(Barbara) Anne Cameron (August 20, 1938 in Nanaimo, British Columbia[1] – November 30, 2022 in Tahsis, British Columbia) was a Canadian novelist, poet, screenwriter, short story and children's book writer.

She legally changed her name from her birth name, Barbara Cameron, to Cam Hubert and later changed her name from Cam Hubert to Anne Cameron. She has written under these names.[2]

Much of her work was inspired by Northwest Coast First Nations' mythology and culture and centered women as characters asserting non-conformist independence.[3] Cameron was a feminist and was influential in bringing the injustices of patriarchal and colonial systems under scrutiny in her body of work.[4]

Personal

(Barbara) Anne Cameron was the daughter of Annie Cameron (née Graham) and Matthew Angus Cameron.[5] Cameron has described her family as "hard-working, dirt poor," and highlights the peace and order she found in reading books as a child.[6] She began writing at a young age, "scribbling notes on toilet paper,"[7] and attended high school in Nanaimo, British Columbia. At fourteen her mother gifted her a typewriter "even though she could not afford it."[6] Cameron did not complete high school, and resisted certain subjects like home economics, preferring instead to spend time in the library.[6]

She lived briefly in Ontario, and in the mainland Vancouver area, but spent most of her life on the Sunshine Coast and Vancouver Island. She married and divorced,[8] and parented 5 children, Alex Hubert, Erin Hubert, Pierre Hubert, Marianne Hubert Jones, and Tara Hubert Miller.[5] Lacking the formal school credits to attend university, and later declined admission by Simon Fraser University as a mature student applicant, Cameron developed her writing through her own ingenuity and collaborative projects with friends. She especially credits time spent listening to storytellers; in particular she references Welsh coal-mining women and North English women storytellers, Chinese elder and Indigenous elder storytellers.[6]

Writing

She included details about the First Nations storytellers whose stories are reflected in her books in the foreword.[9] She wrote for the Indian Voice in Vancouver. (founded in 1969 by British Columbia Indian Homemakers' Association) and engaged her writing as a form of activism, winning a centennial play-writing contest for Windigo, a stage adaptation of a documentary poem about racism.[10]

One outcome of winning the contest was that the play toured the province and was performed by First Nations inmates in Matsqui Penitentiary, Abbotsford, British Columbia.[11] This experience led her to co-found the Tillicurn Theatre[5] in 1974, a First Nations theatre group formed locally that toured British Columbia and performed "dramatizations of legends and a theatre piece based on the death of Fred Quilt, a Tsilhqotʼin man who died of ruptured guts after an encounter with two RCMP on a back road at night."[12] In an interview with Alan Twigg, referring to this work, she explained that "It started out political. It has become very personal."[6][13] She wrote screenplays under her name at the time, Cam Hubert; Cameron later added novels and children's books to her body of work.[14]

Her bestselling Daughters of Copper Woman (1981),[15] first printed by the Vancouver feminist collective Press Gang Publishers,[3] is regarded as "a groundbreaking bestseller and women's studies staple"[16] has been reprinted thirteen times. Writing an academic article about Cameron's work, Christine St. Peter contacted Press Gang Publishers and was told that "women from all over the world write to describe how reading Daughters of Copper Woman has changed their lives".[9] Following the breakup of Press Gang Publishers, Cameron was able to find a supportive home at Harbour Publishing of Madeira Park, BC, where she remained the bulk of her writing career, producing over thirty titles in poetry, fiction and children's literature.[4]

Themes

Cameron's writing focused on British Columbia First Nations lives, mainly in coastal communities such as Powell River and Nanaimo. Her characters explore spirituality, resilience, sexuality, resistance, and healing, and encounter violence, oppression, misogyny, and poverty.[3] Many stories reflect specific Indigenous cultures and myths, and offer a critical feminist, anti-colonial narrative that cherishes creation stories and oral histories (e.g. Daughters of Copper Woman, based on Nuu-chah-nulth myths and legends,[16] and Dzelarhons: Myths of the Northwest Coast).[17][9][18] The "destructive impact of white culture on the Indian population, particularly on the cultural position of women" is powerfully communicated in Daughters of Copper Woman (1981), alongside "women's strength, courage, sisterhood, and transmission of knowledge for survival [...] considered basic to the well-being of their society."[19] In a 1988 interview with Alan Twigg, owner and publisher of the newspaper, B.C. BookWorld, Cameron explained "We identify with British Columbia much more than we identify as Canadians"[13][3] The royalties from her book sales have supported causes that center Indigenous and First Nations' priorities (2002 interview with author reproduced on BC Book Look).[3]

Her 1987 children's book Orca's Song has received criticism from Indigenous scholars and authors. Marlene R. Atleo, a scholar of German descent married into the Ahousaht First Nation, wrote that Orca's Song was a "very 'New Age' rendering of this story [which], even with West Coast symbols, obscures any semblance of the story it might be based on."[20] Cameron was confronted by a group of Indigenous female writers at the 1988 International Women's Book Fair regarding her claim of sole authorship and copyright for Orca's Song and other children's books adapted from First Nations stories. Printings of the book from 1993 onward credited Klopinum, a storyteller she claimed had given her permission to retell the story, but Cameron retained sole authorship, copyright, and royalties for the works.[21]

Cameron published 'A Short Story' in the 1981 'Lesbiantics' issue of Fireweed, a quarterly feminist publication, and has been recognised for foregrounding "the pleasure of women living together and the humour, for example, of a lesbian couple nailing the sign 'Women' over their outhouse".[22] Cameron has said of the characters in her stories, "Their being queer is not why they are in my stories. It's just part of who they are."[23]

Personal life

Among other jobs, she worked as a student psychiatric nurse (1955–57), as a medical assistant with the Royal Canadian Air Force (1957–59), an instructor in creative writing at Malaspina College in Powell River, and writer in residence at Simon Fraser University, the institution that had declined her admission as a mature university student years earlier on the basis of insufficient high school credits.[5]

She was celebrated as a queer writer,[23] and identified as lesbian.[24][1]

Cameron lived her later life in Tahsis, British Columbia with her partner.[1][25]

Legacy

In 2010, she was awarded the 16th annual George Woodcock Lifetime Achievement Award by the BC Book Awards, and commemorated by the installation of a plaque with her name in the Writers' Walk at the Vancouver Public Library on Georgia Street in Vancouver, British Columbia.[26]

Works

Film

Stage

  • Cantata: The Story of Sylvia Stark (1989)

Fiction

  • Dreamspeaker (1979)
  • Daughters of Copper Woman (1981)
  • The Journey (1982)
  • Dzelarhons: Mythology of the Northwest Coast (1986)
  • Child of Her People (1987)
  • Stubby Amberchuk & The Holy Grail (1987)
  • Tales of the Cairds (1989)
  • Women, Kids & Huckleberry Wine (1989)
  • South of an Unnamed Creek (1989)
  • Bright's Crossing (1990)
  • Escape to Beulah (1990)
  • Kick the Can (1991)
  • A Whole Brass Band (1992)
  • Wedding Cakes, Rats and Rodeo Queens (1994)
  • DeeJay & Betty (1994)
  • The Whole Fam Damily[28] (1995)
  • Selkie (1996)
  • Aftermath (1999)
  • Those Lancasters (2000)
  • Sarah's Children (2001)
  • Hardscratch Row (2002)
  • Family Resemblances (2003)
  • Dahlia Cassidy (2004)

Audio

  • Loon and Raven Tales (1996)

Poetry

  • Earth Witch (1983; reprinted five times)
  • The Annie Poems (1987)
  • Windigo (1974)

Children's books

  • How Raven Freed the Moon (1985); Illustrated by Tara Miller
  • How the Loon Lost her Voice (1985); Illustrated by Tara Miller
  • Raven Returns the Water (1987); Illustrated by Nelle Olsen
  • Orca's Song (1987); Illustrated by Nelle Olsen
  • Lazy Boy (1988); Illustrated by Nelle Olsen
  • Spider Woman (1988); Illustrated by Nelle Olsen
  • Raven & Snipe (1991); Illustrated by Gaye Hammond
  • Raven Goes Berrypicking (1991); Illustrated by Gaye Hammond
  • The Gumboot Geese (1992); Illustrated by Jane Huber
  • This Place Of World (2014) Illustrated by Ann Cameron
  • T'aal: The One Who Takes Bad Children (1998)

Awards

  • 1972: Alberta Poetry Competition
  • 1973: Bliss Carman Award for Poetry, Banff School of Fine Arts
  • 1973: Alberta Poetry Competition
  • 1979: Gibson's Literary Award
  • 1979: Etrog for best Screenplay - Dreamspeaker (screen) [In 1968, a bronze award statuette was designed by sculptor Sorel Etrog and the award was often referred to as an "Etrog". The awards were formally renamed Genie Awards in 1980.]
  • 1979: Gibson Award for Literature - Dreamspeaker (novel)
  • 1981: Nominated "Genie Award for Best Adapted Screenplay" - Ticket to Heaven
  • 1987: Gemini Award for Best Pay Television Dramatic Series- Mistress Madeline
  • 2010: Winner of the 16th George Woodcock Lifetime Achievement Award[29]

References

  1. 1 2 3 "Cameron, Anne". ABCBookWorld. 2007. Retrieved June 21, 2007.
  2. ↑ "Dreamspeaker" at Google Books.
  3. 1 2 3 4 5 "#107 Anne Cameron". bcbooklook.com. Archived from the original on 2016-09-22. Retrieved 2020-03-09.
  4. 1 2 Harbour Publishing: Anne Cameron. Archived from the original on 2017-04-07. Retrieved 2020-03-11.
  5. 1 2 3 4 (Barbara) Anne Cameron." Gale Literature: Contemporary Authors, Gale, 2001. Gale Literature Resource Center. Accessed 9 Mar. 2020.
  6. 1 2 3 4 5 Harbour Publishing: Anne Cameron. Archived from the original on 2017-04-07. Retrieved 2020-03-11.
  7. ↑ "George Woodcock Life Time Achievement Awards Anne Cameron 2010 « BC Book Awards". bcbookawards.ca. Retrieved 2020-03-09.
  8. ↑ "George Woodcock Life Time Achievement Awards Anne Cameron 2010 « BC Book Awards". bcbookawards.ca. Retrieved 2020-03-09.
  9. 1 2 3 St. Peter, Christine (Autumn 1989). ""Woman's Truth" and the Native Tradition: Anne Cameron's "Daughters of Copper Woman"". Feminist Studies. 15 (3): 499–523. doi:10.2307/3177942. JSTOR 3177942.
  10. ↑ "George Woodcock Life Time Achievement Awards Anne Cameron 2010 « BC Book Awards". bcbookawards.ca. Retrieved 2020-03-11.
  11. ↑ "Cameron Anne". ABC BookWorld. Retrieved 2020-03-11.
  12. ↑ "George Woodcock Life Time Achievement Awards Anne Cameron 2010 « BC Book Awards". bcbookawards.ca. Retrieved 2020-03-09.
  13. 1 2 Twigg, Alan, 1952- (1988). Strong voices : conversations with fifty Canadian authors. Madeira Park, BC: Harbour Pub. ISBN 0-920080-96-0. OCLC 20392721.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  14. ↑ Harbour Publishing: Anne Cameron. Archived from the original on 2018-12-26. Retrieved 2020-03-09.
  15. ↑ Harbour Publishing: Daughters of Copper Woman. Archived from the original on 2020-03-26. Retrieved 2020-03-11.
  16. 1 2 "Daughters of Copper Woman · Canadian Book Review Annual Online". cbra.library.utoronto.ca. Retrieved 2020-03-11.
  17. ↑ "Dzelarhons: Myths of the Northwest Coast · Canadian Book Review Annual Online". cbra.library.utoronto.ca. Retrieved 2020-03-11.
  18. ↑ Harbour Publishing: Dzelarhons. Archived from the original on 2020-02-14. Retrieved 2020-03-11.
  19. ↑ Bossen, Laurel (Autumn 1983). "Reviewed Work: Daughters of Copper Woman by Anne Cameron". Signs. 9 (1): 158–159. doi:10.1086/494036. JSTOR 3173675.
  20. ↑ Atleo, Marlene R. (2006). "Cameron, Anne". In Slapin, Beverly; Seale, Doris (eds.). A Broken Flute: The Native Experience in Books for Children. AltaMira Press. p. 244. ISBN 0-7591-0779-3.
  21. ↑ Younging, Gregory (2018). Elements of Indigenous Style: A Guide for Writing by and about Indigenous Peoples. Brush Education. p. 125. ISBN 978-1-55059-719-6.
  22. ↑ The Oxford Companion to Canadian Literature. Toye, William., Benson, Eugene. (2nd ed.). Toronto: Oxford University Press. 1997. p. 651. ISBN 0-19-541167-6. OCLC 39624837.{{cite book}}: CS1 maint: others (link)
  23. 1 2 "Queer writer wins George Woodcock Lifetime Achievement Award". Xtra Magazine. 2010-08-26. Retrieved 2020-03-09.
  24. ↑ "Queer writer wins George Woodcock Lifetime Achievement Award". Xtra!, August 27, 2010.
  25. ↑ Mussett, Ben (7 December 2022). "At Canada's End of the Road, a Visit with Anne Cameron". The Tyee.
  26. ↑ "The George Woodcock Lifetime Achievement Award- Prize History « BC Book Awards". bcbookawards.ca. Retrieved 2020-03-09.
  27. ↑ Basen, Leila (July 1982). "The Tin Flute/ Bonheur d'occasion Translating the reality". Cinema Canada: 26.
  28. ↑ Mallet, Julien (2002). "Histoire De vies, histoire d'une vie: Damily, musicien de tsapiky, troubadour des temps modernes". Cahiers de musiques traditionnelles. 15: 113–132. doi:10.2307/40240447. ISSN 1015-5775. JSTOR 40240447.
  29. ↑ "George Woodcock Life Time Achievement Awards Anne Cameron 2010 « BC Book Awards". bcbookawards.ca. Retrieved 2020-03-09.
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