The Allgemeine deutsche Musikzeitung (subtitled: Wochenschrift für die Reform des Musiklebens der Gegenwarts) was a musical specialist journal, which appeared from 1874 to 1884, first in Leipzig and Kassel, then in Charlottenburg.[1] In the early years it was called Allgemeine Deutsche Musik-Zeitung – Wochenschrift für das gesammte musikalische Leben der Gegenwart.

From 1878 to 1881, the music critic Wilhelm Tappert, a "defender of the New German School" was its editor.[2] From 1881 to 1884, the composer Otto Leßmann was the owner and editor (he too was "active in a progressive sense").[3] Among the regular contributors was the music writer Heinrich Reimann,[4] the organist and music writer Albert Heintz (responsible for the theme "Richard Wagner"), the composer Luise Adolpha Le Beau as well as Hans von Bülow, whose Skandinavische Concertreiseskizzen[5] were published from April to May 1882.[6]

In 1885, the Allgemeine deutsche Musikzeitung merged with the Allgemeine Musikzeitung, still with Otto Leßmann in double management.[3]

References

  1. ↑ ZDB-ID 505313-4
  2. ↑ Tappert, Wilhelm. In: Meyers Konversations-Lexikon. 4th edition. Volume 15, Verlag des Bibliographischen Instituts, Leipzig/Vienna 1885–1892, p. 518.
  3. 1 2 Leßmann, Otto. In: Meyers Konversations-Lexikon. 4th edition. Volume 10, Verlag des Bibliographischen Instituts, Leipzig/Vienna 1885–1892, p. 726.
  4. ↑ Reimann, 2) Heinrich. In: Meyers Konversations-Lexikon. 4th edition. Volume 18, Verlag des Bibliographischen Instituts, Leipzig/Vienna 1885–1892, p. 791–792.
  5. ↑ Skandinavische Concertreiseskizzen, April und Mai 1882 ... Separat-Abdruck aus der "Allgemeinen Deutschen Musik-Zeitung." on WorldCat
  6. ↑ Hans-Joachim Hinrichsen: Musikalische Interpretation Hans von Bülow. Franz Steiner, Stuttgart 1999, ISBN 3-515-07514-3, p. 50 (, p. 50, at Google Books).
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