Sapieyevski's 1979 setting of poems by his then wife, Anne Lindbergh

Jerzy Sapieyevski (born Jerzy Sapiejewski in Łódź, 20 March 1945), is a Polish-born pianist, composer, educator and conductor who settled in the United States in 1967.[1]

Career

Jerzy Sapieyevski was born in Łódź[2][3] and began music and engineering studies in his native Poland and settled in the USA 1967. A triple laureate of "Jazz nad Odrą" festivals/competitions (1964, 1965, and 1966)[4] completed his music degrees in the United States. In 1968 he received a scholarship from the Koussevitzky Foundation and participated as a pianist and composer at the Tanglewood Music Festival. In the following year he worked as an assistant at the Catholic University of America and in 1971 he was a finalist at an international conducting competition in France. For a while he was married to Anne Lindbergh, some of whose poems he set to music in 1979.[5]

Sapieyevski's music blends popular and classical styles and he has experimented with interactive works, in which electronic instruments were featured, including collaborations in live performances with painters – "Painted Music".[6] In 2001 Sapieyevski foresaw a need for remote collaborations of multimedia artists/performers and music instructions. He designed Method of Multiple Computers Synchronization and Control for Guiding Spatially Dispersed Life Music/Multimedia Performances.

In 2005 the composer was decorated with the Knight Cross of the Order of Merit of the Republic of Poland. Sapieyevski's commissions and performances included the Kennedy Center and the Library of Congress commission and premiere of "Mazurka Variations" based on a Polish folk song.

His classical concert music scores are held in many libraries through the world. His score for the Washington Shakespeare Theatre's Production of "Richard III" was nominated for 1991 Helen Hayes Award.[7]

As an educator he has utilized music as a powerful communicator: "For many, music may prove to be the best creative and emotional outlet. Especially, in the midst of a world that is riddled with rhetoric, music provides the refreshing elements of a direct, non-verbal communication. Music offers a sanctuary for one's diverse personal experiences and emotions. It is shown to improve intellectual and spiritual functionality. Music is universally unifying, and it can profoundly mitigate stressors, cultural biases and social divisions. It is devoid of rhetoric. In combination with the grasp of other disciplines, live music creates a lasting fulfillment and genuinely interpersonal experience."

In 2018 he established AmericanSongClub® to promote talent development, social understanding and cultural interaction through workshops and performances of time-honored American music. From 2018 – 2021 Sapieyevski litigated (pro se) alleged infringement of his trademark (MusicHappens®) by Live Nation Entertainment, Inc.[8][9]

Currently he is professor emeritus at American University in Washington, DC.[10][11]

Compositions

  • 1971 Lament for Igor Stravinsky
  • 1973 Sinfonia Americana
  • 1974 Concerto for viola and winds
  • 1975 Morpheus: wind symphony
  • 1976 Aria for alto saxophone and string ensemble
  • 1977 Trio for an Italian journey : violin, cello, piano
  • 1977 Summer overture: for orchestra
  • 1978 Concerto for trumpet and orchestra ("Mercury")
  • 1979 Love Songs (to poems by Anne Lindbergh) for soprano and piano
  • 1980 Carolina concerto for flute and oboe
  • 1981 Aria: for flute and strings or piano
  • 1981 Games for Brass and Percussion
  • 1981 Scherzo di Concerto for Wind Ensemble
  • 1982 Toada in memory of Heitor Villa-Lobos: for clarinet and piano, commissioned by the Delmar Foundation for the Dumbarton Concerts
  • 1984 Aesop suite: for brass quintet and narrator, commissioned by the Annapolis Brass Quintet[12]
  • 1986 Mazurka: variations for string quartet, commissioned by the Library of Congress[13]
  • 1989 Arioso for trumpet and woodwind quintet, commissioned by The International Trumpet Guild
  • 1990 Carolina Concerto for flute and oboe
  • 1990 Dance of the Planets, for orchestra and synthesizer
  • 1992 Echoes of the spirit, for synthesizer and organ
  • 1992 "Songs of the Rose", for synthesizer, chorus and African drum
  • 1995 New Century Music, for electronic instruments
  • 1996 Illuminata, commissioned by the Washington Ballet,
  • 1997 Clio's Triumph, commissioned by the Washington Ballet
  • 2004 Concerto, for solo piano and computer
  • 2006 Painted Music, for orchestra and painters[14]

References

  1. ↑ The Concise Oxford Dictionary of Music, 2013
  2. ↑ Krzywicki, Paul (2016-03-16). From Paderewski to Penderecki: The Polish Musician in Philadelphia. Lulu.com. p. 340. ISBN 978-1-4834-4267-9.
  3. ↑ Dziębowska, Elżbieta; Muzyczne, Polskie Wydawnictwo (2007). Encyklopedia muzyczna PWM: część biograficzna. S-Sł. T. 9 (in Polish). Polskie Wydawnictwo Muzyczne. p. 37. ISBN 978-83-224-0865-0.
  4. ↑ Klimsa, Bogusław (2014). JnO, 1964-2014. Wojciech Siwek (Wydanie I ed.). Wrocław. ISBN 978-83-63037-09-3. OCLC 906602125.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ↑ New York Times, obituary, 12 December 1993
  6. ↑ "Can a painting create musicfi". heraldextra.com. Retrieved 2022-05-17.
  7. ↑ Rose, Lloyd (1991-03-19). "STUDIO AMONG TOP HAYES NOMINEES". Washington Post. ISSN 0190-8286. Retrieved 2022-05-04.
  8. ↑ "SAPIEYEVSKI v. LIVE NATION WORLDWIDE, INC". www.law360.com. Retrieved 2022-05-06.
  9. ↑ "Sapieyevski v. Live Nation Worldwide, Inc., Civil Action No. 18-830 (TJK) | Casetext Search + Citator". casetext.com. Retrieved 2022-05-17.
  10. ↑ American University
  11. ↑ Biography and listed compositions at Ambassador Theater International Cultural Center
  12. ↑ A performance on YouTube
  13. ↑ A performance on YouTube
  14. ↑ A performance on YouTube
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