Frida Larios (born 1974 Costa Rica)[1] is a Central American visual and sculptural artist best known for her typo-graphic art and research related to Maya language systems.

Early life and education

Mayan Glyphs

Frida Larios was born in Costa Rica and raised in El Salvador where she was enrolled in a German, Spanish, and English language school.[2] As a young adult in El Salvador, Larios attended the applied arts school Escuela de Artes Aplicadas before earning her Bachelor of Arts at the Falmouth College of Art and Design in 1999.[2] In 2003 Larios was awarded a $28,000 scholarship from FANTEL/LASPAU for Masters in Arts degree completion at the University of the Arts London in the United Kingdom.

Career

Larios’s work regarding Maya script was first featured in the Design book Logo Design Volume 2, by Julius Weisemann and published by Taschen in 2009.[3] In 2016 Larios' work was showcased at the American University Museum widely acclaimed exhibition titled The Looking Glass: Artist Immigrants of Washington, which curated the work of ten immigrant Latin American artists. The Washington City Paper art critic noted that Larios "puts an interesting twist on immigration by revisiting the Mayans. Pulling from their hieroglyphic script, she has developed a series of pictoglyphs—converted into relief sculpture and vinyl installations—that riff on creation stories and Mayan myth: part re-telling, part re-invention."[4]

In 2017 Larios became an Adjunct Professorial Lecturer at the University of the District of Columbia in Washington, DC.[5] In addition, 2017 saw Larios exhibit her first solo show titled Maya Alphabet of Modern Times at the Katzen Arts Center.[6]

In the year following her solo show Maya Alphabet of Modern Times (2017) at the Katzen Arts Center,[6] Larios participated in another exhibition titled Immortal Cacao Tree & Animales Interiores at The Peale Center museum in Baltimore (2018).[7] Larios has since gone on to present her Animales Interiores exhibit for the Press Preview of the Molina Family Latino Gallery at the Smithsonian National Museum of American History, Washington, DC (2018). In both 2018 and 2019, Larios was featured as a solo guest artist in the Day of the Dead exhibitions at the Smithsonian National Museum of American History.[8]

Larios designed the Lima 2019 inauguration ceremony uniforms for the PanAmerican games worn by over 80 members of the Olympic Committee of El Salvador.[9]

References

  1. ↑ "Frida Larios, Author at The Nature of Cities". The Nature of Cities. Retrieved 25 December 2021.
  2. 1 2 "The New Maya Language of Frida Larios". PRINT Magazine. 2014-07-02. Retrieved 2021-11-30.
  3. ↑ Wiedemann1Larios2, Julius1Frida2 (2009). Logo Design "The heritage of the Mayas: Redesigning an ancient identity". Taschen. pp. 138–145.{{cite book}}: CS1 maint: numeric names: authors list (link)
  4. ↑ John Anderson (2016-07-13). ""The Looking Glass: Artist Immigrants of Washington" At the Katzen Arts Center, Reviewed". Washington City Paper. Retrieved 2022-01-26.
  5. ↑ "Adjunct Instructor". American University. Retrieved 2021-11-30.
  6. 1 2 "BGuthrie Photos: DC -- American University -- Katzen Arts Center -- 2017B Spring Exhibitions: Maya Alphabet of Modern Times". www.bguthriephotos.com. Retrieved 2021-11-30.
  7. ↑ "History of the Peale – The Peale". Retrieved 2021-11-30.
  8. ↑ Magazine, Smithsonian. "Smithsonian Latino Center Day of the Dead Celebration 2018". www.smithsonianmag.com. Retrieved 2021-11-30.
  9. ↑ Lou, Ethan (2015-07-10). "The best of the Pan Am Games athletes' uniforms". The Toronto Star. ISSN 0319-0781. Retrieved 2021-11-30.
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