Catherine Cornaro
Portrait by Gentile Bellini, c. 1500
Queen of Cyprus
Reign26 August 1474 – 26 February 1489
PredecessorJames III
Queen regent of Cyprus
Regency10 July 1473 – 26 August 1474
MonarchJames III
Queen consort of Cyprus
TenureNovember 1472 – 10 July 1473
Born(1454-11-25)25 November 1454
Venice, Republic of Venice
Died10 July 1510(1510-07-10) (aged 55)
Venice, Republic of Venice
Burial
San Salvador, Venice
SpouseJames II of Cyprus
IssueJames III of Cyprus
HouseCornaro
FatherMarco Cornaro
MotherFiorenza Crispo

Catherine Cornaro (Venetian: Catarina Corner; Italian: Caterina Cornaro or Corner; Greek: Αικατερίνη Κορνάρο, romanized: Aikateríni Kornáro; 25 November 1454 – 10 July 1510) was the last monarch of the Kingdom of Cyprus, also holding the titles of Queen of Jerusalem and Queen of Armenia. She became queen consort of Cyprus by marriage to James II of Cyprus, and then regent of Cyprus during the minority of her son James III of Cyprus in 1473–1474, and finally queen regnant of Cyprus upon his death. She reigned from 26 August 1474 to 26 February 1489 and was declared a "Daughter of Saint Mark" in order that the Republic of Venice could claim control of Cyprus after the death of her husband.[1]

Life

Catherine (also known as Caterina) was a daughter of Venetian Marco Cornaro, Cavaliere del Sacro Romano Impero (Knight of the Holy Roman Empire) and Fiorenza Crispo. She was the younger sister of the Nobil Huomo Giorgio Cornaro (1452 – 31 July 1527), "Padre della Patria" and Knight of the Holy Roman Empire.

The Cornaro family had produced four Doges.[2] Her family had long associations with Cyprus, especially with regard to trade and commerce.[2] In the Episkopi area, in the Limassol District, the Cornaro family administered various sugar mills and exported Cypriot products to Venice.[3]

Catherine was painted by Dürer, Titian, Bellini and Giorgione.[4]

Succession of James II

On the death of the Cypriot King John II in 1458, the succession was disputed between his daughter Charlotte and her illegitimate half-brother James, who tried to seize the island. On the strength of the marriage of Louis of Savoy to Charlotte, the duke of Savoy claimed the island and Charlotte was named Queen. In 1468, Catherine, through negotiations by her father and uncle, was offered to James as his wife.[5] The marriage was extremely advantageous to the Republic of Venice as it could henceforth secure the commercial rights and other privileges of Venice in Cyprus. The proposal was agreed to, and the contract was signed in 1468, strengthening James's position.[6]

Queen consort

Thus in 1468, James II, otherwise known as James the Bastard, became king of Cyprus.[5] He and Catherine married in Venice on 30 July 1468 by proxy when she was 14 years old. She finally set sail to Cyprus in November 1472 and married James in person at Famagusta.[7]

Regent

James died soon after the wedding due to a sudden illness and, according to his will, Catherine, who at the time was pregnant, acted as regent. As soon as the Venetian fleet sailed away a plot to depose the infant James III of Cyprus in favour of Charlotte, John's legitimate daughter, broke out, and Catherine was kept a prisoner. The Venetians returned, and order was soon restored, but the republic was meditating the seizure of Cyprus, although it had no valid title whatever.[8]

Monarch

Catherine became monarch when James III died in August 1474 after his first birthday, probably from illness, even if it was rumored that he had been poisoned by Venice or Charlotte's partisans.[9] The kingdom had long since declined, and had been a tributary state of the Mameluks since 1426. Under Catherine, who ruled Cyprus from 1474 to 1489, the island was controlled by Venetian merchants.

In 1488, the republic, fearing that Sultan Bayezid II intended to attack Cyprus, and having also discovered a plot to marry Catherine to Alfonso II of Naples decided to recall the queen to Venice and formally annex the island.[8] In February 1489, the Venetian government persuaded Catherine to cede her rights as ruler of Cyprus to the doge of Venice—and by extension the Venetian government as a whole—as she had no heir.[10]

On 14 March 1489, she was forced to abdicate and sell the administration of the country to the Republic of Venice.[11]

According to contemporary chronicler Georgios Boustronios:

on 15 February 1489 the queen exited from Nicosia in order to go to Famagusta, to leave [Cyprus]. And when she went on horseback wearing a black silken cloak, with all the ladies and the knights in her company [...] Her eyes, moreover did not cease to shed tears throughout the procession. The people likewise shed many tears.[12]

Posthumous portrait 1542 by Titian, of Catherine Carnaro as Saint Catherine of Alexandria.

Later life

The last Crusader state became a colony of Venice, and as compensation, Catherine was allowed to retain the title of queen and was made lady of Asolo, a county on the Terraferma[13] of the Republic of Venice in the Veneto region, in 1489. Asolo soon gained a reputation as a court of literary and artistic distinction, mainly as a result of it being the fictitious setting for Pietro Bembo's platonic dialogues on love, Gli Asolani. Catherine lived in Asolo until 1509, when the League of Cambrai sacked the town, then fled to Venice where she lived for another year, dying on 10 July 1510.[14] She is entombed in the Church of San Salvador in Venice.

Legacy

A libretto based on her life by Jules-Henri Vernoy de Saint-Georges formed the basis of the operas Catharina Cornaro (1841) by Franz Lachner,[15] La reine de Chypre (1841) by Fromental Halévy,[16] and Caterina Cornaro (1844) by Gaetano Donizetti.[17]

The Cornaro Institute, a charitable organisation founded by the artist Stass Paraskos in the city of Larnaca, for the promotion of art and other culture,[18] memorialised her name in Cyprus, prior to its closure by Larnaca Municipality in 2017.

In October 2011, the Cyprus Antiquities Department announced a one million euro project to restore a part-medieval mansion in Potamia said to be Catherine Cornaro's summer palace.[19][20] The project aimed to create a cultural centre in the mansion's west wing, with the work continuing in stages for three years depending on funds. According to the Cypriot Mail however, the Cyprus Antiquities Department stated in October 2012 that there was no evidence Queen Catherine ever stayed there, with the newspaper quoting the department's archaeological officer Evi Fiouri as saying the department has never referred to the structure as the queen’s summer palace but simply as the medieval mansion of Potamia. “As the antiquities department we never said this, it seems like it went down in tradition as this,” said Fiouri. “We don’t know how it started.”[21]

References

  1. ↑ Wills, Garry. Venice, Lion City (New York, Simon and Schuster, 2001), 136.
  2. 1 2 De Girolami Cheney 2013, p. 11.
  3. ↑ McNeill 1974, p. 76.
  4. ↑ "Giorgione: Portrait of Caterina Cornaro, Queen of Cyprus". www.boglewood.com.
  5. 1 2 De Girolami Cheney 2013, p. 16.
  6. ↑ Villari 1911.
  7. ↑ Luke 1975, p. 388.
  8. 1 2 One or more of the preceding sentences incorporates text from a publication now in the public domain: Villari, Luigi (1911). "Cornaro, Caterina". In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 7 (11th ed.). Cambridge University Press. pp. 162–163.
  9. ↑ Luke 1975, p. 389.
  10. ↑ "CORNARO, CATERINA", "Women in the Middle Ages" Greendwoods Press 2004, p. 221
  11. ↑ Mellersh & Williams 1999, p. 569.
  12. ↑ Philippe Trélat, "Urbanization and urban identity in Nicosia 13th–16th. Centuries", in Proceedings of the 10th Annual Meeting of Young Researchers in Cypriot Archaeology, Venice, 2010, p. 152
  13. ↑ The mainland territories of the Republic of Venice were referred to as the Terraferma in the Veneto dialect. Source:Logan, Oliver Culture and Society in Venice, 1470–1790; the Renaissance and its heritage, Batsford 1972
  14. ↑ Churchill, Lady Randolph Spencer; Davenport, Cyril James Humphries (1900). The Anglo-Saxon Review. John Lane. pp. 215–22. Retrieved 13 March 2013.
  15. ↑ Lachner, Franz. Catarina Cornaro. Libretto. German.
  16. ↑ Halévy, F.; Saint-Georges, Henri. La reine de Chypre; opéra en cinq actes. Paroles De Saint Georges. Paris Tallandier.
  17. ↑ Ashbrook, William (2002). Caterina Cornaro. Oxford Music Online. doi:10.1093/gmo/9781561592630.article.o007589. ISBN 978-1-56159-263-0. Retrieved 12 March 2018. {{cite book}}: |website= ignored (help)
  18. ↑ "cornaroinstitute.org". Archived from the original on 27 June 2011. Retrieved 21 November 2018.
  19. ↑ Demetra Molyva, 'Palace of Cyprus's last queen to be restored' in The Cyprus Weekly (Cyprus newspaper), 7 October 2011
  20. ↑ Di Cesnola, L. P. Cyprus: Its Ancient Cities, Tombs, and Temples, 2015.
  21. ↑ "Cyprus - In the footsteps of a queen". June Samaras (HELLAS, googlegroups.com). 8 January 2012. Retrieved 16 March 2023.

Sources

  • De Girolami Cheney, Liana (2013). "Caterina Cornaro, Queen of Cyprus". In Barrett-Graves, Debra (ed.). The Emblematic Queen Extra-Literary Representations of Early Modern Queenship. Palgrave Macmillan.
  • Luke, Harry (1975). "The Kingdom of Cyprus, 1369—1489". In Setton, K. M.; Hazard, H. W. (eds.). A History of the Crusades, The Fourteenth and Fifteenth Centuries.
  • Mellersh, H. E. L.; Williams, Neville (1999). Chronology of world history. ABC-CLIO. ISBN 978-1-57607-155-7.
  • McNeill, William H. (1974). Venice: The Hinge of Europe, 1081-1797. University of Chicago Press.

Further reading

  • Hunt, David; Hunt, Iro; Edbury, P. W; Joachim, Joachim G; Mullaly, Terence (1 January 1989). Caterina Cornaro, Queen of Cyprus. London: Trigraph in association with the Bank of Cyprus. ISBN 9780947961046. OCLC 973464198.
  • Hurlburt, Holly (1 January 2013). "À la Cypriota: Gentile Bellini, the Queen of Cyprus, and Familial Ambition.". In Frank, Mary E; De Maria (eds.). Reflections on Renaissance Venice: a celebration of Patricia Fortini Brown. Milan: Harry N. Abrams. pp. 32–39. ISBN 978-8874396344. OCLC 844873955.
  • Hurlburt, Holly (2015). Daughter of Venice: Caterina Corner, Queen of Cyprus and Woman of the Renaissance. Yale University Press. ISBN 978-0-300-20972-3.
  • Hadjikyriakos, Iosif. Caterina Depicted. Actual Problems of Theory and History of Art: Collection of articles. Vol. 9. Ed: A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. Lomonosov Moscow State University / St. Petersburg, NP-Print, 2019, pp. 686–691. ISSN 2312-2129.
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