Mary I of England, Antonis Mor, Prado

An inventory of the jewels of Mary I of England, known as Princess Mary or the Lady Mary in the years 1542 to 1546, was kept by her lady in waiting Mary Finch.[1] The manuscript is now held by the British Library. It was published by Frederic Madden in 1831. Some pieces are listed twice.[2] Two surviving drawings feature a ribbon with the inscription, "MI LADI PRINSIS".[3] The British Library also has an inventory of the jewels she inherited on coming to the throne in 1553.[4]

Initial letters

Mary's mother, Catherine of Aragon died in 1536, and bequeathed Mary a gold collar or necklace which she had brought from Spain in 1501.[5] It had a gold cross which contained, according to Eustace Chapuys, a relic of the True Cross.[6] Thomas Cromwell ordered that the cross be sent to him. Chapuys reported that Cromwell returned it to Mary after finding its gold content was low and, as a Protestant, he had no use for the relic.[7]

Mary owned a letter "M" with three rubies and two diamonds and a large pendant pearl. She also had an "H" with a ruby and a pendant pearl.[8]

Mary's royal status varied during her childhood, as her father divorced her mother Catherine of Aragon and made other marriages. Marriages were also planned for her, which entailed new clothes and jewels.[9] In July 1533, her chamberlain, John Hussey, and a lady in waiting, Frances Aylmer, were ordered to deliver her jewels to Thomas Cromwell.[10] In March 1534, the diplomat Eustache Chapuys wrote that Mary's "principal jewels and ornaments" had all been confiscated.[11]

In 1536, Catherine of Aragon bequeathed her gold collar and cross to Mary, which was said to contain a relic of the true cross.[12] Catherine Howard gave Mary a gold pomander containing a clock while they were on a progress at Pontefract Castle in 1541. Catherine kept a gold chain set with turquoises, rubies, and pearls which was used to suspend the pomander from a girdle,[13]

Goldsmiths and makers

Mary stored her jewels in a coffer made in 1542 by the craftsman William Green. A biography of Jane Dormer claims that she was in charge of the jewels which Mary kept in her bedchamber and wore regularly. John Mabbe, a London goldsmith, mended her jewelry and made her sets of aglets. Hans Holbein the Younger designed jewels for her. Two of his surviving drawings feature a ribbon with the inscription, "MI LADI PRINSIS", (My Lady Princess).[14] Cornelis Hayes, a Flemish jeweler, may have realised Holbein's designs.[15] Holbeins's friend Hans of Antwerp and Rogier Horton worked for her. Another name that appears in her records is "Raynolds," which may refer to Robert Reynes, who was granted a coat of arms in 1558.[16] On 25 July 1554, she ordered some of the jewels in the Tower of London to be delivered to her goldsmith "Affabel Partriche".[17]

Jewels at Mary's accession

Mary got custody of jewels which had belonged to her father and mother, Henry VIII and Catherine of Aragon, in 1553 when she became queen. An inventory of these jewels, held by the British Library (Harley 7376), has marginal notes recording gifts she made in 1553 and later years, noting items taken for her coronation, and pearls delivered to her embroiderer Guilliam Brallot.[18] She gave pairs of billiments of "goldsmith work" for head dresses, to her ladies and gentlewomen in the coronation procession, including Mistress Anne Poyntz, mother of the maids.[19]

These billiments were worn at the Royal Entry on 30 September 1553 before Mary's coronation. Mary wore a caul or veil of tinsel fabric set with pearls and precious stones, with a newly made gold circlet or coronet like a "hooped garland" also set with precious stones. According to some chronicle narratives, she had to hold these heavy items on her head with her hands.[20] These comments may imply misogynistic criticism of the unprecedented female coronation, suggesting that the trappings of majesty were too weighty.[21]

A copy of an inventory of royal jewels made in 1550 was used to record items issued from the Jewel House to Mary. On 4 June 1556, she requested a pair of steel and gold bracelets, black enamelled, each set with 9 small diamonds and 3 larger diamonds.[22]

Costume set with pearls

Mary I of England, Hans Eworth, NPG, wearing the Mary Tudor pearl

Princess Mary bought 100 pearls while at Richmond Palace in December 1537.[23] She had items of costume embroidered with 581 pearls in total. A lace for her neck had 67 pearls, a "nether abillment" had 33 great pearls, another "nether abillment" had 38 lesser sized pearls, an upper abillment had 40 pearls, and another upper abillment had 80 mean or lesser pearls. A partlet had 108 fair pearls, and a second partlet was sewn with 71 pearls of the same grade.[24]

The "abillments" or "billaments" were bands of jewels worn on the coif over the forehead, typically with a French hood.[25] On 20 July 1546, her father Henry VIII gave her an upper abillment set with 10 table diamonds, 9 rock rubies, and 38 small pearls, with another abillment of rock rubies and fair pearls, and a third abillment of diamonds, rock rubies and pearls. He gave other jewels at this time, including a cross set with diamonds and three pendant pearls and a "Jesus" or the initials "IHS" set with diamonds and three pendant pearls, a brooch with the story of Abraham set with a fair table diamond and another Abraham brooch set with 7 diamonds and a ruby, and a tablet or locket with Solomon's temple on one side a portcullis on the other. In July he gave her a brooch with the story of Pyramus and Thisbe, which had a large diamond table and four rubies, and a girdle of gold friar's knots.[26]

Brooches and pendants

The brooches and ensigns worn in England at this time mostly depicted Old Testament subjects.[27] Some of Mary's jewels depicted religious subjects, including Moses, John the Evangelist, and Susanna and the Elders.[28] A list of jewels requested by Lady Jane Grey as Queen on 14 July 1553 includes a tablet, made book fashion, with the story of David and three sapphires on the other side.[29] There were two diamond set brooches with story of David and Goliath in the Jewel House in 1559.[30]

According to the Venetian ambassador, Giacomo Soranzo, Mary's costume as queen involved,[31]

arraying herself elegantly and magnificently, and her garments are of two sorts; the one, a gown such as men wear, but fitting very close, with an under-petticoat which has a very long train; and this is her ordinary costume, being also that of the gentlewomen of England. The other garment is a gown and bodice, with wide hanging sleeves (con lo maniche larghe rovesciate) in the French fashion, which she wears on state occasions. She also wears much embroidery, and gowns and mantles (sopravesti) of cloth of gold and cloth of silver, of great value, and changes every day. She also makes great use of jewels, wearing them both on her chaperon (her hood) and around her neck, and as trimming for her gowns.[32]

In addition to the inventory of jewels requested by Lady Jane Grey held by New College, Oxford and related items in the British Library and Cecil papers,[33] the British Library has an inventory of jewels received by Mary in the first years of her reign, with some items received from Anne Seymour, Duchess of Somerset.[34] Mary's jewels included, an "H and K" with a large emerald and a large pearl pendant, a gold whistle in the form of a mermaid, her torso enameled white and her tail of mother-of-pearl, with bracelets and "habiliments".[35]

Mary received another whistle from the Jewel House on 3 December 1554 which was joined to a dragon set with emeralds.[36] Mary wore a girdle around her waist, sometimes with a descending extension attached to a jewel, pomander, or book. One girdle had 15 diamonds and 15 rubies in pairs, alternating with the "words" or motto of the Order of the Garter, "Honi Soit Qui Mal y Pense" in black enamel with 3 diamonds. The buckle was set with a table diamond.[37]

Wedding at Winchester

Mary I of England, by Hans Eworth, Society of Antiquaries of London

Hans Eworth painted Mary with apparently realistic pieces of jewellery. His depictions may reflect an informed interest, as some members of his family, François Eeuwouts and Nicholas Eeuwouts, were goldsmiths and stone cutters. In his portraits of Mary, based on a sitting in the winter after her coronation, a Tau cross may be possibly be identified as a piece formerly belonging to Catherine of Aragon, and large brooch with its central stones flanked by antique figures, as a jewel belonging to Katherine Parr, and one of her finger rings may be her spousing or engagement ring.[38]

When Mary married Philip II of Spain at Winchester Cathedral on 25 July 1554, she wore a "diamond mounted on a setting in the form of a rose, with a huge pearl hanging down onto the chest", described in an Italian account of the wedding as "jewellery on the breast with a diamond in the centre, which the Prince had sent from Spain as a present, worth 60,000 scudi, sparkling on all sides, to which was attached a pearl pendant, estimated to be worth 5,000 scudi". This jewel may be represented in her portraits by Hans Eworth and Anthonis Mor.[39] Mary's pearl is perhaps confused with the Spanish royal La Peregrina pearl.[40]

A gown of Mary's described in a later royal inventory may have been the one worn on her wedding day; a French gown of rich gold tissue, with a border of purple satin, all over embroidered with purls of damask gold and pearls, lined with purple taffeta. Her embroiderer was called Guilliam Brallot. Elizabeth I's tailors unpicked the small pearls from this garment for re-use.[41] The pearls from the gown seem to be those appraised for sale by the goldsmiths Hugh Kayle, John Spilman, and Leonard Bushe in October 1600, including 250 oriental pearls worth £206 and "meaner" sized pearls worth £40.[42]

A collar of P and M

Mary is sometimes said to have worn a gold collar set with diamonds and pearls and the initials "P" and "M" at her wedding, but her will states this piece was Philip's gift to her at Epiphany. There were nine ciphers of "P & M" with nine large diamonds set in gold, and each piece had a pendant pearl.[43]

It was inherited by Elizabeth I and was in the secret Jewel House at the Tower of London in 1605, then featuring eight pointed diamonds and a table diamond.[44] It was worn by Anne of Denmark in January 1608 at The Masque of Beauty.[45] It appears in Anne of Denmark's jewellery inventory as:

Item a rich coller of 18 pieces, whereof 9 with Cyphers of the letters P: M: and 9. of diamonds, 8 of them poynted and one a table; which was brought out of the Tower by his Majesties direction and geven to her Majestie, agaynst the maske at twelfnyght 1607. every piece havinge a pearl pende[46]

Legacy jewels

Medal of Mary by Jacopo da Trezzo, wearing coif ornamented with jewels

When Mary was dying or dead at St James's Palace, Nicholas Throckmorton is said to have rode to tell Elizabeth I at Hatfield of her sister's death,[47] bringing a token of a ring with black enamel decoration which was Mary's espousal ring, a gift from Philip.[48][49]

In her will, Mary mentioned as bequests to Philip II:[50]

  • the table diamond that Charles V had sent her by the Count of Egmont.[51]
  • a table diamond brought by the Pedro Dávila y Zúñiga, Marquis de las Navas, presented at Guildford Castle,[52] this was a diamond ring which Charles V had given his wife, Isabella of Portugal.[53]
  • the collar of gold with nine diamonds (presumably the collar of "P" and "M"), which Philip II had given her at Epiphany after their marriage
  • a ruby set in gold ring brought by the Count of Feria.[54]

The Count of Feria, heard that Mary had given Philip II a coffer with jewels that had belonged to Henry VIII, including a jewelled dagger, which remained in London.[55] Jane Dormer, Countess of Feria, Mary's former lady in waiting, delivered jewels to Elizabeth I in 1559, some of which had been Mary's.[56] The list includes a tablet with an Imperial spread eagle of diamonds on one side and two diamond pillars and the Emperor's word on the other, with a closed crown and the toison d'or, with three pendant pearls; with a "picture of Queen Marie in golde with a boxe of wood"; and a "little tablet of ten pearls which was one of the Queen's majesty's that now is (Elizabeth's), as Mistress Parry says".[57] Blanche Parry, Lady Knollys and Margery Norris scrutinised the returned jewels for defects and losses.[58][59]

Philip II subsequently received his English garter jewels.[60]

Another item in Elizabeth's collection in 1587 was a miniature case, "a tablet with a story on the one side and a table balas ruby in the midst, and on the other side a city having in the top thereof five little diamonds and nineteen little rubies and a great square diamond underneath and within the tablet is the picture of King Philip".[61]

Mary's abillments or billiments for wearing on her headdress seem to have still been in the Secret Jewel House at the Tower of London in 1605 when Francis Gofton made an inventory for James VI and I.[62] Amongst her jewels in 1606, Anne of Denmark had a jewel of gold with a square emerald and a greyhound on the back, with the half rose and pomegranate, the emblems of Catherine of Aragon.[63]

Gifts given by Mary

Princess Mary gave a number of jewels from her collection as gifts, some recorded as marginal notes in Mary Finch's inventory in her own handwriting.[64] Mary gave Jane Seymour (died 1561), her maid of honor, a balas ruby with a little diamond and three small pendant pearls.[65] Lady Jane Grey received a "lace for the neck of goldsmith's work".[66] Mary sent her brother New Year's Day gifts,[67] and in 1546 he received a locket from Catherine Parr with miniature portraits of herself and Henry VIII.[68]

Lady Mansel and Mistress Nurse

Mary gave jewels to Cecily Dabridgecourt, Lady Mansel, a member of her household since 1525, including three brooches, a "pointed diamond", and several other pieces recorded in the Harley MS 7376 inventory.[69] She gave a gold brooch depicting Saint George to the "Mistress Nurse's daughter", perhaps her namesake Mary Penn, the daughter of Sybil Penn, the nurse of Prince Edward.[70]

Princess Elizabeth

Princess Elizabeth received a gold pomander with a dial or clock set in it. On 21 September 1553, Mary gave Elizabeth the brooch of Pyramus and Thisbe and a pair of white coral prayer beads, with a number of other jewels recorded in Harley 7376.[71] Katherine Howard had given Mary the pomander when she was at Pontefract Castle.[72] Mary hoped that Elizabeth would wear these jewels at her coronation, though the French ambassador Antoine de Noailles reported that Elizabeth (who supposedly preferred somber clothing) refused.[73]

Margaret Douglas, Countess of Lennox

Gifts were given to Margaret Douglas, including a brooch made especially to be a New Year's Day gift by John Busshe, a goldsmith in the parish of St Katherine Coleman.[74] When she married the Earl of Lennox in 1544, Mary's gifts included; a balas ruby with a table cut diamond and three mean (smaller) pendant pearls; a gold brooch with a large sapphire; a brooch of gold with a balas ruby and the History of Susanne, and a gold brooch with the History of David.[75]

In the Bute portrait of Margaret Tudor, the mother of Margaret Douglas, currently displayed at the National Gallery of Scotland, she is depicted wearing a medallion or circular brooch at her girdle with an image and text from the story of Susannah and the Elders.[76]

The executor of the Countess of Lennox, Thomas Fowler brought some of her jewels to Scotland, the inheritance of Arbella Stuart,[77] possibly including gifts from Mary, and they were obtained by the Earl of Bothwell in 1590.[78] The Countess of Shrewsbury wrote to William Cecil for help recovering Arbella's jewels.[79] A list of 21 jewels in a casket bequeathed Arbella by Margaret Douglas, and kept by Thomas Fowler was made in April 1590. It includes an "H" of gold set with a rock ruby, and a gold sable head set with diamonds for a zibellino, but the items cannot be clearly identified as gifts from Mary Tudor.[80] Another list of Arbella's jewels was made in 1607.[81]

See also

References

  1. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), pp. xii-xiii.
  2. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), pp. 175-201: British Library, Royal MS. V B xxviii.
  3. ↑ Diana Scarisbrick, Tudor and Jacobean Jewellery (London, 1995), p. 14: David Starkey, Henry VIII: A European Court in England (London, 1991), p. 117.
  4. ↑ British Library MS 7367, see external links.
  5. ↑ James Gairdner, Letters and Papers Henry VIII, 10 (London, 1887), p. 15 no. 40.
  6. ↑ Timothy Schroder, A Marvel to Behold: Gold and Silver at the Court of Henry VIII (Woodbridge: Boydell, 2020), pp 214-5.
  7. ↑ Maria Hayward, Dress at the Court of King Henry VIII (Routledge, 2017): Pascual de Gayangos, Calendar State Papers, Simancas, 1536-1538, 5:2 (London, 1888), pp. 16 no. 9, 60 no. 19, 70 no. 37.
  8. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), p. 191.
  9. ↑ Maria Hayward, Dress at the court of King Henry VIII (Maney, 2007), pp. 204–206.
  10. ↑ Melita Thomas, The King's Pearl: Henry VIII and his daughter Mary (Amberley, 2017), pp. 137, 142.
  11. ↑ Alison J. Carter, 'Mary Tudor's Wardrobe', Costume, 18 (1984), p. 10.
  12. ↑ Maria Hayward, Dress at the court of King Henry VIII (Maney, 2007), p. 205.
  13. ↑ Melita Thomas, The King's Pearl: Henry VIII and his daughter Mary (Amberley, 2017), pp. 251–2: Letters & Papers, Henry VIII, 16 (London, 1898), p. 637.
  14. ↑ Diana Scarisbrick, Tudor and Jacobean Jewellery (London, 1995), p. 14: David Starkey, Henry VIII: A European Court in England (London, 1991), p. 117.
  15. ↑ Ann Rosalind Jones & Peter Stallybrass, Renaissance Clothing and the Materials of Memory (Cambridge, 2000), p. 41: Timothy Schroder, A Marvel to Behold: Gold and Silver at the Court of Henry VIII (Woodbridge, 2020), pp. 243-4.
  16. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), pp. 20, 102, 234.
  17. ↑ John Gough Nichols, Chronicle of Queen Jane (London, 1850), p. vi: British Library, Cotton Titus B. IV.
  18. ↑ See external links.
  19. ↑ Henry King, 'Ancient Wills, 3', Transactions of the Essex Archaeological Society, 3 (Colchester, 1865), p. 187: BL Harley 7376 f. 29v & 32r.
  20. ↑ John Edwards, Mary I: England's Catholic Queen (Yale, 2011), p. 125: John Gough Nichols, Chronicle of Queen Jane and Two Years of Mary (London, 1850), p. 28.
  21. ↑ Alice Hunt, The Drama of Coronation: Medieval Ceremony in Early Modern England (Cambridge, 2008), p. 131: Alice Hunt, 'Reformation of Tradition', in Alice Hunt & Anna Whitelock, Tudor Queenship: The Reigns of Mary and Elizabeth (Palgrave Macmillan, 2010), p. 68.
  22. ↑ Janet Arnold, 'Sweet England's Jewels', Princely Majesty (London: V&A, 1980), p. 31: British Library Add MS 46,348 f. 135.
  23. ↑ Melita Thomas, The King's Pearl: Henry VIII and his daughter Mary (Amberley, 2017), p. 229.
  24. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), p. 181.
  25. ↑ Janet Arnold, 'Sweet England's Jewels', Anna Somers Cocks, Princely Magnificence: Court Jewels of the Renaissance (London, 1980), p. 35.
  26. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), pp. 186-8: Mary Jean Stone, The History of Mary I, Queen of England (London, 1903), p. 23.
  27. ↑ Joan Evans, A History of Jewellery, 1100-1870 (London, 1953), p. 94.
  28. ↑ Isabel Escalera Fernández, 'La influencia de Enrique VIII y Catalina de Aragón en el inventario de joyas de 1542-1546 de su hija María Tudor', Libros de la Corte, 26 (Spring 2023), p. 41 doi:10.15366/ldc2023.15.26.002
  29. ↑ Nicholas Harris Nicolas, Memoirs and Literary Remains of Lady Jane Grey (London, 1832), p. cxxxi* no. 13.
  30. ↑ Joseph Stevenson, Calendar State Papers Foreign Elizabeth, 1559-1560 (London, 1865), p. xlv: Calendar State Papers Domestic, 1547-1580, p. 129: TNA SP 12/4 f.109.
  31. ↑ Mary Jean Stone, History of Mary I, Queen of England (London, 1901), pp. 319-320
  32. ↑ Diana Scarisbrick, Tudor and Jacobean Jewellery (London, 1995), p. 14: Rawdon Brown, Calendar State Papers Venice, vol. 5 (London, 1873), p. 533 no. 934
  33. ↑ Nicholas Harris Nicolas, Memoirs and Literary Remains of Lady Jane Grey (London, 1832), p. cxxiii*-cxlii*: HMC Salisbury Hatfield (London, 1883).
  34. ↑ Elizabeth Goldring, Elizabeth Clarke, Jayne Elisabeth Archer Faith Eales, John Nichols's The Progresses and Public Processions of Queen Elizabeth, 1533-1571, vol. 1 (Oxford, 2014), p. 54.
  35. ↑ George Howard, Lady Jane Grey and her Times (London, 1822), pp. 337-8, citing BL Harley 611.
  36. ↑ Janet Arnold, 'Sweet England's Jewels', Anna Somers Cocks, Princely Magnificence: Court Jewels of the Renaissance (London, 1980), p. 35, citing BL Add. MS 46,348 f.145v.
  37. ↑ Diana Scarisbrick, Tudor and Jacobean Jewellery (London: Tate, 1995), p. 87.
  38. ↑ Marjorie E. Wieseman, 'Mary I', Elizabeth Cleland & Adam Eaker, The Tudors: Art and Majesty in Renaissance England (New York, 2022), p. 86.
  39. ↑ Sarah Duncan, Mary I: Gender, Power, and Ceremony in the Reign of England's First Queen (Palgrave Macmillan, 2012), p. 64.
  40. ↑ Alexander Samson, Mary and Philip: The marriage of Tudor England and Habsburg Spain (Manchester, 2020), p. 111: Corinna Streckfuss, 'Spes maxima nostra: European propaganda and the Spanish match', Alice Hunt & Anna Whitelock, Tudor Queenship (Palgrave Macmillan, 2010), p. 148, translation from the Narratione assai piu particolare, p. 5.
  41. ↑ Maria Hayward, 'Dressed to Impress', Alice Hunt & Anna Whitelock, Tudor Queenship: The Reigns of Mary and Elizabeth (Palgrave Macmillan, 2010), pp. 84-5: Maria Hayward, Dress at the court of Henry VIII (Maney, 2007), p. 52: Janet Arnold, Queen Elizabeth's Wardrobe Unlock'd (Maney, 1993), p. 254: Alison J. Carter, 'Mary Tudor's Wardrobe', Costume, 18 (1984), p. 16.
  42. ↑ HMC Salisbury Hatfield, vol. 10 (Dublin, 1906), pp. 356-357
  43. ↑ Diana Scarisbrick, Tudor and Jacobean Jewellery (London, 1995), p. 14.
  44. ↑ Francis Palgrave, Antient Kalendars of the Exchequer, vol. 2 (London, 1836), p. 301
  45. ↑ Diana Scarisbrick, Tudor and Jacobean Jewellery (London, 1995), p. 14: Diana Scarisbrick, 'Anne of Denmark's Jewellery Inventory', Archaeologia, vol. CIX (1991), p. 237 no. 406: Jemma Field, Anna of Denmark: The Material and Visual Culture of the Stuart Courts (Manchester, 2020), p. 140: See TNA SP 14/63 f.116: Jemma Field, 'A Cipher of A and C set on the one Syde with diamonds: Anna of Denmark's Jewellery and the Politics of Dynastic Display', Erin Griffey, Sartorial Politicsin Early Modern Europe (Amsterdam UP, 2019), p. 147 doi:10.1515/9789048537242-009
  46. ↑ Diana Scarisbrick, 'Anne of Denmark's Jewellery Inventory', Archaeologia, vol. CIX (1991), p. 237 no. 406.
  47. ↑ Elizabeth Norton, England's Queens (Amberley, 2001), p. 174.
  48. ↑ Agnes Strickland, Lives of the Queens of England, vol. 3 (London, 1864), pp. 101-102.
  49. ↑ John Gough Nichols, The legend of Sir Nicholas Throckmorton, or Throckmorton's Ghost (London, 1874), p. 36 verse 141.
  50. ↑ Adam Eaker, The Tudors: Art and Majesty in Renaissance England (New York, 2023), p. 111: Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), p. cxcviii.
  51. ↑ David Loades, Mary Tudor: A Life (Oxford, 1992), p. 311.
  52. ↑ David Loades, Mary Tudor (London, 2006), p. 121.
  53. ↑ Rayne Allinson & Geoffrey Parker, 'A King and Two Queens', Helen Hackett, Early Modern Exchanges: Dialogues Between Nations and Cultures (Ashgate, 2015), p. 99.
  54. ↑ Mary Jean Stone, History of Mary I, Queen of England (London, 1901), p. 515
  55. ↑ M. J. Rodríguez-Salgado & Simon Adams, 'Feria's Dispatch', Camden Miscellany, XXVIII (London, 1984), pp. 333, 343 fn. 40.
  56. ↑ Hannah Leah Crummé, 'Jane Dormer's Recipe for Politics', Nadine Akkerman & Birgit Houben, The Politics of Female Households: Ladies-in-waiting across Early Modern Europe (Brill, 2014), pp. 57-8.
  57. ↑ Robert Lemon, Calendar State Papers, 1547-1580 (London, 1856), pp. 146-7: TNA SP 12/8 f.53.
  58. ↑ Sarah Duncan, 'Jane Dormer, 'Duchess of Feria', Carole Levin, Anna Riehl Bertolet, Jo Eldridge Carney, Biographical Encyclopedia of Early Modern Englishwomen (Routledge, 2017), p. 64.
  59. ↑ Hannah Leah Crummé, 'Jane Dormer's Recipe for Politics', Nadine Akkerman, The Politics of Female Households: Ladies-in-waiting across Early Modern Europe (Brill, 2013), pp. 57–58.
  60. ↑ John Edwards, Mary I: England's Catholic Queen (Yale, 2011), p. 339, citing an inventory, Simancas AGS Estado 811: Royall Tyler, Calendar State Papers Spain, vol. 13 (London, 1954), pp. 441-2 no. 503.
  61. ↑ Janet Arnold, 'Sweet England's Jewels', Anna Somers Cocks, Princely Magnificence: Court Jewels of the Renaissance (London, 1980), p. 39, citing BL Royal App. 68, f.7.
  62. ↑ Francis Palgrave, Antient Kalendars of the Exchequer, vol. 2 (London, 1836), pp. 302-3
  63. ↑ Diana Scarisbrick, 'Anne of Denmark's Jewellery Inventory', Archaeologia, vol. CIX (1991), p. 225: Madden (1831), p. 142.
  64. ↑ Jeri L. McIntosh, From Heads of Household to Heads of State (New York: Columbia University Press, 2009), p. 80.
  65. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), p. 175.
  66. ↑ Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), p. 199.
  67. ↑ Melita Thomas, The King's Pearl: Henry VIII and his daughter Mary (Amberley, 2017), p. 242.
  68. ↑ James Orchard Halliwell, Letters of the Kings of England, vol. 2 (London, 1846), pp. 22-3.
  69. ↑ Edward Phillipps Statham, History of the Family of Maunsell, Mansell, Mansel (1917), p. 333, 336: Frederick Madden, Privy Purse Expenses of Princess Mary (London, 1831), p. 184, BL Harley 7376 see external links.
  70. ↑ Frederick Madden, Privy Purse Expenses of the Princess Mary (London, 1831), p. 184.
  71. ↑ Frederick Madden, Privy Purse Expenses (London, 1831), pp. 178, 194, 197: Jeri L. McIntosh, From Heads of Household to Heads of State (New York: Columbia University Press, 2009), p. 80.
  72. ↑ Carole Levin & Cassandra Auble, 'Turquoise, Queenship, and the Exotic', Estelle Paranque, Nate Probasco, Clare Jowitt, Colonization, Piracy, and Trade in Early Modern Europe (Palgrave Macmillan, 2017), p. 182: Susan James, The Feminine Dynamic in English Art, 1485-1603 (Ashgate, 2009), p. 99: J. S. Brewer, Letters and Papers, 1540-1541, vol. 16 (London, 1920), p. 636 no. 1389 from Stowe MS. 559.
  73. ↑ Mary Jean Stone, History of Mary I, Queen of England (London, 1901), p. 247
  74. ↑ Frederick Madden, Privy Purse Expenses (London, 1831), p. 100: Janet Senerowitz Loengard, London Viewers and Their Certificates (London, 1989), p. 90 no. 218.
  75. ↑ Frederick Madden, Privy Purse Expenses (London, 1831), pp. 175, 177, 192-3.
  76. ↑ Aeneas Mackay, 'Notice of a Portrait Group of Margaret Tudor, the Regent Albany, and a Third Figure; the Property of the Marquis of Bute', PSAS, 27 (1893), pp. 199-200
  77. ↑ Sarah Gristwood, Arbella: England's Lost Queen (London, 2003), p. 52.
  78. ↑ Calendar State Papers Scotland, vol. 10 (Edinburgh, 1936), pp. 312 no. 414, 329 no. 428.
  79. ↑ Catalogue of the Lansdowne Manuscripts in the British Museum (London, 1819), p. 118: British Library Lansdowne MS 63/63.
  80. ↑ Elizabeth Cooper, The Life and Letters of Lady Arabella Stuart, vol. 1 (London, 1886), pp. 48-50, 100-2: Calendar State Papers Domestic, 1581-1590, p. 661: SP 12/231 f. 176.
  81. ↑ Llewellyn Jewitt The Reliquary and Illustrated Archaeologist (London, 1861), pp. 118-9.
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