Aviva Silverman | |
---|---|
Movement | Sculpture, interspecies performance art, installation, and activism |
Website | https://www.avivasilverman.com |
Aviva Silverman (born April 8, 1986, NY, NY) is an American artist and activist who works in sculpture and performance.[1][2] Their practice makes use of religion, gender nonconformity, miniatures, and nonhuman actors to investigate existing forms, in particular, technologies of spiritual and political surveillance.[3] Silverman has exhibited at numerous galleries and museums including MoMA P.S.1, Atlanta Contemporary, and the Swiss Institute.[4] Their work has appeared in Artforum, The New Yorker, BBC Radio, Art in America, Flash Art, and Art Papers.[5]
Early life and education
Silverman was born in New York City, in 1986, to Jo Baker and Larry Silverman. Silverman was raised in Reform Judaism, under the rabbinical leadership of Rabbi Elyse D. Frishman.[6][7] Silverman's mother was a textile designer and a faux-finish decorator, who painted the Fashion Cafe, Queen Latifah's mother's house, and the United Synagogue of Hoboken, N.J. During high school, amid their mother's battle with metastatic cancer, Silverman became a competitive swimmer. They won three state championships, competed in the Maccabiah Games and in the Junior Olympics, in Princeton, N.J. Silverman attended the Maryland Institute College of Art, majoring in sculpture.[8] Fellow classmates included the fashion historian/stylist Gabriel Held, director Giselle Bailey, and artist Jacolby Satterwhite.[9][10][11]
Work
After graduating, Silverman joined Pierre Huyghe's studio, working on his Zoodram series, which was shown at Marian Goodman Gallery. Silverman left shortly after the piece resulted in a genocide of exotic fish. From 2011 to 2014, Silverman assisted the post-human experimental architecture studio Reversible Destiny, under Madeline Gins, helping edit Gins’ poems, collaborating on the perfume Man Repellant, and working on her final book, Alive Forever, Not If But When, which remains unpublished.[12]
Between 2011 and 2016, Silverman created “Dog Plays,” a series of performance pieces involving nonhuman (canine) actors from whom prerecorded human voices were projected.[13][2] Among the human voice actors were Vaginal Davis, who played Charles Dickens, Karl Holmquist as Steven Wright, Eileen Myles as Mark Zuckerberg, Geo Wyeth, Aisha Mirza, and more. Silverman acted the role of the drummer in “Apartment (Mother Courage)” at The Whitney Museum of American Art in 2015.[14]
In 2017, Silverman published the book Is It Soup Yet?, with an introduction by the food writer and Great British Baking Show series four runner-up Ruby Tandoh.[15][3]
In 2019, as part of a solo exhibition with the Swiss Institute, Silverman hosted a panel on gender-nonconforming narratives within the Bible, with activists Cyrus Dunham and Abby Stein.[16] Later that year, Silverman hosted a lecture at the Volksbühne, in Berlin, with the Theater of the Oppressed's Barbara Santos and the game designer Emily Shinada.[17]
Themes
Silverman's art “embraces mysticism and narratives of protection and redemption” and is “interested in how we give form to entities that are understood to be bodiless and genderless.” Their work has employed dogs, glassblowing, Americana, deformed nativity figurines, taxidermic birds, and cosplay angels.[2] They are influenced by Donna Haraway, David Hammons, Adrian Piper, and David Wojnarowicz.[18]
Personal life
Silverman is involved in prison-abolition and Palestinian-justice organizing, and is a collective member of the Trans Oral History Project, a community archive devoted to the collection, preservation and sharing of trans histories .[1]
References
- 1 2 "Organizers". trans-oral-history. Retrieved 2020-08-07.
- 1 2 3 Kopel, Dana (2019-01-01). "First Look: Hayley Silverman". ARTnews.com. Retrieved 2020-08-07.
- 1 2 "Hayley Aviva Silverman | | atractivoquenobello". www.aqnb.com. Retrieved 2020-08-08.
- ↑ "Aviva Silverman: Protect Me from What I Am | Swiss Institute". Retrieved 2020-08-07.
- ↑ "Bodega". www.artforum.com. 20 March 2015. Retrieved 2020-08-07.
- ↑ Palmer, Joanne. "Furor over Frishman's fringes". jewishstandard.timesofisrael.com. Retrieved 2020-08-07.
- ↑ "Aviva Silverman: Protect Me from What I Am | Swiss Institute". Retrieved 2020-08-08.
- ↑ "Aviva Silverman". MICA. Retrieved 2020-08-08.
- ↑ SSENSE (2017-10-10). "The House of Gabriel Held". ssense. Retrieved 2020-08-13.
- ↑ Bowen, Sesali (25 June 2019). "Meet The Two Black Women Capturing Global Queer Stories". Nylon. Retrieved 2020-08-13.
- ↑ "Faculty Member Piper Shepard and Alumnus Jacolby Satterwhite Named USA Fellows for Innovation in The Arts". MICA. Retrieved 2020-08-13.
- ↑ "The House Where You Live Forever". The Awl. Retrieved 2020-08-08.
- ↑ Toro, Lauren Boyle, Solomon Chase, Marco Roso, Nick Scholl, David. "Dog Plays | Hayley Silverman". DIS Magazine. Retrieved 2020-08-07.
{{cite web}}
: CS1 maint: multiple names: authors list (link) - ↑ "Hayley Aviva Silverman, Twister | MoMA". The Museum of Modern Art. Retrieved 2020-08-07.
- ↑ "Bodega". bodega-us.org. Retrieved 2020-08-07.
- ↑ "Conversation | Bible Trouble: Naming, Disavowal and the Infinite Self with Cyrus Dunham, Aviva Silverman and Abby Stein | Swiss Institute". Retrieved 2020-08-08.
- ↑ "CURA.30 TEN YEARS ISSUE". CURA. Retrieved 2020-08-07.
- ↑ "We Have Decided Not To Die - Aviva Silverman / Veda". www.spazioveda.it. Retrieved 2020-08-07.
External links
- Devotions and Deviations: Aviva Silverman, Harry Burke, Mousse Magazine, January 2020
- First Look: Hayley Silverman, Dana Kopel, Art in America, January 2019
- Aviva Silverman, Cura Magazine, Issue #30, Winter 2019. Print
- Interview with Aviva Silverman, Cactus Magazine, Issue #06, Summer 2018, Print
- Aviva Silverman, Living Content Online, Living Content 9, January 2018
- Between heavenly observation + pervasive sensing in Aviva Silverman’s The Living Watch Over the Living, AQNB, September 28 2017
- Bluepaper interview with Anna-Sophie Berger (2016)
- You Are What You Eat in Mousse by Laura Mclean-Ferris (2015)
- Aviva Silverman's SOUP in Art Papers by Pablo Larios (2015)