Hisako Shimizu Hibi
Hisako Shimizu
Born
Hisako Shimizu

(1907-05-14)May 14, 1907
Torihama, Fukui, Japan
DiedOctober 25, 1991(1991-10-25) (aged 84)
San Francisco, California
NationalityJapanese American
Occupation(s)Painter, teacher and printmaker
Years active1927–1991
Known for72 paintings while interned in Tanforan and Topaz
Spouse(s)Matsusaburo 'George' Hibi
(1886–1947)
ChildrenSatoshi (son, b.1931);
Ibuki (daughter, b.1937)

Hisako Shimizu Hibi (1907–1991) was a Japanese-born American Issei painter and printmaker. Hibi attended the California School of Fine Arts in San Francisco, California where she garnered experience and recognition in the fine arts and community art-exhibition.[1] Here, she met her husband George Matsusaburo Hibi, with whom she raised two children, Satoshi "Tommy" Hibi and Ibuki Hibi.[2]

Well-known for the large collection of paintings she created during her internment (1942-1946) at the American internment camps Tanforan and Topaz, Hibi assisted in founding and teaching art schools for interned children.[3] Her work adds to a small collection of images from within the internment camps, as a consequence of censorship codes in the Executive Order 9066 that severely limited what images could be shown to the American public.[4][5]

After internment, Hibi moved to New York City, where she obtained U.S. citizenship and pursued further education by enrolling in courses at the Museum of Modern Art. On June 30, 1947, Hibi's husband, George Matsusaburo,[6] passed away from cancer shortly after his sixty-fifth birthday. Subsequently, Hibi returned to San Francisco, where she continued to exhibit her work in galleries, garnered recognition, and explored various alternative art styles before her eventual passing in 1991.

Early years (1907-1941)

Hisako Hibi was born on May 14, 1907, in Torihama, a farming village located in the Fukui Prefecture, Japan. Hibi was born into a Buddhist family.[1][7] She was the eldest of six children and stayed with her grandmother after her parents moved to the United States. Upon joining her parents in Seattle, Washington in 1920, the Hibi family moved shortly thereafter to Los Angeles, California.[2] On account of her father's business success, Hibi's family returned to Japan in 1925.[7] Hibi remained in California, graduating from Lowell High School in San Francisco, California in 1929, where she'd begun creating art and learning English.[7]

Following graduation, Hibi studied western-style oil painting at the California School of Fine Arts and participated in annual exhibitions at the San Francisco Art Association.[8][9]

While at the school, she met fellow student and painter George Matsusaburo Hibi, who was more than twenty years her senior, and the two were married in 1930.[2] In 1933, the couple moved first to Mount Eden, and then to Hayward, California, where they raised their children, Ibuki Hibi Lee and Satoshi Hibi. Throughout the 1930s and early 40s, Hibi exhibited with fellow artists including Elmer Bischoff, David Park, Karl Kasten, and Earle Loran, all of whom are renowned and were active in California.[8][10]

Internment (1942-1945)

Hisako Hibi awaits evacuation with her son, Satoshi, and daughter, Ibuki, in Hayward, California on 8 May 1942, by Dorothea Lange for the WRA

In 1942, over 100,000 Japanese Americans underwent mandatory displacement of life, vocation, and recreation through the Executive Order 9066.[11] With forced removal imminent, Hibi and her husband donated their paintings to different venues in the Hayward community, to express their thanks because they couldn't bring the work with them to internment camps for the duration of World War II.[12] The Hibi family was first moved to the Tanforan Assembly Center in May and then to a more permanent camp at Topaz, Utah in September. Photographer and friend to the Hibi family, Dorothea Lange took a snapshot on May 8, 1942 of Hibi and her daughter Ibuki as they stood next to what was left of their belongings. In this photo, Ibuki Hibi, five years old, and her mother, Hisako Hibi, hold onto dolls [13] as they await the internment busses that transport them to the Tanforan Assemby Center.[14]

During their internment, Japanese Americans faced restrictions on owning or using cameras, leading them to turn to alternative artistic mediums.[15] Hisako Hibi, known for her artistic prowess, became involved in teaching children's art classes at both Tanforan and Topaz. Hisako Hibi, and other internment artist, Miné Okubo, found art as a means to express community discontent as well as a way to create a historical record of life in internment. Their artistic strides effectively defied government restrictions being placed around photography and camp documentation and played a crucial role in capturing these experiences.

While raising her two children in the camp, Hisako would document her experiences through her paintings, an example being Laundry Room (1944).[16] The painting depicts how the camp bathing facilities were inadequate for the inmates, which resulted in the mothers improvising a bathing area by washing their children in the laundry room.[17]

Post-war years (1946-1991)

After the war, the Hibis relocated to New York City. When George Hibi died in 1947, Hibi took up work as a seamstress in a garment factory to support herself and her children. She later returned to school, studying under Victor D'Amico at the Museum of Modern Art which influenced her painting style as it became increasingly abstract.[18]

In 1953, Hibi became a U.S. citizen, taking advantage of the Immigration and Nationality Act of 1952.[19] A year later, she moved back to San Francisco with her daughter, Ibuki Hibi Lee, while her son, Satoshi Hibi, went to Utah for college.[20] In 1954, Hibi worked as a housekeeper for Marcell Labaudt, who directed the Lucien Labaudt Gallery. During this time, she was able to work in a studio in Labaudt's garage.[18] She remained entrenched in West Coast art culture until Hibi died on October 25, 1991, in San Francisco, at the age of 84.

Art works

Internment (April 1944-October 1944)

At Tanforan, the Hibis and several other interned professional artists, including Byron Takashi Tsuzuki and Miné Okubo, organized the Tanforan Art School [3] under the leadership of Chiura Obata within the first month of internment.[19] Hibi's work from Tanforan offers an uncommon perspective for an era of art dominated by men, as many of her paintings explore themes of femininity and motherhood.[21][22] Following the Obata family's departure from camp [23] in 1943, Matsusaburo and Hisako Hibi assume leadership of the Topaz Art School.[24] The Hibi's lead the institution with their strong desire to bridge Eastern and Western traditions through the medium of art.

Hibi demonstrates painting at Tanforan Assembly Center (1942). The painting is entitled Barrack 9, Apt. 6, San Bruno, California.[25]

While interned in Tanforan and Topaz, Hibi created seventy-two paintings and taught classes in drawing, painting (oil and watercolor) and sculpture to students at the Topaz Art School, which was the resumption of the Tanforan Art School.[19] While both Hibi and her husband George were influenced by late nineteenth-century European and American painters, Hibi was particularly influenced by the work of Mary Cassatt.[26][27] Many of her oil paintings from the camp years depict the intimate daily life of mothers at work, the cold sterility of the barracks, and images such as persimmons and New Year's rice cakes, that symbolized a nostalgia for a previous life. In 1943, she received a prize for a still life of flowers[28][29][30] that was exhibited in a show of work made by incarcerated artists that was held at the Friends Center in Cambridge, Massachusetts.[2]

Post-internment (1945-1985)

Art was important to Hibi; she mentioned that her art kept her at peace and happy after the struggles she went through in the U.S.[18] Hibi exhibited widely in the Bay Area in the postwar years, where her first solo exhibit was held at the Lucien Labaudt gallery in 1970 where George’s art had been exhibited in 1962.[31] In 1985, the San Francisco Arts Commission presented Hibi with an Award of Honor, and mounted a major solo exhibition Hisako Hibi, Her Path at the Somar Gallery. She was an early member of the Asian American Women Artists Association.[2][17]

Post internment, Hibi's artwork and approach to artistic expression in paintings evolved. Initially inspired by Western approaches like figuration and landscapes, much of which is seen in her internment artwork, Hibi moved to take inspiration from Japanese styles through abstraction and spiritual depictions.[8] She abandoned sketching all together in her process, instead favoring paint worked directly onto canvas. In Hibi's more recent work, one can find her exploration of this more abstract art style, for example, in one of her six post-war paintings, Autumn (1970).[17]

Hisako Hibi's most-known artworks
Name Size Medium Year Location View the painting
Homeage to Mary Cassat 24x20 in. Oil on canvas 1943 Topaz, Utah The Hisako Hibi Gallery
Windy 20x24 in Oil on canvas 1944 Topaz, Utah The Hisako Hibi Gallery
Topaz, Utah 16x20 in. Oil on canvas 1945 Topaz, Utah The Hisako Hibi Gallery
Frightful New York 24x20 in. Oil on canvas 1946 New York, NY The Hisako Hibi Gallery
Waiting for a Bus to Work 24x20 in. Oil on canvas 1955 San Francisco, CA The Hisako Hibi Gallery
Autumn 38.5x31.5 in. Oil on canvas 1970 San Francisco, CA The Hisako Hibi Gallery
War and Suffering 35x42 in. Oil on canvas 1982 San Francisco, CA The Hisako Hibi Gallery
Construction 39x31 in. Oil on canvas 1985 San Francisco, CA The Hisako Hibi Gallery

Other artworks

  • "Hisako Hibi Collection". Japanese American National Museum. Retrieved 16 September 2015.
  • "Guide to the Hisako Hibi Collection". Online Archive of California. 13 November 2000. Retrieved 17 September 2015.
  • Hibi, Hisako (May 1945). "Dinnertime". Oakland Museum of California Collections. Retrieved 18 September 2015.
  • Hibi, Hisako (1948). "Fear". Los Angeles County Museum of Art. Retrieved 17 September 2015.
  • "Hibi, Hisako". Asian American Arts Centre. 1943–1980. Retrieved 18 September 2015.
  • Hibi, Hisako (1943–1985). "The Hisako Hibi Gallery". Asian American Books. Retrieved 17 September 2015.

Legacy

Hibi's memoir, Peaceful Painter: Memoirs of an Issei Woman Artist was edited by her daughter, Ibuki H. Lee, and published posthumously in 2004 by Heyday Books, along with an accompanying exhibition at the Japanese American National Museum.[2] Hibi's granddaughter, Amy Lee-Tai, wrote a children's book based on the experiences of the Hibi family in Topaz. She titled it A Place Where Sunflowers Grow and the book was published by Children's Book Press in 2006.[32]

Although Hibi's art has featured in many well known exhibits, such as the Smithsonian American Art Museum,[33] much of it has been lost or displaced. A neighbor from Hayward, who stored several of the family's paintings during internment, died in 1954, depleting what is known to be left of Hibi's early works.[7] In addition, Ibuki Lee recounted finding selections from Hibi's internment artwork in online marketplaces and garage sales.[34][7]

Of the seventy-two remaining paintings that Hibi created while interned, one is in the collection of the Oakland Museum of California, one was given to the San Francisco Buddhist Church, seven are in a private collection, and sixty-three were donated to the Japanese American National Museum between 1996 and 1998.[19] Some of the works that George Hibi created while interned are stored at UCLA.[35]

References

  1. 1 2 Chang, Gordon H (2008). Asian American Art, a History 1850-1970. Stanford, Calif: Stanford University Press. p. 329.
  2. 1 2 3 4 5 6 Wakida, Patricia. "Hisako Hibi". Densho Encyclopedia. Retrieved 20 August 2015.
  3. 1 2 Niiya, Brian (November 4, 2022). ""Tanforan/Topaz Art School"". Densho Encyclopedia. Retrieved October 17, 2023.
  4. ↑ Emmett, Arielle (April 2013). "Silent Soliloquy: An Unknown Photographer Chronicles the 'Inscrutable Laughter' of Japanese American Internment". Visual Communication Quarterly. 20 (2): 75–90. doi:10.1080/15551393.2013.801276. ISSN 1555-1393. S2CID 143718871.
  5. ↑ Rodriguez-Cunill, Inmaculada; Cabeza-Lainez, Joseph; Lopez-Cabrales, Maria del Mar (2023-09-11). "Art and the City Fiction in Japanese American Internment Camps: Sequels for Resiliency". Arts. 12 (5): 195. doi:10.3390/arts12050195. ISSN 2076-0752.
  6. ↑ Wakida, Patricia (July 24, 2015). [Wakida, Patricia. "George Matsusaburo Hibi." Densho Encyclopedia. 24 Jul 2015, 18:27 PDT. 1 Nov 2023, 14:30 <https://encyclopedia.densho.org/George%20Matsusaburo%20Hibi>. "George Matsusaburo Hibi"]. Densho Enclyclopedia. {{cite web}}: Check |url= value (help)
  7. 1 2 3 4 5 Chan, Leonard D.; Chin, Philip (July 2005). "An Interview with Ibuki Hibi Lee". Asian American Books. Retrieved 17 September 2015.
  8. 1 2 3 Kano, Betty (1993). "Four Northern California Artists: Hisako Hibi, Norine Nishimura, Yong Soon Min, and Miran Ahn". Feminist Studies. 19 (3): 628–642. doi:10.2307/3178104. JSTOR 3178104.
  9. ↑ Hirasuna, Delphine (2013-11-19). The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps 1942-1946. Potter/Ten Speed/Harmony/Rodale. ISBN 978-0-307-80836-3.
  10. ↑ Interview with Hisako Hibi at her residence in San Francisco, 15 Mar. 1990, by Betty Kano and Elaine Kim
  11. ↑ Anderson, Margo (2020). "The Census and the Japanese "Internment": Apology and Policy in Statistical Practice". Social Research: An International Quarterly. 87 (4): 789–812. doi:10.1353/sor.2020.0064. ISSN 1944-768X. S2CID 258100019.
  12. ↑ Kano, Betty (1993). "Four northern California artists: Hisako Hibi, Norine Nishimura, Yong Soon Min, and Miran Ahn". Feminist Studies. 19 (3): 628–642. doi:10.2307/3178104. JSTOR 3178104.
  13. ↑ "Ibuki's Doll". 50 Objects. Retrieved 2023-11-01.
  14. ↑ Hibi, Hisako; Lee, Ibuki H. (2004). Peaceful Painter: Memoirs of an Issei Woman Artist. Berkeley, California: Heyday Books. p. 13. ISBN 1-890771-90-2. OCLC 54952893. Retrieved 15 September 2015.
  15. ↑ Berg, Ariel (2012). Perceiving and resisting : the negotiations of art and photography at the Tanforan Assembly Center (Thesis). University of Delaware.
  16. ↑ "Hisako Hibi -". DiscoverNikkei.org. Retrieved 2019-12-11.
  17. 1 2 3 "New Exhibition: "A Process of Reflection: Paintings by Hisako Hibi" Opens July 27 | Press Releases | Japanese American National Museum". www.janm.org. Retrieved 2019-12-11.
  18. 1 2 3 Kano, Betty (1993). "Four Northern California Artists: Hisako Hibi, Norine Nishimura, Yong Soon Min, and Miran Ahn". Feminist Studies. 19 (3): 628–642. doi:10.2307/3178104. JSTOR 3178104.
  19. 1 2 3 4 "Hibi, Hisako". Japanese American National Museum. Retrieved 17 September 2015.
  20. ↑ "Ibuki's Doll". 50 Objects. Retrieved 2023-10-26.
  21. ↑ Bridges, Josephine (6 May 2008). "Art Consoles the Spirit". The Asian Reporter.
  22. ↑ "Guide to the Hisako Hibi Collection". oac.cdlib.org. Retrieved 2023-10-26.
  23. ↑ Ueno, Rihoko (2019-09-10). "One Spot of Normalcy: Chiura Obata's Art Schools". www.aaa.si.edu. Retrieved 2023-11-01.
  24. ↑ Kiehn, Katharine (2007). "Desert Canvas: Art as Commentary at the Tanforan and Topaz Art Schools of the Japanese American Internment, 1942-45". {{cite journal}}: Cite journal requires |journal= (help)
  25. ↑ "Barrack 9, Apt. 6, San Bruno, California". Online Archive of California. Japanese American National Museum. June 25, 1942. Retrieved 8 March 2022.
  26. ↑ Kimmelman, Michael (16 June 1995). "Art in Review". The New York Times. Retrieved 17 September 2015.
  27. ↑ Hirasuna, Delphine (2013-11-19). The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps 1942-1946. Potter/Ten Speed/Harmony/Rodale. ISBN 978-0-307-80836-3.
  28. ↑ "Flowers grown in Tanforan". Calisphere. 1943. Retrieved 18 September 2015. This entry in the art exhibit recently held in Cambridge, Massachusetts, under the sponsorship of the Friends Meeting, received a special award, first in flower painting. ARTIST: Hisako Hibi, Central Utah Relocation Center, Topaz, Utah. -- Cambridge, Massachusetts. ?/?/43
  29. ↑ Hibi, Hisako (August 1942). "Flowers". Calisphere. Retrieved 18 September 2015. August 1942 at Tanforan Assembly Center, San Bruno, Calif.
  30. ↑ Hibi, Hisako (August 1942). "Flowers". Calisphere. Retrieved 18 September 2015.
  31. ↑ Cozzens, Robert; Myer, Dillon S.; Kingman, Ruth (1974). "Japanese-American Relocation Reviewed: Volume II, The Internment" (Interview). Berkeley: University of California. Retrieved 17 September 2015.
  32. ↑ Hudson, Sigrid (20 July 2007). "A Place Where Sunflowers Grow: A Granddaughter's Tribute to Artist Hisako Hibi". Discover Nikkei. Retrieved 17 September 2015.
  33. ↑ "Hisako Hibi | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2023-10-24.
  34. ↑ "Asian American Art and the Obligation of Museums". Panorama. Retrieved 2023-10-24.
  35. ↑ "Finding Aid for the Matsusaburo Hibi Papers, 1893-1972". Online Archive of California. 2001. Retrieved 17 September 2015.

Bibliography

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