Henry F. Williams
Image of Williams from 1887
Born(1813-08-13)August 13, 1813
Boston, Massachusetts, U.S.
Diedc. 1903(1903-00-00) (aged 89–90)
Boston, Massachusetts, U.S.
Alma materNew England Conservatory of Music
Occupation(s)Musician, educator

Henry F. Williams (August 13, 1813 – c. 1903) was a musician and composer in Boston, Massachusetts, in the late 19th century. He was one of two black musicians to play in the orchestra at the 1872 National Peace Jubilee. His arrangements received widespread popularity. Later in his life he was primarily a music teacher. Williams has been called the second best known black composer of his time after Frank Johnson, with whom he worked.[1]

Early life

Henry (Harry) F. Williams was born in Boston, Massachusetts, on August 13, 1813. He began to study music at the age of seven.[2] As a young man, he studied with Peter Albrecht von Hagen Jr. and, until the age of 21 along with Alfred Howard and Henry Thacker.[3] He was a graduate of the New England Conservatory of Music in Boston.[4] In the early 1840s, he ran a music studio in Boston.[5]

Career

Williams primarily played the violin, double bass, and cornet, favoring the violin and cornet, but he also played the violoncello, baritone trombone, piano-forte,[2] trombone, and tuba. On most of these instruments he also taught. He was also a noted composer and arranger of music. His Thanksgiving anthem, O Give Thanks, was seen by some in Boston as beyond the ability for a black person to compose. Music educator, Lowell Mason, was among those who held this belief but was eventually convinced. He was invited to travel to Liberia by Mason to perform there to gain recognition he was not accorded in the United States, but refused.[6]

He was connected with Francis Johnson's Band in Philadelphia,[6] arranging music for the band after Johnson's death in 1844[7] when Joseph Anderson Sr. led the group.[3]

Williams frequently arranged music for Patrick Sarsfield Gilmore's Band.[6] Williams on the double bass and Frederick E. Lewis on violin were the only black members of the grand orchestra consisting of two thousand musicians at the National Peace Jubilee in Boston in 1872[3] at the close of the Franco-Prussian War. They were examined by organizers J. Thomas Baldwin and Gilmore. Williams included performance on the double bass Richard Wagner's Tannhäuser and the William Tell Overture.[6]

He also worked with the Boston Cadet Band,[6] arranging a quickstep for the group[3] and he wrote an overture for the Park Theatre Orchestra.[6] In 1880, Williams joined J. H. Haverly's colored minstrels in Portsmouth[8] Later in the 1880s, he moved to Illinois, where he became dean of the Illinois College of Music[4] After 1888 he moved to Boston and was still writing music, although suffering from rheumatic pain.[9] He may have been living at the Boston Almshouse and Hospital in 1900.[10]

Noted works

A number of arrangements received wide acclaim. The ballad "Lauriette", published in 1840, was one of his first pieces that was widely sold.[6] The song is sentimental and simple.[9] Parisien Waltzes, published in 1854, was a noted set of five numbers and also did well.[6] This piece is, perhaps, his best known work and was republished in 1867.[9] He also published a religious anthem ("O, Give Thanks"),[11] a number of polka-redowas, mazurkas, quadrilles, overtures,[6] ballads, and marches.[5]

List of compositions

  • Lauriette (1840)[6][12]
  • Come, Love, and List Awhile (1842)[6][13]
  • Croton Waltz (1844)[9][14]
  • O Give Thanks (c1846)[15]
  • Sunny Side Polka (1852)[16][17]
  • Campanello Polka (1852)[18]
  • Rose Schottische (1852)[19][20]
  • Climax polka (1853)[21]
  • Chitarra Polka (1853)[22]
  • Parisien Waltzes (1854)[6]
  • It was by Chance we Met (1866)[6]
  • I Would I had Never met Thee (The Coquette) (1876)[6][23]
  • Keep Me Near to Thee (1884)[24]
  • Safe in Christ (1884)[25]
  • Pass Back the Light (1884)[26]

References

  1. ↑ Price III, Emmett G., Tammy Kernodle, and Horace Maxille, eds. Encyclopedia of African American Music. ABC-CLIO, 2010. p660
  2. 1 2 Simmons, William J., and Henry McNeal Turner. Men of Mark: Eminent, Progressive and Rising. GM Rewell & Company, 1887. p286-290
  3. 1 2 3 4 Schwartz, Richard I. The Cornet Compendium: The History and Development of the Nineteenth-Century Cornet. 2001. p120
  4. 1 2 Advertisement, The Pantagraph (Bloomington, Illinois) September 11, 1886, page 4, accessed September 26, 2016 at https://www.newspapers.com/clip/6787454/advertisement_the_pantagraph/ (Full text via Newspapers.com.)
  5. 1 2 Burnim, Mellonee V., and Portia K. Maultsby. African American music: an introduction. Routledge, 2014. p. 141
  6. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Trotter, James M. Music and Some Highly Musical People. Johnson Reprint, 1881. p106-113
  7. ↑ Price III, Emmett G., Tammy Kernodle, and Horace Maxille, eds. Encyclopedia of African American Music. ABC-CLIO, 2010. p217
  8. ↑ Musical and Dramatic, Democrat and Chronicle (Rochester, New York) May 23, 1880, page 2, accessed September 26, 2016 at https://www.newspapers.com/clip/6787400/musical_and_dramatic_democrat_and/
  9. 1 2 3 4 Boyer, Horace Clarence. "The New England Afro-American School." The Black Perspective in Music (1976): 213–237.
  10. ↑ "United States Census", United States census, 1900; Boston Almshouse and Hospital Boston city, Suffolk, Massachusetts, United States; page 3 of 16, line 100, enumeration district 1830, Family History film 1240676. Retrieved on September 26, 2016.
  11. ↑ Price III, Emmett G., Tammy Kernodle, and Horace Maxille, eds. Encyclopedia of African American Music. ABC-CLIO, 2010. p22
  12. ↑ Williams, H. F. Lauriett, Ballad. Firth and Hall, New York, monographic, 1840. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1840.371320/. (Accessed September 26, 2016.)
  13. ↑ Williams, H. F., "Come Love & List Awhile" (1840). Historic Sheet Music Collection. Paper 300. http://digitalcommons.conncoll.edu/sheetmusic/300
  14. ↑ Williams, H. F. Croton Waltz. A. Fiot, Philadelphia, monographic, 1844. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1844.040220/. (Accessed September 26, 2016.)
  15. ↑ Stevenson, Robert. "America's first black music historian." Journal of the American Musicological Society 26, no. 3 (1973): 383–404.
  16. ↑ Wiecki, Ron, and Daniel Mendoza de Arce. "Music in North America and the West Indies from the Discovery to 1850: A Historical Survey." (2008): p202
  17. ↑ Williams, Henry F. Sunny Side Polka. Oliver Ditson, Boston, monographic, 1852. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1852.170430/. (Accessed September 26, 2016.)
  18. ↑ Sibly Music Library index, University of Rochester, http://www.esm.rochester.edu/sibley/files/2016/02/Sub-group-I-Series-3-A.pdf
  19. ↑ Southern, Eileen. The music of black Americans: A history. WW Norton & Company, 1997. p114
  20. ↑ Williams, Henry F. Rose Schottisch. Oliver Ditson, Boston, monographic, 1852. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1852.170490/. (Accessed September 26, 2016.)
  21. ↑ Williams, H. F. Climax Polka. Oliver Ditson, Boston, monographic, 1853. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1853.200030/. (Accessed September 26, 2016.)
  22. ↑ Williams, H. F. (1853) Chitarra Polka. Oliver Ditson, Boston, monographic. [Notated Music] Retrieved from the Library of Congress, https://www.loc.gov/item/sm1853.200410/.
  23. ↑ Williams, Harry F. TheCoquette. Ditson & Co., Oliver, Boston, monographic, 1876. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1876.10715/. (Accessed September 26, 2016.)
  24. ↑ Williams, H. F. Keep Me Near to Thee. ----, ----, Monographic, 1884. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1884.26119/. (Accessed September 26, 2016.)
  25. ↑ Williams, H. F. Safe in Christ. ----, ----, Monographic, 1884. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1884.26118/. (Accessed September 26, 2016.)
  26. ↑ Williams, H. F. Pass Back the Light. ----, ----, Monographic, 1884. Notated Music. Retrieved from the Library of Congress, https://www.loc.gov/item/sm1884.26088/. (Accessed September 26, 2016.)
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