Olga Oppenheimer (9 July 1886 – 4 July 1941) was a German Expressionist artist.

Education

Oppenheimer trained under Paul Sérusier in Paris in 1909. Thereafter, she trained in private studios in Munich and Dachau. Oppenheimer's father encouraged her pursuit of art and provided her with a studio, which was called the Gereonshaus, in his office building.[1]

Career

Oppenheimer was a co-founder of the Gereonsklub, an art school and major venue for modern art in Cologne, Germany, in 1911. The Gereonsklub became a center of contemporary avant-garde art in the Rhineland, presenting Der Blaue Reiter, Franz Marc, Paul Klee, Robert Delaunay and others for the first time in Cologne.[2] Oppenheimer's artistic career was brief, spanning the years 1907 to 1916. Only ten of her works survive, five of which are illustrations.[3]

Bildnis Bertha Oppenheim (1907)

Oppenheimer's work was exhibited in the International Sonderbund in Cologne in 1912 along with the work of two other women artists, Marie Laurencin and Paula Modersohn-Becker. The next year, in 1913, she participated in an exhibition of Rhenish Expressionists at Walter Cohen's Bookstore, put together by August Macke, an influential Expressionist painter himself.[1]

Advertisement for Oppenheimer's art school (1912)

Oppenheimer was the only female German artist who participated in the Armory Show, which opened in New York City in 1913 and traveled to Boston and Chicago. She contributed a series of six woodcuts entitled Van Zanten's Happy Time, which was displayed in the same gallery as prints by Edvard Munch. After 1916, her health began to decline, and she was committed to a sanatorium in 1918.[3]

Her career was interrupted by severe depression. In 1918, she entered the Waltbreitbach Sanatorium, a psychiatric institution where she spent twenty years of her life. Oppenheimer was deported in 1941 to the Lublin Reservation, Poland and died of typhus at the camp on 4 July 1941.[3]

Personal life

In 1913, Oppenheimer married Adolf Worringer, the brother of her friend Emmy Worringer. They had two sons and later divorced.[2]

References

  1. 1 2 Behr, Shulamith (1996). "Jewish women and Expressionism: artists, patrons and dealers". Issues in Architecture, Art & Design. 5 (1).
  2. 1 2 Shircliff, Jennifer Pfeifer (May 2014). Women of the 1913 Armory Show: Their Contributions to the Development of American Modern Art (dissertation). University of Louisville. Retrieved 7 March 2015.
  3. 1 2 3 Delia Glaze (1997). Olga Oppenheimer, Dictionary of Women Artists Volume 2 pp. 1048-1049. ISBN 1884964214.
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