Edgar Warren Williams (born June 12, 1949) is an American composer, conductor, and music theorist.

Williams obtained a bachelor's degree in composition from Duke University in 1971, then obtained a master's degree at Columbia University in 1973, studying with Charles Wuorinen, Mario Davidovsky, and Harvey Sollberger. He then matriculated at Princeton, where he received a Master's in Fine Arts in 1977 and a Ph.D. in 1982 and studied with Milton Babbitt and James K. Randall. He was a faculty member and orchestral conductor at the College of William & Mary from 1979. Williams's compositional work is noted for its orchestrational and timbral complexity, and its use of pitch collections as melodic and thematic elements.[1]

Compositions

Orchestral

  • 1969 Of Orphalese
  • 1984 Landscapes with figure
  • 1998 Nosferatu: A Symphony of Horror
  • 1999 Suite on "Nosferatu"

For concert band

  • 1968 "To my Father" Prologue
  • 1978 Across a Bridge of Dreams
  • 1991 Into the dark
  • 1993 Now showing!
  • 2002 Music from behind the Moon
  • Prologue

Musicals

Choral

  • 1975 The mystic trumpeter, for mixed choir and orchestra
  • 1976 Multum in parvo, for large mixed choir
  • 1998 Star Spangled Banner, canon for choir
  • Missa, For six-member men's choir, brass and piano

Vocal music

  • 1985 Three songs, for high voice and piano – text: Margaret Tongue
  • 1985 The bawds of euphony, for high voice and piano – text: Wallace Stevens
  • Two Lyrics, for middle voice and piano – text: James Agee

Chamber music

  • 1968 Chamber Piece Nr. 1
  • 1968 Chamber Piece Nr. 2
  • 1971 String Quartet Nr. 1
  • 1980 Amoretti, for viola and piano
  • 1985 Caprice, for violin
  • 1996 String Quartet Nr. 2
  • 1999 String Trio
  • Fant'sy I (from "Hortus conclusus"), for 9 instruments
  • Fant'sy II (from "Hortus conclusus"), for 12 instruments
  • Fant'sy III (from "Hortus conclusus"), for 12 instruments

Piano

  • 1987 Six Studies
  • 2005 Sonata

Guitar

  • 2002 Guitar quartet

Electronic music

  • 2000 Pentimenti

Publications

  • Edgar Warren Williams: Harmony and Voice Leading, New York: HarperCollins, 1992.
  • Edgar Warren Williams: Introduction to Music, New York: HarperCollins, 1991. (Co-authored with Miller and Taylor.)
  • Edgar Warren Williams: "Banqueting with the Emperor", in: Perspectives of New Music, vol. 35, no. 1 (1998)
  • Edgar Warren Williams: "A View of Schoenberg's Opus 19, No. 2", in: College Music Symposium, vol. 25 (1985)
  • Edgar Warren Williams: "In and About Some Measures of Beethoven", in: 19th-Century Music, November 1983
  • Edgar Warren Williams: "On Complementary Interval Class Sets", in: In Theory Only, vol. 7 (June 1983)

References

  1. Richard Swift, "Edgar Warren Williams". The New Grove Dictionary of Music and Musicians. via Grove Music Online.
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