Percy Anderson (22 March 1851 – 30 October 1928) was an English stage designer and painter, best known for his work for the D'Oyly Carte Opera Company, Sir Herbert Beerbohm Tree's company at His Majesty's Theatre and Edwardian musical comedies.

Life and career

Anderson design for The Gondoliers, 1917

Anderson was born on 22 March 1851 at Willesden, North West London.[1] His first significant production was the comic opera Lady of the Locket, composed by William Fullerton Jr. with a libretto by Henry Hamilton.[2] Beginning with The Yeomen of the Guard (1888), Anderson designed the costumes for all the original productions of the Savoy Operas. He continued to design costumes for D'Oyly Carte revivals in the early twentieth century, including for Trial by Jury, H.M.S. Pinafore, The Pirates of Penzance, Patience, Iolanthe, Princess Ida, Ruddigore, The Yeomen of the Guard, and The Gondoliers. For Herbert Beerbohm Tree at His Majesty's Theatre, Anderson designed Twelfth Night, The Merry Wives of Windsor, Richard II, King John, A Midsummer Night's Dream, The Tempest, and two plays by Stephen Phillips, Herod and Ulysses.[3] He designed the costumes for Henry James's ill-fated theatrical effort, Guy Domville; The Times was not impressed by either the play or the costumes.[4]

Among Anderson's other successes were Trelawny of the "Wells" (1898), Merrie England (1902), Véronique (1904), the hit British premiere of The Merry Widow in 1907, Fallen Fairies (1909), Kismet (1911) and Chu Chin Chow (1916). He designed the costumes for various productions of Edwardian musical comedies for George Edwardes, such as the hit musicals The Geisha (1896), A Greek Slave (1898) and San Toy (1899), and The Duchess of Dantzic (1903).[5] The Royal Opera House commissioned Anderson to design costumes in 1900.[6] Anderson's designs were also used in a number of Broadway productions.[7]

Anderson had private means, and for a time roomed with Morton Fullerton. He was part of a circle of rich, artistic homosexual men, who included Lord Ronald Gower, the courtier Alec Yorke and Hamilton Aïdé.[8] In the 1910s, Anderson was closely associated with the young novelist Hugh Walpole.[9]

The Times, in its obituary notice, said that Anderson "escaped from the pedantry of his predecessors and paved the way in the most interesting manner" for a new generation of designers such as Bakst, Claud Lovat Fraser and Edward Gordon Craig.[3] As a young painter, Anderson achieved a modest success, and his portraits hang in the collections of the National Portrait Gallery, the Louvre, and the British Museum.[3][10] He illustrated the 1907 book, Costume: Fanciful, Historical and Theatrical.[11]

Anderson died in King's College Hospital, London, in 1928, aged 77.[3]

Notes

Anderson's costume for King Gama in Princess Ida, 1921
  1. ↑ Gänzl, p. 40
  2. ↑ Coffin, pp. 25–27 and 34–39
  3. 1 2 3 4 "Mr. Percy Anderson". The Times. London. 31 October 1928. p. 16. Retrieved 16 November 2023 – via The Times Digital Archive.
  4. ↑ "St. James's Theatre". The Times. London. 7 January 1895. p. 13. Retrieved 16 November 2023 – via Newspapers.com.
  5. ↑ Recklies, Karen Adele. "Fashion Behind the Footlights: The Influence of Stage Costumes on Women's Fashions in England from 1878–1914", Ohio State University, 1982, pp. 86–88. Retrieved 2 September 2021
  6. ↑ "Biography of Milka Ternina describing Anderson costumes designed for her" (PDF). Archived from the original (PDF) on 3 December 2007. Retrieved 10 January 2009.
  7. ↑ Percy Anderson at the IBDB database
  8. ↑ Mainwaring, pp. 43 and 78
  9. ↑ Hart-Davis, p. 79
  10. ↑ Portrait of Winifred Dickinson by Anderson Archived 2013-04-20 at archive.today
  11. ↑ Costume: Fanciful, Historical and Theatrical, compiled by Mrs. Eliza Davis Aria. (1907) New York: The Macmillan Company.

References

  • Coffin, C. Hayden. Hayden Coffin's Book: Packed with Acts and Facts, London: Alston Rivers (1930)
  • Gänzl, Kurt (2001). "Anderson, Percy". The Encyclopedia of the Musical Theatre. A–Gi. Vol. 1 (2nd ed.). New York: Schirmer Books. ISBN 978-0-02-864970-2.
  • Hart-Davis, Rupert. Hugh Walpole (1997) Sutton Publishing, Stroud (orig Macmillan, London, 1952); ISBN 0-7509-1491-2
  • Mainwaring, Marion. Mysteries of Paris: the Quest for Morton Fullerton, University of New England Press, 2001
  • Rollins, Cyril and R. John Witts. The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas (1961) London: Michael Joseph Ltd.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.