Nicholas Rowe
Portrait of Nicholas Rowe
Poet Laureate of the United Kingdom
In office
1 August 1715 – 6 December 1718
MonarchGeorge I
Preceded byNahum Tate
Succeeded byLaurence Eusden
Personal details
Born20 June 1674
Little Barford, Bedfordshire, England
Died6 December 1718(1718-12-06) (aged 44)
City of Westminster, London, England
Resting placeWestminster Abbey
SpouseAnne Devenish (2nd wife)
ChildrenJohn Rowe (from first wife)
Charlotte Rowe (from second wife)
Alma materWestminster School

Arms of Rowe of Lamerton, Devon: Gules, three paschal lambs or staff cross and banners argent[1]

Nicholas Rowe (/roʊ/; 20 June 1674 – 6 December 1718[2]) was an English dramatist, poet and miscellaneous writer who was appointed Poet Laureate in 1715. His plays and poems were well-received during his lifetime, with one of his translations described as one of the greatest productions in English poetry. He was also considered the first editor of the works of William Shakespeare.

Life

Nicholas Rowe was born in Little Barford, Bedfordshire, England, son of John Rowe (d. 1692), barrister and sergeant-at-law, and Elizabeth, daughter of Jasper Edwards, on 20 June 1674.[2][3] His family possessed a considerable estate at Lamerton in Devonshire. His father practised law and published Benlow's and Dallison's Reports during the reign of King James II.[4]

The future Poet Laureate was educated first at Highgate School, and then at Westminster School under the guidance of Richard Busby. In 1688, Rowe became a King's Scholar, which was followed by his entrance into Middle Temple in 1691.[2] His entrance into Middle Temple was decided upon by his father, who felt that Rowe had made sufficient progress to qualify him to study law. While at Middle Temple, he read statutes and reports with proficiency proportionate to the force of his mind, which was already such that he endeavoured to comprehend law, not as a series of precedents, or collection of positive precepts, but as a system of rational government and impartial justice.[4]

On his father's death, when he was nineteen, he became the master of an independent fortune.[2] He was left to his own direction, and from that time ignored law to try his hand first at poetry, and then later at writing plays.[4]

Rowe acted as under-secretary (1709–1711) to the Duke of Queensberry when he was principal secretary of state for Scotland. On the accession of George I, Rowe was made a surveyor of customs, and in 1715 he succeeded Nahum Tate as poet laureate.[2]

He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. He died on 6 December 1718, and was buried in Westminster Abbey.[2] A monument was erected to his memory in the Abbey by John Michael Rysbrack c.1722.[5]

The inscription on his tomb reads as follows:
To the Memory of NICHOLAS ROWE Esq: who died in 1718 Aged 45, And of Charlotte his only daughter the wife of Henry Fane Esq; who, inheriting her Father’s Spirit, and Amiable in her own Innocence & Beauty, died in the 22nd year of her age 1739.
Thy Reliques, Rowe, to this sad Shrine we trust, and near thy Shakespear place thy honour’d Bust, Oh next him skill’ed to draw the tender Tear, For never Heart felt Passion more sincere: To nobler sentiment to fire the Brave. For never Briton more disdain’d a Slave: Peace to the gentle Shade, and endless Rest, Blest in thy Genius, in thy love too blest; And blest, that timely from Our Scene remov’d Thy Soul enjoys that Liberty it lov’d.
To these, so mourn’d in Death, so lov’d in Life! The childless Parent & the widow’d wife With tears inscribes this monument Stone, That holds their Ashes & expects her own.[3]

Upon his death his widow received a pension from George I in 1719 in recognition of her husband's translation of Lucan. This verse translation, or rather paraphrase of the Pharsalia, was called by Samuel Johnson one of the greatest productions in English poetry, and was widely read, running through eight editions between 1718 and 1807.[2]

Family

Rowe was first married to a woman with the family name Parsons (whose given name is unknown), with whom he had a son John. His second wife was Anne Devenish, and they had a daughter named Charlotte.[3] Daniel Lysons and Samuel Lysons noted that he did not have descendants after his son died childless.[6]

Works

The Ambitious Stepmother, Rowe's first play, produced in 1700 at Lincoln's Inn Fields by Thomas Betterton and set in Persepolis, was well received.[7] This was followed in 1701 by Tamerlane. In this play the conqueror Timur represented William III, and Louis XIV is denounced as Bajazet. It was for many years regularly acted on the anniversary of William's landing at Torbay.[2] In Dublin in 1712, at a time when political passions were running high, the performance provoked a serious riot.[8]

The Fair Penitent (1702, published 1703), an adaptation of Massinger and Field's The Fatal Dowry, was pronounced by Samuel Johnson as one of the most pleasing tragedies ever written in English. It featured the character of Lothario, whose name, as a result of this play, became synonymous with a rake (womaniser).[9] Calista is said to have suggested to Samuel Richardson the character of Clarissa Harlowe, as Lothario suggested Lovelace.[2] Samuel Johnson noted of The Fair Penitent, "The story is domestic, and therefore easily received by the imagination, and assimilated to common life; the diction is exquisitely harmonious, and soft or spritely as occasion requires."[4]

In 1704, Rowe tried his hand at comedy, producing The Biter at Lincoln's Inn Fields, which was unsuccessful, and Rowe returned to tragedy in Ulysses (1705).[2] According to Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "We have been too early acquainted with the poetical heroes to expect any pleasure from their revival"[4]

The Royal Convert (1707) was a story about a love triangle between two brothers, Hengist and Aribert, and a Christian woman named Ethelinda, who is martyred.[10]

Jane Shore, professedly an imitation of Shakespeare's style, was played at Drury Lane with Anne Oldfield in the title role in 1714. It ran for nineteen nights, and kept the stage longer than any other of Rowe's works.[2] In the play, which consists chiefly of domestic scenes and private distress, the wife is forgiven because she repents, and the husband is honoured because he forgives.[4]

The Tragedy of Lady Jane Grey followed in 1715, and as this play was not successful, it was his last foray into the medium.[2]

Rowe published the first 18th-century edition of William Shakespeare in six volumes in 1709 (printed by Tonson) and is also considered the first editor of Shakespeare. His practical knowledge of the stage helped him divide the plays into scenes (and sometime acts), with the entrances and exits of the players noted. He also normalised the spelling of names and prefixed each play with a list of the dramatis personae. This 1709 edition was also the first to be illustrated, a frontispiece engraving being provided for each play. Unfortunately, Rowe based his text on the corrupt Fourth Folio, a course which was followed by many later 18th-century editors who followed in his editorial footsteps. Rowe also wrote a short biography of Shakespeare, entitled, Some Account of the Life &c. of Mr. William Shakespear.[2][11]

Rowe wrote occasional verses addressed to Godolphin and Halifax, adapted some of the odes of Horace to fit contemporary events, and translated the Caractères of Jean de La Bruyère and the Callipaedia of Claude Quillet. He also wrote a memoir of Boileau prefixed to a translation of the Lutrin.[2] He also wrote a version of Lucan's Pharsalia.[4]

List of major works

Source: Nicholas Rowe in libraries (WorldCat catalog)

Poems

Original plays

Adaptations and translations

Edited works

  • The Works of William Shakespear (London: Jacob Tonson, 1709), first modern edition of the plays.

Miscellaneous works

  • Memoir of Boileau (date unknown), prefixed to translation of Lutrin
  • Some Account of the Life &c. of Mr. William Shakespear

See also

References

  1. ↑ Vivian, Lt.Col. J.L., (Ed.) The Visitations of the County of Devon: Comprising the Heralds' Visitations of 1531, 1564 & 1620, Exeter, 1895, p.661; these arms are displayed on the monument to Nicholas Rowe in Westminster Abbey
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Rowe, Nicholas". Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge University Press. pp. 782–783.
  3. 1 2 3 "People Buried or Commemorated – Nicholas Rowe". Westminster Abbey. Archived from the original on 25 June 2006. Retrieved 4 December 2018.
  4. 1 2 3 4 5 6 7 "Samuel Johnson's Life of Nicholas Rowe". Archived from the original on 11 October 2004. Retrieved 24 February 2006.
  5. ↑ Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.337
  6. ↑ Daniel Lysons and Samuel Lysons, "General history: Families removed since 1620". In Magna Britannia: Volume 6, Devonshire (London, 1822), pp. clxxiii–ccxxv.
  7. ↑ Nicholas Rowe as a Link between the Later Restoration Drama and that of the Augustan Age
  8. ↑ Ball, F. Elrington (1926). The Judges in Ireland 1221–1921. Vol. 2. London: John Murray. p. 42. ISBN 9781584774280.
  9. ↑ Dabhoiwala, Faramerz (May 2012). The Origins of Sex: A History of the First Sexual Revolution. Oxford University Press. p. 162. ISBN 9780199892419.
  10. ↑ Ward, Adolphus William (1875). A History of English Dramatic Literature to the Death of Queen Anne. Vol. 2. London: Macmillan and Co. p. 560.
  11. ↑ "Some Acount of the Life &c. of Mr. William Shakespear". Archived from the original on 23 July 2008. Retrieved 21 December 2011.
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