Gustavo Sáenz de Sicilia Olivares
Sáenz de Sicilia circa 1922
Born(1885-11-25)November 25, 1885
Mexico City, Mexico
DiedJanuary 15, 1950(1950-01-15) (aged 64)[1]
Mexico City, Mexico
OccupationFilm producer
Years active1923-1937
Known forFounder of Mexican Fascist Party
Notable workSanta
Prisoner 13
SpouseElisa Urruchua Carmona

Gustavo Sáenz de Sicilia Olivares (November 25, 1885 – January 15, 1950), was a Mexican silent film director, producer, journalist, civil engineer, and founder of Compañía Nacional Productora de Películas.[2] Sáenz de Sicilia is regarded as an important figure during the silent era of Mexican cinema as well as a key influence for the Golden Age of Mexican cinema. Throughout his life, he wrote for Excélsior under the pen name Ingeniero Gallo.[3][4][5]

A staunch anti-communist, Sáenz de Sicilia was also politically active. He founded the short lived Mexican Fascist Party as well as the far-right Confederation of the Middle Class (Spanish: Confederación de la Clase Media or CCM) organization in the 1920s and 1930s respectively.[3][6][7]

Early life

Gustavo Sáenz de Sicilia was born to Jesús Sáenz de Sicilia Aguilar and Maria Luisa Olivares Garces. His family were very wealthy aristocratics with close ties to the Porfiriato government.[8][9][3]

He studied at the Heroic Military Academy. After graduating, Sáenz de Sicilia studied civil engineering abroad in many different countries.[9]

Sáenz de Sicilia (second from right) with Rafael Alducin (far left) and Alberto Braniff (center)

Sáenz de Sicilia fought during the Mexican Revolution in the 1910s on the side of the Huertistas.[9][10] According to Valentín Campa, he took part in the assassination of Gustavo A. Madero while under the command of Victoriano Huerta.[10]

Sáenz de Sicilia was an assistant to the Secretariat of Foreign Affairs during the Obregón presidency before being let go for "personal differences" in the early 1920s.[3][4]

Film career

Sáenz de Sicilia began his silent film career in 1922 co-directing Aguiluchos Mexicanos with Miguel Contreras Torres.[4]

Sáenz de Sicilia (far right) in the office of Productora de Películas Nacionales in 1934.

Sáenz de Sicilia produced as well as made his directorial debut with Atavismo, released in 1923.[4][11]

In late 1928, Sáenz de Sicilia, along with is brother Enrique, founded the film production company Compañía Productora de Películas Nacionales S.C.L. with the motive to revitalize the Mexican film industry.[11][3] The first film the company produced was La boda de Rosario starring Carlos Rincón Gallardo, written and directed by Sáenz de Sicilia himself.[11]

In 1930, he founded a film editorial entitled Filmográfico later named Cinema Reporter.[4]

In 1932, the production company released Santa starring Lupita Tovar. The film was a massive success.[11]

In February 1936, Sáenz de Sicilia filmed an anti-communist rally in Monterrey entitled Manifestación anticomunista de Monterrey. The film was barred from showing by the Regional Confederation of Mexican Workers. Following this incident, Sáenz de Sicilia retired from directing.[4][11]

Political activity

Mexican Fascist Party

Gustavo Sáenz de Sicilia founded the Mexican Fascist Party in December 1922, drafting the party's manifesto titled Manifiesto del Partido Fascista Mexicano a la Nación a month later.[12][7] The party set out to empower the middle class and counteract Bolshevik and communist influence in Mexico.[12] Sáenz de Sicilia announced in February 1923 that membership of the party had reached 100,000 members and discussed the possibility of the party reaching over a million members in 6 months time, a wildly exaggerated claim as membership of the party never exceed 400.[12] In April, Sáenz de Sicilia had told Carleton Beals there were 150,000 members in the fascist party.[13] In reality, the party never had a significant number of members and dissolved sometime in mid 1923.[12]

Middle Class Confederation

On June 19, 1936, Sáenz de Sicilia, along with his brother Enrique, founded the Middle Class Confederation (Spanish: Confederación de la Clase Media or CCM). The group was characterized to be far-right, fascist, and vehemently anti-communist.[7][5]

The primary objective of the group, according to Sáenz de Sicilia, was to constitute a social defense and unity among the middle class as he considered the middle class in Mexico to have lacked rights and social protection in Mexico. An objective of the CCM was to unite with the Nationalist Mexican Youth, the Nationalist Association of Small Agricultural Owners, the National Civic Action and the National Pro-Race Committee groups.[7][14][5]

The group was heavily opposed to the government structure set forth by Lázaro Cárdenas as well as the nation-wide labor strikes which were occurring during this period.[7][14] The group worked closely with other right-wing organizations including the Revolutionary Mexicanist Action paramilitary.[5]

The party was estimated to have between 30 and 40 members, a considerate number of them had been members of the Revolutionary Mexicanist Action. Most members resided in very upscale neighborhoods including Colonia Santa María la Ribera.[5]

In August 1936, Sáenz de Sicilia was arrested along with 8 others for displaying Revolutionary Mexicanist Action propaganda in Mexico City.[5]

In 1937, the organization tried unsuccessfully to organize an Ibero-American anti-communist conference in Havana. This drew interest and support from representatives of the fascist governments of Germany, Italy and Spain.[5]

The CCM became much more inactive sometime in 1939. This followed the government's crackdown on right-wing organizations after Saturnino Cedillo's rebellion in 1938.[3] Members of the CCM helped establish the Revolutionary Party of National Unification, supporting Juan Andreu Almazán's presidential bid in 1940.[3][5] The CCM supported Almazán's campaign in exchange for financial support, however, the money was never delivered.[3]

The organization dissolved with little money and with insignificant political power at the beginning of the Camacho presidency.[3]

Personal life

Gustavo Sáenz de Sicilia was a descendant of a powerful Spanish 17th century priest and farmer who was given plots of land by the Spanish Monarchy near both Popocatépetl and Iztaccihuatl.[8][9][3]

Selected filmography

Table featuring feature films by Gustavo Sáenz de Sicilia, does not include his documentaries.
Year Title Director Writer Producer Notes Ref.
1923 Atavismo Yes Yes Yes
1926 Un drama en la aristocracia Yes Yes Yes
1929 La boda de Rosario Yes Yes Yes
1932 Santa No No Yes Also credited as Production Management
1932 Una vida por otra No Yes No Co-written along with John H. Auer and Carlos Noriega Hope
1933 El prisionero trece No No Yes
1938 La cuna vacía No Yes No Co-written along with Miguel Zacarías
1949 Rondalla No Yes No Based on Sáenz de Sicilia's Están Llorando los Trigales

References

  1. ↑ "Federal District, Mexico, Civil Registration Deaths, 1861-1987 (Distrito Federal, México, Registro Civil, Defunciones, 1861-1987)". Ancestry.com. Retrieved 29 January 2022.
  2. ↑ "Gustavo Sáenz de Sicilia".
  3. 1 2 3 4 5 6 7 8 9 10 Pérez Montfort, Ricardo (1993). "Por la patria y por la raza" : la derecha secular en el sexenio de Lázaro Cárdenas (1. ed.). México, D.F.: Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México. ISBN 9683611753.
  4. 1 2 3 4 5 6 Vidal Bonifaz, Rosario (2010). Surgimiento de la industria cinematográfica y el papel del Estado de México (1895-1940) (1. ed.). Mexico, D.F.: M.Á. Porrúa. p. 350. ISBN 978-607-401-286-6.
  5. 1 2 3 4 5 6 7 8 Karin Eineigel, Susanne. "DISTINCTION, CULTURE, AND POLITICS IN MEXICO CITY'S MIDDLE CLASS, 1890-1940" (PDF). Retrieved 24 March 2022. {{cite journal}}: Cite journal requires |journal= (help)
  6. ↑ Cyprian Blamires. World fascism: a historical encyclopedia, Volume 1. Santa Barbara, California, USA: ABC-CLIO, Inc., 2006. Pp. 417-418.
  7. 1 2 3 4 5 Garciadiego, Javier (2006). "La oposición conservadora y de las clases medias al cardenismo" (PDF). Dossier. Retrieved 25 January 2022.
  8. 1 2 "Family tree of Jesús Sáenz de Sicilia Aguilar". Retrieved 29 January 2022.
  9. 1 2 3 4 ""Gustavo Sáenz de Sicilia"". The Buffalo Enquirer. 26 February 1923. Retrieved 27 January 2022.
  10. 1 2 Campa, Valentín (1978). MI TESTIMONIO. Experiencias de un comunista mexicano. p. 359.
  11. 1 2 3 4 5 Vidal Bonifaz, Rosario (2008). "Los inicios del cine sonoro y la creación de nuevas empresas fílmicas en México (1928-1931)". Revista del Centro de Investigación de la Universidad la Salle. Retrieved 28 January 2022.
  12. 1 2 3 4 Mac Gregor Campuzano, Javier (June 1999). ""ORDEN Y JUSTICIA": EL PARTIDO FASCISTA MEXICANO 1922-1923". Signos Históricos. 1: 150–180. Retrieved 27 January 2022.
  13. ↑ Beals, Carleton (1923). Mexico; an interpretation. Huebsch. p. 141. Retrieved 28 January 2022.
  14. 1 2 Sherman, John W. (1998). "Reassessing Cardenismo: The Mexican Right and the Failure of a Revolutionary Regime, 1934-1940". The Americas. 54 (3): 362–4. doi:10.2307/1008414. ISSN 0003-1615. JSTOR 1008414. S2CID 143566620 – via JSTOR.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.