Elizabeth Diggs
Born (1939-08-06) 6 August 1939
Tulsa, Oklahoma
OccupationPlaywright
Alma materBrown University
Notable works
  • Close Ties
  • Mirette
  • Goodbye Freddy

Elizabeth Diggs is an American playwright.[1] She is a member of Ensemble Studio Theatre.[2]

Early life and education

Born in Tulsa, Oklahoma in 1939 to attorney James B. Diggs and Virginia Francis Diggs,[3] Diggs attended Brown University, where she first became involved with theatre. In 1960 she co-wrote Happily Never After, the annual Brownbrokers musical, with future partner Emily Arnold McCully.[4] She graduated in 1961.[5] After Brown, she earned a PhD from Columbia University and entered a period of political activism in the anti-war and feminism movements,[6] including the distinction of heading one of the first Women's Studies programs at Jersey City College, where she co-developed curriculum and oversaw the launch and expansion of the program.[7] She is a professor of dramatic writing at the Goldberg Department of Dramatic Writing at Tisch.[8]

Career

Diggs' first major success was the play Close Ties, which premiered at Lexington Conservatory Theatre in August 1980.[9] The play starred notable stage actress Margaret Barker, Sofia Landon Geier and John Griesemer. It was directed by Barbara Rosoff. "A remarkable production of a lovely and loving play," said critic Jeffery Borak.[10] A year later it was produced at Long Wharf Theatre, directed by Arvin Brown and once again starring Barker;[11] the actress had been friends with Diggs for several years, and the author crafted the role with Barker in mind.[12] In 1983, it was made into a television film.[13]

Her next play, Goodbye Freddy, was workshopped at Lexington Conservatory Theatre,[14] followed by its world premiere production at South Coast Repertory in 1983. Diggs won the CBS Dramatists Guild Prize for the play that May.[15] The play was produced at Portland Stage Company in December 1984, starring fellow Lexington Conservatory alumni Court Miller and Kit Flanagan, and directed by another alumni, Barbara Rosoff.[16] The production of Goodbye Freddy was later remounted in New York on September 20, 1985, starring Barbara Eda-Young and Michael Murphy in place of Court Miller, along with Walter Bobbie, Carole Monferdini, Nicholas Cortland and Kit Flanagan.[17]"As she demonstrated in Close Ties and the one-act Dumping Grounds, the playwright has a keen ear for dialogue and a watchful eye for those offhanded moments when characters accidentally reveal themselves," said New York Times critic Mel Gussow.[18]

American Beef, her third play, explores the dying myths of the American west, and was inspired by childhood visits to the Chapman-Barnard Ranch in Osage County, Oklahoma.[19] It was commissioned in 1985 for South Coast Repertory. Productions include 1987 world premiere at Gloucester Stage Company in Massachusetts followed by International City Theater in Long Beach, California.[20]

In October 1988, she premiered Saint Florence at Capital Repertory Theatre in Albany, NY.[21] "Both an instructive lesson from history and a compelling act of the imagination," said the review of the premiere in the New York Times.[22] Based on the life of Florence Nightingale, the production starred Claire Beckman. In 1990, it was produced at the Vineyard Theatre in New York. Re-titled Nightingale it was directed by John Rubinstein with Kathryn Pogson in the starring role.[23]

In 1996, she collaborated with composer Harvey Schmidt and lyricist Tom Jones, writing the book for the musical Mirette based on Emily Arnold McCully's Caldecott award-winning children's book Mirette on the High Wire. It opened in August 1996 at the Norma Terris Theatre[24] and later moved to the Goodspeed Opera House.[25]

Diggs also contributed to the first season of television series St. Elsewhere. Although writing for television was lucrative, she found the experience less fulfilling than theatre.[26]

Personal life

Her daughter, with director Will Mackenzie, is documentary filmmaker Jenny Mackenzie.[27] She lives in Chatham with her partner, author Emily Arnold McCully.[28]

List of plays

Feature length

One-act plays

Awards and honours

  • National Endowment for the Arts grant, for the premiere production of Saint Florence, 1983[38]
  • CBS/Dramatists Guild Prize for the writing of Goodbye Freddy, 1983[39]
  • Runner-up, Susan Smith Blackburn Prize for the writing of Saint Florence, 1987[40]
  • Guggenheim Fellowship award, for exceptional creativity in the field of dramatic arts, 1988[41][42]
  • Kennedy Center for the Arts grant for the premiere production of Saint Florence, 1988[43]
  • Theatre Communications Group Edgerton Foundation Award for New Plays, for development of Grant & Twain, 2013[44]

References

  1. "Broadway World – Elizabeth Diggs". Broadway World. Retrieved 11 May 2023.
  2. "Ensemble Member Artists: Elizabeth Diggs". Ensemble Studio Theatre. Retrieved 10 May 2023.
  3. National Playwrights Directory. Drama Book Specialists. 1981. p. 80. ISBN 9780960516001. Retrieved 10 May 2023.
  4. Armstrong, Leslie (April 22, 1960). "Book and Lyrics Surpass Brownbrokers' Performance". Pembroke Record. Retrieved 10 May 2023.
  5. "Pembroke Oral History Project, 50th Reunion Class of 1961". brown.edu. Retrieved 10 May 2023.
  6. Love, Barbara J. (September 22, 2006). Feminists Who Changed America, 1963–1975. University of Illinois Press. p. 118. ISBN 9780252031892. Retrieved 11 May 2023.
  7. Diggs, Elizabeth (1975). "The Future of Women's Studies". Women's Studies Quarterly (Summer): 24–25.
  8. "Biography". elizabethdiggs.com. Retrieved 10 May 2023.
  9. ""Close Ties" to Premiere at LCT". Stamford Mirror-Recorder. August 20, 1980.
  10. Borak, Jeffery (August 23, 1980). "'Close Ties' is Unforgettable". Poughkeepsie Journal.
  11. Gussow, Mel (March 22, 1981). "Stage: Elizabeth Diggs' 'Close Ties'". New York Times. Retrieved 10 May 2023.
  12. Frankel, Haskel (February 15, 1981). "A Veteran of Drama Stars at Long Wharf". New York Times. Retrieved 10 May 2023.
  13. "Close Ties: Full Cast and Crew". IMDB.com. Retrieved 10 May 2023.
  14. National Playwrights Directory. Drama Book Specialists. 1981. p. 80. ISBN 9780960516001. Retrieved 10 May 2023.
  15. Triplett, Gene (March 15, 1984). "Tulsa Spotlight Shines Play Lauded at Home". The Oklahoman. Retrieved 10 May 2023.
  16. Larock, Cindy (December 3, 1984). "'Freddy' full of surprises". Lewiston Daily Sun. Retrieved 12 September 2023.
  17. Diggs, Elizabeth (1986). Goodbye Freddy. Dramatists Play Service. ISBN 9780822204602.
  18. Gussow, Mel (September 26, 1985). "Stage: 'Goodbye Freddy'". New York Times. Retrieved 10 May 2023.
  19. Minor, Darla Jones (May 22, 1987). "Play Probes Ranch Woes". The Oklahoman. Retrieved 11 May 2023.
  20. Arkatov, Janice (August 2, 1987). "SAVING THE RANCH". Los Angeles Times. Retrieved 11 May 2023.
  21. Koblenz, Eleanor (October 4, 1988). "Despite Flaws, Cap Rep 'Saint Florence' First Class". The Daily Gazette. Retrieved 10 May 2023.
  22. Gussow, Mel (October 15, 1988). "This Florence Nightingale Knew How to Fight a War: [Review]". New York Times.
  23. Gussow, Mel (December 4, 1990). "Florence Nightingale as a Saint Without the Halo". New York Times.
  24. Klein, Alvin (August 18, 1996). "A Musical in the Making: 'Mirette,' about finding what one must do in life". New York Times.
  25. Marks, Peter (July 31, 1998). "On a Tightrope, Finding Her Dream". New York Times.
  26. Koblenz, Eleanor (February 7, 1986). "Prize-Winning 'Goodbye Freddy' to Open Tomorrow at Capital Rep". The Daily Gazette. Retrieved 10 May 2023.
  27. "Jennifer Mackenzie, a Therapist, Weds". New York Times. October 8, 1990. Retrieved 10 May 2023.
  28. Larson, Jamie. "The Rural We: Elizabeth Diggs". Rural Intelligence. Retrieved 10 May 2023.
  29. Gussow, Mel (March 22, 1981). "Stage: Elizabeth Diggs' 'Close Ties'". New York Times. Retrieved 10 May 2023.
  30. Gussow, Mel (September 26, 1985). "Stage: 'Goodbye Freddy'". New York Times. Retrieved 10 May 2023.
  31. Gussow, Mel (October 15, 1988). "This Florence Nightingale Knew How to Fight a War: [Review]". New York Times.
  32. Minor, Darla Jones (May 22, 1987). "Play Probes Ranch Woes". The Oklahoman. Retrieved 11 May 2023.
  33. Smullen, Sharon (September 26, 2018). "Two rock stars of the Gilded Age, Ulysses S. Grant and Mark Twain, forge a bond in a new play at PS21". Berkshire Eagle. Retrieved 14 May 2023.
  34. "Familiar Diggs". The Salt Lake Tribune. September 5, 1997. Retrieved 14 May 2023.
  35. Sierra, Gabrielle. "Ensemble Studio Theatre Presents OCTOBERFEST". Broadway World. Retrieved 14 May 2023.
  36. Klein, Alvin (August 18, 1996). "A Musical in the Making: 'Mirette,' about finding what one must do in life". New York Times.
  37. Diggs, Elizabeth (1982). Dumping Ground. Dramatists Play Service. ISBN 9780822203407.
  38. "Around the Endowment". National Endowment for the Arts: Arts Review. 1–5. 1983. Retrieved 14 May 2023.
  39. Triplett, Gene (March 15, 1984). "Tulsa Spotlight Shines Play Lauded at Home". The Oklahoman. Retrieved 10 May 2023.
  40. Koblenz, Eleanor (September 29, 1988). "Capital Rep to Stage Diggs' 'Saint Florence'". The Daily Gazette. Retrieved 10 May 2023.
  41. "262 Chosen for Guggenheim Awards". New York Times. April 10, 1988.
  42. "Fellows: Elizabeth Diggs". Guggenheim Foundation. Retrieved 14 May 2023.
  43. Koblenz, Eleanor (September 29, 1988). "Capital Rep to Stage Diggs' 'Saint Florrence'". The Daily Gazette. Retrieved 10 May 2023.
  44. "Grant & Twain". Theatre Communications group. Retrieved 14 May 2023.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.