Brenda Villanueva Fajardo
Born1940
NationalityFilipino
Education
Occupation(s)Visual artist, professor, curator
Known forPainting, printmaking

Brenda Fajardo is a Filipino art teacher, visual artist, and printmaker. Her work centers on social issues, women's issues, and the colonial history of the Philippines, with focus on the "aesthetics of poverty and the art of the people". She is a professor Emerita in the department of Art Studies at the University of the Philippines.

Early life and education

Fajardo was born in Manila in 1940.[1] Originally interested in becoming a professional dancer, she was diagnosed with rheumatic fever at the age of 14. Her mother then suggested she take art lessons under Filipina artist Araceli Dans.[2]

Fajardo earned a degree in agriculture from the University of the Philippines Los Baños in 1959, followed by her MS in art education at the University of Wisconsin-Madison.[3] Upon returning to the Philippines, Fajardo taught art education throughout the early 1960s.[2] She later earned her PhD in Philippine Studies from the University of the Philippines Diliman.[4]

Career

Fajardo has been described as a "visual artist and educator who brings local folk culture to the international forefront" and a "pioneer of the craft of Philippine printmaking".[5] She has produced work focusing on both the Philippine diaspora and Philippine epic poetry.[6] Fajardo is best known for her tarot card series, which examines Philippine history, culture, and women's issues.[3] Critics have cited her use of tarot cards to provide commentary on the Philippines' struggles "with socio-political issues, colonial history, and ongoing poverty";[7] whereas tarot cards are intended to reveal the future, Fajardo's work uses them to examine the past. Art critic Alice Guillermo called Fajardo the "high priestess of tarot".[8]

Fajardo co-founded the Philippine Art Educators Association (PAEA) in 1967[1] whose purpose is to train teachers on how to better teach art within the school system.[9] Observing how art education in the Philippines was primarily focused in training students for art production, Fajardo advocated for teaching traditional Filipino "folk art" and better exploring the "Philippine identity" through art.[10][11]

Fajardo's works have been exhibited internationally, including Singapore, Cuba, Brisbane, Paris, and at home in Santa Cruz, Laguna.[3][12]

In the late 1990s, Fajardo was the curator of the Vargas Museum.[13]

Awards and honors

  • In 1992, Fajardo received the Thirteen Artists award from the Cultural Center of the Philippines[5]
  • In 1998, Fajardo received the Centennial Award for the Arts also from the Cultural Center of the Philippines[5]
  • In 2012, Fajardo was awarded the Gawad CCP Para sa Sining award for Visual Arts[4]

See also

References

  1. 1 2 "Brenda Fajardo". Sharjah Biennial. Retrieved 9 November 2023.
  2. 1 2 Lolarga, Elizabeth (8 October 2011). "Art can be one's salvation". Vera Files. Retrieved 9 November 2023.
  3. 1 2 3 Datuin, May Flaudette. "Brenda Fajardo". AwareWomenArtists.com. Retrieved 8 November 2023.
  4. 1 2 "Philippine Art and Culture and Women in the Arts". University of the Philippines Open University. Retrieved 8 November 2023.
  5. 1 2 3 Pagdilao, Marc (14 September 2018). "Portrait of the Filipina as an Artist: The Women of ManilArt 2018". lifestyleasia-onemega.com. Retrieved 8 November 2023.
  6. Boyer, Robert H.; Dalisay, June Poticar (2010). Sundays in Manila. University of the Philippines Press. p. 99. ISBN 9789715426305. Retrieved 10 November 2023.
  7. Powell, Danielle Culibao (2021). Liminality of Culture in Studio Art: A Biographical Investigation of a Second Generation Filipino American Experience (Master of Fine Arts thesis). Retrieved 11 November 2023.
  8. Pauline (10 October 2017). "Divining the Future, Revisiting the Past". PluralArtMag.com. Retrieved 8 November 2023.
  9. Joubert, Lindy, ed. (19 June 2008). Educating in the Arts: The Asian Experience: Twenty-Four Essays. Springer Netherlands. p. 24. ISBN 9781402063879. Retrieved 10 November 2023.
  10. Costes-Onishi, Pamela, ed. (11 July 2019). Artistic Thinking in the Schools: Towards Innovative Arts /in/ Education Research for Future-Ready Learners. Springer Nature Singapore. p. 261. ISBN 9789811389931. Retrieved 11 November 2023.
  11. Alagao, Alvin Emmanuel G. (15 August 2022). Country, God, and the Sublime: Imaginative Reflections on the Life and Works of the Philippine Painter Ricarte Puruganan (Master of Arts thesis).
  12. Bautista, Kay (12 June 2013). "Brenda Fajardo as Mother Courage". galeriey.com. Retrieved 11 November 2023.
  13. Boyer, Robert (2010). "Two Women Artists: Strong Filipino Women (5)". VIA Times. Archived from the original on 2 December 2013. Retrieved 10 November 2023.
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