The Maniac
Theatrical release poster
Directed byMichael Carreras
Written byJimmy Sangster
Produced byJimmy Sangster
StarringKerwin Mathews
Nadia Gray
Liliane Brousse
Donald Houston
CinematographyWilkie Cooper
Edited byTom Simpson
Music byStanley Black
Production
company
Distributed byColumbia Pictures Corporation
Release date
20 May 1963
Running time
86 minutes
CountryUnited Kingdom
LanguageEnglish

Maniac (also known as The Maniac) is a 1963 British psychological thriller film directed by Michael Carreras and starring Kerwin Mathews, Nadia Gray and Donald Houston.[1][2]

Plot

The story tells of vacationing American artist Jeff Farrell who becomes romantically involved with an older woman named Eve Beynat in southern France while at the same time harboring an attraction to her teenage stepdaughter, Annette. Eve's husband/Annette's father Georges is in an asylum for, four years ago, using a blowtorch to kill a man who had raped Annette. Believing it will help make Eve his for life, Jeff agrees to assist her in springing Georges from the asylum. However, Eve has a completely different agenda. Inspector Etienne sets up a plot to help trap the killer, and the climactic scenes are set at Les Baux-de-Provence in the huge stone galleries dug into the rock of the Val d'Enfer on the road to Maillane.

Cast

Production

The film was shot in black-and-white in the Camargue district of southern France and the MGM British Studios in Borehamwood, Hertfordshire.[3] Some filming occurred at Bray Studios in Berkshire.[4]

Release

Maniac was released by Hammer Film Productions on 20 May 1963 in the United Kingdom.[5] Released on Blu-ray by Mill Creek in 2018.

Critical reception

Andy Black wrote: "Maniac was written and produced by Jimmy Sangster, with Michael Carreras handling direction, and what an under-rated director he was. Donald Houston is George, an escapee from a French asylum (obviously Les Diaboliques had a big effect on Sangster, who also set Taste of Fear in France) who wants to kill his wife's lover. The wife is Nadia Gray, and the lover is Kerwin Matthews. Houston underplays, and also has a fetish for oxy-acetylene torches, with which he causes much panic. A brief 86 minutes and full of little twists and 'who's-behind-the-door' shocks, it really works first time you see it, but is not a film to watch repeatedly."[6]

Turner Classic Movies wrote "Maniac has excellent production values but labors under the weight of yet another gimmicky and obvious script by Jimmy Sangster...The acting is fine, especially that of Kerwin Mathews and Liliane Brousse.";[7] and in The New York Times, Bosley Crowther wrote "Maniac has one thing and has it in spades—a plot of extraordinary cunning...(It) takes on a twitching suspense that simmers, sizzles and explodes in a neat backflip", though he concluded "Michael Carrera's direction is uneven and the characters are a generally flabby lot...Maniac remains a striking blueprint, with satanic tentacles, for a much better picture."[8]

References

  1. ↑ "Maniac (1963) | BFI". Explore.bfi.org.uk. Archived from the original on 13 July 2012. Retrieved 30 June 2014.
  2. ↑ "BFI Screenonline: Hammer Horror". Screenonline.org.uk. Retrieved 30 June 2014.
  3. ↑ "Maniac (1963) - Articles". TCM.com. Retrieved 30 June 2014.
  4. ↑ Howard Maxford (8 November 2019). Hammer Complete: The Films, the Personnel, the Company. McFarland. pp. 70–71. ISBN 978-1-4766-2914-8.
  5. ↑ "Maniac (1963) - IMDb". IMDb.
  6. ↑ Andy Black. Fragments of Fear: An Illustrated History of British Horror Films. London: Creation Books, 1996, p. 98
  7. ↑ "Maniac (1963) - Home Video Reviews". TCM.com. Retrieved 30 June 2014.
  8. ↑ Crowther, Bosley (31 October 1963). "Movie Review - Maniac - Screen: Dust of Nazism in Present-Day Germany:'Condemned of Altona,' Melodrama, Opens". The New York Times. Retrieved 30 June 2014.
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