Mark Tribe
Mark Tribe
Born1966
San Francisco
NationalityAmerican
EducationBrown University, University of California, San Diego
Known forConceptual art, installation art, video art

Mark Tribe (born 1966) is an American artist.[1] He is the founder of Rhizome, a not-for-profit arts organization based in New York City.[2]

In 2013, he was appointed chair of the MFA program of the School of Visual Arts in New York City.[3] Formerly, he was Assistant Professor of Modern Culture and Media Studies at Brown University,[4] Director of the Digital Media Center at the Columbia University School of the Arts, and Visiting Assistant Professor and Artist in Residence at Williams College.[5] He is the author of The Port Huron Project: Reenactments of Historic Protest Speeches (Charta, 2010)[6] and the co-author of New Media Art (Taschen, 2006).[7] He received an MFA in Visual Art from the University of California, San Diego in La Jolla, California in 1994 and an BA in Visual Art from Brown University in 1990.[8]

Work

Tribe's drawings, performances, installations and photographs often deal with social and political issues.[6] His work has been featured in solo exhibitions at the Corcoran Gallery of Art in Washington, D.C.;[9] Momenta Art in Brooklyn, New York;[10] Los Angeles Contemporary Exhibitions (LACE) in Los Angeles, California;[11] and DiverseWorks in Houston, Texas.[12] His work has been included in group exhibitions at the New Museum in New York City;,[13] the Queens Museum in New York City;[14] the Palais de Tokyo in Paris;[12] the Menil Collection in Houston;[15] Centre Georges Pompidou in Paris;[16] SITE Santa Fe in Santa Fe, New Mexico;[17] the San Diego Museum of Art in San Diego, California;[18] Museo de Antioquia in Medellin, Colombia;[19] Montclair Art Museum in Montclair, New Jersey;[20] and the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts.[21]

In 1996, Tribe founded Rhizome, a not-for-profit arts organization that supports and provides a platform for new media art.[22] Tribe has curated exhibitions at the New Museum of Contemporary Art in New York City, the Massachusetts Museum of Contemporary Art and inSite_05 in San Diego, California and Tijuana, Mexico.[23]

References

  1. Bryan-Wilson, Julia (January 2008). "Sounding the fury: Julia Bryan-Wilson on Kirsten Forkert and Mark Tribe". Artforum International. Retrieved August 28, 2011.
  2. Mirapaul, Matthew (April 2, 1998). "Art Site Takes Plunge Into Not-for-Profitability". The New York Times. Retrieved August 28, 2011.
  3. "SVA announces appointments of Steven Henry Madoff, Mark Tribe and New MA in Curatorial Practice | Art & Education". Art & Education. Retrieved 2016-09-23.
  4. Kennedy, Randy (July 28, 2007). "Giving New Life to Protests of Yore". The New York Times. Retrieved August 28, 2011.
  5. "Mark Tribe Will Chair Fine Arts MFA at SVA - News - Art in America". www.artinamericamagazine.com. 2013-08-29. Retrieved 2016-09-23.
  6. 1 2 "Charta Art Books - Mark Tribe". Retrieved 4 July 2012.
  7. "New Media Art". Retrieved 4 July 2012.
  8. "Mark Tribe | P.S.1 Studio Visit". momaps1.org. Archived from the original on 2018-03-15. Retrieved 2016-09-24.
  9. "Mark Tribe's "Plein Air" at the Corcoran, Reviewed". 25 July 2014. Retrieved 2016-09-23.
  10. "Mark Tribe - Reviews - Art in America". www.artinamericamagazine.com. 2012-10-03. Retrieved 2016-09-23.
  11. "Port Huron Project videos on view at LACE". LA Times Blogs - Culture Monster. 2009-10-20. Retrieved 2016-09-23.
  12. 1 2 "Chelsea Knight and Mark Tribe - Posse Comitatus". 9 December 2014. Retrieved 2016-09-23.
  13. Connor, Michael (2019). "The Art Happens Here: Net Art's Archival Poetics" www.newmuseum.org
  14. Ruiz, Alan (2016). "Uneven Development: On Beirut and Plein Air". www.queensmuseum.org.
  15. "Mark Tribe: The Port Huron Project". aurorapictureshow.org. Retrieved 2016-09-23.
  16. "Que faire ? Art, film, politique | Dario Azzellini". www.azzellini.net. Retrieved 2016-09-23.
  17. Armitage, Diane (2011). "Agitated Histories". THE Magazine.
  18. "Summer Salon Series 2012: Beyond the Banner, New Contemporaries V and Sounds of Jazz Loft". 2012-06-06. Retrieved 2016-09-24.
  19. Malone, Micah (9 November 2011). "MDE11 at Museo di Antioquia". Retrieved 2016-09-24.
  20. Tim, Maul (2015-05-01). "Come as You Are: Art of the 1990s". Afterimage. 42 (6). ISSN 0300-7472.
  21. Davis, Mark (2010). "A Dense Web: The 2010 DeCordova Biennial". Artscope.
  22. Wolf Lieser. Digital Art. Langenscheidt: h.f. ullmann. 2009. pp 146-147
  23. Taylor, Claire (2014). Place and Politics in Latin American Digital Culture: Location and Latin American Net Art. New York: Routledge. pp. 125–126. ISBN 978-0415730402.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.