Annika Boras | |
|---|---|
| Born | Annika Ley Boras February 28, 1981 Teaneck, New Jersey, U.S. |
| Alma mater | Royal Academy of Dramatic Art |
| Occupation | Actress |
Annika Boras (born February 28, 1981) is an American actress and director.[1][2] As a theater actress, she received a Drama League Award[3] nomination for her portrayal of Elektra in An Oresteia as well as a Lucille Lortel Award[4] nomination for her performance in Edward Bond's Chair. In 2017, she worked alongside Octavia Spencer and Claire Danes for the film A Kid Like Jake, directed by Silas Howard. She also appeared as Mrs. Alsop in The Post, starring Meryl Streep and Tom Hanks directed by Steven Spielberg.
Early life and education
Boras was born in New Jersey, to Erika (Nelson) Boras (now Erika Tesi), a classical cellist and music educator,[5] and Dr. Tom Boras, a jazz saxophonist, composer and the director of jazz studies at NYU.[6] She was raised in Bergen County, New Jersey and Greenwich Village. Boras has one sister, Brit Boras. She began studies to receive a Bachelor of Music at New York University. After a year, she left NYU to study acting in London. Boras graduated from the Royal Academy of Dramatic Art.[7]
Filmography
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 2009 | Exit 19 | Detective Steigerwald | TV film |
| 2017 | The Post | Mrs. Alsop | |
| 2018 | A Kid Like Jake | Lynn | |
Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 2006 | Northern Lights | Becky | 1 episode |
| 2007 | Law & Order | Trina Bailey | Episode: "The Family Hour" |
| 2008 | CSI: NY | Paramedic | Episode: "Veritas" |
| Ugly Betty | Anna Diaz | Episode: "Betty Suarez Land" | |
| Law & Order: Special Victims Unit | Leslie Schuster | Episode: "Lunacy" | |
| 2010 | Rescue Me | Alice | Episode: "Blackout" |
| 2011 | Lights Out | Charlie Baye | 3 episodes |
| Blue Bloods | Lacy Campisi | Episode: "Critical Condition" | |
| The Good Wife | Nina Dolan | Episode: "Feeding the Rat" | |
| Homeland | Jessica's Friend | Episode: "Semper I" | |
| 2012 | NYC 22 | Amber | Episode: "Lost and Found" |
| Royal Pains | KJ Golan | 2 episodes | |
| Elementary | Amy Damper | Episode: "Pilot" | |
| Made in Jersey | Penelope Banforth | Episode: "Camelot" | |
| 2013 | Law & Order: Special Victims Unit | Melissa Murphy | Episode: "Criminal Hatred" |
| The Following | Louise Sinclair | 3 episodes | |
| Person of Interest | Nicole Spencer | Episode: "Reasonable Doubt" | |
| Unforgettable | Jacqueline Mikhailova | 2 episodes | |
| 2014 | The Blacklist | Kaja Tomczak | Episode: "Monarch Douglas Bank (No. 112)" |
| 2015 | Chicago Fire | Captain Lynette Cunningham | 3 episodes |
| 2016 | The Get Down | Mrs. Gunns | Episode: "Raise Your Words, Not Your Voice" |
| 2017 | Time After Time | Phyllis Holland | 2 episodes |
| 2018 | Succession | Anna Newman | Episode: "Sad Sack Wasp Trap" |
| Random Acts of Flyness | White Reporter | Episode: "I tried to tell my therapist about my dreams/MARTIN HAD A DREEEEAAAAM" | |
| 2019 | NCIS: New Orleans | Michelle Gardner | Episode: "Desperate Navy Wives" |
| 2022 | Bull | Kyla Moore | Episode: "Opening Up" |
| 2022 | FBI | Liza Peters | Episode: "Double Bind" |
Theater
| Year | Title | Role | Notes |
|---|---|---|---|
| 2005 | Carver | Waitress | Arcola Theatre, London, UK. |
| 2006 | Romeo & Juliet | Juliet | ART, Boston. |
| 2007 | The Error of Their Ways | Helena | HERE Arts, NYC. |
| 2008 | The Miracle Worker | Annie Sullivan | Paper Mill Playhouse, NJ. |
| 2008 | Chair | The Welfare Officer | Theatre For a New Audience, Duke Theatre, NYC. |
| 2009 | The Importance of Being Earnest | Gwendolyn | Paper Mill Playhouse, NJ. |
| 2009 | An Oresteia | Electra | Classic Stage Company, NYC. |
| 2009 | Ernest in Love | Gwendoline | Irish Repertory Theatre, NYC. |
| 2010 | Orlando | Sasha | Classic Stage Company, NYC. |
| 2011 | Macbeth | Lady Macbeth | Theatre For a New Audience, Duke Theatre, NYC. |
| 2012 | The Broken Heart | Penthea | Theatre For a New Audience, Duke Theatre, NYC. |
| 2014 | The Danish Widow | Aline | New York Stage & Film, Poughkeepsie, NY. |
| 2016 | The Prodigal Son | Louise | Manhattan Theatre Club, NYC. |
| 2016 | Junk | Amy Merkin | La Jolla Playhouse, CA. |
| 2017 | Man From Nebraska | Ashley | 2nd Stage Theatre, NYC. |
Awards and nominations
| Year | Award | Category | Nominated work | Result |
|---|---|---|---|---|
| 2009 | Lucille Lortel Award | Outstanding Featured Actress in a Play | Chair | Nominated |
| 2009 | Drama League Award | Distinguished Performance in a Play | An Oresteia | Nominated |
Personal life
Boras is the maternal granddaughter of The Public Theater actor Herbert Nelson and actress/director Joan Deweese.[8][9][10] As of September 2020, she is engaged to playwright Ayad Akhtar.[11]
References
- ↑ Higgins, Jim. "Glamorous 'Murder on the Orient Express' hurtles toward opening night at Milwaukee Repertory Theater". Journal Sentinel. Retrieved 2023-01-07.
- ↑ Schultz, Blaine (2019-09-30). "Taut Racial Drama at The Rep's 'The Niceties'". Shepherd Express. Retrieved 2023-01-07.
- ↑ "Drama League Awards 2009 nominations announced". New York Theatre Guide. 2017-10-19. Retrieved 2023-01-07.
- ↑ "2009 Lucille Lortel Award Nominations". OffBroadway.com. Archived from the original on 2014-06-16. Retrieved 2014-06-16.
- ↑ "ASTA/NJ President's Letter by Erika Boras Tesi". American String Teachers Association, New Jersey Chapter. 2010-08-06. Retrieved 2014-06-16.
- ↑ Media, Mountain. "Boras, Tom". Ejazzlines.com. Retrieved 2023-01-07.
- ↑ "The Royal Academy of Dramatic Art – Search Database". RADA. 2011-10-07. Archived from the original on 2014-06-16. Retrieved 2014-06-16.
- ↑ "Freeport Journal-Standard on". Newspapers.com. 1949-11-12. Retrieved 2014-06-16.
- ↑ "Lortel Archives-The Internet Off-Broadway Database". Lortel.org. Archived from the original on 2014-07-16. Retrieved 2014-06-16.
- ↑ "Lortel Archives-The Internet Off-Broadway Database". Lortel.org. 1962-11-15. Archived from the original on 2012-10-19. Retrieved 2014-06-16.
- ↑ Schwartz, Alexandra (September 21, 2020). "An American Writer for an Age of Division". The New Yorker.