 | |
| Location | Tunis, Tunisia |
|---|---|
| Founded | 1966 |
| Awards | Tanit d'or |
| Language | French Arabic English |
| Website | http://www.jcctunisie.org/ |
Carthage Film Festival (Journées cinématographiques de Carthage, or JCC) is an annual film festival that takes place in Tunis and was founded in 1966. It is also called by its abbreviation JCC, from its French name, Journées cinématographiques de Carthage, or by its Arabic title, أيام قرطاج السينمائية (Cinema Days of Carthage).[1] Initially biennial alternating with the Carthage Theatre Festival, the festival became an annual event in 2014. A directing committee chaired by the Tunisian Ministry of Culture, joined with professionals of the cinema industry, is in charge of the organization.
The Carthage Film Festival has been designed as a film festival engaged in the cause of African and Arab countries and enhancing Global South cinema in general.
The main prize awarded is the Golden Tanit named after the Carthaginian goddess Tanit. Opening and closing ceremonies are held in the Théâtre municipal de Tunis (Municipal Theater of Tunis).
The Festival's current executive director is Sonia Chamkhi.
The Festival's 33rd edition took place from 29 October through 5 November 2022.
History
Conceived by filmmaker Tahar Cheriaa and officially launched in 1966 by the Tunisian Minister of Culture, Chedli Klibi, this event, the first of its kind in the Arab world, was primarily conceived to highlight sub-Saharan African and Arab cinema, creating bridges of dialogue between North and South and offering a meeting between regional filmmakers and moviegoers. Klibi said:
We first hope a dialogue. A dialogue, frank, lucid, without ulterior motives. But we are sure that such a dialogue can only lead to a better mutual understanding between Africans and Europeans, among the southern Mediterranean and the Northern Mediterranean.
Numerous prominent African and Arab filmmakers have first been recognized at Carthage before going on to receive broader recognition, including the Senegalese Sembene Ousmane (Grand Prize 1966) Egyptian Youssef Chahine (Grand Prize 1970), Malian Souleymane Cissé (Grand Prize 1982), the Palestinian Michel Khleifi (Grand Prize 1988), Tunisians Taïeb Louhichi (1st Tunisian Golden Tanit for short film 1972) [2] Nouri Bouzid, Ferid Boughedir, and Moufida Tlatli (Grand Prize 1986, 1990, 1994), the Syrian Mohammad Malas (Grand Prize 1992) and Algerian Merzak Allouache (Grand Prize 1996).
The festival's social dimension is reflected in several GoldenTanit award-winning films such as the Making Of (2006) by Nouri Bouzid, featuring Bahta, a 25-year-old unemployed amateur break dancer recruited by extremists to commit a suicide attack.
It was at the Carthage Film Festival that FEPACI (Pan-African Federation of Filmmakers) was created in 1970, developing a foundation for South-South film cooperation.
Over the years the Carthage Film Festival has introduced workshops, master classes, and the Producer's Network to better support filmmakers. Prominent figures from the arts have served as jurors in various official competitions.
Program and Awards
The official program includes several sections: the "Official Competition" and the "Panorama section" which are open to Arab and African films; the "International section" which is open to recent movies of high artistic quality; a "Tribute section" and "Workshop Projects" designed to encourage the development of Arab and African films projects by granting "help funds for scenario" and a competitive video section.
The official Selection The various sections of the Official Competition of the Carthage Film Festival each present 12 films.
The official competition for feature films: This selection with three Tanit (Gold, Silver, Bronze) is the most visible part of the Carthage Film Festival and is the heart of the official selection. Twelve Arab and African films reflect the renewal of cinematographic expression and present original works singular in their aesthetic and their statements.
The official short film competition: As well as the competition dedicated to feature films, this selection allows the dedication of three Arab and African fiction short format films (less than 30 minutes).
The documentary competition A Golden Tanit awards the best documentary among twelve Arab and African films. The Prize Tahar Cheriaa for a first work: The Golden Tanit "Tahar Cheriaa" awards the first work of a filmmaker presented in the official selection: official Competition, competition of the first Arab and African film.
Carthage Ciné-Foundation: This international selection of twelve school films embodies the diversity of young artists and announces the trends of the future of world cinema. A film will be awarded by an international jury.
Parallel sections
New Territories
This program aims to be a window on recent suggested films, the most innovative and subversive, the most radical and marginal, in a word, on new aesthetic and political experiences, far from any commercial format, media, or festival. It seeks to submit the continually renewed ability of cinema to house within it both the issues of its time, the questions of those who make it and their contemporaries as well as the shifting of its artistic, formal, and technological expression.
Tribute Each edition pays tribute to a Tunisian filmmaker and several international filmmakers offering the public a retrospective of their films or debate meetings inspired by their careers.
Carthage professional Takmil The Takmil workshop, namely "finish" in Arabic, which is in its second edition, aims to allow African and Arab films in the post-production phase to be evaluated by an international jury of cinema professionals. For three days, working copies are viewed by the jury in the presence of the filmmakers whose films have been selected. Screenings will be followed by a discussion allowing each participant to defend his film and benefit from expertise. The workshop Takmil also aims to be a platform offering visibility to young African and Arab filmmaking. The visibility will result in particular by the screening of the winning films, an African and Arab premiere during the Carthage Film Festival session following their finishing.
Producers Network The Producers Network hosts Arab and African producers present at the Carthage Film Festival and allows international film professionals to benefit from a series of meetings and specific events designed to encourage international co-production and optimize networking. With a 48-hour program, the Producers Network offers real opportunities to meet with potential partners with financing, co-production, and distribution needs.
The Carthage Film Festival in regions
Since the 2014 session, the Carthage Film Festival has moved between different Tunisian cities. In 2015 ten cities hosted the festival: Jendouba, Sfax, Mahdia, Tataouine, Nabeul, Béja, Kef, Kairouan, Gafsa and Monastir. The films are divided into three main sections:
- The films of the official selection: these films are screened in the evening during the festival period in each host city.
- European films: In partnership with the Journées du Cinéma Européen, a selection of European films are screened daily in different cities.
- In partnership with UNICEF two children's movies are screened in each city.
Editions
| Edition | Dates | Tanit d'or | Tanit d'argent | Tanit de bronze |
|---|---|---|---|---|
| 1st | 4-11
December 1966 |
La Noire de… Ousmane Sembène
(Senegal) |
The Cry by Jaromil Jireš (Czechoslovakia) | Not awarded |
| 2nd | 13-20
October 1968 |
Not awarded | The Night Watchman by Khalil Chawki (Iraq) | Mokhtar by Sadok Ben Aïcha
(Tunisia) |
| 3rd | 11-18
October 1970 |
The body of work of Youssef Chahine (Egypt) Le Choix | Des hommes au soleil by Nabil Maleh, Marouane El Mouadhen et Mohamed Chahine (Syria) | Wechma de Hamid Bénani (Marocco)
Une si simple histoire by Abdellatif Ben Ammar (Tunisia) Khlifa the Ringworm by Hamouda Ben Halima (Tunisia) |
| 4th | 30 September- 8 October 1972 | Les Dupes by Tawfiq Saleh (Syria)
Sambizanga by Sarah Maldoror (Democratic Republic of Congo) My Village, a Village among Others by Taïeb Louhichi (Tunisia) |
The Charcoal Maker by Mohamed Bouamari
(Algeria) |
And Tomorrow? Brahim Babaï (Tunisia)
Lambaaye de Mahama Johnson Traoré (Senegal) The Cruel Sea by Khaled Al Siddiq |
| 5th | 26 October -2 November 1974 | Arabs and Niggers, Your Neighboursby Med Hondo (Mauritania)
(Libya / Syria) |
Sejnane by Abdellatif Ben Ammar (Tunisia) | Not awarded |
| 6th | 14-23 October 1976 | The Ambassadors de Naceur Ktari (Tunisie / Libye / France) | Muna Moto by Jean-Pierre Dikongué Pipa (Cameroon) | Nationality: Immigration by Sidney Sokhona (Mauritania) |
| 7th | 16-26 October 1978 | The Adventures of a Hero by Merzak Allouache (Algérie) | Baara by Souleymane Cissé (Mali) | Chafika et Metwalli by Ali Badrakhan (Egypt) |
| 8th | 15-23 November 1980 | Aziza d'Abdellatif Ben Ammar (Tunisia) | Ali au pays des mirages d'Ahmed Rachedi (Algeria) | Fad'jal by Safi Faye (Senegal) |
| 9th | 22-30 October 1982 | The Wind (Binye) by Souleymane Cissé (Mali) | God's Gift (Wend Kuni) by Gaston Kaboré (Burkina Faso) | Not awarded |
| 10th | 12-21 October 1984 | Dreams of the City Mohamed Malas (Syria) | Porté disparu de Mohamed Khan (Egypt) | Les Cooperants by Arthur Si-Bita (Cameroon) |
| 11th | 14-25 October 1986 | L'Homme de cendres de Nouri Bouzid (Tunisia) | Mr. Fabre's Windmill (Tahûna al amm Fabre) by Ahmed Rachedi (Algeria) | Nyamanton by Cheick Oumar Sissoko (Mali) |
| 12th | 21-29 October 1988 | Wedding in Galilee by Michel Khleifi (Palestine) | Zan Boko by Gaston Kaboré (Burkina Faso) | Arab by Fadhel Jaïbi and Fadhel Jaziri (Tunisia) |
| 13th | 26 October-3 November 1990 | Halfaouine Child of the Terraces by Férid Boughedir (Tunisia) | Rose of the Desert by Rachid Benhadj (Algeria) | Mortu Nega by Flora Gomes (Guinea-Bissau) |
| 14th | 2-10 October 1992 | The Night by Mohamed Malas (Syria) | Samba Traoré by Idrissa Ouedraogo
(Burkina Faso) |
Les Yeux bleus de Yonta by Flora Gomes (Guinea-Bissau) |
| 15th | 12-19 November 1994 | The Silences of the Palace by Moufida Tlatli (Tunisia) | Bab El-Oued City de Merzak Allouache (Algeria) | The Golden Ball by Cheik Doukouré (Guinea) |
| 16th | 11- 20 October 1996 | Hi Cousin! by Merzak Allouache (Algeria) | Po di sangui de Flora Gomes (Guinea-Bissau) | Haïfa de Rashid Masharawi
(Palestine) |
| 17th | 23-31 October 1998 | Living in Paradise by Bourlem Guerdjou (Algeria) | عرق البلح (فيلم) by Redwan al-Kashif (Egypt) | Faraw! Mother of Dunes d'Abdoulaye Ascofaré (Mali) |
| 18th | 20-28 October 2000 | Dôlè de Imunga Ivanga (Gabon) | Closed Doors Atef Hetata (Egypt) | Be My Friend by Naceur Ktari (Tunisia) |
| 19th | 18-26 October 2002 | The Price of Forgiveness by Mansour Sora Wade (Senegal) | Clay Dolls by Nouri Bouzid (Tunisia) | Hijack Stories by Oliver Schmitz
(South Africa) |
| 20th | 2-9 October 2004 | In Casablanca, Angels Don't Fly by Mohamed Asli (Morocco) | Zulu Love Letter by Ramadan Suleman (South Africa) | Dreamy Visions by Waha Al Raheb (Syria) |
| 21st | 11-18 November 2006 | Making of by Nouri Bouzid (Tunisia) | Daratt de Mahamat Saleh Haroun (Chad) | Waiting by Rashid Masharawi (Palestine) |
| 22nd | 25 October - 1 November 2008 | Teza by Hailé Gerima (Ethiopia) | Laila's Birthday by Rashid Masharawi (Palestine) | Khamsa de Karim Dridi (Tunisia) |
| 23d | 23-31 October 2010 | Microphone by Ahmad Abdalla (Egypt) | The Trip to Algiers by Abdelkrim Bahloul (Algeria) | The Mosque by Daoud Aoulad-Syad (Marocco) |
| 24th | 16-24 November 2012 | La Pirogue by Moussa Touré (Sénégal) | Death for Sale by Faouzi Bensaïdi (Morocco) | Coming Forth by Day by Hala Lotfy (Egypt) |
| 25th | 29 November-6 December 2014 | Omar by Hany Abu-Assad (Palestine) | They are the Dogs by Hicham Lasri (Morocco) | Before Snowfall de Hisham Zaman (Iraq) |
| 26th | 21-28 November 2015 | The Blind Orchestra by Mohamed Mouftakir (Morocco) | The Endless River Oliver Hermanus (South Africa) | As I Open My Eyes by Leyla Bouzid
(Tunisia / France / Belgium)) |
| 27th | 28 October-5 November 2016 | Zaineb Hates the Snow bu Kaouther Ben Hania (Tunisia) | Clash by Mohamed Diab (Egypt) | 3000 Nights by Mai Masri (Palestine) |
| 28th | 4-11 November 2017 | The Train of Salt and Sugar by Licínio Azevedo (Mozambique) | The Wound by John Trengove (South Africa) | Volubilis by Faouzi Bensaïdi (Morocco) |
| 29th | 3-10 November 2018 | Fatwa de Mahmoud Ben Mahmoud (Tunisia) | Yomeddine by Abu Bakr Shawky (Egypt) | War Travelers by Joud Saïd (Syria) |
| 30th | 26 October-2 November 2019 | Noura's Dream by Hinde Boujemaa (Tunisia) | Atlantique by Mati Diop (Senegal) | Scales by Shahad Ameen (Saudi Arabia) |
| 31st | 7-12 November 2020 | Not awarded | Not awarded | Not awarded |
| 32nd | 30 Octobre-6 November 2021 | Feathers by Omar El Zohairy (Egypte) | This Is Not a Burial, It's a Resurrection by Lemohang Jeremiah Mosese (Lesotho) | Insurrection by Jilani Saadi (Tunisia) |
References
- ↑ Lieve Spaas (2000). Francophone Film: A Struggle for Identity. Manchester University Press. p. 129. ISBN 978-0-7190-5861-5.
- ↑ "Le cinéma tunisien en deuil". 22 February 2018.
External links
Media related to Carthage Film Festival at Wikimedia Commons- Carthage Film Festival official site