Mashel Teitelbaum
Born
Mashel Alexander Teitelbaum

1921
Saskatoon, Saskatchewan
Died1985
Toronto, Ontario
Educationself-taught but studied from 1950-1951 at the California School of Fine Arts with Clyfford Still and at Mills College with Max Beckmann (1951)

Mashel Teitelbaum (1921–1985) (variant name Mashel Alexander Teitelbaum) was a Canadian painter, born in Saskatoon, Saskatchewan in 1921.[1] He was the father of museum director Matthew Teitelbaum.

Career

At first, self-taught but studied from 1950-1951 at the California School of Fine Arts with Clyfford Still and at Mills College with Max Beckmann (1951).[1] He then lived in Montreal, then Toronto, where he worked as a set designer for CBC Television and served as art critic for the Toronto Telegram for over a decade (1954-1959). He then studied art in Europe (1959), and taught at the School of Fine Arts at the University of Manitoba (1960) before returning to Toronto, founding the New School of Art in 1962.[2]

Art work

At first, Teitelbaum painted his own form of portraits featuring expressionism, then landscapes of various regions in Canada.[2][3] His style became increasingly abstract throughout his years of painting, going through many changes, among them single Zen-like improvised gestures on unprimed canvas. By 1967, he critiqued modern art, then in 1973, he made paint skin constructions, of acrylic paint peeled away when dry from polyethylene sheets to make collages.[3] He then turned to painting exuberant landscapes.[3]

That he turned from abstraction to representation in some ways resembled that of other artists of his generation such as Duncan de Kergommeaux who also turned away from abstraction to make landscape.

Selected exhibitions

Selected collections

He taught at the University of Manitoba School of Fine Art (1960), and New School, Toronto (1961).[1] Mashel Teitelbaum died in Toronto, Ontario in 1985.

Personal life

Mashel Teitelbaum was described as a "brilliant but mercurial" artist, afflicted by bipolar disorder by the Toronto Star in 2009.[8]

References

  1. 1 2 3 4 Bradfield, Helen (1970). Art Gallery of Ontario: the Canadian Collection. Toronto: McGraw Hill. ISBN 0070925046. OCLC 118037. Retrieved 10 April 2021.
  2. 1 2 3 4 5 6 "Saskatchewan NAC". Sasketchewan NAC. Retrieved 10 April 2021.
  3. 1 2 3 Murray, Joan (1999). Canadian Art in the Twentieth Century. Toronto: Dundurn. pp. 131–132. OCLC 260193722. Retrieved 10 April 2021.
  4. ↑ "Collection". agp.on.ca. Art Gallery of Peterborough. Retrieved 10 April 2021.
  5. ↑ "Collection". agp.on.ca. Art Gallery of Peterborough. Retrieved 29 June 2021.
  6. ↑ "Mashel Teitelbaum". www.gallery.ca. National Gallery of Canada. Retrieved 10 April 2021.
  7. ↑ Teitelbaum, Mashel. "Collection". rmg.minisisinc.com. Robert McLaughlin Gallery, Oshawa. Retrieved 10 April 2021.
  8. ↑ Hume, Christopher. "Art in his blood and steel in his bones". www.thestar.com. Toronto Star, Feb 22, 2009.

Additional sources

  • Fulford, Robert. Revolutions of the Soul: Mashel Teitelbaum in Canadian Painting
  • Fulford, Robert & Donald Kuspit. Mashel Teitelbaum: A Retrospective. Hamilton: Art Gallery of Hamilton, 1992.
  • Teitelbaum, Matthew et al. From Regionalism to Abstraction: Mashel Teitelbaum & Saskatchewan Art in the 1940s. 1991.
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