Indian House is a Taos, New Mexico based record company specialized in traditional Native American Indian music in the United States and Canada.[1] Founded in 1966 by Tony and Ida Lujan Isaacs, the Indian House catalog has now around 150 titles.[2][3] The company originally issued recordings on phonodisc and cassette tape, however almost all albums are now available in the CD format.
Notable recordings
- Round Dance -It was recorded in two volumes on November 12, 1966, at Taos Pueblo.[4]
- War Dance -Recorded on May 15, 1967, is a Southern Ponca Hethushka (or War Dance) performed at Ponca city, Oklahoma.[5]
- Navajo Sway -It was recorded in two volumes and comprises 41 songs.[6]
- Night & Daylight Yeibichei -It was sung by Navaho singers from Klagetoh, Arizona and Biniface Bonnie.[7]
- Navajo Skip Dance and Two-Step -[8]
- Comanche Peyote -[9]
- Zuni Fair -It was recorded live at Zuni McKinley county fair, in New Mexico on 27–29 August 1971.[10]
- ''Kiowa Gourd Dance -It was recorded in two volumes which comprises 23 songs at Carnegie, Oklahoma on 10 June 1974.[11]
- Cheyenne Peyote -[12]
- Sounds of the Badland Singers -[13]
- Navajo Corn Grinding & Shoe Game Songs -[14]
- The Klagetoh Swingers – Navajo Songs About Love -It was recorded at Klagetoh, Arizona in 1974 which comprises 26 songs in two volumes.[15][16]
- War Dance Songs of the Kiowa -It contains 38 songs in two volumes.[17]
- Flute Songs of the Kiowa and Comanche -[18]
- Klagetoh Maiden Singers -It was recorded in 1977, and comprises 24 songs.[16]
- Kiowa Church Songs -It was recorded in two volumes at Carnegie, Oklahoma on 31 March 1971. First volume contains 22 songs and second, 18.[19]
- Yankton Sioux Peyote -It was recorded at Lake Andes, South Dakota on 6 July 1976 and consists 88 songs in four volumes.[19]
- Turtle Dance Songs of San Juan Pueblo -The album represents the Turtle dance performed annually on 26 December at San Juan Pueblo and consists songs composed during 1971 turtle dance and was recorded around a month later the public performances.[20]
- Cloud Dance Songs of San Juan Pueblo -The album represents Cloud dance performed alternate a year in San Juan Pueblo on 26 December and comprises six songs of 1972 Cloud dance that was recorded around a month later the public performances.[20]
References
- ↑ Santa Fean Danita Ross (August 1992). "Taos studio keeps tribal songs on the record". New Mexico Magazine.
- ↑ Brian Daffron (14 June 2013). "Indian House Records: A Lifetime of Sound". Retrieved 29 January 2015.
- ↑ "Welcome to Indian House Records!". Retrieved 29 January 2015.
- ↑ Donald N. Brown (May 1968). "Round Dance Songs of Taos Pueblo by Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 12 (2): 304–305. doi:10.2307/849951. JSTOR 849951.
- ↑ James H. Howard (January 1969). "War Dance Songs of the Ponca". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 13 (1): 202–204. doi:10.2307/849847. JSTOR 849847.
- ↑ David P. McAllester (May 1969). "Navajo Sway Songs by Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 13 (2): 401–403. doi:10.2307/850173. JSTOR 850173.
- ↑ David P. McAllester (January 1971). "Night and Daylight Yeibichei by Boniface Bonnie, Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 15 (1): 167–170. doi:10.2307/850406. JSTOR 850406.
- ↑ David P. McAllester (May 1971). "Navajo Skip Dance and Two-Step Songsby Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 15 (2): 296–297. doi:10.2307/850479. JSTOR 850479.
- ↑ David P. McAllester (May 1971). "Comanche Peyote Songs by Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 15 (2): 298–299. doi:10.2307/850480. JSTOR 850480.
- ↑ Donald N. Brown (May 1975). "Zuni Fair-Live". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 19 (2): 330. doi:10.2307/850374. JSTOR 850374.
- ↑ William K. Powers (May 1976). "Kiowa Gourd Dance by Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 20 (2): 403–404. doi:10.2307/851039. JSTOR 851039.
- ↑ David P. McAllester (January 1977). "Cheyenne Peyote Songs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 21 (1): 161–162. doi:10.2307/850869. JSTOR 850869.
- ↑ William K. Powers (January 1977). "Ho hwo sju Lakota Singers: Traditional Songs of the Sioux; Sound of the Badlands Singers". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 21 (1): 163–164. doi:10.2307/850870. JSTOR 850870.
- ↑ Charlotte J. Frisbie (May 1977). "Navajo Corn Grinding & Shoe Game Songs by Tony Isaacs". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 21 (2): 355–356. doi:10.2307/850969. JSTOR 850969.
- ↑ Charlotte J. Frisbie (September 1977). "The Klagetoh Swingers: Navajo Songs about Love". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 21 (3): 524–525. doi:10.2307/850746. JSTOR 850746.
- ↑ William K. Powers (January 1978). "War Dance Songs of the Kiowa". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 22 (1): 206–208. doi:10.2307/851381. JSTOR 851381.
- ↑ Lynn Huenemann (May 1980). "Comanche Flute Music, Played by Doc Tate Nevaquaya by Verna Gillis; Flute Songs of the Kiowa and Comanche. Tom Mauchahty-Ware". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 24 (2): 339–341. doi:10.2307/851142. JSTOR 851142.
- 1 2 William K. Powers (January 1981). "Toward a sound Ethnography of Native American Music". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 25 (1): 159–162. doi:10.2307/851000. JSTOR 851000.
- 1 2 Maria La Vigna (January 1981). "Turtle Dance Songs of San Juan Pueblo; Cloud Dance Songs of San Juan Pueblo". Ethnomusicology. University of Illinois Press on behalf of Society for Ethnomusicology. 25 (1): 166–168. doi:10.2307/851002. JSTOR 851002.
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