Village Sign

In 2012, the villagers of Crowfield decided to erect a village sign in order that Crowfield could join the list of over 350 Suffolk places with an ornamental sign. It was decided that the sign should follow tradition and include a significant feature to be found within the village and include elements of things associated with Crowfield. The design therefore depicts All Saints Church surrounded by arable fields, with motifs representing grapes and wheat, a windmill and a cart wheel. 'ER II 2012' is carved into the post to commemorate the Diamond Jubilee of Queen Elizabeth II in 2012.

Following a period of fundraising to pay for it, the sign was erected and unveiled on 1 February 2014.

Horswold

Little Domesday also mentions a place called Horswold. It has since disappeared but appears have been located on Stone Street in the area of Gosbeck Wood, and this would put Horswold within the present-day parish boundary of Crowfield. As "wold" is an Old English term for a forest or an area of woodland on high ground, this is quite plausible as Gosbeck Wood is on ground that is higher than its surroundings. Horswold is described as being in the Bosmere Hundred, with a total population of one household consisting of one 'free-man'. It would have been quite meagre as the tax assessed was 0.4 geld units.

15th century

It is known that there has been a place of worship on this site for 600 years, and that the building retains its Norman footprint of a nave and chancel, with the porch and bell turret added later. No medieval records relating to the fabric of the building have been discovered, but there are references to furnishings: 'Our Ladies light', 1447–1511; replacing the Tabernacle of Our Lady in 1464; making a panel for the screen or reredos (an altar piece) in 1451.

The south porch dates from the 15th century. It is timber framed and a masterpiece of medieval carpentry. Inside, the porch is spanned by fine arch-braces, the spandrels of which are beautifully carved with foliage, faces, flowers, wheels and other motifs which merit close scrutiny. These arch-braces and the cornices and other woodwork are beautifully pierced and carved. The inner entrance arch has been renewed and its hood-mould rests on corbels depicting the three mitres of the Diocese of Norwich and a bishop. The closing ring and iron on the door are medieval but the door itself is not.

Crowfield parish register entries date back to 1543, but at that time Crowfield did not have its own register. Baptisms, marriages and burials were recorded in the Coddenham register until the 18th century when Crowfield was given its own register.

16th century

In the preceding centuries, not only had much of the church's medieval beauty been lost, the church was almost lost entirely.

At the Reformation its continued existence was in question. William Kene, yeoman, in 1549 bequeathed four pounds 'to maintain God's service, to be paid £1 a year, if so be that the chapel do continue; if not I Will it shall be given in deeds of charity to the poor'. It appears that the chapel did not continue, as in 1674 when Daniel Browninge, a merchant of London, purchased the deed of the Crowfield estate, Crowfield Chapel was described as 'much decayed and ruined'.

17th century

As you walk along the track towards the church you may notice what appears to be a moat to your left. This is exactly what it is. The moat enclosed the first manor house of the manor of Crowfield-cum-Bocking. However, by 1673 the Lord of the Manor had relocated himself to Bocking Hall, which lies about half a mile south west of the church, and renamed it Crowfield Hall. The first hall was reduced to the status of a farmhouse and eventually it was demolished. An archaeological excavation on the island in 2008, revealed ‘building foundations, together with 12th to 14th-century pottery with a few sherds (historic or prehistoric fragments of pottery) perhaps slightly earlier and later.’

For a number of years during the 1670s and 1680s a bitter and protracted dispute was kept up between the inhabitants of Crowfield and the Vicar and parish officers of Coddenham, concerning the provision to be made for services at All Saints', the chapel of ease in Crowfield. For some years the people of the Crowfield attended Coddenham church. But when the Bishop of Norwich, Anthony Sparrow, conducted his visitation in 1676, he ordered the inhabitants of Crowfield to repair the chapel and provide it with suitable ornaments. They were unwilling to carry out the work without an undertaking from William Smith, the Vicar of Coddenham and Sir Nicholas Bacon the Patron that services would once again be performed there. The undertaking was given and accordingly, sixty pounds was spent on restoring and equipping the chapel. On 16 September 1678 the inhabitants petitioned the Bishop to order the resumption of services. This wasn't the end of the matter though and the acrimonious discord continued for a decade.

18th century

Little is known about the history of All Saints at this time. The introduction to the Diaries of John Longe, Vicar of Coddenham 1797–1833, contains the words, "The more isolated hamlet of Crowfield had a reputation of being backward and lawless", but gives no reason why it had earned this reputation. The second Crowfield Hall was rebuilt in 1728 but less than one hundred years later in 1819 it too was demolished.

19th century

In 1862 an extensive restoration of the church took place at the behest of Lady Middleton, in memory of her husband Sir William Fowle Middleton who had died in 1860. What you see today is the result of that extensive restoration. Upon its completion the Ipswich Journal commented that 'This is undoubtedly the most costly and choice piece of church restoration that has come to our notice for many years and the chapel is now a perfect model of chaste and elaborate design and finish.'

The Church prior to the 1862 restoration

We are given a snapshot of the state of the church prior to the restoration from the notes of David Elisha Davy. When he visited in 1824, the state of the church in the early 19th century is described the notes of the ecclesiologist David Elisha Davy.^[3] Visiting in 1824, he recorded that both roofs were hidden by plaster ceilings; there were uniform box pews throughout; the pulpit was painted white, and the small font had a square bowl. The single bell hung not in the cupola but in the wooden porch, which was plastered over. Several of the chancel windows were blocked up. The architect for the restoration was Edmund Charles Hakewill, who had designed two churches in East London, before moving to Suffolk. The contractors appointed for the work at Crowfield were Mr Gibbons and Mr English; both local firms. The woodcarving inside the church was executed by Mr James Wormald and Mr William Polly. The nave was rebuilt in 1862 from the foundations up using the original plan, materials and style. The large three-light windows added at that time are supported inside by double trefoil arches springing from a central shaft. Two grotesques, one human head, one animal found elsewhere in the church were placed in the external western wall level with the gable ends. The south door gives access to an interior which is clean, polished and lovingly tended. Colour has been judiciously used in its beautification and the general atmosphere is one of homeliness. Most of the furnishings were made in 1862 but everything is very tasteful and no amount of care or expense has been spared on the quality of the craftsmanship. In the wall beside the south entrance is a renewed niche for the Holy Water stoop. By the time of Davy's visit in 1824, the original bell turret had been replaced by a cupola with a domed top as can be seen in Isaac Johnson's drawing of 1818. Hakewill replaced this with a new bell turret, crowned with a spirelet. This contains a bell made by Taylor and Sons of Loughborough in 1848. The 15th century chancel, which is of timber-framed construction, is unique in Suffolk churches and extremely rare in churches of eastern England. The windows are attractive examples of Perpendicular architecture. They have timber frames, mullions and tracery. However, the exact history of the chancel is unclear. One account of the 1862 restoration says that the plaster was removed from the chancel walls, revealing for the first time in many years, the lovely windows. Whereas the English Heritage Listed Buildings record from 1955 says, 'The structure was entirely reassembled and many components renewed, in 1862'. The second of these descriptions seems likely as it is clear that when viewing the chancel from the outside, there is much newer timber mixed with the old. The north doorway of the nave leads to the vestry. It retains much of its original 15th-century stonework and hood mould although the corbel heads and part of the arch were renewed during the 1862 restoration. The nave is fitted with beautiful 19th-century benches. These have poppy-head ends on which an incredible variety of fruit and foliage has been carved. Each pew is different and if time allows, it is interesting to try to identify them all. The octagonal font dates from 1862 and has a simple undulating cusped motif around the bowl. The crowning glory of the nave is its magnificent late 15th-century single hammer-beam roof. The hammer-beams alternate with arch-braces and the wall plates are beautifully carved. The construction of this roof is unusual because the arch-braces are built in two stages. Another example of this kind of construction can be seen at Ufford. The restorers gave the roof its angels and standing figures. At the division between the nave and chancel are two very striking clusters of angels, carved in wood. These date from 1862, as do those at the ends of the stalls in the chancel. The chancel arch is 15th century and its responds have moulded capitals and bases. It still retains the places where the former rood screen or possibly rood-beam was attached. This screen, which was sadly destroyed centuries ago, was said to have been very fine. The interior of this remarkable chancel is as interesting and attractive as its exterior. The medieval timber frame is exposed internally and the lower parts of the walls are wainscoted. Its ancient roof has large tie-beams and rough arch-braces. On the south wall hangs a framed funerary hatchment of a member of the Middleton family. Hatchments were placed outside the house of the deceased for a time then taken for permanent display in the parish church. The communion rail dates from the 18th century and the present altar table came from the now redundant St. Andrews church, Mickfield, in 1985. On the east wall are fixed zinc plaques denoting the Lord's Prayer, the Creed and the Commandments. These are very finely painted and were the subject of some light restoration in 2004. The stained glass is by Hughes of London. The east windows were given in memory of Sir William Fowle Middleton by his widow. Other members of the family, who are buried in a vault beneath the altar, are commemorated by brass plaques on the chancel walls. Sir William also has a fine monument on the north wall, given by his tenants. In the chancel floor, under the mat, are two black ledger slabs. One commemorates Sir Henry Harwood of Crowfield Hall, who died in 1738. The other which has a Latin inscription, commemorates Sir Harbottle Wingfield, who died in 1645. There are two other slabs in the chancel floor. One on the north side commemorates William Springfield and the other, which is opposite, has its inscription hidden by the wooden floor.

20th century

Crowfield continued to be a 'Hamlet of Coddenham' right up until the early part of the twentieth century. Crowfield became a parish in its own right following a petition to King George V and formal separation in 1923.

The simple single manual organ was built by Norman and Beard in 1913.

The spirelet was subject to some remodelling as part of a 'light refurbishment' in 2004 as it was considered to be of 'stumpy appearance'.

The village of Crowfield is proud of All Saints Church and its unique timber-frame chancel. So much so that the church was chosen as the main feature for the village sign which was commissioned in celebration of the Diamond Jubilee of HM Queen Elizabeth II in 2012. Unveiled on 1 February 2014, the village sign also carries a number of motifs copied from the wooden carvings and the stained glass windows of the church.

21st Century

On 16 January 2017 a police blockade begun, due to concerns for a man who is holed up in his home, possibly with a weapon. A large amount of Stone Street was cordoned off, and armoured vehicles, police dogs and armed police were brought to the street.^[4]