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The Netherlands (Dutch: Nederland [ˈneːdərlɑnt] ⓘ), informally Holland, is a country located in northwestern Europe with overseas territories in the Caribbean. It is the largest of the four constituent countries of the Kingdom of the Netherlands. The Netherlands consists of twelve provinces; it borders Germany to the east and Belgium to the south, with a North Sea coastline to the north and west. It has a border with France on the split island of Saint Martin in the Caribbean. It shares maritime borders with the United Kingdom, Germany, and Belgium. The official language is Dutch, with West Frisian as a secondary official language in the province of Friesland. Dutch, English, and Papiamento are official in the Caribbean territories.
The Netherlands has been a parliamentary constitutional monarchy with a unitary structure since 1848. The country has a tradition of pillarisation (separation of citizens into groups by religion and political beliefs) and a long record of social tolerance, having legalised prostitution and euthanasia, along with maintaining a liberal drug policy. The Netherlands allowed women's suffrage in 1919 and was the first country to legalise same-sex marriage in 2001. Its mixed-market advanced economy has the eleventh-highest per capita income globally. The Hague holds the seat of the States General, Cabinet and Supreme Court. The Port of Rotterdam is the busiest in Europe. Schiphol is the busiest airport in the Netherlands, and the fourth busiest in Europe. The Netherlands is a founding member of the European Union, Eurozone, G10, NATO, OECD, and WTO, as well as a part of the Schengen Area and the trilateral Benelux Union. It hosts intergovernmental organisations and international courts, many of which are in The Hague. (Full article...)
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Jan van Eyck, Crucifixion and Last Judgement diptych, c. 1430–40. Oil on canvas, transferred from wood. Each 56.5 cm × 19.7 cm (22.25 in × 7.75 in); Metropolitan Museum of Art, New York
The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop. This diptych is one of the early Northern Renaissance oil-on-panel masterpieces, renowned for its unusually complex and highly detailed iconography, and for the technical skill evident in its completion. It was executed in a miniature format; the panels are just 56.5 cm (22.2 in) high by 19.7 cm (7.8 in) wide. The diptych was probably commissioned for private devotion.
The left-hand wing depicts the Crucifixion. It shows Christ's followers grieving in the foreground, soldiers and spectators milling about in the mid-ground and a portrayal of three crucified bodies in the upper-ground. The scene is framed against an expansive and foreboding sky with a view of Jerusalem in the distance. The right-hand wing portrays scenes associated with the Last Judgement: a hellscape at its base, the resurrected awaiting judgement in the centre-ground, and a representation of Christ in Majesty flanked by a Great Deësis of saints, apostles, clergy, virgins and nobility in the upper section. Portions of the work contain Greek, Latin and Hebrew inscriptions. The original gilt frames contain Biblical passages in Latin drawn from the books of Isaiah, Deuteronomy and Revelation. According to a date written in Russian on their reverse, the panels were transferred to canvas supports in 1867. (Full article...)- Panggilan Darah (Indonesian for Call of Blood) is a 1941 film from the Dutch East Indies (now Indonesia) written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black-and-white film starred Dhalia and Soerip as orphaned sisters trying to make a living in the colonial capital of Batavia (now Jakarta) before moving to Kudus to work at a clove cigarette factory.
Shot on location at an orphanage and two factories in central Java, Panggilan Darah was a modest commercial success in the Indies and Singapore. Its soundtrack, which featured nine kroncong songs, received popular acclaim, and the film's acting received critical praise. Despite this success, Oriental was unable to recoup its expenses, and merged into Multi Film soon afterwards. Panggilan Darah, which was screened as late as 1952, may now be lost. (Full article...) - Design 1047, also known as Project 1047, was a series of plans for a class of Dutch battlecruisers prior to the Second World War. These large capital ships were intended to counter the threat posed by Japanese aggression towards the Dutch colonies in the East Indies.
Dutch intelligence believed that if it came to war, the Imperial Japanese Navy would deploy its capital ships (aircraft carriers and battleships) against their counterparts of the United States Navy and the British Royal Navy. That would leave heavy and light cruisers, along with seaplane carriers, as the largest warships available for an advance into the East Indies. (Full article...) 
A tulip, known as "the Viceroy" (viseroij), displayed in the 1637 Dutch catalogue Verzameling van een Meenigte Tulipaanen. Its bulb was offered for sale for between 3,000 and 4,200 guilders (florins) depending on weight (gewooge). A skilled craftsworker at the time earned about 300 guilders a year.
Tulip mania (Dutch: tulpenmanie) was a period during the Dutch Golden Age when contract prices for some bulbs of the recently introduced and fashionable tulip reached extraordinarily high levels. The major acceleration started in 1634 and then dramatically collapsed in February 1637. It is generally considered to have been the first recorded speculative bubble or asset bubble in history. In many ways, the tulip mania was more of a then-unknown socio-economic phenomenon than a significant economic crisis. It had no critical influence on the prosperity of the Dutch Republic, which was one of the world's leading economic and financial powers in the 17th century, with the highest per capita income in the world from about 1600 to about 1720. The term tulip mania is now often used metaphorically to refer to any large economic bubble when asset prices deviate from intrinsic values.
Forward markets appeared in the Dutch Republic during the 17th century. Among the most notable was one centred on the tulip market. At the peak of tulip mania, in February 1637, some single tulip bulbs sold for more than 10 times the annual income of a skilled artisan. Research is difficult because of the limited economic data from the 1630s, much of which come from biased and speculative sources. Some modern economists have proposed rational explanations, rather than a speculative mania, for the rise and fall in prices. For example, other flowers, such as the hyacinth, also had high initial prices at the time of their introduction, which then fell as the plants were propagated. The high prices may also have been driven by expectations of a parliamentary decree that contracts could be voided for a small cost, thus lowering the risk to buyers. (Full article...)
Djaoeh Dimata (Indonesian: [dʒaˈuh diˈmata]; Perfected Spelling: Jauh di Mata; Indonesian for Out of Sight) is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). Starring Ratna Asmara and Ali Joego, it follows a woman who moves to Jakarta to find work after her husband is blinded in an accident. SPFC's first production, Djaoeh Dimata took two to three months to film and cost almost 130,000 gulden.
The first domestically produced feature film to be released in five years, Djaoeh Dimata received favourable reviews, although financially it was outperformed by Roestam Sutan Palindih's Air Mata Mengalir di Tjitarum (released soon after). The film's cast remained active in the Indonesian film industry, some for another 30 years, and SPFC produced six more works before closing in 1949. A copy of the film is stored at Sinematek Indonesia. (Full article...)- Soeara Berbisa ([suˈara bərˈbisa]; Perfected Spelling: Suara Berbisa; Indonesian for Venomous Voice) is a 1941 film from the Dutch East Indies. Produced by Ang Hock Liem for Union Films and directed by R Hu, this black-and-white film stars Raden Soekarno, Ratna Djoewita, Oedjang, and Soehaena. The story, written by Djojopranoto, follows two young men who compete for the affections of a woman before learning that they are long-lost brothers.
Filmed in September and October 1941, Soeara Berbisa features keroncong music and was shot partly in western Java. It was released to coincide with the Eid al-Fitr holiday and rated for all ages. Advertisements emphasised the film's appeal to both native and Dutch audiences, and a review in De Indische Courant was positive. Although the film—Union's penultimate production—was screened as late as 1949, it is now likely lost. (Full article...) - Si Ronda is a 1930 silent film from the Dutch East Indies which was directed by Lie Tek Swie and starred Bachtiar Effendi. Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat (traditional Malay martial arts), known as Si Ronda. In the lenong stories from which the film was derived, Ronda was often depicted as a Robin Hood type of figure. The production, now thought lost, was one of a series of martial arts films released between 1929 and 1931. Si Ronda received little coverage in the media upon its release. A second adaptation of the tale, Si Ronda Macan Betawi, was made in 1978. (Full article...)
Pah Wongso Pendekar Boediman (Malay for Pah Wongso the Righteous Warrior) is a 1941 detective film from the Dutch East Indies (now Indonesia). The first production by Star Film, it was produced by Jo Eng Sek and features camerawork by Cho' Chin Hsin. Starring Pah Wongso, Elly Joenara and Mohamad Arief, it follows the social worker Pah Wongso as he investigates a murder to clear his protégé's name.
The first film of its genre to be produced in the Indies, Pah Wongso Pendekar Boediman was made to capitalize on the popularity of Wijnhamer and Hollywood characters such as Charlie Chan and Mr. Moto. Released in April 1941 to popular acclaim, it had a mixed critical reception; the reviewer Saeroen suggested that its success was entire because of its star's renown. A sequel to this film, Pah Wongso Tersangka, was released later in 1941 but is possibly lost. (Full article...).jpg.webp)
The Huguenot-Walloon half dollar or Huguenot-Walloon Tercentenary half dollar is a commemorative coin issued by the United States Bureau of the Mint in 1924. It marks the 300th anniversary of the voyage of the Nieuw Nederlandt which landed in the New York area in 1624. Many of the passengers were Huguenots from France or Walloons from what is now Belgium; they became early settlers of New York State and the surrounding area.
A commission run by the Federal Council of Churches in America sought issuance of a half dollar to mark the anniversary, and the bill passed through Congress without opposition in 1923 and was signed by President Warren G. Harding. Sketches were prepared by commission chairman Reverend John Baer Stoudt and converted to plaster models by the Mint's aging chief engraver, George T. Morgan. The models were initially rejected by the Commission of Fine Arts, which required revisions under the supervision of Buffalo nickel designer James Earle Fraser. (Full article...)
The Battle of Öland was a naval battle between an allied Danish-Dutch fleet and the Swedish navy in the Baltic Sea, off the east coast of Öland on 1 June 1676. The battle was a part of the Scanian War (1675–79) fought for supremacy over the southern Baltic. Sweden was in urgent need of reinforcements for its north German possessions; Denmark sought to ferry an army to Scania in southern Sweden to open a front on Swedish soil.
Just as the battle began, the Swedish flagship Kronan sank, taking with it almost the entire crew, including the Admiral of the Realm and commander of the Swedish navy, Lorentz Creutz. The allied force under the leadership of the Dutch admiral Cornelis Tromp took full advantage of the ensuing disorder on the Swedish side. The acting commander after Creutz's sudden demise, Admiral Claes Uggla, was surrounded and his flagship Svärdet battered in a drawn-out artillery duel, then set ablaze by a fire ship. Uggla drowned while escaping the burning ship, and with the loss of a second supreme commander, the rest of the Swedish fleet fled in disorder. (Full article...)
Featured lists
Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.
- This page is a list of films that received the Golden Film since its introduction in 2001 by the Netherlands Film Festival and the Netherlands Film Fund. In 2001 and 2002, films from the Netherlands received the award once they had sold 75,000 tickets. From 2003 to date, the Golden Film is awarded to films from the Netherlands once they have sold 100,000 tickets. This page shows, for both audience criteria, which films received the Golden Film and how soon they received it after their releases.
In the following tables, the 'year' column contains the years in which the films received the Golden Film, the '#' column contains the number of the Golden Film, the 'film title' column contains the titles of the receiving films, the 'film release' column contains the dates on which the films were first released in the cinemas, and the 'Golden Film' column contains the days when the Netherlands Film Festival and the Netherlands Film Fund announced that the receiving films reached the audience criterion of the Golden Film. (Full article...) - As of 1 January 2023, there are 342 municipalities (Dutch: gemeenten) and three special municipalities (bijzondere gemeenten) in the Netherlands. The latter is the status of three of the six island territories that make up the Dutch Caribbean. Municipalities are the second-level administrative division, or public bodies (openbare lichamen), in the Netherlands and are subdivisions of their respective provinces. Their duties are delegated to them by the central government and they are ruled by a municipal council that is elected every four years. Municipal mergers have reduced the total number of municipalities by two-thirds since the first official boundaries were created in the mid 19th century. Municipalities themselves are informally subdivided into districts and neighbourhoods for administrative and statistical purposes.
These municipalities come in a wide range of sizes, Westervoort is the smallest with a land area of 7.03 km2 (2.71 sq mi) and Súdwest-Fryslân the largest with a land area of 523.01 km2 (201.94 sq mi). Schiermonnikoog is both the least populated, with 936 people, and the least densely populated municipality at 23/km2 (60/sq mi). Amsterdam has the highest population with 921,402 residents af of November 2022, whereas The Hague is the most densely populated with a density of 6,650/km2 (17,200/sq mi). (Full article...) 
The Wong brothers (one pictured) were the first ethnic Chinese directors in the Indies.
Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1950 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film.
The colony's first directors, Heuveldorp and G. Kruger, were of European or mixed descent. They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java; other Chinese directors included Lie Tek Swie (1929), Wong's brothers Joshua and Othniel (1930), and The Teng Chun (1931). Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. The first native director, Bachtiar Effendi, made his debut in 1932 with the talkie Njai Dasima; another native director would not appear until Andjar Asmara and Rd Ariffien made their debuts in 1940. (Full article...)
The Battle of Camperdown, painted by Philip de Loutherbourg in 1799.
The Battle of Camperdown was an important naval action of the French Revolutionary Wars, fought off Camperduin on the North Holland coast on 11 October 1797 between a British fleet under Admiral Adam Duncan and a Dutch fleet under Vice-Admiral Jan de Winter. The French Republic had overrun the Dutch Republic two years earlier, reforming it into the Batavian Republic. In early 1797, the Batavian Navy was ordered to sail to Brest and unite with the French Atlantic Fleet in preparation for an invasion of Ireland. Shortly afterwards, the British fleets were paralysed by the Spithead and Nore mutinies, in which the sailors refused to take their ships to sea until they were awarded better pay and conditions. For two months, the English Channel was undefended, but the Dutch failed to take the opportunity to sail from their harbour in the Texel: their preparations were not complete, and a small squadron of loyal British ships under Duncan convinced de Winter that the British fleet was at sea by sending nonsensical signals to fictitious ships over the horizon.
By October 1797, the plan to attack Ireland had been abandoned and the British North Sea Fleet was again at full strength. During a brief period replenishing supplies at Yarmouth, news reached Duncan on 10 October that the Dutch had sailed on a raiding cruise and he returned to the Dutch coast, intercepting de Winter's fleet on its way back to the Texel. The Dutch formed a line of battle in shallow coastal waters to meet Duncan's attack, which was conducted in a confused mass, the British fleet separating into two groups that struck the vanguard and rear of the Dutch fleet, overwhelming each in turn and capturing eleven ships, including de Winter's flagship Vrijheid. On the return journey, three of the captured ships were lost, and none of the surviving Dutch prizes was ever suitable for active service again. Both sides suffered heavy casualties during the battle as each fleet had been trained to aim at the hulls of their opponents, maximising the damage to personnel. (Full article...)
Film poster for Loetoeng Kasaroeng, the first locally produced film released in the Dutch East Indies
A total of 112 fictional films are known to have been produced in the Dutch East Indies (modern-day Indonesia) between 1926 and the colony's dissolution in 1949. The earliest motion pictures, imported from abroad, were shown in late 1900, and by the early 1920s imported serials and fictional films were being shown, often with localised names. Dutch companies were also producing documentary films about the Indies to be shown in the Netherlands. The first reports of fictional film production in the Indies date from 1923, although the work in question was not completed. The first locally produced film, Loetoeng Kasaroeng, was directed by L. Heuveldorp and released on 31 December 1926.
Between 1926 and 1933 numerous other local productions were released. Although Dutchmen like Heuveldorp and G. Krugers continued to be active in the industry, the majority of filmmakers and producers were ethnic Chinese. The Tan brothers (Khoen Yauw and Khoen Hian) and The Teng Chun were major producers during this period, while the Wong brothers (Nelson, Othniel, and Joshua) were among the more prominent directors. During the mid-1930s, production dropped as a result of the Great Depression. The release of Albert Balink's commercially and critically successful Terang Boelan (Full Moon) in 1937 led to renewed interest in filmmaking, and 1941 saw thirty locally produced films. This rate of production declined after the Japanese occupation beginning in early 1942, closing all but one film studio; this resulted in several films which had begun production in 1941 being released several years later. The majority of films produced during the occupation were short propaganda pieces. Following the Proclamation of Indonesian Independence in 1945 and during the ensuing revolution several films were made, by both pro-Dutch and pro-Indonesian backers; the Dutch formally recognised Indonesia's sovereignty on 27 December 1949, leaving the Dutch East Indies defunct. (Full article...)- The Amsterdam Tournament (Dutch: Amsterdam Toernooi) was a pre-season association football competition, held in Amsterdam, Netherlands. The competition was hosted by Eredivisie club Ajax at the Amsterdam Arena. It was inaugurated in 1975 as the Amsterdam 700 Tournament to celebrate 700 years of history in the city. It was held annually each summer until 1992, when the last edition of the original tournament was played. It returned in 1999 with the backing of the International Event Partnership (IEP). Four teams participate in the competition, played in a league format since 1986.
Since its return, the tournament has used an unusual point scoring system. As with most league competitions, three points are awarded for a win, one for a draw and zero for a loss. An additional point, however, is awarded for each goal scored. The system is designed to reward teams that adopt a more attacking style of play. Each entrant plays two matches, with the winner being the club that finishes at the top of the table. The original competition was held at Amsterdam's Olympic Stadium, where Ajax played its international games until 1996. The Amsterdam Arena, now named the Johan Cruyff Arena, has played host to the event since the return until 2009. (Full article...) - Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953.
The colony's first producer, Heuveldorp, was of European descent. He was followed in 1928 by the ethnic Chinese businessmen Tjan Tjoen Lian and Liem Goan Lian, who began work on Lily van Java but soon pulled out, to be replaced by David Wong. By 1930 Chinese producers had dominated the industry. The most active of these, The Teng Chun, made his debut in 1931 with Boenga Roos dari Tjikembang; he would go on to produce another 27 films before independence. No native Indonesian film producers are recorded from this period, although several productions were credited only to companies. (Full article...)
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Card: Government of Dutch Guiana; image courtesy of the National Numismatic CollectionCard money, printed on plain cardboard or playing cards, was issued from the 17th to the 19th century to supplement the supply of money in several countries and colonies.
This playing card from Dutch Guiana (now Suriname), dated 1801, has a face value of one guilder. In that colony, card money was first issued in 1761, initially backed by bills of exchange from the Netherlands; but later it was released unsecured, and inflation was an issue for much of the currency's lifetime, with the value fluctuating wildly until it was replaced with paper money in 1826 and formally discontinued two years later.
Engraving: UnknownThe Christmas Flood of 1717 was the most recent large flood in the northern Netherlands, caused by a northwesterly storm that hit the coast of the Netherlands, Germany and Scandinavia on Christmas night of 1717. Approximately 14,000 people drowned. Floodwaters reached the towns and cities of Groningen, Zwolle, Dokkum, Amsterdam, and Haarlem. Many villages were devastated in the west of Vlieland, behind the sea dykes in Groningen province, and elsewhere.
Photochrom: Detroit Publishing Company; restoration: Adam CuerdenDelftsevaart is a canal in the city of Rotterdam in the Netherlands. It is seen here on a photochrom print released around 1900. During World War II, this area of the city was destroyed in the 1940 Rotterdam Blitz, but the St. Lawrence Church, visible in the background, survived the war.
De Magere Compagnie (completed 1637), which depicts a company of schutterij, a voluntary city guard or citizen militia in the medieval and early modern Netherlands. Frans Hals was commissioned to create this, but he was unable to complete it after three years, and the company hired Pieter Codde to finish it. Group portraits such as this of schutterij were known as schuttersstuk, and were popular among the guards themselves.
A self-portrait of Louis-Marie Autissier (1772–1830), a French-born Belgian portrait miniature painter. He is considered the founder of the Belgian school of miniature painting in the nineteenth century. Born at Vannes, in Brittany, he joined the French Revolutionary Army at Rennes in 1791. On leaving the army in 1795, Autissier went to Paris and trained his art by studying paintings at the Louvre. In 1796 he settled in Brussels, but continued to divide his time between Belgium, the Netherlands, and France. Although he enjoyed great success in his career, serving as court painter to Louis Napoleon, French King of the Netherlands, and later to Willem I, Autissier died penniless.
Photograph credit: Carlos DelgadoRichèl Hogenkamp (born 16 April 1992) is a professional tennis player from the Netherlands. Her highest WTA singles ranking is 94, which she reached on 24 July 2017. On the ITF Women's World Tennis Tour, she has won 16 singles and 14 doubles titles. This photograph depicts Hogenkamp competing at the 2015 Madrid Open.
Painting: Johannes VermeerThe Milkmaid is an oil painting on canvas by the Dutch artist Johannes Vermeer. Thought to have been completed c. 1657–58, it depicts a domestic kitchen maid pouring milk into a squat earthenware container. It is now in the Rijksmuseum in Amsterdam, Netherlands.
Painting: Herman Antonie de BloemeAntonie Frederik Jan Floris Jacob van Omphal (1788–1863) was a Dutch lieutenant general and extraordinary aide-de-camp to William III of the Netherlands. He fought in Napoleon's Imperial Guard in the Battle of Leipzig and the invasion of Russia, then under the United Kingdom of the Netherlands in the Battle of Waterloo. He was awarded a knighthood in the Military Order of William, among other honors.
Photo credit: DiliffA stitched panorama of a canal in the city of Amsterdam, the capital of the Netherlands. A series of concentric, semi-circular canals ("grachten") were dug around the old city centre in the 17th century, along which houses and warehouses were built. The canals still define Amsterdam's layout and appearance today.
Painting: Antonio de PeredaAllegory of Vanity, a vanitas completed by Antonio de Pereda between 1632 and 1636. Works in this category of symbolic art, especially associated with still life paintings of 16th- and 17th-century Flanders and the Netherlands, refer to the traditional Christian view of earthly life and the worthless nature of all earthly goods and pursuits. The Latin noun vanĭtās means "emptiness" and derives its prominence from Ecclesiastes. Common symbols in vanitas include skulls, rotten fruit; bubbles; smoke, watches, hourglasses, and musical instruments.
Raden Saleh (1811–1880) was a Romantic painter of Arab-Javanese ethnicity from the Dutch East Indies (now Indonesia). Born in Semarang, in 1829 he was sent to the Netherlands to study portraiture and landscape painting under artists such as Cornelis Kruseman and Andreas Schelfhout. Upon returning to Java in 1851, Saleh focused predominantly on the day-to-day lives of the Javanese, although he also completed his magnum opus, The Arrest of Pangeran Diponegoro, in this period.
This painting, though long thought to be a self-portrait, is now attributed to Friedrich Carl Albert Schreuel, a German artist whom Saleh knew during his time in Europe.
Photo: Murdockcrc![Image 13Indonesian rupiahBanknotes: Bank of IndonesiaThe rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018[update]'"`UNIQ--nowiki-00000016-QINU`"', the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.This note, denominated 100,000 rupiah, is from a 2011 revision of an earlier series. It depicts Sukarno and Mohammad Hatta, respectively Indonesia's first president and vice-president, on its obverse, and the People's Consultative Assembly building on its reverse. See other denominations: Rp 1,000, Rp 2,000, Rp 5,000, Rp 10,000, Rp 20,000, Rp 50,000More selected pictures](../I/100000_rupiah_bill%252C_2011_revision_(2013_date)%252C_processed%252C_obverse%252Breverse.jpg.webp)
Banknotes: Bank of IndonesiaThe rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018
'"`UNIQ--nowiki-00000016-QINU`"'
, the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.
This note, denominated 100,000 rupiah, is from a 2011 revision of an earlier series. It depicts Sukarno and Mohammad Hatta, respectively Indonesia's first president and vice-president, on its obverse, and the People's Consultative Assembly building on its reverse.
See other denominations: Rp 1,000, Rp 2,000, Rp 5,000, Rp 10,000, Rp 20,000, Rp 50,000
Painting credit: Ambrosius BosschaertAmbrosius Bosschaert (1573–1621) was a Flemish-born Dutch still-life painter and art dealer. A rising interest in botany and a passion for flowers led to an increase in still-life paintings of flowers at the end of the 1500s in the Netherlands and Germany, and Bosschaert was the first great Dutch specialist in the genre. In this oil-on-copper painting, butterflies, a dragonfly, a bumblebee and a caterpillar are nestled among roses, forget-me-nots, lilies-of-the-valley, tulips and other flowers. The painting is in the collection of the J. Paul Getty Museum in Los Angeles, California.
Image credit: Detroit Publishing Co.
Restoration by Massimo CatarinellaA ca. 1900 photochrom of the Singel, a canal in Amsterdam, the Netherlands, with the Munttoren tower in the background. The canal served as a moat around the city until 1585, when Amsterdam expanded beyond the Singel. It is now the innermost canal in Amsterdam's semicircular ring of canals.
Did you know (auto-generated)
- ... that the letters on the platform walls of Wibautstraat metro station refer to the offices of Dutch newspapers that were located on the street above?
- ... that in 1969, the first women's strike for equal pay in the Netherlands was called in a cigar factory in Nieuwe Pekela?
- ... that Museum Arnhem in the Netherlands celebrated its 100th anniversary with a giant cat picture?
- ... that former Dutch rugby union player Sylke Haverkorn served as head coach of the Turkey women's national team before securing the same position at her country's women's national team?
- ... that the Flying Dutchman, a locomotive powered by a horse on a treadmill, could carry 12 passengers at speeds of around 12 miles per hour (19 km/h)?
- ... that Willem van Ruytenburch became more famous after his death, as the "man dressed in yellow" in Rembrandt's The Night Watch, than he was during his life as a Dutch social climber?
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The Netherlands on other Wikimedia projects
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