Henriette Sauret
Born1890
Died1976
Occupationauthor, poet, journalist, feminist, pacifist, literary critic
LanguageFrench
Genrepolitical articles, poetry
Subjectanti-war
SpouseAndré Arnyvelde
ParentsHenry Sébastien Sauret

Henriette Sauret (after marriage, Sauret-Arnyvelde; 1890-1976) was a French feminist author, and feminist pacifist journalist.[1] As a feminist literary critic, her comments were less favorable about other feminist pacifist books than other experienced reviewers.[2]

Biography

Henriette Sauret was born in 1890.[3] Her father was Général Henry Sébastien Sauret. Henriette married the journalist André Arnyvelde.[4]

Sauret was a contributor to Le Dimanche illustré,[5] and La Fronde,[6] as well as a regular political contributor to La Voix des femmes,[7][lower-alpha 1]

Her poetry was published in L'œil de veau.[9] In 1918 and again in the following year, Sauret published two volumes of war-related poetry, Les Forces détournées (Diverted Strengths) and L'Amour à la Géhenne (Love in Gehenna), whose theme was the deleterious impact that war has on women.[3]

Along with Jeanne Bouvier and Andre Mariani (Marie-Louise Bouglé's husband), Sauret was associated with the Société des Amis de la Bibliothèque Marie-Louise Bouglé.[10] She was also a member of the French Union for Women's Suffrage.[4] She was referred to as a radical feminist when in 1919, she spoke about bobbed women's hair as "a gesture of independence; a personal endeavor".[11][12]

Henriette Sauret died in 1976.[3] Erik Satie dedicated his Observations d'un imbécile (Moi) to Sauret.[9]

Selected works

  • Je respire, 1913
  • Les forces détournées, 1914-1917, 1918
  • L'amour à la géhenne : poème, 1919
  • Isadora Duncan, impératrice errante, 1928
  • Le Laurier de la vallée, 1933
  • Une apôtre sociale: Marie-Louise Bouglé, 1938
  • Des Roses! Poésie d' Henriette Sauret

See also

Notes

  1. ↑ See for example, "Préoccupations masculines", La Voix des Femmes, 30 January 1919.[8]

References

  1. ↑ Cross, Máire Fedelma (3 September 2020). In the Footsteps of Flora Tristan: A Political Biography. Liverpool University Press. p. 62. ISBN 978-1-78962-265-2. OCLC 1195464859.
  2. ↑ Stewart, Mary Lynn (20 June 2018). Gender, Generation, and Journalism in France, 1910-1940. McGill-Queen's Press - MQUP. p. 16. ISBN 978-0-7735-5402-3. OCLC 1035218064.
  3. 1 2 3 Quinn, P.; Trout, S., eds. (17 June 2001). The Literature of the Great War Reconsidered: Beyond Modern Memory. Springer. pp. 95, 101. ISBN 978-0-230-59989-5. OCLC 1022632853.
  4. 1 2 Higonnet, Margaret R., ed. (1999). Lines of Fire: Women Writers of World War I. Plume. p. 464. ISBN 978-0-452-28146-2. OCLC 1020204138.
  5. ↑ Ramsay, Raylene L. (2003). French Women in Politics: Writing Power: Paternal Legitimization and Maternal Legacies. Berghahn Books. pp. 104–. ISBN 978-1-57181-081-6. OCLC 1013441694.
  6. ↑ Sartori, Eva Martin; Zimmerman, Dorothy Wynne, eds. (1 January 1994). French Women Writers. University of Nebraska Press. p. 114. ISBN 978-0-8032-9224-6. OCLC 1027291730.
  7. ↑ Fell, A.; Sharp, I., eds. (12 April 2007). The Women's Movement in Wartime: International Perspectives, 1914-19. Springer. p. 89. ISBN 978-0-230-21079-0. OCLC 1047643539.
  8. ↑ Doy, Gen (13 August 2020). Claude Cahun: A Sensual Politics of Photography. Routledge. p. 225. ISBN 978-1-00-021343-0.
  9. 1 2 Potter, Caroline, ed. (13 May 2016). Erik Satie: Music, Art and Literature. Routledge. p. 69. ISBN 978-1-317-14179-2.
  10. ↑ Tamboukou, Maria (7 July 2016). Gendering the Memory of Work: Women Workers’ Narratives. Routledge. p. 30. ISBN 978-1-317-55226-0.
  11. ↑ Chadwick, Whitney; Latimer, Tirza True, eds. (2003). The Modern Woman Revisited: Paris Between the Wars. Rutgers University Press. pp. 67–69, 80, 87. ISBN 978-0-8135-3292-9. OCLC 1008050718.
  12. ↑ Kane, Nina; Woods, Jude, eds. (23 June 2017). Reflections on Female and Trans* Masculinities and Other Queer Crossings. Cambridge Scholars Publishing. p. 18. ISBN 978-1-4438-7797-8. OCLC 1327751175.
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