Constance Bennett
Bennett in Rockabye (1932)
Born
Constance Campbell Bennett

(1904-10-22)October 22, 1904
New York City, U.S.
DiedJuly 24, 1965(1965-07-24) (aged 60)
Resting placeArlington National Cemetery
OccupationActress
Years active19161965
Spouses
Chester Hirst Moorhead
(m. 1921; annul. 1923)
    Philip Morgan Plant
    (m. 1925; div. 1929)
      (m. 1931; div. 1940)
        (m. 1941; div. 1946)
          John Theron Coulter
          (m. 1946)
          Children3
          Parent(s)Richard Bennett
          Adrienne Morrison
          RelativesLewis Morrison (maternal grandfather)
          Barbara Bennett (sister)
          Joan Bennett (sister)
          Morton Downey Jr. (nephew)

          Constance Campbell Bennett (October 22, 1904 – July 24, 1965) was an American stage, film, radio, and television actress and producer. She was a major Hollywood star during the 1920s and 1930s; during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).[1]

          She was the daughter of stage and silent film star Richard Bennett, and the elder sister of actress Joan Bennett.[1]

          Early life

          Richard Bennett in 1918 with his three daughters (from left), Constance, Joan, and Barbara

          Bennett was born in New York City, the eldest of three daughters of actress Adrienne Morrison and actor Richard Bennett. Her younger sisters were actresses Joan Bennett and Barbara Bennett. All three girls attended the Chapin School in New York. [2]

          Career

          After some time spent in a convent, Bennett entered acting. Independent, cultured, ironic, and outspoken, Constance, the first Bennett sister to enter motion pictures, appeared in New York–produced silent movies before a meeting with Samuel Goldwyn led to her Hollywood debut in Cytherea (1924). She abandoned a burgeoning career in silent films for marriage to Philip Plant in 1925 but resumed her film career after their divorce in 1929. With the advent of talking pictures and her delicate blonde features and glamor, she quickly revived her career.

          In the early 1930s, Bennett was frequently among the top actresses named in audience popularity and box-office polls. In 1931, a short-lived contract with Metro-Goldwyn-Mayer earned her $300,000 for two movies which included The Easiest Way and made her one of the highest-paid stars in Hollywood. Warner Brothers paid her the all-time high salary of $30,000 a week for Bought! in 1931.[3] Richard Bennett, her father, was also cast in this film.

          The next year she moved to RKO, where she acted in What Price Hollywood? (1932), directed by George Cukor, an ironic and at the same time tragic behind-the-scenes looks at the Hollywood studio system, in which she portrayed waitress Mary Evans, who becomes a movie star. Lowell Sherman co-starred as the film director who discovers her, and Neil Hamilton as the wealthy playboy she marries who later divorces her. The film Morning Glory had been written with Bennett in mind for the lead role, but producer Pandro S. Berman gave the role to Katharine Hepburn, who won an Academy Award for her performance.

          During her time at RKO, Bennett briefly became the highest-paid actress in Hollywood. RKO controlled the careers of actresses Ann Harding and Helen Twelvetrees in a similar manner, hoping to duplicate Bennett's success.[4]

          Bennett next showed her versatility in the likes of Our Betters (1933), writer/director Gregory La Cava's Bed of Roses (1933) with Pert Kelton, After Tonight (1933, co-starring with future husband Gilbert Roland), The Affairs of Cellini (1934), After Office Hours (1935) with Clark Gable, Topper (1937, as Marian Kerby opposite Cary Grant, a role she repeated in the 1939 sequel, Topper Takes a Trip), the madcap family comedy Merrily We Live (1938) and Two-Faced Woman (1941, supporting Greta Garbo).

          By the 1940s, Bennett was working less frequently in film but was in demand in both radio and theatre. She had her own program, Constance Bennett Calls on You, on ABC radio in 1945–1946.[5] Shrewd investments had made her a wealthy woman, and she founded a cosmetics and clothing company. In 1945–1946, she hosted The Constance Bennett Show on ABC Radio.[6]

          She had a major supporting role in The Unsuspected (1947), in which she played Jane Moynihan, the program director who helps prove that radio host Victor Grandison (Claude Rains) is guilty of murder. In the 1950s, As Young as You Feel (1951) found her playing opposite Marilyn Monroe. Bennett played herself in a cameo in It Should Happen to You (1954). In 1957–1958, she toured the United States in the title role of Auntie Mame.[7] Bennett made her final screen appearance in the 1965 film Madame X (released posthumously in 1966), as the blackmailing mother-in-law.

          Personal life

          Bennett and her daughters with painting (background) of her and her son, 1944

          Bennett was married five times and had three children.

          Chester Hirst Moorehead

          On June 15, 1921, Bennett eloped with Chester Hirst Moorehead of Chicago, a student at the University of Virginia[8] who was the son of oral surgeon, Frederick Moorehead.[9] They were married by a justice of the peace in Greenwich, Connecticut. Bennett was 16 at the time.[8][note 1][10][note 2][11] A New York Times article reporting the elopement observed: "The parents of Miss Bennett were opposed to their marriage at this time solely on account of their youth."[8] The marriage was annulled in 1923.[note 3][11]

          Philip Morgan Plant

          Bennett's next serious relationship was with millionaire socialite Philip Morgan Plant. Her parents planned a cruise to Europe, taking Constance with them, to separate the couple. As the ship was preparing to leave port, however, the Bennetts saw Plant and his parents boarding, too. A contemporary newspaper article reported, "Now the little beauty and the heir to all the Plant millions were assured a week of the cosy intimacy which an ocean liner affords."[10] In November 1925, the two eloped and were married in Greenwich, Connecticut, by the same justice of the peace who officiated at Bennett's wedding to Moorehead.[12] They divorced in a French court[13] in 1929.[14]

          In 1932, Bennett returned from Europe with a three-year-old child, whom she claimed to have adopted and named Peter Bennett Plant (born 1929). In 1942, however, during a battle over a large trust fund established to benefit any descendants of her former husband, Bennett announced that her adopted son actually was her natural child by Plant, born after the divorce and kept hidden to ensure that the child's biological father did not get custody. During the court hearings, the actress told her former mother-in-law and her husband's widow that "if she got to the witness stand she would give a complete account of her life with Plant." The matter was settled out of court.[15][16]

          Henri de la Falaise

          In 1931, Bennett made headlines when she married one of Gloria Swanson's former husbands, Henri le Bailly, the Marquis de La Coudraye de La Falaise,[17] a French nobleman and film director. She and de la Falaise founded Bennett Pictures Corp. and co-produced two films which were the Hollywood films shot in the two-strip Technicolor process, Legong: Dance of the Virgins (1935) filmed on location in Bali, and Kilou the Killer Tiger (1936), filmed in Indochina. The couple divorced in Reno, Nevada in 1940.[18]

          Gilbert Roland and John Theron Coulter

          Bennett's fourth marriage was to actor Gilbert Roland. They were married in 1941 and had two daughters, Lorinda "Lynda" and Christina "Gyl".[note 4][17] They divorced in 1946, with Bennett winning custody of their children. Later that year, Bennett married for the fifth and final time to US Air Force Colonel John Theron Coulter.[17] After her marriage, she concentrated her efforts on providing relief entertainment to US troops still stationed in Europe, winning military honors for her services. Bennett and Coulter remained married for the rest of her life. Bennett supported Barry Goldwater in the 1964 United States presidential election.[19]

          Grave at Arlington National Cemetery

          Death

          On July 24, 1965, shortly after filming of Madame X was completed, Bennett collapsed and died from a cerebral hemorrhage at the age of 60. In recognition of her military contributions, and as the wife of John Theron Coulter, who had achieved the rank of brigadier general, she was buried in Arlington National Cemetery. Coulter died in 1995 and was buried with her.[20]

          Legacy

          Bennett has a motion pictures star on the Hollywood Walk of Fame for her contributions to the film industry. Her star is located at 6250 Hollywood Boulevard,[21] a short distance from the star of her sister, Joan.

          Filmography

          Silent films
          Year Title Role Notes
          1916 The Valley of Decision Unborn soul Lost film
          1922 Reckless Youth Chorus Girl
          Evidence Edith Lost film
          What's Wrong with the Women? Elise Bascom Lost film
          1924 Cytherea Annette Sherman Lost film
          Into the Net Madge Clayton, his sister Lost film
          1925 The Goose Hangs High Lois Ingals Lost film
          Code of the West Georgie May Lost film
          My Son Betty Smith Lost film
          My Wife and I Aileen Alton Lost film
          The Goose Woman Hazel Woods
          Wandering Fires Guerda Anthony
          Sally, Irene and Mary Sally
          The Pinch Hitter Abby Nettleton
          1926 Married ? Marcia Livingston
          Sound films
          Year Title Role Notes
          1929 Rich People Connie Hayden
          This Thing Called Love Ann Marvin Lost film
          1930 Son of the Gods Allana
          Three Faces East Frances Hawtree / Z-1
          Common Clay Ellen Neal
          Sin Takes a Holiday Sylvia Brenner
          1931 The Easiest Way Laura Murdock
          Born to Love Doris Kendall
          The Common Law Valerie West
          Bought! Stephanie Dale
          1932 Screen Snapshots Herself Short Subject
          Lady with a Past Venice Muir
          What Price Hollywood? Mary Evans
          Two Against the World Miss Adele 'Dell' Hamilton
          Rockabye Judy Carroll
          1933 Our Betters Lady Pearl Grayston
          Bed of Roses Lorry Evans
          After Tonight Carla Vanirska, aka K-14 and Karen Schöntag
          1934 Moulin Rouge Helen Hall / Raquel
          The Affairs of Cellini Duchess of Florence
          Outcast Lady Iris
          1935 After Office Hours Sharon Norwood
          Legong Producer only
          Starlit Days at the Lido[22] Herself Short subject
          1936 Everything Is Thunder Anna von Stucknadel
          Ladies in Love Yoli Haydn
          1937 Daily Beauty Rituals Herself Short subject
          Topper Marion Kerby
          1938 Merrily We Live Jerry Kilbourne
          Service de Luxe Helen Murphy
          Topper Takes a Trip Marion Kerby
          1939 Tail Spin Gerry Lester
          1940 Escape to Glory Christine Blaine
          1941 Law of the Tropics Joan Madison
          Picture People No. 2: Hollywood Sports Herself Short subject
          Two-Faced Woman Griselda Vaughn
          1942 Wild Bill Hickok Rides Belle Andrews
          Hedda Hopper's Hollywood No. 5 Herself Short subject
          Sin Town Kye Allen
          Madame Spy Joan Bannister
          1945 Paris Underground Kitty de Mornay Also produced
          1946 Centennial Summer Zenia Lascalles
          1947 The Unsuspected Jane Moynihan
          1948 Smart Woman Paula Rogers
          Angel on the Amazon Dr. Karen Lawrence
          1951 As Young as You Feel Lucille McKinley
          1954 It Should Happen To You Guest Panelist
          1966 Madame X Estelle Released posthumously

          Notes

          1. An article in The Ogden Standard-Examiner in 1923 said, "They succeeded in convincing the authorities there [Greenwich, Connecticut] that she was twenty-one, instead of the bare sixteen she looked and was"
          2. An article in the Springfield Missouri Republican in 1925 also reported the misrepresentation of Bennett's age.
          3. An article in the Springfield Missouri Republican in 1925 said, "Three days later the marriage was annulled"
          4. Bennett's obituary in the Independent gives the daughters' names as "Lynda and Gyl".

          References

          1. 1 2 Kellow, Brian (2004). The Bennetts: An Acting Family. Lexington, Kentucky: University Press of Kentucky. ISBN 978-0813123295.
          2. Thomson, David (2014). The New Biographical Dictionary of Film. Alfred A. Knopf. p. 85. ISBN 9780375711848. Retrieved August 9, 2017.
          3. The Warner Bros Story - Clive Hirschhorn p. 106; ISBN 0-517-53834-2
          4. Leading Ladies.
          5. Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio (Revised ed.). New York, NY: Oxford University Press. p. 180. ISBN 978-0-19-507678-3. Retrieved October 29, 2019.
          6. Terrace, Vincent (1999). Radio Programs, 1924-1984: A Catalog of More Than 1800 Shows. McFarland & Company, Inc. p. 82. ISBN 978-0-7864-4513-4.
          7. Jordan, Richard Tyler (2004). But Darling, I'm Your Auntie Mame!: The Amazing History of the World's Favorite Madcap Aunt. Kensington Books. ISBN 978-0-7582-0482-0.
          8. 1 2 3 "Motor Away To Wed". The New York Times. New York, New York City. June 18, 1921. p. 6. Retrieved August 8, 2017 via Newspapers.com. Open access icon
          9. "Proved a Nightmare". The Wilkes-Barre Times Leader, the Evening News. Pennsylvania, Wilkes-Barre. January 17, 1923. p. 21. Retrieved August 8, 2017 via Newspapers.com. Open access icon
          10. 1 2 "Brought Together the Lovers They Wanted To Part". The Ogden Standard-Examiner. Utah, Ogden. July 8, 1923. p. 26. Retrieved August 9, 2017 via Newspapers.com. Open access icon
          11. 1 2 "Latest Child-Wife Problems in the Mansions and Slums". Springfield Missouri Republican. Missouri, Springfield. April 12, 1925. p. 34. Retrieved August 9, 2017 via Newspapers.com. Open access icon
          12. "Constance Bennett Weds Philip Plant". The News-Herald. Pennsylvania, Franklin. United Press. November 4, 1925. p. 1. Retrieved August 9, 2017 via Newspapers.com. Open access icon
          13. "Constance Bennett No Longer Wife of Plant". The Iola Register. Kansas, Iola. Associated Press. March 19, 1929. p. 4. Retrieved August 9, 2017 via Newspapers.com. Open access icon
          14. "Decree Won From Millionaire, Divorcee Maps Plans for Future". Oakland Tribune. California, Oakland. April 24, 1929. p. 1. Retrieved August 9, 2017 via Newspapers.com. Open access icon
          15. "Domain Inquiry". Jcgi.pathfinder.com. Retrieved July 23, 2017.
          16. "People: People, Nov. 29, 1943". Time. November 29, 1943. Archived from the original on September 30, 2007. Retrieved July 23, 2017.
          17. 1 2 3 "Actress Constance Bennett Dies at 59". Independent. California, Long Beach. July 26, 1965. p. 2. Retrieved August 9, 2017 via Newspapers.com. Open access icon
          18. "Famous people divorced in Reno (new)". renodivorcehistory.org. Retrieved October 15, 2015.
          19. Critchlow, Donald T. (October 21, 2013). When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics. ISBN 9781107650282.
          20. "Constance Bennett Coulter, American Actress, Military Wife". April 3, 2023.
          21. "Hollywood Walk of Fame - Constance Bennett". walkoffame.com. Hollywood Chamber of Commerce. Retrieved November 16, 2017.
          22. jackusdk (February 9, 2015). "Early three-strip Technicolor in HD -- Henry Busse and His Band -- Hot Lips -- Read Notes!" via YouTube.
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