Mikhail Yuryevich Vielgorsky
Михаил Юрьевич Виельгорский
Artist Sokolov, Pyoter Fyordovich (1840-е.)
Born22 November 1788
Saint Petersburg, Russia
Died21 September 1856
Moscow
NationalityRussian
Occupation(s)Chamberlain and Musician
Spouses
  1. с 1812 Yekaterina Biron (1793-1813)
  2. с 1816 Biron, Louisa Karlovina (1791-1853)
Children2 sons and 4 daughters
Parents
  • Yuri Mikhailovich Vielgorsky (1753-1807) (father)
  • Sophia Dmitryevna Matyushkina (1755-1796) (mother)

Count[1] Mikhail Vielgorsky[2] (Polish: Michał Wielhorski, Russian: Михаил Юрьевич Виельгорский) (1788-1856) was a Russian official and composer of Polish descent. He composed romances, symphonies, an opera and was an amateur singer, violinist, and patron of the arts.[1] He is considered to be one of the major influences on the musical arts in Russia during the 19th-century[3] because of his salons, responsible with bringing the string quartet to Russia. Along with his brother Matvey Vielgorsky, they were considered the "brothers of harmony" for their intrepid and comprehensive patronage of the musical arts.[4]

Vielgorsky was a friend of Ludwig van Beethoven and an admirer of his music; the Russian premiere of Beethoven's Ninth Symphony took place at Vielgorsky's home in Saint Petersburg in 1836. The same year, Mikhail Glinka rehearsed parts of his new opera A Life for the Tsar at Vielgorsky's home, accompanied by the enserfed orchestra of Prince Yusupov. In the 1830s and 1840s, as Richard Stites notes, Vielgorsky's salon "played host to the most celebrated musical visitors to mid-century Russia: Liszt, Berlioz, the Schumanns, and Pauline Viardot among others ... Because of the attendance of Gogol, Zhukovsky, Vyazemsky, Lermontov, Odoevsky, Glinka, Dargomyzhsky, and Bryullov, a contemporary dubbed Vielgorsky's home "a lively and original multifaceted academy of the arts.' Berlioz called it 'a little ministry of fine arts.'"[1]

Vielgorsky presided over his salons with remarkable informality, donning simple garments and entertaining various different classes of guests in expert ease.[1]

Childhood

Vielgorsky was the son of Polish szlachcic [envoy] Jerzy Wielhorski, and the brother of Maciej Wielhorski (Matvey Valigorsky, 1794-1866[1][5]), an amateur cellist who founded the Society of Lovers of Music with Prince Nikolai Borisovich Galitzin (also a friend of Beethoven) in 1828.[5][6][7]

Education

Mikhail Vielgorsky's special passion was music and was known to be an excellent performer and composer. And although an amateur, according to Schumann's opinion, he was "a genius amateur."[8] He also had said that Vielgorsky was "the most ingenious dilettante I have ever known."[9] Already in childhood, he showed outstanding musical abilities: he played the violin well and tried to compose. Vielgorski received a versatile musical education and studied music theory and harmony with the Spanish composer V. Martin-y-Soler, as well as composition with the German conductor and pianist Wilhelm Taubert. Back in 1804, when the whole family lived in Riga, Vielgorsky took part in family music-making in the evenings: the part of the first violin was performed by his father, the viola - by himself, and the cello part - by his brother Matvey, another outstanding musician-performer. Not limiting himself to the knowledge he had acquired, Vielgorsky continued his studies of composition in Paris with Luigi Cherubini, the famous Italian composer and Music Theorist.

Profession

Mikhail Vielgorsky, alongside his compositional work and musicianship, acted as the Actual Privy Councilor to Catherine II or Catherine The Great.[4]

Musician

Experiencing a great interest in everything new, Vielgorsky met Ludwig van Beethoven in Vienna and was among the first eight listeners to perform his Symphony No.6 called the "Pastoral" symphony. Throughout his life, he remained an ardent admirer of the seminal, German composer.

He was one of the first in Russia to master large sonata-symphonic forms, writing two symphonies (the first was performed in 1825 in Moscow), a string quartet, and two overtures. He also created variations for Cello and Orchestra, pieces for piano, romances, vocal ensembles, as well as a number of choral works. Vielgorsky's romances became very popular in Russia and one of his romances ("I Loved") was readily performed by Mikhail Glinka. Vielgorsky noted that his opera "Gypsies" was based on a plot related to the events of the Patriotic War of 1812 (libretto by V. Zhukovsky and V. Sollogub).

Vielgorsky's house always became a kind of musical center. True connoisseurs of music gathered there and many compositions were performed for the first time. In Vielgorsky's home, Franz Liszt played for the first time from the sheet (from the score) Ruslana and Lyudmila by Glinka. Poet Dmitry Venevitinov called Vielgorsky's house "the academy of musical taste", while famous French composer Hector Berlioz, who came to Russia only twice,[10] called his home "a small temple of fine arts". Vielgorsky managed to attract many musicians to his Luizino estate in the Kursk province, far from the life of the capital. In the 1820s, all nine of Beethoven's symphonies were performed on his estate during his evening salons.[11] Vielgorsky highly appreciated Glinka's music and considered his opera Ivan Susanin, later more commonly named A Life for the Tsar, a masterpiece.[3]

Vielgorsky provided support to many progressive figures in Russia. So, in 1838, together with the poet Vladimir Zhukovsky, he organized a lottery, the proceeds from which went to the ransom from the serfdom of the Ukrainian poet and outspoken political figure Taras Grigorovich Shevchenko.

Mikhail Vielgorsky died on September 9, 1856, in Moscow. His son-in-law Count V. Sollogub made an account of his mild and unassuming personality:[12]

"Count Vielgorsky passed unnoticed in Russian life; even in the society in which he lived, he was appreciated by only a few. He did not seek fame, shied away from the struggle and, despite the fact - or, perhaps, precisely because, - he was an extraordinary person: a philosopher, critic, linguist, physician, theologian, hermeticist, honorary member of all Masonic lodges, the soul of all societies, a family man , epicurean, courtier, dignitary, artist, musician, comrade, judge, he was a living encyclopedia of the deepest knowledge, an example of the most tender feelings and the most playful mind. "

He is buried in the Lazarevskoye Cemetery of the Alexander Nevsky Lavra in St. Petersburg.

Friendship with Maria Sergeyevna Durnovo

Mikhail Vielgorsky knew Maria Sergeyevna Durnovo (Griboyedova), skilled piano performer and sister of famous Russian writer Alexander Griboyedov. According to the memoirs of Maria Durnovo: "Very often, the writer came to the sister's room. In the spring of 1823, whereas famed comedy remained a secret to public and majority of friends, Mikhail Vielgorsky, stumbled on several sheets of poem, written by the hand of Alexander Griboyedov, while assembling pages of sheet music on the piano of Maria Sergeyevna. Maria wanted to hide the accidentally discovered pages, but it was too late. The news of the new comedy rapidly spread around Moscow from the mouth of the well-known at the time musician". That poem was Woe from Wit, still considered to be "golden classic" in Russia and other Russian-speaking countries.[13]

Family

The first wife of Mikhail Vielgorsky was the maid of honor Catherine Biron (1793-1813), the niece of the last Duke of Courland. This marriage was facilitated by Empress Maria Feodorovna. The wedding took place in February 1812 in the Great Church of the Winter Palace. This marriage strengthened Vielgorsky's position at court.

In the memoirs of a contemporary, Ekaterina Biron is described as a sweet, naive child who loved lace and outfits. After the wedding, the Vielgorskys moved to Moscow, and soon Patriotic War began. Fleeing from the enemy, they left for one of their estates. In January 1813, the Vielgorskys decided to return to St. Petersburg. Catherine was in her last pregnancy. Their path lay through burnt-out Moscow. Having hardly reached Moscow, the Vielgorskys settled in the house of Prince Golitsyn, where Catherine died as a result of childbirth. Their relative wrote about this tragedy.[14]

The fate of poor Katisha can serve as a lesson for those who want to take advantage of it. Fearing to give birth far from Petersburg, that is, without the help of weak medicine, she embarked on a journey that cost her her life. The Vielgorskys drove out into the very muddy road, so Katisha arrived in Ryazan completely broken. During the ride, she felt the greatest suffering ... Even healthy men, arriving from Moscow, complain that they were all shaken. The unfortunate Vielgorsky had a very bad time. They somehow made it to Moscow, where the unfortunate woman suffered for forty hours and finally gave birth to a daughter. The day after the birth, she became delirious ... For six days she suffered and died without communion ... It is a pity for Michel, especially since he ascribes his misfortune to himself.

— A letter from M. A. Volkova to V. I. Lanskoy (1812-1818)

Second Marriage

In 1816, Mikhail Vielgorsky secretly married the elder sister of his first wife Louise Biron (1791-1853), the maid of honor of the Empress Maria. Such a marriage according to church rules was considered illegal. By this, he incurred disgrace and was forced to leave for his estate Luizino in the Kursk province. The Vielgorskys lived in this estate for several years. Their children were born here:

Compositions

Vocal works

  • 1885-1887: Collection of Russian Romances, for voice and piano[18]
  • Бывало, for voice and piano
  • Люблю я, for voice and piano
  • Два романса, for voice and piano[19]
  • «Старый муж, грозный муж, for voice and piano[20]
  • Ворон к ворону летит, for voice and piano[20]
  • Чёрная шаль, for voice and piano[20]
  • Кто три звёздах и три луне, for voice and piano[20]

Opera

Symphonies

  • Symphony No. 1 [?][4]
  • Symphony No.2 [?][4]

Instrumental

  • String Quartet [?]

Choral

  • Canon in honor of Mikhail Glinka "Sing in ecstasy, Russian choir"[21][22][23]

Orchestral works

  • Theme and Variations, for cello and orchestra[24]

See also

References

  1. 1 2 3 4 5 Stites, Richard (2005). Serfdom, Society, and the Arts in Imperial Russia: The Pleasure and the Power. New Haven and London: Yale University Press.
  2. ↑ "Биография Михаила Юрьевича Виельгорского". www.c-cafe.ru. Retrieved 2021-07-07.
  3. 1 2 Kozhevnikova, L. "Михаил Юрьевич Виельгорский (Mikhail Vielgorsky) | Belcanto.ru". www.belcanto.ru. Retrieved 2021-07-07.
  4. 1 2 3 4 5 "Saint Petersburg encyclopaedia". www.encspb.ru. Retrieved 2021-07-07.
  5. 1 2 Walden, Valerie (1998). One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840. Cambridge, UK: Cambridge University Press.
  6. ↑ Mikaberidze, Alexander (2005). The Russian Officer Corps in the Revolutionary and Napoleonic Wars, 1792-1815. New York: Savas Beatie.
  7. ↑ Sargeant, Lynn (2011). Harmony and Discord: Music and the Transformation of Russian Cultural Life. New York: Oxford University Press.
  8. ↑ Famous Russians of the 18-19th centuries. Biography and portraits. - SPb .: Lenizdat, 1996 .-- P. 833
  9. ↑ "Альт Антонио Страдивари". www.muzcentrum.ru (in Russian). 5 January 2018. Retrieved 2021-07-07.
  10. ↑ "The Hector Berlioz Website - Berlioz in Russia". www.hberlioz.com. Retrieved 2021-07-07.
  11. ↑ Sinkevich, G. (2020). "VIOLINISTS FRANZ, JOSEPH AND LUDWIG BÖHM, SOLOISTS AND PEDAGOGUES OF 19th CENTURY" (PDF). Mathematics. The Scientific Heritage. 51: 3–14 – via Saint Petersburg State University of Architecture and Civil Engineering.
  12. ↑ V. A. Sollogub. Memories, 1998.
  13. ↑ "The visit of Alexander Sergeyevich Griboyedov to the village of Spasskoe-Krivtsovo, Chernsky County" (in Russian). Department of Culture, Sports, Tourism and Youth Policy of the MO. Archived from the original on 2016-01-31. Retrieved 22 July 2020.
  14. ↑ Письма М. А. Волковой к В. И. Ланской (1812—1818) // Вестник Европы. 1874. Т.4. С.573—574.
  15. ↑ "Rank, Joseph McArthur (1918–1999), industrialist and philanthropist". Oxford Dictionary of National Biography. Oxford Dictionary of National Biography (online ed.). Oxford University Press. 2004-09-23. doi:10.1093/ref:odnb/72110. (Subscription or UK public library membership required.)
  16. ↑ "Fragebogen". Im OP. 3 (4): 187. 2013-06-21. doi:10.1055/s-0033-1348457. ISSN 1611-7905. S2CID 257022836.
  17. ↑ "Антонович И.В., Романова Н.Н., Гладышева Я.Д., Щербинина А.О. Анализ основных направлений деятельности сестер милосердия в Алтайском крае (на примере Александро-Невского храма г. Барнаула)". Социодинамика. 12 (12): 282–289. December 2019. doi:10.25136/2409-7144.2019.12.31233. ISSN 2409-7144.
  18. ↑ "Romances (Wielhorski, Michał) - IMSLP: Free Sheet Music PDF Download". imslp.org. Retrieved 2021-07-07.
  19. ↑ "Концерт К 225-летию М.Ю. Виельгорского". Соборная палата (in Russian). Retrieved 2021-07-07.
  20. 1 2 3 4 sobolev. "И "НОЧЬ МУЗЕЕВ" – ПОВОД К РАЗГОВОРУ… — Интернет-газета "Культура-Воронежа. рф"" (in Russian). Retrieved 2021-07-07.
  21. ↑ "Russian romance of the first half of the 19th century. Composers-'dilettantes'". bolshoi.ru. Retrieved 2021-07-07.
  22. ↑ "Канон в честь М. И. Глинки — Викитека". ru.wikisource.org (in Russian). Retrieved 2021-07-07.
  23. ↑ Ерофеева, Антонина (2017-02-15). ""Уж не Глинка, а фарфор". Неизвестные факты о последних годах композитора". smol.aif.ru (in Russian). Retrieved 2021-07-07.
  24. ↑ "Alexander Rudin". www.mariinsky.ru. Retrieved 2021-07-07.
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