Heitor Villa-Lobos's Étude No. 9, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.

Structure

The piece is in F-sharp minor and is marked Très peu animé, and evokes the nostalgic countryside atmosphere associated with the cavaquinho.[1]

Analysis

Étude No. 9 is a study in arpeggios and slurred notes, developing musical ideas by Carcassi and Carulli. There is an emphasis on thirds, as in the Fifth Étude.[1]

References

  1. 1 2 Santos 1985, p. 26.

Cited sources

  • Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.

Further reading

  • Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009
  • Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).
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