Aimless Walk
Bezúčelná procházka
Directed byAlexander Hackenschmied
Release date
  • 1930 (1930)
CountryCzechoslovakia

Aimless Walk (Bezúčelná procházka) is an unconventional and complex 8-minute film directed by the Czech filmmaker Alexander Hackenschmied, also known as Alexander Hammid. Released in 1930, the film falls within the experimental documentary genre and is a notable example of European cinema's avant-garde tradition. It has been mentioned alongside city symphony films such as "Man with a Movie Camera" and "Manhatta".[1]

Synopsis

The film presents a non-conventional narrative, offering a visual journey through various urban landscapes. It begins with scenes devoid of human figures, focusing on tram rails, a tram in motion, and notable landmarks in Prague. The protagonist, a man in a suit, embarks on a journey out of the city, exploring the Libeň peninsula and showcasing semi-industrial areas, chimneys, factories, and the Vltava river. A unique doppelganger effect is introduced when the man sits on the grass, creating an intriguing visual sequence. The film concludes as the protagonist boards a tram heading back to Prague, leaving his double behind in Libeň.[2]

Context within the Avant-Garde

The film's context is linked to the historical avant-garde and the emergence of film as an art form in Czechoslovakia in the 1930.[3] Hackenschmied's work contributed to elevating film to an art form within the avant-garde movement, challenging traditional narrative structures and exploring innovative direction and movement techniques.

Reception

Aimless Walk challenges traditional narrative structures, offering a unique perspective on the city and incorporating the motif of the doppelganger. Described as the "first Czech avant-garde film of international significance"[4] the film deviates from the typical city symphony structure, presenting a distinctive and timeless perspective that transcends contemporary contexts of genre and style.

Films

Martina Kudláček’s documentary Aimless Walk — Alexander Hammid (1996 by Česká Televize & Mina Film).

Further reading

  • Anděl, Jaroslav. (2000). Alexandr Hackenschmied. Praha.
  • Drubek, Natascha. (2012). "Bezúčelná Procházka" / "Aimless Walk" (1930): Alexander Hackenschmied's "Film Study" of a Tram Ride to the Outskirts of Prague — Libeň. Bohemia (Munich, Germany). 52. 10.18447/BoZ-2012-3749.
  • "Aimless Walk." Ji.hlava International Documentary Film Festival.
  • Anděl, Jaroslav. (2000). Alexandr Hackenschmied. Praha.
  • Fabian, Jeannette. "Kinographie und Poesie. Zur Medienästhetik der tschechischen Avantgarde." In: Lüdeke, Roger/Greber, Erika (eds.). "Intermedium Literatur. Beiträge zu einer Medientheorie der Literaturwissenschaften." Göttingen, 2004.

References

  1. ↑ "Aimless Walk (Bezúčelná procházka)".
  2. ↑ Drubek, Natascha (2012). "Bezúčelná Procházka" / "Aimless Walk" (1930): Alexander Hackenschmied's "Film Study" of a Tram Ride to the Outskirts of Prague.
  3. ↑ Viktoria, Hradská (1976). Česká avantgarda a film [Czech Avant-Garde and Film]. Čs. filmový ústav.
  4. ↑ Michael, Omasta (2002). "The Quiet Man, Bemerkungen zur Biografie und zu Bildern von Alexander Hammid.
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