noted its lyrical influence on her sixth solo studio album Lemonade (2016).

Within the period of its commercial peak, The Writing's on the Wall was at the center of controversy, following the highly publicized departure of LeToya Luckett and LaTavia Roberson, original members of Destiny's Child, in February 2000 and the ensuing lawsuit they filed against the group and their manager Mathew Knowles. Regardless, the album "emerged unscathed, bursting with bangers and destined to become one of the best-selling R&B albums of all time".[117] Although members were affected by the turmoil, the group's success continued, with the years following the controversy seen as the most substantial stretch of their career,[118] and them becoming a pop culture phenomenon.[4] Their third studio album Survivor (2001) and its title track are considered responses to the media for the scrutiny the group was placed under throughout the promotional era of The Writing's on the Wall.[122] Multiple critics have also noted the album for being the platform upon which Beyoncé would launch her solo career.[117][15] Tom Breihan from Stereogum shared those sentiments, adding: "Beyoncé, who dominated every track on The Writing's On The Wall, was young enough to take immediately to the new sounds that were suddenly reshaping R&B aesthetics. And she'd practiced hard enough that she had the technical skills to handle tracks like that while still broadcasting personality all over them." He additionally noted that the album would pave the way for her sixth solo studio album Lemonade (2016), saying: "When a full-grown Beyoncé went back into accusatory mode years later on Lemonade, she had the weight of cultural memory working for her. We'd already known since she was a kid that she wasn't taking any bullshit."[17]

The Writing's on the Wall has also been noted for its tremendous influence on artists in terms of lyrical themes, vocal performances and visuals. The album introduced staccato rap-singing, most notably on its tracks "Bug a Boo" and "Say My Name". In a 2006 interview for The Guardian upon the release of her second solo studio album B'Day, Beyoncé claimed: "That staccato, fast singing has kind of become the sound of R&B. It's still here in 2006. But we had no idea of what its impact would be. We had no idea that The Writing's on the Wall would be as big a record as it was. Especially worldwide."[11] Canadian rapper Drake was cited as one of the artists who sought vocal inspiration from the album, most notably on his 2013 track "Girls Love Beyoncé", on which James Fauntleroy sang the chorus of "Say My Name".[15][19] In a 2019 interview with Vice, Kandi Burruss–one of the key contributors on the album–said its feminist undertone-based influence was evident even two decades following its release, citing women's empowerment-themed efforts by artists such as Rihanna, Lizzo and Megan Thee Stallion.[121] The music videos for Kehlani's 2016 song "Distraction" and Tove Styrke's 2017 song "Say My Name" have also been described as homages to the music video for "Say My Name", further expanding the album's influence.[15]

Track listing

The Writing's on the Wall – Standard edition
No.TitleWriter(s)Producer(s)Length
1."Intro (The Writing's on the Wall)"
  • Knowles
  • Donald Holmes
  • Gerard Thomas
  • Anthony Hardy
2:05
2."So Good"
3:13
3."Bills, Bills, Bills"
  • Knowles
  • Rowland
  • Luckett
  • Kandi
  • Briggs
4:16
4."Confessions" (featuring Missy Elliott)
4:57
5."Bug a Boo"
  • Knowles
  • Rowland
  • Luckett
  • Roberson
  • Kandi
  • Briggs
3:32
6."Temptation"
  • Wiggins
  • Terry T[c]
4:05
7."Now That She's Gone"
  • Fambro
  • Boynton
5:35
8."Where'd You Go"
  • Knowles
  • Rowland
  • Luckett
  • Roberson
  • Platinum Status
  • Chris Stokes
  • Knowles
  • Platinum Status
  • Stokes
4:15
9."Hey Ladies"
  • Knowles
  • Rowland
  • Luckett
  • Roberson
  • Kandi
  • Briggs
4:16
10."If You Leave" (featuring Next)
  • Elliott
  • Hunter
4:35
11."Jumpin, Jumpin"
  • Elliott
  • Knowles
  • Jovonn Alexander
3:50
12."Say My Name"
  • R. Jerkins
  • Daniels[b]
4:31
13."She Can't Love You"
  • Knowles
  • Rowland
  • Luckett
  • Roberson
  • Kandi
  • Briggs
4:04
14."Stay"Daryl SimmonsD. Simmons4:51
15."Sweet Sixteen"
  • Knowles[c]
  • Wiggins
4:12
16."Outro (Amazing Grace... Dedicated to Andretta Tillman)"[e]Knowles2:38
The Writing's on the Wall – International edition (bonus track)[123]
No.TitleWriter(s)Producer(s)Length
17."Get on the Bus" (featuring Timbaland)
  • Timbaland
  • Elliott
4:44
The Writing's on the Wall – Japanese edition[1]
No.TitleWriter(s)Producer(s)Length
16."Get on the Bus" (featuring Timbaland)
  • Mosley
  • Elliott
  • Timbaland
  • Elliott
4:44
17."Bills, Bills, Bills" (Digital Black-N-Groove Club Mix)
  • Knowles
  • Rowland
  • Luckett
  • Kandi
  • Briggs
7:16
The Writing's on the Wall – Enhanced edition (bonus video)[124]
No.TitleDirector(s)Length
1."No, No, No Part I" (music video)Darren Grant 
The Writing's on the Wall – European special edition (bonus disc)[125]
No.TitleWriter(s)Producer(s)Length
1."Bills, Bills, Bills" (remix featuring Sporty Thievz)
  • West
  • Poke and Tone[c]
4:00
2."No, No, No Part II" (featuring Wyclef Jean)
  • Herbert
  • Fusari
  • Brown
  • Gaines
3:33
3."Say My Name" (Timbaland Remix)
  • Knowles
  • Rowland
  • Luckett
  • Roberson
  • Jerkins
  • Jerkins
  • Daniels
  • Mosley
  • Sean Garrett
Timbaland7:33
4."No, No, No Part II" (featuring Wyclef Jean) (music video)   
5."Get on the Bus" (music video)   
The Writing's on the Wall – European reissue (bonus disc)[2]
No.TitleWriter(s)Producer(s)Length
1."Independent Women Part I" (Pasadena Remix)
3:42
2."Independent Women Part II"
  • Knowles
  • Stewart
  • Seats
3:46
3."8 Days of Christmas"
  • Knowles
  • Errol McCalla
3:31
4."No, No, No Part II" (featuring Wyclef Jean)
  • Herbert
  • Fusari
  • Brown
  • Gaines
3:28

Notes

  • ^a signifies a producer and vocal producer
  • ^b signifies a vocal producer
  • ^c signifies a co-producer
  • ^d signifies an additional vocal producer
  • ^e signifies the lyrics being credited to "public domain"
  • Tracks 1–15 end with brief interludes spoken by the group members, each of which relates to the following track. Each interlude represents a Ten Commandments-inspired "Commandment of Relationships".

Sample credits

Personnel

Credits are adapted from the liner notes of The Writing's on the Wall.[16]

  • Charles Alexander – mixing (track 11)
  • Jovonn Alexander – production (track 11)
  • Steve Baughman – mixing assistance (track 3)
  • Chris Bell – engineering (track 10)
  • Donnie "D-Major" Boynton – production (track 7), songwriting (track 7)
  • Kevin "She'kspere" Briggs – engineering (tracks 2, 3, 5, 9 and 13), executive production, instrumentation (tracks 2, 3, 5, 9 and 13), Midi & Sound (tracks 2, 3, 5 and 13), production (tracks 2, 3, 5, 9 and 13), songwriting (tracks 2, 3, 5, 9 and 13), vocal production (tracks 2, 3, 5, 9 and 13)
  • Joe Bruer – engineering (track 8)
  • Kandi Burruss – songwriting (tracks 2, 3, 5, 9 and 13), vocal production (tracks 2, 5, 9 and 13)
  • Michael Calderon – engineering (tracks 1, 3 and 6)
  • LaShawn Daniels – engineering (track 12), songwriting (track 12), vocal production (track 12)
  • Kevin "KD" Davis – mixing (tracks 2, 3, 5, 9 and 13)
  • Andre DeBaurg – engineering (tracks 10 and 11)
  • David Donaldson – engineering (track 11)
  • Jimmy Douglass – engineering (track 4)
  • Blake Eiseman – engineering (track 7)
  • Chad "Dr. Ceuss" Elliott – mixing (track 11), production (tracks 10 and 11), songwriting (tracks 10 and 11)
  • Missy Elliott – production (track 4), songwriting (track 4), vocals (track 4)
  • Ken "K-Fam" Fambro – production (track 7), songwriting (track 7)
  • Ronnie Garrett – bass (track 14)
  • Jon Gass – mixing (track 14)
  • Tara Geter – songwriting (track 7)
  • Brad Gildem – engineering (track 12)
  • Anthony Hardy – instrumentation (track 1), production (track 1)
  • Donald "Lenny" Holmes – instrumentation (track 1), production (tracks 1 and 4), songwriting (track 4)
  • James Hoover – engineering (tracks 7, 15 and 16)
  • Jean Marie Horout – mixing (track 12)
  • R.L. Huggar – songwriting (track 10)
  • Oshea Hunter – production (track 10), songwriting (track 10)
  • Fred Jerkins III – songwriting (track 12)
  • Rodney Jerkins – production (track 12), songwriting (track 12), vocals (track 12)
  • Thom "TK" Kidd – engineering (track 14)
  • Kiko – art direction, design
  • Beyoncé Knowles – additional vocal production (track 9), arrangement (track 16), backing vocals (all tracks), lead vocals (all tracks), production (tracks 1, 8, 15 and 16), songwriting (tracks 1–3, 5, 6, 8, 9, 11–13 and 15), vocal arrangement (tracks 6 and 16), vocal production (tracks 3 and 13)
  • Mathew Knowles – executive production, mixing (track 16)
  • Mike Kopcha – mixing assistance (tracks 2, 5, 9 and 13)
  • Sonny Lallerstedt – guitar (track 14)
  • Vincent Lars – saxophone (track 15)
  • Kevin Lively – engineering assistance (track 14)
  • LeToya Luckett – backing vocals (all tracks), lead vocals (track 1), songwriting (tracks 1–3, 5, 6, 8, 9, 12 and 13)
  • Steve McCauley – mixing assistance (tracks 4 and 15)
  • Raymond McKinley – bass (track 15)
  • Rufus Moore – songwriting (track 11)
  • Ramon Morales – engineering (tracks 5, 9 and 13)
  • Vernon Mungo – engineering (track 3)
  • Next – vocals (track 10)
  • Hide Olda – photography
  • Bill Ortiz – trumpet (track 15)
  • Lance Pierre – mixing assistance (track 8)
  • Platinum Status – drum programming (track 8), keyboards (track 8), production (track 8), songwriting (track 8)
  • Claudine Pontier – engineering assistance (track 3)
  • Anthony Ray – songwriting (track 6)
  • Ted Regier – mixing assistance (tracks 4, 6, 7 and 15)
  • Byron Rittenhouse – vocals (track 11)
  • LaTavia Roberson – backing vocals (all tracks), lead vocals (tracks 1, 8 and 15), songwriting (tracks 1, 2, 5, 6, 8, 9, 12 and 13)
  • Kelly Rowland – backing vocals (all tracks), lead vocals (tracks 1–5, 7, 8, 10, 13, 15 and 16), songwriting (tracks 1–3, 5, 6, 8, 9, 12, 13 and 15)
  • Albert Sanchez – photography
  • Aleese Simmons – songwriting (track 7)
  • Daryl Simmons – drum programming (track 14), keyboards (track 14), production (track 14), songwriting (track 14)
  • Dexter Simmons – mixing (tracks 4, 6, 8, 10 and 15)
  • Latrelle Simmons – songwriting (track 7), vocal arrangement (track 7)
  • Ivy Skoff – production coordination (track 14)
  • Charles Spikes – guitar (track 6)
  • Brian Springer – engineering (track 4)
  • Kenny Stallworth – engineering assistance (track 7)
  • Chris Stokes – production (track 8), songwriting (track 8)
  • Joey Swails – engineering (tracks 6 and 15)
  • Terry-T – bass (track 6), drum machine (track 6), keyboards (track 6), production (track 6)
  • Gerard Thomas – instrumentation (track 1), production (tracks 1 and 4), songwriting (track 4)
  • Tyvette Turman – songwriting (track 10)
  • Stephanie Vonarx – engineering assistance (track 14)
  • Chuck Walpole – engineering (track 6)
  • Jody Watley – songwriting (track 15)
  • Carl Wheeler – songwriting (track 6)
  • Teresa LaBarbera Whites – A&R
  • D'wayne Wiggins – bass (track 6), drum machine (track 15), guitar (tracks 6 and 15), production (tracks 6 and 15), songwriting (tracks 6 and 15), synthesizer (track 15)
  • Tony Williams – additional drum programming (track 14)
  • Dan Workman – engineering (tracks 2 and 5)

Charts

Certifications

Certifications and sales for The Writing's on the Wall
Region CertificationCertified units/sales
Australia (ARIA)[106] 3× Platinum 210,000^
Belgium (BEA)[165] Platinum 50,000*
Brazil — 20,000[166]
Canada (Music Canada)[104] 5× Platinum 500,000^
Denmark (IFPI Danmark)[167] 2× Platinum 40,000‡
France (SNEP)[168] 2× Gold 200,000*
Germany (BVMI)[169] Gold 250,000^
Netherlands (NVPI)[170] 2× Platinum 200,000^
New Zealand (RMNZ)[171] 3× Platinum 45,000^
Norway (IFPI Norway)[172] Gold 25,000*
Norway (IFPI Norway)[173]
Reissue 		Platinum 20,000*
Sweden (GLF)[174] Gold 40,000^
Switzerland (IFPI Switzerland)[175] Gold 25,000^
United Kingdom (BPI)[111] 3× Platinum 1,120,878[176]
United States (RIAA)[101] 8× Platinum 7,100,000[lower-alpha 15]
Summaries
Europe (IFPI)[114] 2× Platinum 2,000,000*
Worldwide — 13,000,000[116]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

Release dates and formats for The Writing's on the Wall
Region Date Edition(s) Format(s) Label(s) Ref.
Japan July 14, 1999 Standard CD Sony Music Japan [179]
Germany July 23, 1999 Sony Music [46]
United Kingdom July 26, 1999 Columbia [180][181]
United States July 27, 1999
  • Cassette
  • CD
  • enhanced CD
 [23]
France August 3, 1999 CD [182]
Poland September 13, 1999 Sony Music
United Kingdom November 13, 2000 Reissue Double CD Columbia
Germany November 27, 2000 Sony Music [46]
United States November 1, 2019 Standard Vinyl (Urban Outfitters exclusive) Columbia [50]

See also

Notes

  1. ↑ Japanese edition and European reissue covers feature blue backgrounds.[1][2]
  2. 1 2 Track 11
  3. 1 2 Track 10
  4. 1 2 Track 4
  5. ↑ Track 3
  6. ↑ Track 7
  7. ↑ Track 14
  8. 1 2 Tracks 2, 5, 9 and 13
  9. ↑ Tracks 1 and 7
  10. ↑ Tracks 3, 13 and 16
  11. 1 2 Tracks 6 and 15
  12. ↑ Track 8
  13. ↑ Track 12
  14. ↑ Track 15
  15. 1 2 According to Nielsen SoundScan, The Writing's on the Wall has sold 6,400,000 copies in the United States as of 2015.[177] Nielsen SoundScan did not count sales through music clubs such as BMG Music Service, through which the album sold 700,000 additional units by February 2003,[178] bringing its sales total to 7,100,000 units.

References

  1. 1 2 Destiny's Child (1999). The Writing's on the Wall (CD). Japan: Sony Music Entertainment Japan.
  2. 1 2 Destiny's Child (2000). The Writing's on the Wall (double CD). United Kingdom: Columbia Records.
  3. ↑ "Destiny's Child: Soul-Survivors". Essence. May 2001. Retrieved February 26, 2023.
  4. 1 2 3 "Beyoncé Knowles: Biography". People. Archived from the original on April 26, 2007. Retrieved April 13, 2008.
  5. ↑ Stacy-Deanne, Kenyatta & Lowery 2005, p. 60
  6. 1 2 3 4 5 "Destiny's Child Chart History (Hot 100)". Billboard. Retrieved February 26, 2023.
  7. 1 2 3 4 "Destiny's Child Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved February 26, 2023.
  8. ↑ Soetan, Sope (February 16, 2023). "Destiny's Child's Debut Album At 25: How A Neo-Soul Album From Teens Spawned R&B Legends". The Recording Academy. Retrieved February 26, 2023. Yet its "grown and sexy" attitude and neo-soul arrangements weren't an initial hit......The ballad-heavy and traditional R&B style present on Destiny's Child was considered adult-oriented.
  9. 1 2 "Destiny's Child Chart History (Billboard 200)". Billboard. Retrieved February 3, 2013.
  10. 1 2 3 4 5 "Gold & Platinum". Recording Industry Association of America. Retrieved February 26, 2023.
  11. 1 2 3 4 5 Flynn, Paul (August 18, 2006). "Of course you can lose yourself". The Guardian. London. Archived from the original on June 25, 2008. Retrieved February 26, 2023.
  12. ↑ Knowles, Rowland & Williams 2002
  13. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Easlea 2011, chpt. 4
  14. 1 2 "DESTINY'S CHILD: Hot Young Divas Continue To Burn Up Music Charts". Jet. Vol. 97, no. 25. May 29, 2000. pp. 59, 61. ISSN 0021-5996.
  15. 1 2 3 4 5 6 7 8 9 10 11 12 St. Asaph, Katherine (June 18, 2017). "Destiny's Child: The Writing's on the Wall". Pitchfork. Retrieved June 18, 2017. But while its pop and R&B sections are distinct, they're equally assured.
  16. 1 2 3 4 5 6 7 8 9 10 Destiny's Child (1999). The Writing's on the Wall (CD). Columbia Records.
  17. 1 2 3 4 Breihan, Tom (July 26, 2019). "The Writing's On The Wall Turns 20". Stereogum. Retrieved February 24, 2023.
  18. ↑ Sparks, Marvin (April 4, 2011). "Destiny's Child The Writing's On The Wall LP revisited by co-writer Kandi Burruss". SoulCulture. Archived from the original on July 1, 2022. Retrieved February 24, 2023.
  19. 1 2 3 4 Jefferson, J'na (June 19, 2019). ""Say My Name" 20 Years Later: Why The Destiny's Child Staple Is Still On Everyone's Lips". The Recording Academy. Retrieved February 27, 2023.
  20. 1 2 Bergeron, Elena; Charity, Justin; Frederick, Brendan; Jenkins, Craig; Marcec, Shannon; Scarano, Ross; Scott, Damien (July 10, 2014). "The 50 Best R&B Albums of the '90s". Complex. Retrieved February 23, 2023. The Writing's on the Wall, an album that otherwise contains some of the best late-'90s R&B ever recorded.
  21. ↑ Verna, Paul (August 14, 1999). "Reviews & Previews: Spotlight". Billboard. Vol. 111, no. 33. p. 17. Retrieved February 26, 2023. ...the album–which sassily blends hip-hop, soul and R&B...
  22. 1 2 3 Fadele, Dele (August 2, 1999). "Destiny's Child – The Writing's On The Wall". NME. Archived from the original on August 17, 2000. Retrieved June 24, 2017.
  23. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Malone, Chris (July 27, 2019). "Destiny's Child's 'The Writing's on the Wall' at 20: All the Tracks Ranked". Billboard. Retrieved February 21, 2023.
  24. ↑ "The 99 Greatest Songs of 1999: Critics' Picks". Billboard. April 8, 2019. Retrieved February 23, 2023. Briggs and Burruss specialized in telling off deadbeat men through playful R&B songs in 1999 ... 'Bills' was the sassy, harpsichord-synth-led first single
  25. ↑ "The Top 200 Tracks of the 1990s: 200-151 – Page 5". Pitchfork. August 30, 2010. Retrieved February 23, 2023. 'Bills Bills Bills' wasn't the first great piece of jittery post-Timbaland R&B, but it was the first to offer a performance that mirrored the hyper-finesse of the style's insectile stop-start surfaces.
  26. 1 2 3 Sheffield, Rob (September 2, 1999). "Destiny's Child: The Writing's On The Wall". Rolling Stone. Archived from the original on July 18, 2008. Retrieved June 17, 2012.
  27. 1 2 Breihan, Tom (August 8, 2022). "The Number Ones: Destiny's Child's 'Say My Name'". Stereogum. Retrieved February 23, 2023.
  28. ↑ Briggs, Kevin; Burruss, Kandi; Knowles, Beyoncé; Luckett, LeToya; Roberson, LaTavia; Rowland, Kelly. "Destiny's Child – She Can't Love You Lyrics". Genius. Retrieved February 23, 2023.{{cite web}}: CS1 maint: multiple names: authors list (link)
  29. ↑ Turner-Williams, Jaelani (April 30, 2021). "Survivor Turns 20". Stereogum. Retrieved March 3, 2023. ...the two dismissed members were still pictured alongside Beyoncé and Kelly Rowland on The Writing's On The Wall's futuristic album artwork.
  30. ↑ Allen, Kiera (July 5, 2018). "MUSIC REVIEW: "The Writing's on the Wall" by Destiny's Child". Associated Press. Retrieved February 24, 2023.
  31. ↑ "TLC, Naughty By Nature To Play Soul Awards". MTV News. September 1, 1999. Retrieved February 24, 2023.
  32. ↑ Duncan, Andréa (October 26, 1999). "TLC Kicks Off Tour As T-Boz Prepares To Get Animated". MTV News. Archived from the original on May 21, 2014. Retrieved February 24, 2023.
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  36. ↑ "Bug A Boo (MTV's Springbreak 16.03.2000)". Retrieved February 24, 2023 – via YouTube.
  37. ↑ Porter, Gail (host) (April 7, 2000). "Top of the Pops". BBC One. Retrieved February 24, 2023 – via IMDb.
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  43. ↑ "Christina Aguilera Kicks Off Her First Headlining Tour on July 31 'Sears and Levi's® Present Christina Aguilera In Concert'" (Press release). Transformco. July 31, 2000. Retrieved February 24, 2023.
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  71. 1 2 Larkin 2007, p. 641
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