I and the Village
ArtistMarc Chagall
Year1911 (1911)
Catalogue78984
MediumOil on canvas
Dimensions192.1 cm × 151.4 cm (75.6 in × 59.6 in)
LocationMuseum of Modern Art, New York
Accession146.1945

I and the Village is an 1911 oil-on-canvas painting by the Belarusian-French artist Marc Chagall created in 1911. It is exhibited at the Museum of Modern Art, New York.[1]

The work is Cubist in construction and contains many soft, dreamlike images overlapping one another in a continuous space.[1][2] In the foreground, a cap-wearing green-faced man stares at a goat or sheep with the image of a smaller goat being milked on its cheek. In the foreground is a glowing tree held in the man's dark hand. The background features a collection of houses next to an Orthodox church, and an upside-down female violinist in front of a black-clothed man holding a scythe. The green-faced man wears a necklace with St. Andrew's cross. As the title suggests, I and the Village is influenced by memories of the artist's place of birth and his relationship to it.[1][3][4]

The significance of the painting lies in its seamless integration of various elements of Eastern European folktales and culture, both Belarusian and Yiddish.[5] Its clearly defined semiotic elements (e.g. The Tree of Life) and daringly whimsical style were at the time considered groundbreaking.[6] Its frenetic, fanciful style[3] is credited to Chagall's childhood memories becoming, in the words of scholar H.W. Janson, a "cubist fairy tale"[7] reshaped by his imagination, without regard to natural color, size or even the laws of gravity.[3]

See also

References

  1. 1 2 3 "Marc Chagall: I and the Village, 1911". MoMA display caption. Retrieved 4 September 2011.
  2. ↑ Rosenblum, 240
  3. 1 2 3 Barr, Alfred. "Masters of Modern Art". New York: Simon and Schuster, 1954. 133
  4. ↑ See also Leah Dickerman.
  5. ↑ Rosenblum, 241
  6. ↑ Nilsen, Alleen Pace. "Encyclopedia of 20th-Century American Humor". Phoenix, AZ: Oryx Press, 2000
  7. ↑ Janson, Horst Woldemar. "The story of painting, from cave painting to modern times". H. N. Abrams, 1977.

Sources

  • Charlotte Douglas, Jeannene M. Przyblyski, I and the village: early works, Jewish Community Museum, 1987
  • Rosenblum, Robert. Cubism and Twentieth-Century Art. New York: Harry N. Abrams, 1966.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.