"NOT WAR BUT CLASS WAR" graffiti in Turin

"No War but the Class War" (NWBTCW or NWBCW) is a motto expressing opposition to capitalism used by anarchist and communist groups.[1] It is also the name for a number of anti-authoritarian and anti-capitalist groups.

Group names

The first two NWBTCW groups appeared in London during the 1990–1991 Gulf War and the 1999 Kosovo War. Both groups, which included ex-members of the London-based Class War, dissolved after the respective war they were protesting stopped. The third NWBTCW group appeared in London following the start of the War in Afghanistan in October 2001. Efforts, particularly by the Communist Workers' Organisation, to turn this into a network of groups across Britain failed. A split in the group which was characterised as between theory and practice led to the 'actionists' leaving to form the Disobedients, whose activities included an attempt to occupy Old Street Roundabout along with Critical Mass which was swamped by police much like all the other actions by this group. The 'theorist' section transmuted itself into the No War but the Class War Discussion Group, which eventually also dissolved.

As a slogan

As a slogan, "No War but the Class War" has been used by people not necessarily linked to any of the above groups. It is widely used by diverse Marxist groups as a means of underlining the priority of class struggle above other political aims and as a general anti-militarist slogan.

The slogan was used on the masthead of the Irish socialist magazine The Starry Plough.[2]

The phrase was used in the first episode of the 1975 series Days of Hope, written by Jim Allen and directed by Ken Loach (both socialists), which caused controversy in Britain over its portrayal of the British military during World War I.[3][4] A socialist who has deserted from the British army says, "I'm no pacifist. I'll fight in a war, but I'll fight in the only war that counts, and that's the class war, and it'll come when all this lot's over."

To queer activist Nia King, the slogan represented an ignorance of sexism, queerphobia and racism on the part of white male anarchists.[5]

See also

Notes

  1. ↑ No war but the class war! Libertarian anti-militarism then and now Bourne, Randolph, Ricardo Flores Magon, Gustave Hervé, Anna Key, Louis Lecoin, Pierre Ruff and An Uncontrollable from the Iron Column. Kate Sharpley Library: 2003. 21 pages. Translated by Paul Sharkey.
  2. ↑ McLaughlin, Greg; Baker, Stephen. "Alternative Media, the 'War on Terror' and Northern Ireland". In Nohrstedt, Stig A.; Ottosen, Rune (eds.). U.S. and the Others: Global Media Images on "The War on Terror". p. 198. ISBN 91-89471-24-5.
  3. ↑ BFI Screen Online - Days of Hope (1975)
  4. ↑ Days of Hope, Tony Williams, Cinémathèque Annotations on Film, Issue 31, April 2004
  5. ↑ King, Nia (2012). "The First 7-inch was Better: How I Became an Ex-punk". Women & Performance: A Journal of Feminist Theory. 22 (2–3): 197–201. doi:10.1080/0740770X.2012.721081. ISSN 0740-770X. I soon learned that "no war but the class war" meant "white dudes first, women, queers and brown people later." The red-and-black anarchists (a.k.a. anarcho-communists) told me that racism and sexism were a product of capitalism, so I should just help them dismantle it, and my liberation would come... eventually. The green-and-black anarchists (a.k.a. anarcho-primitivists) told me that racism and sexism were products of industrial civilization, so I should learn to hunt and gather and wait patiently for its collapse. No one seemed to be putting issues which impact women, queers, and people of color first, thus marginalized people were only further marginalized within this "counter-culture."
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