| Let the Day Begin | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1989 | |||
| Studio | The Complex, Los Angeles; American Recording Studios, Woodland Hills, California; Power Station, New York City | |||
| Label | MCA | |||
| Producer | Michael Been, Jim Goodwin | |||
| The Call chronology | ||||
| ||||
Let the Day Begin is an album by the American band the Call, released in 1989.[1][2] The band's former label, Elektra Records, declined to release the album.[3]
The album peaked at No. 64 on the Billboard 200.[4] The title track peaked at No. 42 on the UK Singles Chart.[5] The band promoted the album by touring with the Peregrins.[6][7] Let the Day Begin has sold more than 300,000 copies.[8]
The title track climbed the charts, but, because MCA elected to switch pressing plants, there were no singles in stores. According to Michael Been: "There wasn't any foul play, though. It was just that MCA was switching over pressing plants, and they hadn't printed up enough copies of the single—only 100,000, I think. And the record went to number one, and all of a sudden, there weren't any in the stores—they'd all been sold. It took five weeks for the company to be able to get back to the point where they could start printing copies again, and in those five weeks, well—you live or die in this business."[9]
The title track was used as a campaign theme song for Al Gore's 2000 Presidential Campaign.
Production
Recorded in six days with minimal overdubs, the album was produced by bandmembers Michael Been and Jim Goodwin.[3] The Call did not use headphones in the studio, instead choosing to set up a PA system.[10]
"Watch" was cowritten by Been and the actor Harry Dean Stanton; the two met while filming The Last Temptation of Christ.[11][12]
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [13] |
| The Encyclopedia of Popular Music | [14] |
The Washington Post concluded that "because Let the Day Begin was recorded with a minimum of fuss to capture what the band sounds like in concert, the rousing title track, the cautionary guitar-laced tale 'You Run', the Doors-like 'For Love' and the lovesick 'Surrender' possess a rhythmic kick lacking on some of the band's previous albums."[15] The Orange County Register noted that the album is concerned with "a search for inner meaning and the struggle for communication between people ... Although the LP has its strident moments, tracks like 'You Run', 'Surrender', and the hymnlike 'Uncovered' make up for it."[16]
The Toronto Star thought that "these are tight, muscular workouts, nearly strangled by the glaringly short leash of rhythmic structure."[17] The Capital Times deemed the album "worth a listen, especially for those who find the lyrics of most 'Christian rock' too simplistic."[18] The Deseret News declared that "the Call's thoughtful, thought-provoking style is full of heartfelt messages in songs that are fervently spirited and spiritual, but secular nevertheless."[19]
AllMusic wrote that "the album consists of some of The Call's strongest material and the undercurrent of optimism and big arena rock hooks results in it being their best bid for wider success."[13]
Track listing
All tracks are written by Michael Been and Jim Goodwin; except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Let the Day Begin" | Michael Been | 3:50 |
| 2. | "You Run" | Michael Been | 5:34 |
| 3. | "Surrender" | 4:07 | |
| 4. | "When" | 5:18 | |
| 5. | "Jealousy" | 5:38 | |
| 6. | "Same Ol' Story" | Michael Been | 3:35 |
| 7. | "For Love" | Michael Been | 6:13 |
| 8. | "Closer" | 5:00 | |
| 9. | "Communication" | 5:39 | |
| 10. | "Watch" | Michael Been, Harry Dean Stanton | 4:18 |
| 11. | "Uncovered" | 2:25 |
Personnel
- The Call
- Michael Been - guitar, bass guitar, lead vocals
- Tom Ferrier - guitar, vocals
- Jim Goodwin - keyboards, vocals
- Scott Musick - drums, vocals
with:
- Harry Dean Stanton - harmonica on "For Love"
References
- ↑ "The Call Biography, Songs, & Albums". AllMusic.
- ↑ Alfonso, Barry (February 19, 2002). The Billboard Guide to Contemporary Christian Music. Billboard Books. ISBN 9780823077182 – via Google Books.
- 1 2 Perry, Tony (November 5, 1989). "Breaking the rules brings Call success". The Patriot-News. p. G8.
- ↑ "The Call". Billboard.
- ↑ "let the day begin | full Official Chart History | Official Charts Company". www.officialcharts.com.
- ↑ Widner, Ellis (August 4, 1989). "Concerts are coming". Tulsa World. p. 1B.
- ↑ Reilly, Terri F. (August 12, 1989). "Band Finds Its Calling With Raw-Edged Rockers". St. Louis Post-Dispatch. p. 4D.
- ↑ Gowen, Anne (October 2, 1990). "Hallelujah! Call mixes religion, rock to make those anthems roll". The Washington Times. p. E3.
- ↑ "Old Interview: Michael Been of The Call, November 1992". August 22, 2010.
- ↑ Rife, Susan L. (December 1, 1989). "THE LIVE SOUND OF ALBUM PUTS CALL ON THE ROAD". The Wichita Eagle. p. 1C.
- ↑ Radel, Cliff (June 16, 1989). "Mixed messages, close calls, righting wrongs, style changes, horror stories and an outbreak of bad tunes characterize new releases from Van Morrison, the Call, Jackson Browne, David Bowie, Rocky Horror and a band that shall remain nameless". USA Today.
- ↑ Stout, Gene (December 15, 1989). "AN EVENING WITH THE CALL CAN FILL MINDS AND BELLIES". Seattle Post-Intelligencer. What's Happening. p. 5.
- 1 2 "Let the Day Begin - The Call | Songs, Reviews, Credits | AllMusic" – via www.allmusic.com.
- ↑ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 2. MUZE. p. 136.
- ↑ Joyce, Mike (November 29, 1989). "The Call: 'Let the Day Begin'". The Washington Post. p. B7.
- ↑ Darling, Cary (July 7, 1989). "The The is serious; the Call loosens up". Orange County Register. p. P32.
- ↑ Potter, Mitch (July 14, 1989). "The Call Let The Day Begin". Toronto Star. p. E18.
- ↑ Rasmussen, Eric (July 15, 1989). "BOUNTY OF NEW ALBUMS HAVE COME DOWN PIKE". The Capital Times. Time Out. p. 38.
- ↑ Boren, Ray (August 27, 1989). "LET THE APPLAUSE BEGIN AS THE CALL SPINS FORTH SPIRITED, SPIRITUAL TUNES". Deseret News. p. E10.