Mulshankar Mulani
Born(1867-11-01)1 November 1867
Chavand, British India
Died14 December 1957(1957-12-14) (aged 90)
Occupation(s)Playwright, editor
Years active1889–1915
Notable work
  • Ajabkumari (1899, 1912)
  • Saubhagya Sundari (1901)
  • Nandbatrisi (1906)
  • Krishnacharitra (1906)
Parents
  • Harinand (father)
  • Mankunwar (mother)

Mulshankar Harinand Mulani (1 November 1867 – 14 December 1957) was a Gujarati playwright from the Gujarati theatre of India. After working as a village development officer and as an editor with a weekly newspaper, he joined the Mumbai Gujarati Natak Mandali, a theatre company, where he worked as a playwright for decades. He wrote more than fifty plays on social, mythological and historical subjects including commercially or critically successful plays like Rajbeej (1891), Ajabkumari (1899, 1912), Saubhagya Sundari (1901), Nandbatrisi (1906) and Krishnacharitra (1906).

Early life

He was born on 1 November 1867 in Chavand[1] (now in Amreli district, Gujarat, India) to the religious Prashnora Nagar Brahmin family of Harinand Dayanad and Mankunwar.[2] He was a descendant of Mula Bhatt who had served as a minister of Nawanagar State before 10 or 12 generations.[2] He studied until the fourth standard in English medium in Junagadh and had read religious works and Sanskrit books at his home,[2][3][4] later going on to study with a Sanskrit scholar for some time.[2]

Mulani started a job as a village development officer in Dhari, for a salary of ten rupees, but subsequently left to go to Bombay (now Mumbai). After a period of struggles, he joined a weekly Satyavakta as a proofreader for a salary of twenty rupees. He covered true stories in his column, Ghanghata and became popular. Later he served as an editor of the weekly.[3][4]

Theatre career

Mulani met Prabhurai Popatlal, who offered him a job as a play editor in the Mumbai Gujarati Natak Mandali, a theatre company, for a salary of five rupees. He transcribed copies of the plays also.[3][4] Eventually, he left the Satyavakta and his salary rose to thirty rupees. His first play Shakuntal (1889) and his second play Rajbeej (1891) starring Bapulal Nayak were performed in the Geity Theatre and were commercially successful. It was followed by Kundbala (1892) and Mansinh Abhaysinh (1893). Kundbala depicted a relationship between a princely state and the British Raj. Following it, the censorship by the British authorities was instituted. His health deteriorated and he returned to his native village where he wrote his successful plays, Mularaj Solanki (1895) and Karanghelo (1896, based on Nandshankar Mehta's Karanghelo). His salary rose to 35 rupees. After studying Shakespeare and Kalidasa, he wrote Barrister (1897), which was a play about a youth who was devastated due to his attraction to the western world.[3] It became successful and his salary rose to 75 rupees. Later he was made a partner in the company.[3]

Mulani introduced tragedy to the Gujarati theatre.[1] His Jayraj (1898) and Ajabkumari (1899) were not initially successful, due to the occurrence of plague in Bombay. They however, became hits when they were performed again in 1912–13.[2][3] Ajabkumari was praised by scholars like Govardhanram Tripathi but the audience did not like it.[2] Although the financial condition of the company had deteriorated, his Vikramcharitra (1900), based on Shamal Bhatt's Sinhasan Batrisi, became a commercial hit and helped the company recover. He demanded his pending sum of 28,000 rupees with the company, but received only 10,000 rupees. Feeling hurt, he left the company. His contract terms, however, prohibited him from writing plays for other companies for another ten years. He subsequently founded the Kathiyawadi Natak Mandali in 1906 in the name of his son-in-law, Vishwanath Madhavji Bhatt. Viththaldas Bhojak and Bapulal Punjiram Nayak were its director and musician respectively.[3]

He rejoined Mumbai Gujarati Natak Mandali when Nathuram Shukla requested him to rewrite Saubhagyasundari, which had failed to impress the owners and the director of the company. He rewrote the play and it premiered on 19 October 1901. Starring Bapulal Nayak and Jaishankar Bhojak in lead roles as well as Mohanlala in the role of Madhav, the play became a major success and Jaishankar became known for his female impersonator role of Sundari. The pairing of Bapulal Nayak and Jaishankar Sundari became popular with the audience and they starred together in many plays later on. Prabhashankar 'Ramani' acted in his several plays and rose to fame.[3] Jugal Jugari (1902) was his social play.[2]

Kathiyawadi Natak Mandali produced his Krishnacharitra (1906) which brought Krishna, for the first time, on the Gujarati stage.[3] Devotional in nature, it was based on stories from the Bhagavata, depicting the relationship between Krishna and Gopi.[2] His plays influenced Urdu as well as Marathi plays. He had written Veermandal in just a day. In addition, he had written scripts for films.[3] In debt in 1909, he sold Kathiyawadi Natak Mandali, and in 1915, he left the Mumbai Gujarati Natak Mandali.[5] His Ek Ja Bhool (1919), written for Royal Natak Mandali, had a discussion on a drone in its script.[2] In 1920s, he worked with Aryasubodh Gujarati Natak Mandali.[3]

After retirement, he lived in Kanpur and Bhavnagar. He died on 14 December 1957.[3]

Works

Bapulal Nayak and Jaishankar Sundari in Mulani's popular play Saubhagya Sundari (1901)
Bapulal Nayak, Dayashankar Oza and Mohan Marwadi in Nandbatrisi (1906) written by Mulani
Jethalal Nayak, Dayashankar Vasanji and Jayshankar (Lakhwadwala) in Vikramcharit (1900) written by Mulani
Bapulal Nayak and Mohan Marwadi in Mulani's Vasantprabha, 1922

Mulani was one of the prominent playwrights of the old Gujarati theatre.[2][4] He had written more than fifty plays[1] on social, mythological and historical subjects; about twenty eight staged,[2] four not staged and fourteen adapted plays.[1][3][5] His popular plays include Rajbeej (1891), Ajabkumari (1899, 1912), Saubhagyasundari (1901), Nandbatrisi (1906) and Krishnacharitra (1906). Krishnacharitra and Devkanya are published as books. His Porus Sikandar is published but never performed on the stage.[3][4]

He wrote and composed songs for musical plays with help of his knowledge of folk-tunes and metres before writing plays. His songs for Kulin Kanta became popular.[1][4]

His plays depict the most noticeable features of old Gujarati theatre, including the technique of setting, music and acting, and the theme of triumph of good over evil was central in his plays. He drew inspiration from historical or mythological episodes and wove it in the contemporary events. His plays also focused on the conflicts arising from the human relations.[1][4]

28 staged plays[3]
Play Date Theatre company Notes
Shakuntal 10 August 1889 Mumbai Gujarati Natak Mandali Adapted from Annasaheb Kirloskar's Marathi play Shakuntal
Rajbeej 21 February 1891 Mumbai Gujarati Natak Mandali
Kundabala 27 February 1892 Mumbai Gujarati Natak Mandali
Mansinh Abhaysinh 8 July 1893 Mumbai Gujarati Natak Mandali
Mularaj Solanki 19 October 1895 Mumbai Gujarati Natak Mandali
Karanghelo 5 September 1896 Mumbai Gujarati Natak Mandali Based on Nandshankar Mehta's novel Karanghelo
Barrister 14 August 1897 Mumbai Gujarati Natak Mandali
Jayraj 27 August 1898 Mumbai Gujarati Natak Mandali
Ajabkumari 30 September 1899 Mumbai Gujarati Natak Mandali
Veermandal 16 December 1899 Mumbai Gujarati Natak Mandali
Vikramcharitra 7 July 1900 Mumbai Gujarati Natak Mandali Based on Shamal Bhatt's Sinhasan Batrisi
Saubhagya Sundari 19 October 1901 Mumbai Gujarati Natak Mandali
Jugal Jugari 23 August 1902 Mumbai Gujarati Natak Mandali
Kamlata 14 October 1904 Mumbai Gujarati Natak Mandali Loosely based on Shakuntal[2]
Krishnacharitra 1906 Kathiyawadi Natak Mandali Inspired from stories from Bhagavata[2]
1912 Mumbai Gujarati Natak Mandali
Nandbatrisi 1906 Mumbai Gujarati Natak Mandali Based on Shamal Bhatt's Nandbatrisi
Chaitanyakumar 1908 Kathiyawadi Natak Mandali Based on story by Harilal Mulshankar Mulani
Devkanya 1908 Kathiyawadi Natak Mandali
1911 Mumbai Gujarati Natak Mandali
Navalsha Heerji 3 November 1909 Mumbai Gujarati Natak Mandali
Vasantprabha 17 December 1910 Mumbai Gujarati Natak Mandali
Prataplakshmi 31 January 1914 Mumbai Gujarati Natak Mandali Based on Manilal Dwivedi's novel Gulabsinh
Sangatna Fal 28 February 1915 Mumbai Gujarati Natak Mandali
Ek Ja Bhool 1919 Royal Natak Mandali
Bhagyoday 1920 Royal Natak Mandali
Ratnavali 28 February 1925 Aryasubodh Gujarati Natak Mandali
Vikram Ane Shani 28 May 1925 Aryasubodh Gujarati Natak Mandali Based on Shamal Bhatt's Sinhasan Batrisi
Veernari Asha 3 October 1925 Aryasubodh Gujarati Natak Mandali
Kokila 1926 Aryasubodh Gujarati Natak Mandali

Recognition

He was felicitated by the Bhavnagar Sahitya Sabha in 1944 and the Gujarat Sahitya Sabha in 1946 in Ahmedabad during the Rang Parishad, a theatre conference session. He was honoured in Bhangwadi Theatre, Bombay on 14 December 1948 and was awarded rupees 1,50,000.[3][4]

Jaishankar Bhojak 'Sundari' had considered him the Shakespeare of Gujarat.[5] Dinesh H. Bhatt has written a doctoral thesis on his life and works in 1966.[1]

See also

References

  1. 1 2 3 4 5 6 7 Gujarat State Gazetteers: Amreli district. Directorate of Government Print., Stationery and Publications, Gujarat State. 1972. p. 553.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 Bhojak, Dinkar (2002). Thaker, Dhirubhai (ed.). ગુજરાતી વિશ્વકોશ [Gujarati Encyclopaedia] (in Gujarati). Vol. XVI. Ahmedabad: Gujarati Vishwakosh Trust, Ahmedabad. p. 349. OCLC 163322996.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Choksi, Mahesh; Somani, Dhirendra, eds. (2004). ગુજરાતી રંગભૂમિ: રિદ્ધિ અને રોનક (Gujarati Rangbhoomi: Riddhi Ane Ronak) [Compilation of Information regarding professional theatre of Gujarat]. Ahmedabad: Gujarat Vishwakosh Trust. pp. 34, 117–119.
  4. 1 2 3 4 5 6 7 8 Jani, Balvant (1988). Datta, Amaresh (ed.). Encyclopaedia of Indian Literature: K to Navalram. Vol. VIII. New Delhi: Sahitya Akademi. pp. 2793. ISBN 978-0-8364-2423-2.
  5. 1 2 3 Hansen, Kathryn (1 December 2013). Stages of Life: Indian Theatre Autobiographies. Anthem Press. pp. 237–239. ISBN 978-1-78308-098-4.
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