Nic[c]olò Stoppio (died 1570) was an art dealer, who worked for Albert V, Duke of Bavaria in the highly competitive[1] search for Italian works of art and Roman antiquities to add to the ducal collection. The activities of Niccolo Stoppio, his rival Jacopo Strada, and Philipp Hainhofer were characteristic of a new type of intermediary dealer in the most innovative art markets that surfaced in the second half of the 16th century: courtiers who supplied their patrons with news and art gossip, paintings and curiosities, antiquities and the latest books.[2] Stoppio's correspondence with the immensely rich connoisseur of art, also advisor to Albrecht and the source of some of his earliest purchases of antiquities, Hans Jakob Fugger, survives.[3] His rival was Jacopo Strada, whose competence in matters of art connoisseurship he lost no opportunity to belittle. In furnishing Albert's Antiquarium in the Munich Residenz, Stoppio was largely responsible for purchases on the Venetian market of copies of Roman sculptures and of modern works, whereas Strada was the agent through whom Venetian collections of Roman sculptures passed to Albert.[4] Stoppio also passed on nuggets of high gossip:

Orlando is here [in Venice], and he is well, happy, and a good friend to everybody; he will leave here in eight days for Ferrara with a set of madrigals that he had printed and dedicated to that duke. We shall see how generous [the duke] will be[5]

A letter of 14 December 1567 reports that in a former visit to the studio of Titian, then at work on the Venus and Adonis now at the Prado, Stoppio had made two suggestions for improvements in the painting, which Titian followed.[6]

Notes

  1. ↑ J. Stockbauer examines this competitive arena in "Die Kunstbestrebungen am Bayerische Hofe unter Herzof Albert V. und seinem Nachfolger Wilhelm V." Quellenshriften zur Kunstgeschichte und Kunsttechnik des Mittelalters und der Renaissance 8 Vienna, 1874.
  2. ↑ Renate Pieper, "Trading with art and curiosities in southern Germany before the Thirty Years' War", Markets for Art, 1400-1800, 1998:87.
  3. ↑ Bayerisches Haupstaatsarchiv, Kurbayern Äusseres Archiv, Munich.
  4. ↑ Ellen Weski and Heike Frozier-Heinz, et al., Das Antiquarium der Münchner Residenz: Katalog der Skulpturen, 1987.
  5. ↑ Stoppio to Fugger, 25 May 1567, noted by Giulio M. Ongaro, "Venetian Printed Anthologies of Music in the 1560s and the Role of the Editor", in Hans Lenneberg, The Dissemination of Music: studies in the history of music publishing 1994:50.
  6. ↑ Charles Hope, "Hans Mielich at Titian's Studio", Journal of the Warburg and Courtauld Institutes 60 (1997:260-261)


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.