Amorphae
Studio album by
Ben Monder
ReleasedJanuary 15, 2016 (2016-01-15)
RecordedOctober 2010 and December 2013
StudioSear Sound & Brooklyn Recording
New York City
GenreJazz
Length44:50
LabelECM 2421
ProducerManfred Eicher
Ben Monder chronology
Hydra
(2013)		 Amorphae
(2016)		 Day after Day
(2019)
Professional ratings
Review scores
SourceRating
All About Jazz[1]
The Guardian[2]

Amorphae is a studio album by jazz guitarist Ben Monder recorded in October 2010 and December 2013 and released on ECM in January 2016.[3]

Background

The first session featured drummer Paul Motian, who appears for a Rodgers and Hammerstein standard and a joint original—Motian died, however, before the duets album could be finished. Monder decided to continue the project in 2013, with a second sessions featuring Pete Rende on synthesizer and drummer Andrew Cyrille.[3]

Reception

In The Guardian, John Fordham gave this album three stars and says that "Playing unaccompanied on conventional and baritone guitars, Monder embraces soft tone poems of humming sustains and eerie echoes, as well as wilder David Torn-like tumults." and add that "His soundworld is a shade private and austere, but ECM’s blessing should alert a wider audience to Monder's talents."[2]

Jazz Times' Thomas Conrad wrote:

The album sustains a single ethereal domain of sonorities, even though it was recorded in two sessions three years apart and uses four different combinations of players... It is remarkable how many layers of sound Monder can produce from one guitar and one vintage Lexicon reverb unit. Cyrille offers, selectively, brushstrokes of color. On two trio pieces with Cyrille and Pete Rende on synth, the sonic landscape becomes vast but the creative process remains profoundly gradual. In one respect only, Amorphae is typical of current jazz releases: The ratio of originals to standards is 7-to-1. “Oh, What a Beautiful Morning” is a duet with Paul Motian, in one of his final recordings. Motian's signature deft irregular accents create dramatic expectancy for the initial tentative forays of Monder, who grasps for fragments of the melody. Then Monder and his Lexicon blow this sweet song of Rodgers and Hammerstein into a wild, keening, howling storm. With more tracks like this one, Amorphae would have been a stronger and even stranger album.[4]

Track listing

No.TitleWriter(s)Length
1."Tendrils"Monder5:21
2."Oh, What a Beautiful Morning"
5:22
3."Tumid Cenobite"
  • Cyrille
  • Monder
4:49
4."Gamma Crucis"
  • Cyrille
  • Monder
  • Rende
5:15
5."Zythum"
  • Cyrille
  • Monder
  • Rende
7:06
6."Triffids"
  • Monder
  • Motian
2:55
7."Hematophagy"
  • Cyrille
  • Monder
6:57
8."Dinosaur Skies"Monder7:05
Total length:44:50

Personnel

October 2010 (tracks 2, 6 & 8)

December 2013 (tracks 1, 3–5 & 7)

Production

  • Sun Chung – producer, musician photos
  • Rick Kwan – mixing engineer, recording engineer (first session)
  • James A. Farber – recording engineer (second session)
  • Sascha Kleis – Design
  • Max Franosch – Cover Photo
  • Jesse Chun – Musician Photos (p. 2/3)

References

  1. ↑ "Amorphae (All About Jazz Review)". All About Jazz. Retrieved June 29, 2017.
  2. 1 2 "Amorphae (The Guardian Review)". The Guardian. Retrieved June 29, 2017.
  3. 1 2 "Amorphae". ECM Records. Retrieved June 29, 2017.
  4. ↑ Conrad, Thomas (30 November 2015). "Ben Monder: Amorphae". Jazz Times. jazztimes.com. Retrieved 20 December 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.