Jenny Twitchell Kempton
Jenny Twitchell Kempton, 1860
Born
Jane Elizabeth Twitchell

(1835-10-04)October 4, 1835
Dublin, New Hampshire, U.S.
DiedMarch 13, 1921(1921-03-13) (aged 85)
Los Angeles, California
Occupations
Years active1850–1921

Jane Elizabeth Kempton (née Twitchell; October 4, 1835 – March 13, 1921) was an American contralto opera solo singer who had an active career spanning over fifty years starting in 1850. She sang in hundreds of performances across the United States and Europe during her long career.

Early life and career

Jane Elizabeth Twitchell, nicknamed "Jenny", was born in Dublin, New Hampshire, in 1835,[1][2] the oldest of three children born to Reuben Wilder Twitchell (1810–1895) and Hanna Prentice Wight (1815–1842).[3]

Her father was a cabinetmaker and musician who volunteered for service in the regimental band of the First Regiment Massachusetts Volunteer Infantry in the American Civil War from 1861 to 1862, and again from 1863 to 1865 as a musician in the 2nd Regiment Massachusetts Volunteer Infantry of the XII Corps then the regimental bandleader of the XX Corps of the Union Army. Reuben Wilder Twitchell was the bandleader for General William Tecumseh Sherman and his March to the Sea in 1864.[4] Jenny's brother, John Wight Twitchell (1842–1864), and her father-in-law, Ezra A. Kempton Jr. (1808–1864), died within one week of each other in Andersonville Prison in August 1864, mere miles from her father and Sherman's Union Army.[5]

Jenny Twitchell Kempton came to notice at a very young age as her untrained vocal range extended from a low C to high C without strain. She came to Boston from Bath, Maine, for a voice education at the age of 14 and soon thereafter sang contralto performances for the Handel and Haydn Society in Boston. Her first notice came from her lead in the first performance in the United States[6][7] of the Mendelssohn oratorios St. Paul and Elijah in Boston in early 1850 with the Handel and Haydn Society.

In the 1850s she performed solos in and around Boston, including performances with the Sacred Music Society of Portland, Maine. Kempton sang often in the First Parish Church in Cambridge, Massachusetts and entertained in the houses of church members including James Russell Lowell, John Greenleaf Whittier, Francis H. Underwood, Oliver Wendell Holmes Sr., Ralph Waldo Emerson, and Henry Wadsworth Longfellow.[2] In particular, she became lifelong friends with Longfellow.[8] By 1855, she was described as "the favorite contralto of Boston".[9]

By 1857, Kempton moved to New York to study under the contralto Elena D'Angri and would perform many concerts.[10] She then engaged for a multi-year contract with Father Kemp's Old Folks Concerts Company from approximately 1858 to 1861, performing lead solo performances in at least 100 concerts, including performances for President James Buchanan[11] and future-President Abraham Lincoln[12] while touring the East Coast and Midwestern United States from 1859 to 1860. The positive reviews and accolades given Kempton during her performances with the Old Folks Concerts caused such jealousy and trouble among the other performers that the very successful traveling company dissolved for a time, with Robert 'Father' Kemp siding with Kempton against the other performers.[13]

Later life and career

On May 1, 1860, she married James Monroe Kempton (1833–1898) in New York; the couple had two children. She performed in 41 concerts in New York between October 1862 and July 1864,[14] performing many times in those years and becoming lifelong friends with the Venezuelan pianist Teresa Carreño.[8] During this time, she began being called "The Favorite American Contralto".[15]

In 1864, Kempton signed a contract with the Richings-Bernard Opera Company and traveled by steamship[16] to San Francisco to sing many solo performances at Maquire's Academy of Music[17][18] from 1864 to 1865. During this time, she acquired the nickname "San Francisco's Little Adopted", she was elected an honorary member of the San Francisco Fire Department[19] in 1864, and her voice and success were compared to the famous Jenny Lind.[6]

Following her commercial success in San Francisco, Kempton returned to New York for a brief time and then embarked on a two-year stay in Europe from 1865 to 1867 to train under Gioachino Rossini and to perform in many European capitals. Her European debut came at the Carcano Theater in Milan in a performance of Il giuramento. She eventually performed for King Victor Emmanuel II and Margherita of Savoy in Florence, Emperor Napoleon III and Empress Eugenie in Paris, and Queen Victoria in London, with whom she was considered to have a striking resemblance. Under the personal direction of Rossini, she was the first American to perform his Stabat Mater in Paris in 1865.[20] She returned to the United States to continue performing concerts in and around Boston and New York from 1867 to 1877, including performances in 1873 at the World's Peace Jubilee and International Musical Festival in Boston, engagements with the Carl Rosa Opera Company and a sixty night engagement with the Theodore Thomas Orchestra.[20]

In 1878, Kempton moved to Chicago to give voice lessons and continue to perform and by the 1880s she was primarily a voice teacher of operatic singing.[21] She moved to San Francisco by 1899, and then to Los Angeles in 1905, continuing to give voice lessons until her death in 1921. She was a significant supporter of the suffrage movement to secure the right to vote for women, performing benefit concerts from the 1890s until as late as 1910.[22] She was a founding member of the Dominant Music Club of Los Angeles and was given the title "Mother of Music in Southern California".[23][24]

She died, aged 85, on March 13, 1921,[20] and was interred at the Hollywood Forever Cemetery.

References

  1. ↑ "Pioneer Opera Singer Called", The San Bernardino County Sun, March 14, 1921, p. 2.
  2. 1 2 "A Successful Career Closed". The Golden West, vol. 2 no. 20, April 1, 1921. p. 7.
  3. ↑ Wight, William Ward (1890). The Wights: A Record of Thomas Wight of Dedham and Medfield and of His Descendants, 1635–1890. Swain & Tate. p. 273. Retrieved October 2, 2018.
  4. ↑ "Funeral of Reuben W Twitchell". The Inter Ocean, August 16, 1895, p. 8.
  5. ↑ "The Latest News", The Pittsburgh Daily Commercial, August 25, 1864, p. 1.
  6. 1 2 "Famous Singer of Olden Days was San Francisco Discovery". The San Francisco Chronicle, March 20, 1921, p. 4.
  7. ↑ "Mrs. Jenny Kempton, 85, Ex-Opera Singer Dies". The New York Tribune, March 14, 1921. p. 9.
  8. 1 2 Personal letters of Jenny Twitchell Kempton.
  9. ↑ "The Favorite Contralto of Boston", books.google.com; accessed March 24, 2015
  10. ↑ New York Musical Review and Gazette, August 8, 1857, p. 6.
  11. ↑ Songs of the Old Folks Concerts Company, including "Father Kemp's Old Folks Concert Tunes" and "A New England 'Auld Lang Syne'", americanmusicpreservation.com; accessed March 14, 2015.
  12. ↑ Kemp, Robert (1868). A History of the Old Folks' Concerts, Comprising an Autobiography of the Author. p. 80.
  13. ↑ Sacramento Daily Union, December 22, 1859, p. 4.
  14. ↑ Jennie Kempton, musicingotham.org; accessed March 14, 2015.
  15. ↑ Advertisement. Daily National Republican, June 1, 1863. p. 3.
  16. ↑ "Theatrical Record". San Francisco Daily Morning Record, July 3, 1864, p. 1.
  17. ↑ "Regret Season with No Opera". The Spokesman-Review, February 16, 1915, part 4, p. 9.
  18. ↑ Advertisement. Daily Alta California, October 29, 1864. p. 2.
  19. ↑ "Meeting of Fire Delegates". Sacramento Daily Union, September 16, 1864, p. 3.
  20. 1 2 3 "Passed Away", Musical America, March 19, 1921, p. 51.
  21. ↑ Otis, Philo (1913). The First Presbyterian Church. Chicago: Fleming H. Revell Co. p. 68. ISBN 9785882302176.
  22. ↑ "Actresses Will Help Suffrage Movement". The Los Angeles Herald, October 17, 1910, p. 10.
  23. ↑ History of the Club Archived April 2, 2015, at the Wayback Machine, The Dominant Music Club; accessed March 14, 2015.
  24. ↑ "Popular Singer of Early Days Dies". The Oakland Tribune, March 14, 1921, p. 7.
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