El Nora Alila (Hebrew: אֵל נוֹרָא עֲלִילָה), also transliterated as Ayl Nora Alilah,[1] is a piyyut (liturgical poem) that begins the Ne'ilah service at the conclusion of Yom Kippur. The piyyut is recited as part of the Sephardic and Mizrahi liturgy,[2] and has been adopted by some Ashkenazic communities.[3]

The English translation offered below is a lyric rendering, reproducing a rhyme similar to the Hebrew. A more literal translation makes the title and recurring line, "God of awesome deeds". It consists of eight stanzas, each stanza consisting of four lines of five syllables to the line.[4] Each line (in Hebrew) has three words and the fourth line is always two words, "as Thy gates are closed at night"[5] – the gates being shut are presumably those of Heaven's gates for receiving prayers of repentance (modelled after the gates of the Temple, Ezekiel 46:2), and the hymn is one last impassioned plea for Divine pardon in the last minutes of the Day of Atonement. The initial letters of the first six stanzas of the piyyut spell out משה חזק, "Moses, may he be strong", in reference to the piyyut's author Moses ibn Ezra (12th century Spain).

Text

Hebrew text Transliteration Interpretive Rhyming English[6]

Refrain: אֵל נוֹרָא עֲלִילָה, אֵל נוֹרָא עֲלִילָה,
הַמְצִיא לָנוּ מְחִילָה, בִּשְׁעַת הַנְּעִילָה.

מְתֵי מִסְפָּר קְרוּאִים, לְךָ עַיִן נוֹשְׂאִים,
וּמְסַלְּדִים בְּחִילָה, בִּשְׁעַת הַנְּעִילָה.

שׁוֹפְכִים לְךָ נַפְשָׁם, מְחֵה פִּשְׁעָם וְכַחְשַׁם,
וְהַמְצִיאֵם מְחִילָה, בִּשְׁעַת הַנְּעִילָה.

הֱיֵה לָהֶם לְסִתְרָה, וְהַצִילֵם מִמְּאֵרָה,
וְחָתְמֵם לְהוֹד וּלְגִילָה, בִּשְׁעַת הַנְּעִילָה.

חוֹן אוֹתָם וְרַחֵם, וְכָל לוֹחֵץ וְלוֹחֵם,
עֲשֵׂה בָּהֶם פְּלִילָה, בִּשְׁעַת הַנְּעִילָה.

זְכֹר צִדְקַת אֲבִיהֶם, וְחַדֵּשׁ אֶת יְמֵיהֶם,
כְּקֶדֶם וּתְחִלָּה, בִּשְׁעַת הַנְּעִילָה.

קְרָא נָּא שְׁנַת רָצוֹן, וְהָשֵׁב שְׁאָר הַצֹּאן,
לְאָהֳלִיבָה וְאָהֳלָה, בִּשְׁעַת הַנְּעִילָה.

תִּזְכּוּ לְשָׁנִים רַבּוֹת, הַבָּנִים וְהָאָבוֹת,
בְּדִיצָה וּבְצָהֳלָה, בִּשְׁעַת הַנְּעִילָה.

מִיכָאֵל שַׂר יִשְׂרָאֵל, אֵלִיָּהוּ וְגַבְרִיאֵל,
בַּשְּׂרוּ נָא הַגְּאֻלָּה, בִּשְׁעַת הַנְּעִילָה.

Refrain: El nora ‘alila, El nora ‘alila,
Ham'tzi lanu mechila, bish‘at hane‘ila.

Metei mispar k'ru’im, lecha ‘ayin nos’im,
um'saldim bechila, bish‘at hane‘ila.

Shofchim lecha nafsham, meche pish‘am vechachsham,
veham'tzi’em m'chila, bish‘at hane‘ila.

Heye lahem lesitra, vehatzilem mim’era,
vechotmem lehod ul'gila, bish‘at hane‘ila.

Chon otam verachem, vechol lochetz velochem,
Oseh bahem p'lila, bish‘at hane‘ila.

Z'chor tzidkat avihem, vechadesh et yemeihem,
kekedem ut'chila, bish‘at hane‘ila.

K'ra na sh'nat ratzon, vehashev sh‘ar hatzon,
le’Oholiva ve’Ohola, bish‘at hane‘ila.

Tizku leshanim rabot, habanim veha’avot,
b'ditza uv'tzohola, bish‘at hane‘ila.

Micha’el sar Yisra’el, Eliyahu veGavri’el,
Basru na hage’ulah, bish‘at hane‘ila.

Refrain: God of awe, God of might,[7] God of awe, God of might,
Grant us pardon in this hour, As Thy gates are closed this night.[8]

We who few have been from yore,[9] Raise our eyes to heaven's height,
Trembling, fearful in our prayer, As Thy gates are closed this night.

Pouring out our soul we pray That the sentence Thou wilt write
Shall be one of pardoned sin, As Thy gates are closed this night.

God, our refuge strong and sure, Rescue us from dreadful plight;
Seal our destiny for joy, As Thy gates are closed this night.

Grant us favor, show us grace; But of all who wrest the right
And oppress, be Thou the judge, As Thy gates are closed this night.

Generations of our sires Strong in faith walked in Thy light.
As of old, renew our days,[10] As Thy gates are closed this night.

Gather Judah's scattered flock Unto Zion's rebuilt site.
Bless this year with grace divine, As Thy are closed this night.[11]

May we all, both old and young, Look for gladness and delight
In the many years to come, As Thy gates are closed this night.

Michael, Prince of Israel,[12] Gabriel,[13] Thy angels bright,
With Elijah,[14] come, redeem, As Thy gates are closed this night.

Melodies

The melody for El Nora Alila is generally sprightly,[15] as is much of the Ne'ilah service, deliberately, coming at the end of a 25-hour fast, when the congregants are probably feeling fatigue and weakness.[16]

See also

References

  1. Nulman, Macy; Encyclopedia of Jewish Prayer (1993, NJ, Jason Aronson), s.v. Ayl Nora Alilah, page 67.
  2. E.g., The Orot Sephardic Yom Kippur Mahazor (1997, NJ) page 986; Nulman, Macy, Encyclopedia of Jewish Prayer (1993, NJ, Jason Aronson), s.v. Ayl Nora Alilah, page 67.
  3. E.g., Birnbaum, Philip, High Holyday Prayer Book (1951, NY, Hebrew Publ'g Co.) page 975; Silverman, Morris, High Holiday Prayerbook (2nd ed. 1951, Hartford, Prayer Book Press) page 458; also adopted into American Reform liturgy as early as David Einhorn's Olath Tamid in 1858, the American Reform mahzor, Gates of Repentance: The New Union Prayer Book for the Days of Awe (1978, NY, Central Conference of American Rabbis) page 508; but not included in the Orthodox mahzorim by Adler, by ArtScroll, or by Rinat Yisroel.
  4. Birnbaum, Philip, High Holyday Prayer Book (1951, NY, Hebrew Publ'g Co.) page 975.
  5. Nulman, Macy, Encyclopedia of Jewish Prayer (1993, NJ, Jason Aronson), s.v. Ayl Nora Alilah, page 67. This is Nulman's English rendering, but see the comments attached to the verses, below.
  6. de Sola Pool, Rabbi David (1931). Yom Kippur Liturgy. Retrieved 3 Feb 2013., a different lyric translation appears in The High Holyday Prayer Book, transl. and ed. by Ben Zion Bokser (1959, NY, Hebrew Pub'g Co.) page 504.
  7. Literally, "God of awesome deeds" as in Psalm 66:5, "Go and see the works of God, He is awesome in deeds [נורא עלילה] toward mankind."
  8. This last phrase literally means "at the very moment [e.g., Daniel 4:30 & 5:5] of locking shut [e.g., Judges 16:3, Second Samuel 13:17 & 18 (of either gates or doors)]". This emphasizes the theme of the Ne'ilah service, of the last possible moments for expressing repentance. The reference may be to the image, found in the Talmud and elsewhere in the Neilah service, of a heavenly "gate of prayer" by which (when it is open) the pleas of mortals may reach God, or the image, for example in Unetanneh Tokef , that the books of God's decrees are written on Rosh Hashana and then locked away in Heaven and no longer capable of being revised when Yom Kippur concludes. The mention of nighttime is assumed, not explicitly stated; the gates of the Temple in Jerusalem having been customarily been locked at night.
  9. Deuteronomy 26:5.
  10. Lamentations 5:21.
  11. The literal meaning of the Hebrew text is (from the Orot Sephardic Yom Kippur Mahazor ): "Proclaim, please, a year of favor / and restore the remnant of the sheep / to Aholivah and Aholah / at the time of the closing." The "remnant of the sheep" alludes to Jeremiah 23:3; Aholivah and Ahola are names used in Ezekiel 23:4-5 for Jerusalem and Samaria, respectively. At this point the Orot Mahazor says "In some congregations, the following stanza is added" and then provides a stanza which does not seem to appear in most machzorim (but has been found in a French edition) - it disrupts the acrostic of the initial letters, significant evidence against its authenticity. The stanza in Hebrew: /מחה כעב פשׁעים/ ועשׂת נא חסד עם/מקראים סגלה/בשׁעת נעילה/ִִִ and Orot's literal translation is: "Erase sins like a thick cloud/ and please do kindness with/ those called 'a treasure' [Exodus 19:5]/ at the time of the closing ...." It may be significant that, unlike all the other stanzas, this one's second line has four words.
  12. Daniel 12:1; Michael is the guardian angel of Israel.
  13. Daniel 8:16 et seq.; Gabriel is another angel, also powerful.
  14. Malachai 4:5 (in Hebrew 3:23); Elijah the Prophet is expected to return to announce the arrival of Judgment Day.
  15. Idelsohn, Abraham Zvi, Hebraisch-Orientalishcher Melodienschatz (Thesaurus of Hebrew-Oriental Melodies)(1923, Berlin) volume 4 ("Sefardim") page 224. has three examples of melodies for El Nora Alila (nr. 308-310), two of which are allegro and one of which is identified as "Salonic style" in the uncommon 6/8 time.
  16. Nulman, Macy, Concise Encyclopedia of Jewish Music (1975, NY: McGraw-Hill) s.v. Ne'ilah, page 184.
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