Mein Name ist Bach
Directed byDominique de Rivaz
Screenplay byJean-Luc Bourgeois
Leo Raat
Dominique de Rivaz
Produced byKarl Baumgartner
Uta Ganschow
Thanassis Karathanos
Jean-Louis Porchet
Gérard Ruey
StarringJürgen Vogel
Vadim Glowna
CinematographyCiro Cappellari
Edited byIsabel Meier
Music byFrédéric Devreese
Release date
8 April 2004
Running time
97 minutes
CountriesSwitzerland
Germany
LanguageGerman

Mein Name ist Bach (English: Jagged Harmonies: Bach vs. Frederick II) is a 2003 Swiss film directed by Dominique de Rivaz. The premiere took place within the framework of the 56th Locarno Film Festival, which was held from August 6 to August 16, 2003.[1] It was Switzerland's submission to the 77th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.[2][3]

Plot

On the occasion of the birth of his grandchild Adam, Johann Sebastian Bach, whose eyesight is waning, visits his son Carl Philipp Emanuel Bach, who is employed at the court of the Prussian King Friedrich II.

The belligerent king wants to put the composer to the test and gives him a theme for improvisation, that he has previously had refined by his flute teacher Johann Joachim Quantz, who also teaches Friedrich's sister Amalie. Bach, however, exhausted by the journey, asks to be given some time. At court he meets his old friend Quantz again. Bach immediately returns to Leipzig, where he feels more comfortable, but is still fascinated by the theme proposed by the king.

While Amalie takes a liking to the novelty of the music of Bach's son Wilhelm Friedemann Bach, King Friedrich is reminded of the humiliation by his father Friedrich Wilhelm I. For example, Friedrich's father executed his childhood friend, Lieutenant Hans Hermann von Katte, after his adolescent son tried to escape with him. The non-conformist Wilhelm Friedemann, on the other hand, whom Bach considers the most talented of his sons, lives in conflict with the cautious down-to-earth attitude of his brother, who in turn suffers from his father's preference for Wilhelm Friedemann.

Bach organises a concert in honour of the king and proposes that they both play a composition based on the king's theme in a duet. Friedrich loses the rhythm and reacts angrily, accusing Quantz of being in league with Bach. Bach, however, does not let the theme of the king rest, and so he composes a six-part canon based on this theme, the Musikalisches Opfer.

Friedrich learns that Amalie has had an affair with Wilhelm Friedemann, but she defends herself against the reprimands of her brother. Amalie wants to continue the relationship, but Wilhelm Friedemann refuses to take her to Halle because he cannot offer her a life there that is appropriate for a princess.

Friedrich, who is about to move to his new palace Sanssouci in Potsdam, asks Bach to become his court composer. Bach refuses. Nevertheless, a more personal conversation takes place between the two of them, in which Friedrich tells the musician about the humiliation of his father in his childhood, while Bach accuses himself of having failed in bringing up his quarreling sons.

When Voltaire arrives to Sanssouci at the wish of Frederick II, Bach gets into the carriage at the customs station in his place.

Cast

See also

References

  1. ↑ "SWISS FILMS: Locarno Festival". www.swissfilms.ch. Retrieved 2021-10-31.
  2. ↑ "50 Countries in Competition for Oscar". Academy of Motion Picture Arts and Sciences. 2004-10-22. Archived from the original on June 11, 2007. Retrieved 2008-07-09.
  3. ↑ "2005 Oscars 77th Academy Awards Nominees". Yahoo! Movies. 2005-01-25. Archived from the original on 2008-01-22. Retrieved 2008-07-09.
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