Molla Panah Vagif
Molla Pənah Vaqif
Azerbaijani stamp with Molla Panah Vagif
Vizier of Karabakh Khanate
In office
1769–1797
Appointed byIbrahim Khalil Khan
Succeeded byMirza Jamal Javanshir
Personal details
Born1717
Yukhary Salahly, Kazakh sultanate
Died1797(1797-00-00) (aged 79–80)
Shusha, Karabakh Khanate
Resting placeVagif Mausoleum
OccupationPoet

Molla Panah (Azerbaijani: Molla Pənah), better known by his pen-name Vagif (Arabic: واقِف‎, lit. 'The Learned One'),[1] was an 18th-century Azerbaijani poet, statesman and diplomat. He is regarded as the founder of the realism genre in Azerbaijani poetry. He served as the vizier—the minister of foreign affairs—of the Karabakh Khanate during the reign of Ibrahim Khalil Khan.[2][3]

Early life

It is mostly accepted by researchers that Molla Panah was born in 1717, in the village of Salahly, Kazakh Sultanate.[4][5] However, some authors like Firudin bey Kocharli considered Hasansu as his birthplace,[6] while Salman Mumtaz argued that he was actually born in 1733.[7] His parents were Mehdi agha and Aghqiz khanum,[4] who sent him to study under local cleric Shafi Effendi to study Arabic and Persian. His family had to move to the Karabakh Khanate in 1759 following conflict between the Kazakh Sultanate and the Kingdom of Georgia.

Life in Karabakh

Bust of Molla Panah Vagif in Shusha

Molla Panah Vagif eventually moved to Shusha, capital of the Karabakh Khanate, and founded his madrasa in the Saatli neighborhood of the town, serving 17 families.[8] In 1769, he was invited to the court of ruler Ibrahim Khalil Khan, who had heard of Panah's ability to predict the time of the lunar eclipse, and was appointed eshik aghasi (person in charge of foreign affairs) of the khanate after conversion to Shiism from Sunni Islam. He was described by authors such Mirza Jamal Qarabaghi as "A cautious and perfect vizier who found great fame in Iran and Rum" and by Mir Mehdi Khazani as the most trusted officer of Ibrahim Khan.[4]

He served in this position for 27 years. It is said that he played an important role in the political and social life of the khanate. He took part in the development and planning of Shusha, played an important role in establishing political relations between the khanate and Georgia and Russia. In this context, he went to Tbilisi several times, where he befriended Prince Iulon of Georgia and dedicated a mukhammas to him.[9] The correspondence with Russia was initiated by Vagif and these letters were sent to the Catherine II.

Vagif's mausoleum in Shusha before the occupation of the town by Armenian forces

As vizier, Vagif did much for the prosperity and political growth of the Karabakh Khanate. He also played an important role in organizing the defence of Shusha during the incursions of Agha Mohammad Shah Qajar of Persia in 1795 and 1797.[10] He unsuccessfully tried to cement an alliance between Karabakh, Georgia, the Erivan Khanate and the Talysh Khanate against Qajar Iran.

Siege of 1795

The historian Mirza Adigozal bey records the following possibly apocryphal tale: during the 1795 siege of Shusha, which resisted stubbornly despite the overwhelming numbers of Agha Mohammad's army, the shah had the following couplet by Urfi, the Persian-Indian poet, attached to an arrow and shot behind the walls of the city:[4]

The shah was playing on the similarity between the name Shusha and the Persian (and Azeri) word for "glass". When the message was delivered to Ibrahim Khalil Khan, the ruler of Shusha, he called upon Vagif, his vizier, who immediately wrote the following response on the reverse of the message:

Receiving the letter with this poem, the shah went into a rage and renewed the cannon attack on Shusha. However, after 33 days, the shah lifted the siege and headed to Georgia.

Azerbaijani President Ilham Aliyev in front of ruined mausoleum

Conquest of Shusha and Death

Agha Mohammad Shah invaded Karabakh a second time in 1797, after the Russian armies that briefly occupied the Caucasus withdrew upon the death of Catherine II. This time, Karabakh was undergoing a drought and was incapable of resisting. Ibrahim Khalil Khan escaped Shusha and the city fell quickly. Vagif was imprisoned and awaited death the following morning but was saved when the shah was assassinated that very night under mysterious circumstances.

The reprieve did not last long. The son of Mehrali bey Javanshir (brother of Ibrahim Khan), Muhammed bey Javanshir, who regarded himself as rightful heir to the throne, moved to take advantage of the power vacuum after the now shah-less Persian army returned to Iran. Seeing in Vagif a loyal follower of his uncle, he had Vagif and his son Ali executed.[11] Vagif's house was also plundered and many of his verses were lost.

Vagif's remains were kept in Shusha, where a mausoleum in his name was built during the Soviet era in the 1970s. This mausoleum was destroyed in 1992 during the First Nagorno-Karabakh War.[12] The fate of Vagif's remains is unknown.[13] Another museum was opened on 20 November 1970 in Qazakh.

Poetry

Despite the circumstances of his death, Vagif's poetry has persevered. His verses were collected for the first time in 1856 and published by Armenian writer Mirza Yusif Nersesov in Temir-Khan Shura[14] with a fellow Armenian poet Mirzajan Madatov.[4] Soon afterwards, his verses were published by Adolf Berge in Leipzig in 1867 with the assistance of Fatali Akhundov, a prominent 19th-century Azeri playwright.

Vagif's works herald a new era in Azeri poetry, treating more mundane feelings and desires rather than the abstract and religious themes prevalent in the Sufi-leaning poetry of the time. This was the main characteristic that distinguished Vagif from his predecessors and made him the founder of the realism genre in Azeri poetry.

The language of Vagif's poems was qualitatively innovative as well: vivid, simple, and closely approaching the Azeri vernacular. Vagif's poems have had a great influence on Azeri folklore and many of them are repeatedly used in the folk music of ashiks (wandering minstrels).

An example:

References

  1. ↑ Soviet Literature. Foreign Languages Publishing House. 1969. p. 140.
  2. ↑ "Molla Penah Vakıf". data.bnf.fr.
  3. ↑ Grant, Bruce (2007). Caucasus Paradigms: Anthropologies, Histories and the Making of a World Area. Lit. p. 110. ISBN 978-3-8258-9906-6.
  4. 1 2 3 4 5 Dadashzadeh, Araz (1968). "Певец жизни: раздумья о Вагифе" [Singer of life: thoughts about Vagif] (in Russian). Academy of Sciences of Azerbaijan SSR. Retrieved 2021-06-17.
  5. ↑ Ibrahimov, Mirza; Ibraḣimov, Mirză (1969). Azerbaijanian Poetry: Classic, Modern, Traditional. Progress Publishers. p. 140.
  6. ↑ Kocharli, Firudin (1903). Литература Адербейджанских татар [Literature of Azerbaijani Tatars]. Tbilisi: Georgian Electroprinting publishing house. pp. 7–8.
  7. ↑ Mumtaz, Salman (1925). Молла Панах Вагиф [Molla Panah Vagif]. Baku: Communist. p. 3.
  8. ↑ Mammadzada, K.M.; Sarkisyan, N.A. (1986). Shusha - Vagif's mausoleum. Baku: Elm. pp. 18–19.
  9. ↑ Cäfärov, Nizami (2017). Molla Pänah Vaqif. Bakı. p. 31. ISBN 978-9952-21-048-4. OCLC 1007331237.{{cite book}}: CS1 maint: location missing publisher (link)
  10. ↑ "Molla Pənah Vaqif". portal.azertag.az.
  11. ↑ Dadashzade, Araz (1968). Rahimov, I (ed.). Molla Panah Vagif - an outline of life and creative activity (PDF). Translated by Savchenko, A. Baku: Azerbaijan State Publishing House. p. 24.
  12. ↑ "Обнаружены новые рукописи Низами Гянджеви и Моллы Панаха Вагифа". 1news.az.
  13. ↑ S.Quliyeva, L.Əhmədova, K.Tahirov 2017, p. 8.
  14. ↑ "Vagif, Molla Panah". Great Soviet Encyclopedia. Retrieved 2023-12-25.
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