Oscar Wilson | |
---|---|
Born | 1867 Hackney, London, England |
Died | 13 July 1930 62–63) Kensington, London | (aged
Nationality | English |
Occupation(s) | Painter and illustrator |
Years active | 1886–1930 |
Oscar Wilson RMS ARBA (1867 – 13 July 1930)[1] was an English painter and illustrator who trained in both London and Belgium. He was a painter, illustrator, and joke cartoonist.
Biography
The census returns for Oscar Wilson show him as being born c. 1863 in Hackney, London but his Who's Who entry shows his year of birth as 1867.[1] Very little appears to be known about his early life. He trained at the South Kensington School of Art and than at the Antwerp Academy under Charles Verlat and Polydore Beaufaux.[2]
It is not clear when he travelled to Belgium or returned to England. The only child of the marriage, a son, Water was born c. 1890 in Belgium, as was his wife Jeanne (born c. 1871). The 1911 census return shows them as having been married for 25 year, which would give the date of the marriage as 1885, when Jeanne was 14.[note 1]
Wilson exhibited at the Royal Academy in 1888 and 1889 with his address in Park Cottage, Lee Road, Blackheath, London.[4] However, his son was born in Belgium in c. 1890 and he was in Antwerp in 1891.[5] Wilson was in England in 1894 when he gave evidence in the 'Pick-me-up indecency case in July. In this case the police seized copies of the illustrated paper from stationers Smith and Son in Liverpool on the grounds that the juxtaposition of two illustrations in the magazine produced an indecent image. Wilson was one of the illustrators involved and he gave evidence against the suggestion of indecency.[6]
Benezit reports that Wilson travelled to Africa,[7] it is not certain when this was, but he had an illustration in The Graphic in 1910 showing the call to prayer in Cairo.[8]
The 1901 census shows Wilson living at 19 Colville Road, Notting Hill, London with his wife and son. By 1911 they had moved to 47 Blenheim Crescent, Notting Hill. The census showed also that the couple had had only one child, Walter, now aged 21 and working as a "motor-car agent", i.e. a car salesman. His Who Was Who address was 47 Blenheim Crescent,[1] and he died at his home on 13 July 1930.
Works
Bryant describes him as a painter, illustrator and joke cartoonist.[2] Johnson and Greutzner describe him as a genre painter.[5] Benezit and Micklethwait list him as a genre painter and illustrator of books, magazines and newspapers, and state that he was particularly known for his pictures of pretty women.[9] Wilson also illustrated postcards, at least on World War One topics.[10]
Wilson also engaged in commercial art, producing illustrations, together with others, for two promotional publications by the Great Eastern Railway Company. The first of these was East Coast Pictures by Percy Lindley, intended to encourage people to visit the seaside resorts on the East Coast.[11] The second was To the Continent, intended to promote travel to the Continent via Harwich. A special feature of this publication was the large number of colour illustrations from drawings by Wilson, "showing better than any description could do the luxuries of the Harwich steamboat service."[12]
Wilson was a frequent exhibitor and exhibited as follows:[5]
- Two works at the Dudley Gallery or New Dudley Gallery
- Two works at the Glasgow Institute of the Fine Arts
- 22 works at the Walker Art Gallery, Liverpool
- Eight works at the Manchester City Art Gallery. In 1891 Wilson exhibited The Flower Market, Antwerp at Manchester, which the Manchester Courier called a "remarkably clever picture", stating the Wilson was "strongly under the influence of foreign schools." The "Gazette" went on state that the scene was "full of life and character, and the various groups of flower-girls and of Antwerp civilians are cleverly introduced and painted; the figures have all been carefully studied from life, and represent all types from the well-to-do citizen to the peasant," and that in all respects it was "an admirable example of the artist's work."[13]
- Three works at the Royal Academy. In 1888 the Liverpool Mercury listed his L'Amateur d' Estampes as another "good pictures among the oils."[14]
- 13 works at the Royal Society of British Artists. At the Winter Exhibition of the society in 1891, Wilson exhibited La Modiste, which the Acton Gazette described as a "luminous little bit".[15] In 1892 Wilson exhibited pictures showing scenes in Antwerp which St James's Gazette considered to be "quite interesting, mainly by reason of the excellent arrangement of colour" and said that the catalogue illustrations did not do them justice.[16]
- Seven works at the Royal Cambrian Academy
- Two works at the Royal Institute of Painters in Water Colours
- One work at the Royal Miniature Society[note 2]
- 25 works at the Royal Institute of Oil Painters
- Three works at the Royal Scottish Academy. In 1928, Still Life by Wilson was sold from the exhibition of the Academy.[18]
Wilson exhibited at other venues, including the Leeds Municipal Art Gallery in 1890, where he showed Mon Atelier, showing a sculptor's studio, lined with classical casts which are being studied by fashionably dressed lady. The Yorkshire Post considered that the painting was "admirable in tone, and full of sound workmanship, while if the figure introduced some respects rather jarring note, it gives a humorous turn to the spectator's thoughts by reason of the contrast it affords."[19][note 3] In 1897 Wilson exhibited at the Black and White gallery, where his work was described as "Brilliant, somewhat French in influence, and entirely modern in feeling" His pieceOutside the Empire was described as a "clever and characteristic example of this artist's skill in depicting the modern woman as he sees her."[21]
Wilson was one of the initial members of the Society of Painters in Miniature (led by Alyn Williams) in 1896,[2] the year of its founding.[note 4] The society restricted itself to fifty members who were professional artists.[30] At the first exhibition of the society he showed Playmates with a child and a kitten playing together next to an array of valuable pottery.[17] He was elected an Associate of the Royal Society of British Artists in 1926.[5]
Magazine illustration
Wilson's Who Was Who entry [note 5] states that he had drawn for all the principle magazines and newspapers. Among these his illustrations appeared in were:
- Black and White[9]
- Cassell's Family Magazine[9]
- The English Illustrated Magazine[31]
- The Gaiety[32]
- The Gentlewoman[33]
- The Graphic
- The Idler[9]
- The Illustrated London News[9]
- The Illustrated Sporting and Dramatic News[34]
- The Lady's Pictorial[35]
- The Lady's Realm[9]
- London Opinion[2]
- Madame[9]
- New Budget[2]
- The Pall Mall Magazine[36]
- Pearson's Magazine[37]
- Pick-Me-Up[9]
- The Sketch[9]
- St Paul's Magazine[9]
- Tatler[38]
- The West End Review[39]
- The Windsor Magazine[40]
The editor of Pick-Me-Up stated that Wilson was one of his five staff artists.[41] Wilson's magazine illustrations were well regarded. He was the second in a list of nine artists whose work was purchased for their Art Gallery by Preston Corporation in 1913. The artists were described as being "amongst the finest artists of the day".[42]
Reviewers repeatedly heaped praise on the illustrations by Wilson, and what is more to the point, they often singled out his work from that of up to a dozen other artists illustrating the magazine, in very short single paragraph reviews of the magazines:
- 1894 "The coloured supplement to St. Paul's This week is a really exquisite study of a trim little milliner by Oscar Wilson."[43]
- 1895 "St Paul's contains many clever and piquant pictures. There is a charming coloured plate, by Oscar Wilson, of the dainty Lady Kitty,[note 6] whose social adventures are quite a feature of this popular weekly."[45]
- 1896 "St. Paul's is very delightful with several coloured illustrations, including a dainty study, The Favourite by Oscar Wilson."[46]
- 1896 St. Paul's delights it readers ever week with some pages of coloured sketches by Mr Oscar Wilson and others.[47]
- 1896 (in a review of St. Paul's) "Two coloured full page illustrations, An Encore, by Oscar Wilson and Mars and Venus by T. Manuel are simply bewitching."[48]
- 1896 "Amongst the weeklies St. Paul's is strong in sport and drama, and in coloured pictures, the best of which is OScar Wilson's In Wild March.[49]
- 1896 (in a review of St. Paul's) "two dainty full page tinted pictures by Oscar Wilson."[50]
- 1896 "St. Paul's has a charming coloured sketch by Mr. Oscar Wilson of a flower girl..."[51]
- 1896 (in a review of St. Paul's) "The Children's Hero is a capital sketch of the pantomime clown by Mr Oscar Wilson."[52]
- 1898 (in a review of the West End Review) "Oscar Wilson's Balloon Man is a good example of the lighter side of art."[39]
- 1898 (in a review of St. Paul's) " . . . a clever drawing by Mr Oscar Wilson"[53]
- 1898 (in a review of The English Illustrated Magazine) ". . . the up to date artists, Oscar Wilson and Hal Hurst"[54]
- 1898 (in a review of The Sketch) "There are clever and characteristic sketches of frivolous femininity by Mr Dudley Hardy and Mr Oscar Wilson"[55]
- 1899 (in a review of the West End Review) "There is a full page picture besides, by Oscar Wilson, worth all the money called The First Ice of Summer."[56]
- 1899 (in a review of Black and White) "The double page picture by Oscar Wilson, The Judgement of Paris is excellent."[57]
- 1900 (in a review of The Lady's Pictorial) "There is a very nice picture by Oscar Wilson"
- 1906 (in a review of Tatler) "Oscar Wilson contributes two excellent pictures in The Piazza, Venice, and The Broken Pitcher"[38]
Book illustrations
Wilson illustrated dozens of books. Initially, most of his illustration work was for Ward Lock & Co but after 1905 it was almost all for the Society for Promoting Christian Knowledge (SPCK). Most of the following list has been sourced from a search[58] on the Jisc Library Hub Discover database,[note 7] supplemented by searches in newspaper archives. The list is probably not complete, as reviews and advertisements do not always give the name of the illustrator. The sources of the entries is the Jisc database search,[58] unless otherwise noted.
Ser | Year | Author | Title | London publisher | Pages | Notes |
---|---|---|---|---|---|---|
1 | 1895 | Theodora C. Elmslie | The Little Lady of Lavender | Collins | 312 p. [4] col. ill., (8º) | |
2 | 1900 | Richard Marsh | Ada Vernham Actress | John Long | 272 p., fs., (8º) | |
3 | 1902 | Richard Marsh | Between the Dark and the Daylight | Digby, Long & Co | 2, 327, 17 p., (8º) | [61] |
4 | 1902 | E. Phillips Oppenheim | The Traitors | Ward Lock & Co | 304, 16 p., 2 ill., (8º) | |
5 | 1903 | E. Phillips Oppenheim | A Prince of Sinners | Ward Lock & Co | 328 p., 3 ill., (8º) | |
6 | 1903 | Guy Boothby | A Two-Fold Inheritance etc. | Ward Lock & Co | 319 p., 8vo. | |
7 | 1903 | Guy Boothby | Connie Burt etc. | Ward Lock & Co | iv, 318, 2 p., 4 ill., 8vo. | |
8 | 1903 | Beatrice Heron-Maxwell | The Queen Regent | Ward Lock & Co | 317 p., (8º) | |
9 | 1903 | E. Phillips Oppenheim | The Yellow Crayon | Ward Lock & Co | 288 p., 2 ill., (8º) | |
10 | 1904 | Headon Hill | A Race With Ruin etc. | Ward Lock & Co | 318 p., (8º) | |
11 | 1904 | Mrs. Tom Godfrey | Sunbeam | Ward Lock & Co | 320 p., (8º) | |
12 | 1904 | John Kirkwood Leys | The House-Boat Mystery etc. | Ward Lock & Co | 294 p., fs., (8º) | |
13 | 1904 | Edgar Turner | The Lady and The Burglar: A Fantastic Romance etc. | Ward Lock & Co | 317 p., (8º) | |
14 | 1904 | Herbert Maxwell | The Unclaimed Million etc. | Ward Lock & Co | 315 p. : 1 ill., (8º) | |
15 | 1905 | Grace I. Whitham | The last of the White Coats : a story of Cavaliers and Roundheads | Seeley & Co, Ltd. | 319, 16 p., 8 col. ill., (8º) | [2] |
16 | 1906 | M. Bramston | The Fortunes of Junia. A Story for Girls | SPCK | 159 p., (8º) | |
17 | 1908 | H. L. Bedford | Barbara's Heroes Ancient and Modern etc. | SPCK | 150 p., (8º) | |
18 | 1908 | Edward Ebenezer Crake | Dame Joan of Pevensey: A Sussex Tale | SPCK | 160 p., 2 ill., (8º) | |
19 | 1908 | William Webster | Hearty Gray : A Tale of The East Coast | SPCK | 157 p., (8º) | |
20 | 1908 | Catherine Mary MacSorley | Nora: An Irish Story | SPCK | 159 p., (8º) | |
21 | 1908 | Charlotte Elizabeth Baron | Phil's Hero or A Street Arab's Resolve | Religious Tract Society | 248 p. [2] ill., (8º) | |
22 | 1908 | Elizabeth Ken | The Lost Will | SPCK | 160 p., (8º) | |
23 | 1908 | William A. Bryce, H. De Vere Stacpoole | The Reavers : A Tale of Wild Adventure On The Moors of Lorne | SPCK | 160 p., (8º) | |
24 | 1909 | George Manville Fenn | Jack the Rascal | Everett & Co | 317 p., 5 col. ill., (8º) | [62] |
25 | 1909 | F. Bayford Harrison | The Usual Half-Crown : A Tale | SPCK | 156 p., (8º) | |
26 | 1909 | Alice Massie | Two in A Tangle | SPCK | 158 p., (8º) | |
27 | 1909 | L. E. Tiddeman | When Bab Was Young | SPCK | 160 p., (8º) | |
28 | 1910 | Harrison L. Bedford | Drusilla The Second | SPCK | 158 p., (8º) | |
29 | 1910 | Elizabeth Ken | Less Than Kin etc.. [A Tale.] | SPCK | 155 p., (8º) | |
30 | 1910 | L. E. Tiddeman | Next-Door Gwennie | SPCK | v, 156 p. : ill., (8º) | |
31 | 1910 | Bessie Marchant | The Deputy Boss. A Tale of British Honduras | SPCK | vii, 157 p., 3 ill., (8º) | |
32 | 1911 | Mabel Escombe | A Child of Surprises | SPCK | 158 p., (8º) | |
33 | 1911 | Austin Clare | Another Pair of Shoes. A Northumbrian Story | SPCK | 158 p., (8º) | |
34 | 1911 | Guy Thorne | Divorce | Greening & Co | 256 p. : 1 ill., (8º) | [63][note 8] |
35 | 1911 | L. E. Tiddeman | Nancy and Her Cousins | SPCK | 156 p. : 1 col. ill., (8º) | |
36 | 1911 | Mrs. Arthur G. K. Woodgate | Queen Mab. in Words of Two Syllables | SPCK | 160 p., (8º) | |
37 | 1911 | Eric Scott Clement | Queen of all hearts: A Stage Story | Greening & Co | 320 p., col. fs., (8º) | [64] |
38 | 1911 | Mrs. Hobart-Hampden | The Cave of Hanuman | SPCK | 154 p., (8º) | |
39 | 1911 | Annie Victoria Dutton | The Children of The Cliff; or The Smugglers' Hole | SPCK | 124p, (8º) | |
40 | 1912 | Jessie Challacombe | David's Diaconate; or Gathering Up The Fragments etc. | SPCK | 157 p., (8º) | |
41 | 1912 | Violet T. Kirke | Martin Spade; or Seven Foot Martin | SPCK | 128 p., (8º) | |
42 | 1912 | M. Bramston | Pastor Oberlin. A Family Chronicle of The Eighteenth Century | SPCK | 159 p., (8º) | |
43 | 1912 | Helen K. Watts | The Nevilles | SPCK | 160 p., (8º) | |
44 | 1912 | Jessie Challacombe | Wait and Win | SPCK | v, 159 p., 8vo. | |
45 | 1913 | Charlotte Ainsley Gillespy | Guinevere; or The Ladder of Love | SPCK | 128 p., 1 ill., (8º) | |
46 | 1913 | A. Vaughan | Scamp Number Two : The Story of A Child's Simple Faith and A Man's Unbelief | SPCK | 160 p., (8º) | |
47 | 1913 | F. Bayford Harrison | The Treasure of Spanish Villa | SPCK | 160 p., 3 col. Ill., (8º) | |
48 | 1914 | Ida Lemon | De Beaufoy's Bride | SPCK | 159 p., 3 col. ill., (8º) | |
49 | 1914 | Agnes Theresa Holliday | Five and One | SPCK | 160, 16 p., 3 ill., (8º) | |
50 | 1914 | Harry Collingwood | In search of El Dorado | Sampson Low, Marston and Co | viii, 312 p., 4 ill. (1 col.), (8º) | [65] |
51 | 1916 | Elizabeth Ken | How Rhoda Went Abroad : A Story of A Missionary Exhibition | George Allen & Unwin | 349 p., 1 ill., (8º) | |
52 | 1916 | George Agnew Chamberlain | The Long Divorce : A Novel | SPCK | 128 p. : 1 col. ill., (8º) | |
53 | 1917 | Grace I. Whitham | The Adventures of A Cavalier : A Story of The Days of Cavaliers & Roundheads | Seeley, Service & Co | 319 p., col. ill., (8º) | [2] |
54 | 1918 | Geoffrey Arundel Whitworth | The Bells of Paradise | Andrew Melrose | vii, 300 p., (8º) | |
55 | 1920 | Margaret J. M. Bolland | A Little Pair of Pilgrims | SPCK | v, 159 p., (8º) | |
56 | 1920 | Margaret J. M. Bolland | The Blue Geranium | SPCK | v, 151 p., (8º) | |
57 | 1923 | A. Eva Richardson | The Moon Lady | Sheldon Press (SPCK) | 160 p., (8º) | |
58 | 1923 | M. F. Hutchinson | Three in A Bungalow | Sheldon Press (SPCK) | 123 p., (8º) | |
59 | 1927 | Elizabeth Grierson | Bishop Patteson of the Cannibal Islands | Seeley, Service & Co | 182 p., (8º) |
Example of book illustration by Wilson
Among the books that Wilson illustrated was Two Adventurers in Search for El Dorado (Samuel Low, Marston and Co., London, 1915) by Harry Collingwood.[65] Images by courtesy of the Internet Archive.
- The huge leaf of the carnivorous plant suddenly curled up capturing his companion
- Never before in his life had he seen such a creature
- He saw enough to fully confirm his previous conviction
- They present themselves at the guard gate
Notes
- ↑ It is not clear where they were married. Although Jeanne had been born in Belgium, she was a British citizen by parentage. The Age of Consent was 13 in the UK in 1885,[3]: 25 until the Criminal Law Amendment Act 1885 raised it to 16 on 14 August of that year.[3]: 164 However they may have married in Belgium.
- ↑ This was presumably Playmates showing a child and a kitten playing, which he exhibited at the first exhibition of the society in 1896.[17]
- ↑ It is note clear if this painting is the same as Idling which is in the Bolton Museum and Art Gallery,[20] which also features a woman in a pink dress studying a document in a sculptor's studio.
- ↑ Two Societies of Miniature Painters formed almost simultaneously in the Spring of 1896. One, led by Alfred Praga, was formed in May,[22] and the other, under Alyn Williams, was formed within a week of the first society, in ignorance of its formation. [23][24] Both had the same title, but in October the society led by Praga changed its name to "The Society of Miniaturists".[25] It became the Royal Society of Miniature Painters in 1904,[26] and became the Royal Society of Miniature Painters, Sculptors & Gravers in 1926.[27] The Society of Miniaturists eventually merged with the British Society of Painters (founded in 1987)[28] and the British Watercolour Society.[29]
- ↑ These entries are taken from Who's Who entries, which are based on a questionnaire filled in by the subject themselves.
- ↑ Lady Kitty appeared on the front cover of St. Paul's in a different costume every week.[44]
- ↑ The Jisc Library Hub Discover brings together the catalogues of 168 major UK and Irish libraries. Additional libraries are being added all the time, and the catalogue collates national, university, and research libraries.[59][60]
- ↑ The publisher described the book (in their shilling series) as having a striking wrapper design by Wilson.[63]
References
- 1 2 3 A. & C. Black Ltd. (1967). Who Was Who: Volume III: 1929-1940: A Companion to Who's Who Containing the Biographies of Those Who Died During the Period 1929-1940. Vol. 3: 1929-1940 (2nd ed.). London: Adam and Charles Black. p. 1472. Retrieved 10 August 2020 – via The Internet Archive.
- 1 2 3 4 5 6 7 Bryant, Mark (2018). Dictionary of Twentieth-Century British Cartoonists and Caricaturists. London: Routledge. p. 245.
- 1 2 Pearson, Micheal (1972). The age of consent : Victorian prostitution and its enemies. Newton Abbot: David & Charles. ISBN 978-0-7153-5569-5. Retrieved 11 October 2020 – via The Internet Archive.
- ↑ Graves, Algernon (1906). The Royal Academy of Arts: A completed Dictionary of Contributors and their work from its foundation in 1769 to 1904. Vol. 8: Toft to Zwecker. London: Henry Graves and Co. Ltd., and George Bell and Sons. p. 311. Retrieved 25 August 2020 – via The Internet Archive.
- 1 2 3 4 Johnson, J.; Greutzner, A. (1986). The Dictionary of British Artists 1880-1940. Woodbridge: Antique Collectors' Club. p. 553.
- ↑ "The Seizure of an Illustrated Paper". The Times. London: 9. 28 July 1894. Retrieved 15 November 2023 – via Newspapers.com.
- ↑ Bénézit, Emmanuel (2006). Benezit Dictionary Of Artists. Vol. 14: Valverde-Zyw. Paris: Editions Gründ. p. 959. ISBN 978-2-7000-3084-6. Retrieved 11 September 2020 – via The Internet Archive.
- ↑ "The Flight to Egypt in Search of the Sun: Some Recent Cicerones Described by E. G. Barnard". The Graphic (Saturday 19 February 1910): 16. 19 February 1910. Retrieved 14 October 2020 – via The British Newspaper Archive.
- 1 2 3 4 5 6 7 8 9 10 Peppin, Bridget; Micklethwait, Lucy (1984). Dictionary of British Book Illustrators: The Twentieth Centrury. London: John Murray. p. 328. ISBN 0-7195-3985-4. Retrieved 19 June 2020 – via The Internet Archive.
- ↑ Coysh, A. W. (1984). The Dictionary of Picture Postcards in Britain 1894-1939. Woodbridge: Antique Collectors' Club. p. 288. ISBN 978-1-85149-231-2.
- ↑ "East Coast Pictures". Berwickshire News and General Advertiser (Tuesday 23 June 1914): 8. 23 June 1914. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ "To the Continent". Westminster Gazette (Thursday 29 May 1913): 6. 29 May 1913. Retrieved 14 October 2020 – via The British Newspaper Archive.
- ↑ "City Art Gallery. Annual Exhibition Of Modern Pictures. Second Notice". Manchester Courier and Lancashire General Advertiser (Tuesday 25 November 1890): 8. 25 November 1890. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Autumn Exhibition". Liverpool Mercury (Saturday 29 September 1888): 5. 29 September 1888. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Art Gossip". Acton Gazette (Saturday 21 November 1891): 3. 21 November 1891. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Royal Society of British Artists". St James's Gazette (Tuesday 01 November 1892): 13. 1 November 1892. Retrieved 13 October 2020 – via The British Newspaper Archive.
- 1 2 "The Society of Miniature Painters". Morning Post (Wednesday 23 September 1896): 5. 23 September 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Royal Scottish Academy". The Scotsman (Saturday 12 May 1928): 16. 12 May 1928. Retrieved 14 October 2020 – via The British Newspaper Archive.
- ↑ "Leeds Municipal Art Gallery: Second Notice". Yorkshire Post and Leeds Intelligencer (Monday 24 February 1890): 5. 24 February 1890. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Idling: Oscar Wilson (1867-1930". ArtUK. Retrieved 13 October 2020.
- ↑ "Art Exhibitions: The Black and White Gallery". St James's Gazette (Wednesday 08 December 1897): 5. 8 December 1897. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "A Society of Miniature Painters". Globe (Thursday 14 May 1896): 6. 14 May 1896. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ "Miniature Painting". The Queen (Saturday 06 June 1896): 74. 6 June 1896. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ "Chat of the Capital". Yorkshire Evening Press (Tuesday 27 October 1896): 2. 27 October 1896. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ Praga, Alfred (27 October 1896). "The Two Societies of Miniature Painters". Pall Mall Gazette (Tuesday 27 October 1896): 9. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ "The Society of Miniature Painters". The Bystander (Wednesday 13 July 1904): 74. 13 July 1904. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ Lester, Anthony J. "The Renaissance of Miniature Painting". Royal Society of Miniature Painters, Sculptors & Gravers. Retrieved 12 October 2020.
- ↑ "Ralph Chepard CV". Londonart.co.uk. Retrieved 12 October 2020.
- ↑ "Society of Miniaturists". Artist Biographies. Retrieved 12 October 2020.
- ↑ "Sunday's Survey". Lloyd's Weekly Newspaper (Sunday 23 August 1896): 10. 23 August 1896. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ "Magazine Christmas Numbers". Western Daily Press (Friday 03 December 1897): 3. 3 December 1897. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Leisure Hours". Aberdeen Press and Journal (Wednesday 04 July 1900): 6. 4 July 1900. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Weekly Illustrated Newspapers". Belfast News-Letter (Saturday 4 January 1902): 7. 4 January 1902. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Front Cover". Illustrated Sporting and Dramatic News (Saturday 26 September 1914): 3. 26 September 1914. Retrieved 12 October 2020 – via The British Newspaper Archive.
- ↑ "The Illustrated Papers". Bristol Mercury (Friday 11 May 1900): 5. 11 May 1900. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Advertisement for the Christmas Number of the Pall Mall Magazine". Illustrated London News (Saturday 17 November 1894): 18. 17 November 1894. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Advertisement for Issue One of Pearson's Magazine". Pearson's Weekly (Saturday 02 November 1895): 3. 2 November 1895. Retrieved 13 October 2020 – via The British Newspaper Archive.
- 1 2 "The Illustrated Weeklies". Northern Whig (Saturday 27 January 1906): 2. 27 January 1906. Retrieved 13 October 2020 – via The British Newspaper Archive.
- 1 2 "Literary Notes". Torquay Times, and South Devon Advertiser (Friday 12 August 1898): 6. 12 August 1898. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ Oppenheim, E. Phillips (1901). "The Two Gamblers". The Windsor Magazine. XIII: 651–658. Retrieved 13 October 2020 – via Google Books.
- ↑ "Journals and Journalists of To-Day". The Sketch (Wednesday 3 April 1895): 29. 3 April 1895. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "New Pictures for Preston Art Gallery: Important Purchase". Preston Herald (Saturday 27 September 1913): 12. 27 September 1913. Retrieved 14 October 2020 – via The British Newspaper Archive.
- ↑ "Christmas Numbers and Reviews". The Grantham Journal (Saturday 24 November 1894): 3. 24 November 1894. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Reviews". The Grantham Journal (Saturday 18 January 1896): 6. 18 January 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The August Magazines". The Grantham Journal (Saturday 17 August 1895): 3. 17 August 1895. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The Last 24 Hours". Bristol Mercury (Wednesday 15 January 1896): 5. 15 January 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The Last 24 Hours". Bristol Mercury (Wednesday 22 January 1896): 5. 22 January 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The February Magazines". The Grantham Journal (Saturday 25 January 1896): 6. 25 January 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "March Magazines". Huddersfield Daily Examiner (Saturday 07 March 1896): 9. 7 March 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The April Magazines". The Grantham Journal (Saturday 04 April 1896): 2. 4 April 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The Last 24 Hours". Bristol Mercury (Wednesday 10 June 1896): 5. 10 June 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The Last 24 Hours". Bristol Mercury (Tuesday 10 November 1896): 5. 10 November 1896. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "The Last 24 Hours". Bristol Mercury (Wednesday 28 September 1898): 5. 28 September 1898. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Literary Notes: Some Christmas Numbers". Torquay Times, and South Devon Advertiser (Friday 02 December 1898): 6. 2 December 1898. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Christmas Numbers". The Scotsman (Thursday 08 December 1898): 10. 8 December 1898. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "London Letter". Gloucester Journal (Saturday 29 April 1899): 4. 29 April 1899. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Local News". Western Times (Saturday 02 September 1899): 2. 2 September 1899. Retrieved 13 October 2020 – via The British Newspaper Archive.
- 1 2 "Search for Keyword Oscar Wilson". Library Hub Discover. Retrieved 13 October 2020.
- ↑ "Libraries on Discover: Contributing libraries list". Library Hub Discover. 25 July 2020.
- ↑ "About Library Hub Discover". Library Hub Discover. Retrieved 25 July 2020.
- ↑ "Current Fiction: Illustrated Tales". Globe (Wednesday 23 July 1902): 8. 23 July 1902. Retrieved 13 October 2020 – via The British Newspaper Archive.
- ↑ "Two Splendid Gift Books". Torquay Times, and South Devon Advertiser: 5. 19 November 1909. Retrieved 14 October 2020 – via The British Newspaper Archive.
- 1 2 "The Greening Books (Advertisement)". Westminster Gazette (Saturday 1 July 1911): 1. 1 July 1911. Retrieved 14 October 2020 – via The British Newspaper Archive.
- ↑ "Recent Fiction". Belfast News-Letter (Thursday 12 October 1911): 10. 12 October 1911. Retrieved 14 October 2020 – via The British Newspaper Archive.
- 1 2 Collingwood, Harry (1915). Two Adventurers in Search of El Dorado. London: Sampson Low, Marston and Co., Ltd. Retrieved 12 October 2020 – via The Internet Archive.
External links
- Works related to Oscar Wilson (artist) at Wikisource