Mary Beth Peil | |
|---|---|
.jpg.webp) Peil at the 2011 Peabody Awards | |
| Born | June 25, 1940 |
| Education | Northwestern University |
| Occupations |
|
| Years active | 1962–present |
Mary Beth Peil (/ˈpiːl/; born June 25, 1940) is an American actress and soprano. She began her career as an opera singer in 1962 with the Goldovsky Opera Theater. In 1964 she won two major singing competitions, the Young Concert Artists International Auditions and the Metropolitan Opera National Council Auditions; the latter of which earned her a contract with the Metropolitan Opera National Company with whom she performed in two seasons of national tours as a leading soprano from 1965 to 1967. She continued to perform in operas through the 1970s, notably creating the role of Alma in the world premiere of Lee Hoiby's Summer and Smoke at the Minnesota Opera in 1971. She later recorded that role for American television in 1982. With that same opera company she transitioned into musical theatre, performing the title role of Cole Porter's Kiss Me, Kate in 1983. Later that year she joined the national tour of Rodgers and Hammerstein's The King and I as Anna Leonowens opposite Yul Brynner, and continued with that production when it opened on Broadway on January 7, 1985. She was nominated for a Tony Award for her portrayal.
After her Broadway debut, Peil has remained a stage actress in musicals and plays. She is the recipient of an Obie Award and has been nominated for a Drama Desk Award, a Helen Hayes Award, and two Outer Critics Circle Awards. She received a second Tony nomination in 2017 for her portrayal of Dowager Empress Maria Feodorovna in Anastasia. In 1992 she made her film debut in a small role in the movie Jersey Girl, and made her first appearance on television in 1994 on the program Law & Order. She is best known for her roles in the main casts of two television series: as Evelyn 'Grams' Ryan in Dawson's Creek (1998–2003) and Jackie Florrick in The Good Wife (2009–2016). Her notable film credits include portraying Jack Lemmon's love interest in The Odd Couple II (1999), and performances in The Stepford Wives (2004), Flags of Our Fathers (2006), Mirrors (2008), Maladies (2012), and Collateral Beauty (2016). In 2020 she was nominated for the Daytime Emmy Award for Outstanding Guest Performer in a Digital Drama Series for the role of Helen in After Forever.
In an Opera News interview in 2019, Peil stated, "Opera is big and scary. You constantly strive for perfection. I think I always had my fingers crossed every time I sang in opera. On Broadway, you do eight shows a week, and there is no such thing as perfection. Every night, you try to find something new and true, perfect or not. Film and television is an intimate medium. You are communicating to one viewer instead of thousands. It is more of a physical and mental adjustment. The emotions are the same."[1]
Early life
Peil (pronounced peel) was born in 1940 in Davenport, Iowa.[2] She trained as a soprano at Northwestern University under Lotte Lehmann, and gave her senior recital on April 9, 1962.[3] Other influential teachers in her development in the university's music department included Robert Gay, the director of the opera program, and Ewald Nolte, who taught courses in music theory and composition and conducted a university chorus in which Peil performed.[4] While a college student she was a member of the Gamma Phi Beta sorority.
Career
Career as an opera and concert soprano: 1962–1982
In her senior year, Peil performed the role of Violetta in Giuseppe Verdi's La traviata in a student production directed by Gay at Northwestern; a performance which was attended by Boris Goldovsky.[4] This led to an invitation to audition for Goldovsky's opera company for an upcoming national tour of that opera. She was offered a contract, and moved to New York City in order to take that job.[4] She made her professional debut as Violetta in the Fall of 1962 with the Goldovsky Opera Theater.[4]
In 1964 Peil won two major singing contests, the Young Concert Artists International Auditions and the Metropolitan Opera National Council Auditions (MONCA), which significantly furthered her career as a classical soprano in concerts and opera. In March 1964 she won the MONCA which earned her a contract with the newly formed Metropolitan Opera National Company (MONC); a second touring company of the Metropolitan Opera.[5] Mezzo-soprano Risë Stevens was one of the co-directors of the MONC, and Stevens mentored her during the two seasons that she performed with the company.[1]
Peil made her opera debut with the MONC in September 1965 as Clorinda in Gioachino Rossini's La Cenerentola; going on to perform that role in 72 cities on a nine-month national tour with the MONC through May 1966.[6][1] She also performed the role of Micaëla in Georges Bizet's Carmen with the MONC that first season.[7] She toured nationally with the company again in its second season as Susanna in Wolfgang Amadeus Mozart's The Marriage of Figaro and Mimì in Giacomo Puccini's La bohème from September 1966 through May 1967; with periodic breaks during that period.[1][8][9]
In 1965 Peil was the featured soprano soloist in a concert honoring Risë Stevens with the California Chamber Symphony at The Beverly Hilton.[10] That same year she performed the role of Pamina in The Magic Flute with conductor Thomas Scherman and the Little Orchestra Society at Philharmonic Hall.[11] In 1966 she was the soprano soloist in performances of Christian Ignatius Latrobe's Dies Irae at the Early American Moravian Music Festival at Salem College.[12] In 1968 she made her much delayed New York recital debut at Weill Recital Hall of Carnegie Hall as part of her Young Concert Artists win from years earlier.[13] She also sang with the New York City Opera, making her debut with the company in the Spring of 1972.[14]
Peil performed as a chamber musician during the late 1960s and 1970s, often in conjunction with her then husband, the clarinetist Jerry Kirkbride. Both were members of the Divario Chamber Ensemble in 1969 and 1970.[15] In 1976 the two of them were guest artists with the Boehm Quintette in a concert organized by the New York Flute Club entitled "The Flute In American Music- A Concert commemorating the Bicentennial of the Independence of the United States" at Carnegie Hall.[16][17] On her own, she was the featured soprano soloist in a concert of Bach cantatas with the Hampshire Quartet at Alice Tully Hall in 1972.[18] In the mid 1970s she performed with the Musical Arts Studio chamber opera ensemble, including performances at the Library of Congress in 1973.[19] In 1977 she performed in a concert of Gerald Ginsburg's 'theatre lieder' at Alice Tully Hall.[20]
In 1971, Peil originated the role of Alma in the world premiere of Lee Hoiby's opera adaptation of Tennessee Williams's play Summer and Smoke, at the Minnesota Opera.[21] She performed it again with the Chicago Opera Theater when it was broadcast on television in 1982 (based on a 1980 performance).[22] She returned to the Minnesota Opera several more times. With that company she portrayed Leonora in the United States premiere of Carl Nielsen's Maskarade in 1972.[23]
Transition to stage actress: 1983–1991
Peil made a transition into musical theatre with the Minnesota Opera, performing the title role of Cole Porter's Kiss Me, Kate in 1983.[24] Of that experience Peil stated, "That was when the light bulb went on. Doing Kiss Me, Kate with my beloved John Reardon made me realize I was a singing actor, not an acting singer."[25]
She soon found herself on Broadway. In May 1983 she was cast in a national tour as the twelfth and final Anna Leonowens opposite Yul Brynner's monarch of Siam in a revival of The King and I. The production toured the United States, closing on Broadway shortly before Brynner's death in 1985. In an interview in The New York Times, she described how Brynner could barely walk from his dressing room to the stage, due to his radiation therapy to treat his cancer, but when it was time to go on he somehow managed; "gliding into the light, erect, with the body of a sleek jungle cat."[26] She was nominated for a 1985 Tony Award for Best Performance by a Featured Actress in a Musical.[27][28] She later returned to the role of Anna Leonowens for a revival of the musical at the Shubert Theatre in New Haven, Connecticut in 1990 with Stacy Keach as the King.[29]
In 1986 Peil starred in Michel Tremblay's play The Impromptu of Outremont at the Lincoln Theater on the campus of the University of Hartford.[30] She starred in the 1987 Off-Broadway musical Birds of Paradise.[31] In 1988 she portrayed Desiree Armfeldt in Stephen Sondheim's A Little Night Music with the Opera Ensemble of New York.[32] In 1989 she performed in William Shakespeare's Cymbeline at The Public Theater under the direction of JoAnne Akalaitis.[33] She portrayed President J.F.K.'s secretary, a central character in the musical, in Michael John LaChiusa's Over Texas with the Ensemble Studio Theatre in 1991.[34] That same year she starred in Ödön von Horváth's Tales from the Vienna Woods at the Actors Theater of Louisville.[35]
Career on screen and stage: 1992–2003
In 1993 Peil moved back to New York City after divorcing Jerry Kirkbride with whom she had raised two children, Gwyneth and Michael, in Leonia, New Jersey.[36] She had made her film debut earlier in 1992's Jersey Girl and her television debut on Law & Order in 1994. Her first larger role in film was in the 1995 independent drama film Comfortably Numb. She portrayed Felice, the love interest of Felix (played by Jack Lemmon), in the 1999 comedy film The Odd Couple II. She portrayed Nancy Reagan's mother, actress Edith Luckett, in the Showtime movie The Reagans (2003). Between 1998 and 2003, she was introduced to a wider audience through her role as Evelyn 'Grams' Ryan on the teen television drama Dawson's Creek. Alongside the four main young stars of that show, she was the only actress to appear as a credited regular throughout the show's six-season run, appearing in 74 of 128 episodes.
Peil continued in the theatre while branching out into television and film. In 1992 she portrayed the beggar woman in Sweeney Todd at the Paper Mill Playhouse with George Hearn as Sweeney and Judy Kaye as Mrs. Lovett.[37] That same year she appeared in the premiere of Romulus Linney's Democracy and Esther; an adaptation of Henry Adams's novels Democracy: An American Novel (1880) and Esther (1884) into a single play.[38] She starred in the premiere of another play by Linney in 1993; the role of the psychoanalyst in Spain.[39] In 1994 she starred in three one act plays by Edward Albee presented collectively under the tile "Sand" by the Signature Theatre Company: "Box" (1968), "The Sandbox" (1960), and "Finding the Sun" (1983).[40]
Peil won an Obie Award in 1995 for her work in three non-musical plays Off-Broadway: Paul Rudnick's The Naked Truth (as Nan, 1994 at the WPA Theater[41]),[42] A. R. Gurney's A Cheever Evening (as Peaches, 1994 with Playwrights Horizons [43]), and Craig Lucas's Missing Persons (1995, as Addie with the Atlantic Theater Company[44]).[28][45] She returned to the role of Nan in a revision of The Naked Truth, now retitled The Naked Eye, at Harvard University's American Repertory Theater in 1996.[46] In 1996 and 1997, she toured in Gurney's play, Sylvia with Charles Kimbrough and Stephanie Zimbalist. In 1997 she appeared in the celebrated revival of George S. Kaufman and Ring Lardner's June Moon at the Ohio Theater in SoHo.[47] That same year she portrayed Hesione in Pierre de Marivaux's The Triumph of Love at the Yale Repertory Theatre (YRT).[48]
Peil played evangelist Aimee Semple McPherson and First Lady Lou Henry Hoover in a 1998 off-Broadway revival of the Irving Berlin – Moss Hart revue As Thousands Cheer at the Greenwich House Theater.[49] In May 1999, Peil portrayed Judith in the YRT's production of the Noël Coward play Hay Fever.[50] She played the beggar woman in Sweeney Todd at the Kennedy Center in 2002 and in the spring of 2003 she played the mother of Antonio Banderas's character in a Broadway revival of the musical Nine.[51][52] In the winter of 2003, she again appeared off-Broadway, starring in Frame 312, Keith Reddin's play about the Kennedy assassination.[53]
Recent career: 2004–present
After Dawson's Creek ended in 2003, Peil portrayed Helen Devlin in Frank Oz's 2004 film The Stepford Wives with Nicole Kidman, Matthew Broderick, and Bette Midler. Her other recent film credits include Clint Eastwood's Flags of Our Fathers (2006), the thriller Mirrors (2008), Maladies (2012), Contest (2013), Collateral Beauty (2016), The Song of Sway Lake (2018), and Here and Now (2018). From 2009 to 2016, she played Jackie Florrick, the mother of Chris Noth's character Peter Florrick, on the CBS drama The Good Wife.[54] In 2019 she portrayed the recurring role of Gwendolina Ferrari on NBC's The Village and in 2020 she portrayed the recurring role of Loretta Lacy on The CW's Katy Keene. In 2021 she appeared in the role of Martha Graham in the Netflix series Halston.[55]
On the stage, Peil portrayed Eleanor Roosevelt in the 2004 Off-Broadway revival of Michael John LaChiusa First Lady Suite at The Connelly Theater.[56] That same year she portrayed Juliana Tesman in Henrik Ibsen's Hedda Gabler with the New York Theatre Workshop under the direction of Ivo van Hove;[57] and performed the role of Mrs. Mallard in Jeffrey Hatcher and Bill Russell's musical Lucky Duck at the Old Globe Theatre.[58] In 2005 she performed the role of Rose in Harold Pinter's The Room with the Atlantic Theater Company (ATC).[59] In 2006 she created the role of Clare in the world premiere of Joan Vail Thorne's The Things You Least Expect at the George Street Playhouse.[60] That same year she starred as Celeste Albaret in the world premiere of Mary Zimmerman's monodrama M. Proust with the Steppenwolf Theatre Company in Chicago.[61] In 2007 she performed the role of Ann in Gurney's The Cocktail Hour at the Long Wharf Theatre.[62]
In 2008 Peil appeared as the Old Lady and Blair Daniels in the Roundabout Theatre Broadway revival of Stephen Sondheim's musical Sunday in the Park with George.[63] Starting in October 2010 she appeared in the original Broadway cast of the Lincoln Center Theater production of the musical Women on the Verge of a Nervous Breakdown, which is based upon the movie of the same name.[64] The show had a limited run until January 2011. Peil appeared in Stephen Sondheim's Follies on Broadway in the role of Solange LaFitte, alongside Bernadette Peters and Elaine Paige, starting in August 2011.[65][66] In March 2012, she appeared as Erica Morini in Willy Holtzman's off-Broadway play The Morini Strad about the concert violinist.[67] Later that year she performed the role of Alison Woollley in the New York premiere of Simon Stephens's Harper Regan with the ATC.[68]
In 2013 Peil starred alongside Jeff Goldblum and Laurie Metcalf in the world premiere of Bruce Norris's Domesticated at the Mitzi E. Newhouse Theater at Lincoln Center.[69] In 2014 she portrayed Celia Peachum in Bertolt Brecht's The Threepenny Opera with the ATC.[70] In 2015 she appeared as Serafima in Moira Buffini's Dying for It, an adaptation of Nikolai Erdman's The Suicide, with the ATC.[71] She returned to Broadway as Matilde Schell in the 2015 revival of Kander and Ebb's The Visit starring Chita Rivera;[72] and as Madame de Rosemonde in the 2016 revival of Christopher Hampton's Les Liaisons Dangereuses.[36]
Peil next joined the cast of the musical Anastasia playing the Dowager Empress Maria Feodorovna, the grandmother of the Grand Duchess Anastasia. Based on the 1997 animated film, Anastasia has music and lyrics by Lynn Ahrens and Stephen Flaherty and a book by Terrence McNally. The musical began as a workshop in 2015, it then had out of town tryouts in Hartford, CT in 2016 before eventually opening on Broadway in 2017. Peil was nominated for a Tony Award,[73] a Drama Desk Award[74] and an Outer Critics Circle Award[75] for Best Featured Actress in a Musical for her role. In 2019 she portrayed Mama Mizner in the Encores! revival of Stephen Sondheim's Road Show.[76]
Filmography
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1992 | Jersey Girl | Day Care Center Teacher | |
| 1995 | Reckless | Bartender | |
| 1995 | Comfortably Numb | Emily Best | |
| 1998 | Number One | Lana | Short film |
| 1999 | The Odd Couple II | Felice | |
| 1999 | Advice from a Caterpillar | Homeless Woman | |
| 2004 | The Stepford Wives | Helen Devlin | |
| 2006 | Shortbus | Ann | |
| 2006 | The Caretakers | Olivia | Short film |
| 2006 | Flags of Our Fathers | Mrs. Bradley | |
| 2007 | The List | Daisy Stokes | |
| 2008 | Old Days | Lillian | Short film |
| 2008 | Mirrors | Anna Esseker | |
| 2010 | The Locksmith | Celine | |
| 2011 | Small, Beautifully Moving Parts | Marjorie Sparks | |
| 2012 | Maladies | Blind Woman | |
| 2013 | Contest | "Gran" Angela Maria Tucci | |
| 2016 | Collateral Beauty | Mrs. Yardsham | |
| 2017 | The Song of Sway Lake | Charlie Sway | |
| 2018 | Here and Now | Dr. Marianne Holt |
Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 1994 | Law & Order | Dr. Emma Hiltz | Episode: "Family Values" |
| 1998–2003 | Dawson's Creek | Evelyn "Grams" Ryan | 66 episodes |
| 2001 | The Job | Mrs. Peg Bermance | Episode: "Massage" |
| 2003 | The Reagans | Edith Davis | Television movie |
| 2005 | Law & Order: Special Victims Unit | Deb Boyd | Episode: "Alien" |
| 2009–2016 | The Good Wife | Jackie Florrick | 49 episodes |
| 2009 | Fringe | Jessica Warren | Episode: "The No-Brainer" |
| 2011 | American Masters | Mrs. Carr (voice) | Episode: "John Muir in the New World" |
| 2012 | Submissions Only | Beverly Wilcox | Episode: "The Growing Interconnectedness" |
| 2019 | The Village | Gwendolina Ferrari | 5 episodes |
| 2020 | Katy Keene | Loretta Lacy | 4 episodes |
| 2021 | Halston | Martha Graham | Episode: "Critics" |
Theater
| Year | Play | Role | Theatre |
|---|---|---|---|
| 1985 | The King and I | Anna Leonowens | Broadway Theatre, Broadway |
| 1987 | Birds of Paradise | Marjorie | Promenade Theatre, Off-Broadway |
| 1988 | The Sound of Music | Elsa Schraeder | Regional Tour |
| 1989 | Cymbeline | Ghost Mother | The Public Theater, Off-Broadway |
| 1991 | Four Short Operas | Mary/Woman/Woman/Madge | Playwrights Horizons, Off-Broadway |
| 1992 | Sweeney Todd | Beggar Woman | Paper Mill Playhouse, Regional |
| 1993 | Assassins | Sara Jane Moore | San Jose Civic, Regional |
| 1994 | Box, The Sandbox, and Finding the Sun | Edmee | Signature Theatre Company, Off-Broadway |
| 1994 | The Naked Truth | Nan Bemiss | WPA Theatre, Off-Broadway |
| 1994–1995 | A Cheever Evening | Performer | Playwrights Horizons, Off-Broadway |
| 1995 | Missing Persons | Addie | Atlantic Theater Company, Off-Broadway |
| 1995 | Sylvia | Kate (Replacement) | New York City Center Stage I, Off-Broadway |
| 1998–1999 | As Thousands Cheer | Performer | Greenwich House, Off-Off-Broadway |
| 2002 | Sweeney Todd | Beggar Woman | The Kennedy Center, Regional |
| 2003 | Nine | Guido's Mother | Eugene O'Neill Theatre, Broadway |
| 2003–2004 | Frame 312 | Lynette (1990's) | Atlantic Theater Company, Off-Broadway |
| 2004 | First Lady Suite | Eleanor Roosevelt | Connelly Theatre, Off-Off-Broadway |
| 2004 | Lucky Duck | Various | Old Globe Theatre, Regional |
| 2004 | Hedda Gabler | Aunt Julia | New York Theatre Workshop, Off-Broadway |
| 2005–2006 | Celebration and The Room | Rose | Atlantic Theater Company, Off-Broadway |
| 2007 | 33 Variations | Katherine Brandt | Arena Stage, Regional |
| 2008 | Sunday in the Park with George | Old Lady/Blair Daniels | Studio 54, Broadway |
| 2010–2011 | Women on the Verge of a Nervous Breakdown | Pepa's Concierge | Belasco Theatre, Broadway |
| 2011–2012 | Follies | Solange LaFitte | Marquis Theatre, Broadway |
| 2012 | The Morini Strad | Erica | 59E59 Theaters, Off-Broadway |
| 2012 | Follies | Solange LaFitte | Ahmanson Theatre, Regional |
| 2012 | Harper Regan | Allison Wooley | Atlantic Theater Company, Off-Broadway |
| 2013–2014 | Domesticated | Shrink | Mitzi E. Newhouse Theater, Off-Broadway |
| 2014 | The Threepenny Opera | Mrs. Peachum | Atlantic Theater Company, Off-Broadway |
| 2015 | Dying For It | Serafima Ilyinichna | Atlantic Theater Company, Off-Broadway |
| 2015 | The Visit | Matilde Schell | Lyceum Theatre, Broadway |
| 2016–2017 | Les Liaisons Dangereuses | Madame de Rosemonde | Booth Theatre, Broadway |
| 2017–2018 | Anastasia | Dowager Empress | Broadhurst Theatre, Broadway |
| 2019 | Macbeth | Duncan/Old Woman | Classic Stage Company, Off-Broadway |
| 2019 | Road Show | Mama Mizner | New York City Center, Encores! |
References
- 1 2 3 4 Martin Bernheimer (August 2006). "The Not-So-Grand Tour". Opera News. Vol. 71, no. 2. pp. 40–45.
- ↑ N.U. Gard, Baritone, Wins Met's National Council Auditions. March 23, 1964. p. A3.
{{cite book}}:|work=ignored (help) - ↑ Soprano in Recital. April 7, 1962. p. w6.
{{cite book}}:|work=ignored (help) - 1 2 3 4 "Alumni Spotlight: Mary Beth Peil". Alumni Spotlight. Northwestern University. March 24, 2021.
- ↑ "Iowa Baritone Wins First Prize in Met Auditions; Gets Contract and Award of $2,000 – Four Others Are Chosen by Judges". The New York Times. March 23, 1964.
- ↑ Robert J. Landry (November 10, 1965). Legitimate: Met's Road Opera In on Wingding. Vol. 240. p. 77, 80.
{{cite book}}:|work=ignored (help) - ↑ Harold C. Schonberg (November 6, 1965). Met Troupe Sings Bizet's Carmen. p. 18.
{{cite book}}:|work=ignored (help) - ↑ Legitimate: Met's Touring Juniors Use Indianapolis As 'Home Base' for Next Five Years. Vol. 244. September 21, 1966. p. 64.
{{cite book}}:|work=ignored (help) - ↑ Allen Hughes (January 16, 1967). Met Road Troupe Sings 2 'Bohemes'. p. 26.
{{cite book}}:|work=ignored (help) - ↑ 'Allegro Ball' Will Recall Mozart Era. February 17, 1965. p. D4.
{{cite book}}:|work=ignored (help) - ↑ Raymond Ericson (February 28, 1965). The Magic Flute Is Staged In Wood. p. 91.
{{cite book}}:|work=ignored (help) - ↑ Raymond Ericson (June 18, 1966). Music: Moravian Singing. p. 16.
{{cite book}}:|work=ignored (help) - ↑ Donal Henahan (March 19, 1968). VOICE RECITAL GIVEN BY MARY BETH PEIL.
{{cite book}}:|work=ignored (help) - ↑ 4 More to Make Debuts With City Opera in Spring. January 31, 1972.
{{cite book}}:|work=ignored (help) - ↑ Musical America: International directory of the performing arts. 1970. p. 189.
- ↑ "Bicentennial Concert". The New Yorker. Vol. 51 (part 7). p. 12.
- ↑ David J. Wechsler (2012). A History of the New York Flute Club. City University of New York.
{{cite book}}:|work=ignored (help) - ↑ BACH'S FLUTE MUSIC PLAYED BY KRABER. December 1, 1972.
{{cite book}}:|work=ignored (help) - ↑ Joan Reinthaler (January 6, 1973). "Singers in Harmony". The Washington Post. p. E2.
- ↑ Donal Henahan (January 12, 1977). Too Much Is Plenty At Ginsburg Concert.
{{cite book}}:|newspaper=ignored (help) - ↑ Raymond Ericson (June 25, 1971). 'Summer and Smoke' Bows as an Opera.
{{cite book}}:|work=ignored (help) - ↑ O'Connor, John J."TV: 'Summer And Smoke,' An Opera The New York Times, June 23, 1982
- ↑ Allen Hughes. June 25, 1972.
{{cite book}}:|work=ignored (help) - ↑ Minnesota Opera's 'Kate' Has Women At The Helm. Vol. 311. May 25, 1983. p. 83.
{{cite book}}:|work=ignored (help) - ↑ Louise T. Guinther (August 2019). Liner Notes: Mary Beth Peil. Vol. 84.
{{cite book}}:|work=ignored (help) - ↑ Nan Robertson (January 31, 1986). BRYNNER'S FRIENDS REMINISCE AT ACTOR'S MEMORIAL SERVICE.
{{cite book}}:|work=ignored (help) - ↑ Samuel G. Freedman (May 7, 1985). TWO MORE TONY CATEGORIES DROPPED.
{{cite book}}:|work=ignored (help) - 1 2 Entertainment Awards Database at L.A. Times
- ↑ Alvin Kline (February 25, 1990). THEATER; 'King and I' Is Back Where It Began.
{{cite book}}:|work=ignored (help) - ↑ Alvin Klein (January 19, 1986). THEATER; LINCOLN MAKES A BOLD DEBUT INTO PROFESSIONAL THEATER.
{{cite book}}:|work=ignored (help) - ↑ Evans, David, and Holzman, Winnie.Script books.google.com, Birds of paradise (1988), Samuel French, Inc., ISBN 0-573-68189-9
- ↑ Stephen Holden (February 24, 1988). THE POP LIFE.
{{cite book}}:|work=ignored (help) - ↑ Frank Rich (June 1, 1989). Review/Theater; Fantasy 'Cymbeline' Set Long After Shakespeare.
{{cite book}}:|work=ignored (help) - ↑ Mel Gussow (June 9, 1991). Review/Theater; Several Slices of Life In Festival of One-Acts.
{{cite book}}:|work=ignored (help) - ↑ Mel Gussow (October 23, 1991). Critic's Notebook; Examining the Dark Flower That Was Weimar Culture.
{{cite book}}:|work=ignored (help) - 1 2 Kaufman, Joanne (December 2, 2016). An Actress at Home on the Upper West Side.
{{cite book}}:|work=ignored (help) - ↑ Alvin Klein (November 15, 1992). THEATER; 'Sweeney Todd,' in All Its Musical Power.
{{cite book}}:|newspaper=ignored (help) - ↑ Mel Gussow (October 7, 1992). Theatre in Review.
{{cite book}}:|work=ignored (help) - ↑ Mel Gussow (April 13, 1993). Reviews/Theater; Looking At Guilt, Present And Past.
{{cite book}}:|work=ignored (help) - ↑ David Richards (February 10, 1994). Review/Theater; 3 Albee One-Acters About People Boxed In.
{{cite book}}:|newspaper=ignored (help) - ↑ Vincent Canby (June 26, 1994). SUNDAY VIEW; And The Truth Set Her Free (Albeit Naked).
{{cite book}}:|work=ignored (help) - ↑ Dyer, Richard (June 1996). "The Bold Soprano: After Leaving Opera For Stage, Mary Beth Peil Gets 'Naked'". Boston Globe.
- ↑ Vincent Canby (October 16, 1994). SUNDAY VIEW; The Evening Is Both Cheever's And Gurney's.
{{cite book}}:|work=ignored (help) - ↑ Ben Brantley (February 2, 1995). THEATER REVIEW; Family Relationships, Both Real and Spectral.
{{cite book}}:|work=ignored (help) - ↑ 1995 Obie Awards at VillageVoice.com
- ↑ Ben Brantley (June 29, 1996). THEATER REVIEW;A Character Adds Energy, And a Play Picks Up Bite.
{{cite book}}:|work=ignored (help) - ↑ Vincent Canby (January 26, 1997). 'June Moon' Is a Boon, With Its Own Kick.
{{cite book}}:|work=ignored (help) - ↑ Alvin Klein (February 2, 1997). Imbued With Love, Imbued With Effort.
{{cite book}}:|work=ignored (help) - ↑ Vincent Canby (June 21, 1998). THEATER; A Lost Theatrical Form Returns With a Smile.
{{cite book}}:|work=ignored (help) - ↑ Alvin Klein (May 16, 1999). THEATER; Among a Smart Set, More Bad Manners.
{{cite book}}:|work=ignored (help) - ↑ Ben Brantley (May 15, 2002). THEATER REVIEW; Adding Love To the Pies' Time-Tested Recipe.
{{cite book}}:|work=ignored (help) - ↑ Robin Pogrebin (May 30, 2003). A Sisterhood of Self-Effacing Stars.
{{cite book}}:|work=ignored (help) - ↑ Bruce Weber (December 17, 2003). THEATER REVIEW; The Kennedy Assassination As the Root of America's Ills.
{{cite book}}:|work=ignored (help) - ↑ Jan Hoffman (April 29, 2011). 'The Good Wife' and Its Women.
{{cite book}}:|work=ignored (help) - ↑ Maureen Lee Lenker (May 14, 2021). "See the cast of Halston and their real-life counterparts". Entertainment Weekly.
- ↑ Ben Brantley (April 6, 2004). THEATER REVIEW; Why the Caged First Ladies Sing.
{{cite book}}:|work=ignored (help) - ↑ Charles Isherwood (September 22, 2004). A Hedda for Self-Absorbed Modern Times.
{{cite book}}:|work=ignored (help) - ↑ Joel Hirschhorn (July 20, 2004). Lucky Duck.
{{cite book}}:|work=ignored (help) - ↑ Ben Brantley (December 6, 2005). "Lifting the Art of Name-Dropping to a Cosmic Level". The New York Times.
- ↑ Naomi Siegel (October 14, 2006). A Widow With an Agenda and a Young New Boyfriend.
{{cite book}}:|work=ignored (help) - ↑ Steven Oxman (June 20, 2006). M. Proust.
{{cite book}}:|work=ignored (help) - ↑ Sylviane Gold (January 28, 2007). "An America Where Much Was Left Unsaid". The New York Times.
- ↑ Ben Brantley (February 22, 2008). Down by the Blue Purple Yellow Red Water.
{{cite book}}:|work=ignored (help) - ↑ Hetrick, Adam."Patti LuPone, Brian Stokes Mitchell, Sherie Rene Scott Cast in Broadway's "Women on the Verge'" Archived November 5, 2013, at the Wayback Machine Playbill.com, July 26, 2010
- ↑ Gans, Andrew."DIVA TALK: Chatting with 'Follies' Star Mary Beth Peil" Archived December 13, 2011, at the Wayback Machine Playbill.com, September 2, 2011
- ↑ Gans, Andrew."The Right Girls: Kennedy Center 'Follies', With Bernadette Peters, Jan Maxwell, Elaine Paige, Begins Broadway Previews" Archived September 15, 2011, at the Wayback Machine Playbill.com, August 7, 2011
- ↑ "The Morini Strad". Retrieved June 30, 2012.
- ↑ Ben Brantley (October 10, 2012). Sometimes You Just Need to Get Away.
{{cite book}}:|work=ignored (help) - ↑ Ben Brantley (November 4, 2013). After Extramarital Activities, Politician Looks for the Words.
{{cite book}}:|work=ignored (help) - ↑ Charles Isherwood (April 7, 2014). Dogs and Scoundrels, Well Dressed.
{{cite book}}:|work=ignored (help) - ↑ Charles Isherwood (January 8, 2015). A Martyr for the Cause, if Only He Could Pick One.
{{cite book}}:|newspaper=ignored (help) - ↑ Ben Brantley (April 23, 2015). Review: Chita Rivera Stars in Kander and Ebb's 'The Visit'.
{{cite book}}:|work=ignored (help) - ↑ BWW News Desk. "The 2017 Tony Awards – And the Nominees Are... Complete List! NATASHA, PIERRE & THE GREAT COMET OF 1812 and HELLO, DOLLY! Lead Pack". BroadwayWorld.com. Retrieved June 26, 2018.
- ↑ "2017 Drama Desk Awards Presented June 4 | Playbill". Playbill. Retrieved June 26, 2018.
- ↑ BWW News Desk. "Outer Critics Circle Nominations Announced: Hello, Dolly!, Anastasia, Groundhog Day and More!". BroadwayWorld.com. Retrieved June 26, 2018.
- ↑ Green, Jesse (July 25, 2019). Review: Sondheim's Bumpy 'Road Show,' Now at the End of the Line.
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External links
Media related to Mary Beth Peil at Wikimedia Commons- Mary Beth Peil at IMDb
- Mary Beth Peil at the Internet Broadway Database
- Mary Beth Peil at the Internet Off-Broadway Database
- Biography from American Repertory Theater with photo
- Photos from Summer and Smoke